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Articles 61 - 65 of 65
Full-Text Articles in Medieval History
Virginia Nixon, Mary's Mother: Saint Anne In Late Medieval Europe. Pennsylvania State University Press, 2004, Zennia Hancock
Virginia Nixon, Mary's Mother: Saint Anne In Late Medieval Europe. Pennsylvania State University Press, 2004, Zennia Hancock
Medieval Feminist Forum: A Journal of Gender and Sexuality
No abstract provided.
David Gary Shaw, Necessary Conjunctions: The Social Self In Medieval England. The New Middle Ages Series. Palgrave, 2005, Francine Mcgregor
David Gary Shaw, Necessary Conjunctions: The Social Self In Medieval England. The New Middle Ages Series. Palgrave, 2005, Francine Mcgregor
Medieval Feminist Forum: A Journal of Gender and Sexuality
No abstract provided.
Ruth Mazo Karras, Sexuality In Medieval Europe: Doing Unto Others. Routledge, 2005 , Catherine S. Cox
Ruth Mazo Karras, Sexuality In Medieval Europe: Doing Unto Others. Routledge, 2005 , Catherine S. Cox
Medieval Feminist Forum: A Journal of Gender and Sexuality
No abstract provided.
The Gothic Cathedral And Medievalism, Stephanie A. Glaser
The Gothic Cathedral And Medievalism, Stephanie A. Glaser
UNIversitas: Journal of Research, Scholarship, and Creative Activity
The juxtaposition of these two terms would surprise few, for who would question that the medieval edifice and the study of it in archaeology and art history, and its use in promoting religious, political, social, or aesthetic ideologies since the fifteenth century is a rich subject of medievalism? And yet, at three recent conferences dedicated to the subject: La Cathédrale (2000), The Idea of the Gothic Cathedral (2005), and L'imaginaire moderne de la cathédrale (2006), medievalism as a point of view or even point of departure for the discussions about modern representations of the Gothic edifice, was practically non-existent. This …
Nietzsche’S “Gay” Science, Babette Babich
Nietzsche’S “Gay” Science, Babette Babich
Articles and Chapters in Academic Book Collections
Offers a reading of the allusion to the 'Provencal' in Nietzsche’s The Gay Science, including the troubadour’s art (or 'technic') of poetic song, an art at once secret, anonymous and thus nonsubjective, but also including logical disputation, for which it is the model, and comprising, perhaps above all, the important ideal of action (and pathos) at a distance: l’amour lointain. But beyond the Provençal character and atmosphere of the troubadour, Nietzsche’s conception of a joyful science, Nietzsche's 'gay' science also adumbrates a critique of science understood as the collective ideal of scholarship, and including classical philology as much as logic, …