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Articles 31 - 33 of 33
Full-Text Articles in Women's History
Fashion And Court-Building In The Sixteenth-Century Florentine Ducal Court: Politics, Agency, And Paleopathology In The Wardrobes Of Eleonora Di Toledo And Giovanna D'Austria, Leah Rachel Jeffers
Fashion And Court-Building In The Sixteenth-Century Florentine Ducal Court: Politics, Agency, And Paleopathology In The Wardrobes Of Eleonora Di Toledo And Giovanna D'Austria, Leah Rachel Jeffers
Scripps Senior Theses
Fashion in the Renaissance became intensely political, highly gendered, and anatomized (i.e. emphasizing human anatomy rather than masking it). Court culture placed a particular emphasis on the body of the courtier, as skills such as dancing and dressing fashionably became crucial to political success in states throughout Europe. In sixteenth-century Florence, the Medici attempted to install a duchy in what was at the time a republican city (with strong republican heritage). Florentine fears of foreign domination and resentment towards non-republican forms of government made the Medici’s task nearly impossible. Fashion became a primary pillar of the Medicean political agenda, as …
From Weak Woman To New Woman And Back: The Long Struggle To Legitimize Women Athletes In The U.S., Rashaun Debord
From Weak Woman To New Woman And Back: The Long Struggle To Legitimize Women Athletes In The U.S., Rashaun Debord
Audre Lorde Writing Prize
This paper details the complicated history of women in sport by looking at the changing popular image of women athletes from the late 19th century to today.
The Parton Paradox: A History Of Race And Gender In The Career Of Dolly Parton, Lindsey L. Hammers
The Parton Paradox: A History Of Race And Gender In The Career Of Dolly Parton, Lindsey L. Hammers
Electronic Theses and Dissertations
With a career that has spanned over five decades, country music artist Dolly Parton has continually redefined her image and her music to remain relevant. By incorporating the musical and lyrical stylings of disco and other popular music genres into her songs, Parton moved beyond music’s color line to increase her popularity as an artist. This thesis shows how Parton established a distinct career that catered to different audiences as she traversed the musical color line and repackaged what feminism looked like to country music fans during the Women’s Movement of the 1960s. Placing Parton’s actions in conversation with music’s …