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Articles 1 - 6 of 6
Full-Text Articles in Latin American Languages and Societies
A Brief Historical Account Of Trends In Contemporary Peruvian Cinema, Sebastián Pimentel
A Brief Historical Account Of Trends In Contemporary Peruvian Cinema, Sebastián Pimentel
Journal of Global Initiatives: Policy, Pedagogy, Perspective
This essay is an overview of the thematic and stylistic tendencies in Peruvian cinema starting with the work of Armando Robles Godoy. It also focuses on the effect of the Law 19327 of 1973 , which was responsible for the formation of a group of influential filmmakers led by Francisco Lombardi. At the beginning of the 21st century, female directors like Claudia Llosa and Rosario Garcia Montero achieved recognition for their cinematic visions of a traumatic Peruvian past. The Vega brothers and Gianfranco Quatrinni also contribute with their styles to an existential sntdy of the Peruvian identity. From the provinces …
Buenos Aires Dreaming: Chronopolitics, Memory And Dystopia In La Sonámbula, Mariano Paz
Buenos Aires Dreaming: Chronopolitics, Memory And Dystopia In La Sonámbula, Mariano Paz
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
The Argentine film La Sonámbula (dir. Fernando Spiner, 1998) is one of the most renowned examples of local science fiction cinema. The film portrays a post-apocalyptic, totalitarian Argentina in the year 2010 (the near future at the time of the film’s release). Since this dystopian scenario never materialized, it might be assumed the concerns and anxieties about Argentine politics that the film conveys might have been exaggerated or unfounded. Drawing on the concept of chronopolitcs, as defined by Paul Virilio, and on the theoretical framework proposed by Paul Ricoeur related to the study of memory and forgetting, this paper discusses …
The Country Bleeds With A Laugh: Social Criticism Meets Horror Genre In José Mojica Marins’S “At Midnight I’Ll Take Your Soul (1963)”, Diana Anselmo-Sequeira
The Country Bleeds With A Laugh: Social Criticism Meets Horror Genre In José Mojica Marins’S “At Midnight I’Ll Take Your Soul (1963)”, Diana Anselmo-Sequeira
Diana Anselmo-Sequeira
Focused on Brazil’s first horror film, José Mojica Marins’s low-budget production "À Meia-Noite Levarei Sua Alma" (1963), this paper explores how Marins, a marginalized Cinema Novo director, used classical horror conventions as tools for political critique. An analysis of this cinematic landmark reveals that Marins’s homegrown horror intersected with Cinema Novo’s main themes, such as cannibalism, class asymmetries, Hollywood’s influence, rightwing censorship, and national identity. Poignantly self-aware, I argue that this campy horror film in fact worked through seminal tensions besieging Brazilian culture throughout the violent dictatorship years (1964-1985), namely the conflicts between urban and rural spaces, intellectuals and illiterates, …
Play In The Land Of Footnotes: Hipótesis De Un Diálogo (In)Estable Con El Pasado, Miharu Miyasaka
Play In The Land Of Footnotes: Hipótesis De Un Diálogo (In)Estable Con El Pasado, Miharu Miyasaka
Electronic Thesis and Dissertation Repository
En un panorama contemporáneo (posmoderno o posestructuralista) en el que se enfatiza la diferencia y la desconfianza hacia las certidumbres —generalizaciones de sospechosa estabilidad y noción de un “sentido común”—, cada vez es más legítima la competencia entre diferentes (grupos) productores de conocimiento para representar el pasado históricamente. Exploro niveles en los que estabilizar, provisionalmente, el “diálogo” entre unos horizontes de infinitas posibilidades y unos, más definidos, horizontes de sentido (histórico, cultural, teórico, institucional, disciplinario, normativo o profesional). En el análisis utilizo perspectivas teóricas sobre la producción cultural, la historiografía, la adaptación fílmica, la crítica deconstructivista, la transdiciplinariedad, la experimentación …
Mobilizing Insurgent Pasts Toward Decolonial Futures, Patrick Crowley
Mobilizing Insurgent Pasts Toward Decolonial Futures, Patrick Crowley
Electronic Thesis and Dissertation Repository
This project is an inquiry into modes of decolonial resistance that mobilize alternative relationships to the past against the modern/colonial writing of history from a Eurocentric perspective taken as universal. I contend that knowledges and memories rooted in non-Western cultural traditions have formed the epistemological basis for ongoing opposition to the hegemonic conception of history as the unfolding of global structural transformations on a single, homogenous timescale. I examine works by Frantz Fanon, Dipesh Chakrabarty, and Zapatista videomakers that expressly reject a Eurocentric, monotopic perspective of history. My objective is to demonstrate the decolonial efforts of intellectuals and ordinary people …
The Female Body As Spectacle: Ángel De Fuego And La Mujer Del Pueblo: Otilia Rauda By Dana Rotberg, Traci Roberts-Camps
The Female Body As Spectacle: Ángel De Fuego And La Mujer Del Pueblo: Otilia Rauda By Dana Rotberg, Traci Roberts-Camps
College of the Pacific Faculty Articles
No abstract provided.