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Latin American Languages and Societies Commons

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Full-Text Articles in Latin American Languages and Societies

The Evolution Of La Mexicana In Corridos Popular In The South Texas Borderlands (1930-2016), Gabriela Cavazos Aug 2017

The Evolution Of La Mexicana In Corridos Popular In The South Texas Borderlands (1930-2016), Gabriela Cavazos

Theses and Dissertations

Corridos have been exhibiting history for almost two hundred years. Moreover, throughout the years, corridos have been demonstrating the cultural shifts of Mexico and the South Texas Borderlands. Corridos represent the spirit of the Mexican and Mexican American culture. They are ballads written to celebrate or to be critical of the life of the protagonists through their accomplishments and actions.


Crossing Borders Toward Young Transnational Lives, G. Sue Kasun, Cinthya M. Saavedra Jan 2014

Crossing Borders Toward Young Transnational Lives, G. Sue Kasun, Cinthya M. Saavedra

Mexican American Studies Faculty Publications and Presentations

Young immigrant youth often live their lives across borders, either by physically crossing them for return visits and/or by metaphorically crossing them through social media and cultural identification. The authors argue these students are better understood as transnational, shifting the focus for educators away from imagining their immigrant students on a straight, one-way path to assimilation in the U.S. to understanding these youths’ abilities to cross borders. Specifically, they call for a redesignation of English Language Learners (ELLs) as Transnational English Learners (TELs). Highlighting examples of educators’ successful border-crossing work, the authors call for educators to cross borders as well …


With His Guitar In His Hand: Representations Of U.S. - Mexico Border Masculinity In Robert Rodriguez's “El Mariachi”, Marlene Galvan May 2010

With His Guitar In His Hand: Representations Of U.S. - Mexico Border Masculinity In Robert Rodriguez's “El Mariachi”, Marlene Galvan

Theses and Dissertations - UTB/UTPA

This thesis closely examines Robert Rodriguez’s film El Mariachi and its portrayal of border masculinity - the masculine identity which exists on the physical space between the U.S. and Mexico, but also the masculinity created by the melding of cultures. The film ignores this complexity and instead dichotomizes maleness along the traditionally Western lines of hard versus soft masculinity. Further, the film glorifies violence, the exploitation of female bodies, shows women as only useful agents of man, punishes transgressive women, and depicts men as only possessing or aspiring to possess individualistic, economic, phallocentric, and patriarchal power which reinforces a variation …


Mariguano, Juan Ochoa Aug 2004

Mariguano, Juan Ochoa

Theses and Dissertations - UTB/UTPA

This book is in many ways autobiographical, but at the same time attempts to tell the story of the many silent characters that have long been omitted from most works on border life. By “silent characters” I am referring to those who operate on the margins of a marginalized society. The reader will be allowed to glimpse inside the life of a social group that values silence and indifference as basic survival skills.

It is this value on silence and indifference that have forced these stories to go unrecorded for so long. Aside from meeting my thesis requirements, it is …