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Articles 1 - 5 of 5
Full-Text Articles in Latin American Languages and Societies
De La Novela Picaresca A El Chavo Del 8, Carlos Aguasaco
De La Novela Picaresca A El Chavo Del 8, Carlos Aguasaco
Publications and Research
Los albores de la modernidad[i] coincidieron con la emergencia de la novela picaresca en la que temas como la niñez, la educación, la pobreza agravada por el hambre extrema, y la idea de la movilidad social, aparecieron representados en obras muy populares como El Lazarillo de Tormes (1554), El Buscón (1626), El Periquillo Sarniento (1819) y La vida inútil de Pito Pérez (1938). La popularidad de la novela picaresca emanaba de su novedosos realismo social y urbano, sumados a la disponibilidad de copias hecha posible gracias a la imprenta de Gutenberg. El Chavo del 8 (1971-1980) ha tenido una …
Rhetoric And Imagery Of The Caracazo In La Última Vez And Its Link To The Political Narrative Of Chavismo, Luis Mora-Ballesteros
Rhetoric And Imagery Of The Caracazo In La Última Vez And Its Link To The Political Narrative Of Chavismo, Luis Mora-Ballesteros
Publications and Research
The present paper is an analysis of topics related to discourse and imagery as articulated in Héctor Bujanda’s novel La última vez (2007). Critics broadly regard this work as a modern archetype for a sort of literature that employs apposite sets of images and establishes relevant metaphoric spaces as underpinnings for a historical frame of reference. In the case of this novel, that frame of reference is the wave of unrest known as the Caracazo (1989). Strictly speaking, the work’s discursive register displays traits and context that revolve around those protests and their aftermath. Due to the manifest political character …
Tracing Trans Bodies In Neobaroque Literature, Huber David Jaramillo Gil
Tracing Trans Bodies In Neobaroque Literature, Huber David Jaramillo Gil
Publications and Research
This document briefly explores the ways in which trans people have been written through Baroque aesthetics in the social and cultural imaginary of Latin America, despite the various unjust forces that have attempted to make them invisible and exclude them from the national narrative. The differences between Severo Sarduy’s Neobaroque, Néstor Perlongher’s Neobarroso, and Pedro Lemebel’s Neobarrocho are analyzed, while exploring their individual limitations and potentialities for voicing the joys and pains of being trans in an exclusionary society.
¡No Contaban Con Mi Astucia! México: Parodia, Nación Y Sujeto En La Serie Televisiva De El Chapulín Colorado, Carlos Aguasaco
¡No Contaban Con Mi Astucia! México: Parodia, Nación Y Sujeto En La Serie Televisiva De El Chapulín Colorado, Carlos Aguasaco
Publications and Research
¡No contaban con mi astucia! México: parodia, nación y sujeto en la serie televisiva de ‘El Chapulín Colorado’ (Universidad Autónoma de Nuevo León, 2014) es un estudio revolucionario del impacto y la efectividad residual de la literatura del Siglo de Oro y el periodo colonial en la producción audiovisual de Latinoamérica en el siglo veinte. El trabajo de Roberto Gómez Bolaños (creador de El Chapulín Colorado) se transmite hoy en día tanto en el formato original como en series animadas en varios canales de USA. El público norte americano y la academia están presenciando la consolidación de los estudios audiovisuales …
“Globalized Philomels: State Patriarchy, Transnational Capital, And The Femicides On The Us-Mexican Border In Roberto Bolaño’S 2666”, M Laura Barberan Reinares
“Globalized Philomels: State Patriarchy, Transnational Capital, And The Femicides On The Us-Mexican Border In Roberto Bolaño’S 2666”, M Laura Barberan Reinares
Publications and Research
No abstract provided.