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Res Historica, Volume 5, Alpha Rho Epsilon Phi Alpha Theta, Lindsay Rae Smith Privette Phd

Res Historica

The 2026 journal of historical research by Anderson University students, Res Historica.

The editorial team for this edition of Res Historica was Dr. Lindsay Rae Smith Privette, Julia Ackerman, Callyn Wright, Logan Davis, and John Hinton. Cover art by Mary Beth Lee.

Objects Of Power: Female Instrumentalists In Medieval To Early Modern Europe, Emma Scherrer

Undergraduate Research Symposium

Women are difficult to locate in traditional histories of western music, especially performers and particularly instrumentalists. The relationship between a female performer, the instrument she played, and her audience was especially fraught, constituting a complicated web of gendered relations and power dynamics. An examination of the contexts in which women played instruments in medieval to early modern Europe elucidates how women in these societies interacted with music and musical institutions. While women were generally excluded from musical institutions and discouraged from playing most musical instruments, many women nevertheless chose to take up an instrument outside of professional contexts. From the …

Hemispheres Of Faith: Mapping The Global Journey Of An Ivory Rosary Bead At The Metropolitan Museum Of Art, Mary M. Thompson

Theses and Dissertations

Hemispheres of Faith reattributes a carved ivory rosary bead in the Metropolitan Museum of Art to the Quito School in 18th-century Ecuador. Through examining the trade history of the Manila Galleons, material analysis, and iconographic study, Hemispheres of Faith challenges the bead's European origins and reveals the object as a product of global exchange, devotional practice, and colonial artistic collaboration within the Spanish Empire.

The Prescribing Of Gender, A Scope On The Societal Ideologies Showcased Within Le Roman De Silence, Derrian Fernandez

Master's Theses

Culture is constantly evolving, its ideologies cementing themselves within our minds, shaping how we as a society guide ourselves through living in such. Social class, religion, gender, all are forms of identity that have a place, and a certain understanding and standing within our culture and society. Through this understanding of ourselves, we are defined, creating multiple forms of distinct expression to help differentiate our place further. A pope is expected to wear a certain attire just as a bride is expected to. The same ideology trickles down, creating demarcations of attire that subsequently ingrain themselves into our culture and …

Saint Brigit And Her Habits: Exploring Queerness In Early Medieval Ireland, Jacqueline K. Stephenson

Undergraduate Theses, Capstones, and Recitals

Saint Brigit's behavior and reception by society highlight an avenue by which women in the early medieval period could escape societal strictures, exercising agency over their bodies and their romantic choices, and carve out a distinct and unexpected place for themselves in a Christian patriarchal society. In Saint Brigit’s case, this is especially demonstrated by the breadth of her portrayed power as not just a nun but a saint, her extreme resistance to marriage, and her frequent comparisons to men. Indeed, her hagiography, written by Cogitosus in the seventh century, positioned her as one of the three principal and earliest …

Medieval German Christian Women’S Religious Experience, Elliot Knell

Departmental Honors & Graduate Capstone Projects

In the medieval period, both professed women and laywomen were deeply involved in manuscript production, and the use of books was often a vital part of their religious practices. In order to fully understand the value that manuscripts held for medieval women it is important to understand the medical and philosophical understandings of sex that permeated medieval society in order to better understand gendered experiences within Christian spaces. Additionally, examining how vision was understood as both a physical and spiritual process allows for a deeper understanding of how visual art is used in religious contexts. In the medieval period, understandings …

Faithful Partner: The Role And Agency Of Pastors' Wives In The Protestant Reformation, Elizabeth M. Dubendorfer

Graduate Theses, Dissertations, and Problem Reports (ETD)

This thesis explores the critical yet often overlooked roles of pastors' wives during the Protestant Reformation, focusing on three key figures: Katharina von Bora, Katharina Schütz Zell, and Elisabeth Cruciger. It examines how these women navigated the complexities of Reformation-era Germany, blending traditional gender roles with new practices that emerged from their unique positions as clerical spouses. By investigating their personal histories, theological contributions, and community engagements, the thesis demonstrates that these pioneering women established a distinct archetype for pastors' wives. This archetype was characterized by a profound commitment to faith, an expanded view of motherhood and wifely duties, and …

Reading The Books Of Margery Kempe And Alice Pyett: Attachment And Feminist Restoration In Michelle Paver's "Wakenhyrst", Laura Varnam

Medieval Feminist Forum: A Journal of Gender and Sexuality

This article examines reading, attachment, and the restoration of female voices in Michelle Paver's Wakenhyrst, a 2019 novel inspired by the fifteenth-century mystic and author, Margery Kempe. The article foregrounds and analyses the author’s own response to the novel and to Paver's comments about Kempe from the perspective of Rita Felski's work on art and attachment (2020) and in the context of Carolyn Dinshaw's reading of Hope Emily Allen's championing of Margery Kempe (2012). Underpinned by a framework that draws on medievalism studies (particularly Katherine Brown's concept of 'restoration'), the article explores the ways in which Paver's two readers …

Selecting Authority: The Compiler And Female Mystical Sources In Speculum Devotorum, Caitlin J. Branumthrash

Medieval Feminist Forum: A Journal of Gender and Sexuality

The fifteenth-century Speculum devotorum, or Mirror to Devout People, is best known for incorporating the texts of mystical women into its narrative of the life of Christ, likely because it has an explicitly stated female audience—a nun of Syon. Rather than considering how the female audience may have perceived the female sources in Speculum devotorum, this article investigates the compiler’s views of his female sources based on how he incorporates them into his work. I argue that the compiler treats his female sources as full auctores, but he only includes their works when he addresses what he considers female …

Bibliography, Alison Langdon

Faculty/Staff Personal Papers

Bibliography of publications by Alison (Ganze) Langdon.

Elite Women In The Mediterranean 31 Bc – 1380 Ad: An Investigation Into Female Agency, Identity, And Patriarchy Across Classical And Christian Paradigms, Julia Maurer

Capstone Showcase

This paper explores the responses of elite women to patriarchal regimes across the Classical Pagan and Medieval Christian paradigms in the Mediterranean from 31 BC to 1380 AD. While the current historiography acknowledges the radical differences between the two worldviews fundamental to the core values of Western Civilization, an investigation of three women that can be taken to be emblematic examples of the periods in which they lived reveals a striking continuity in the nuanced social roles available to women. This continuity contradicts expectations of significant changes reflective of this revolutionary paradigm shift.

I utilize Julia Augusti, Vibia Perpetua, and …

Gendered Violence And The Family: An Analysis Of The 14th-Century Epic "Lion De Bourges", Ashley Paige Holt

LSU Doctoral Dissertations

This dissertation is the first to focus on gender roles within the fourteenth-century French epic Lion de Bourges and the first work to feature extensive translations into English of this medieval text. Using the cyclical dismemberment and reunification of the Bourges family as a lens, it brings into focus the various members of the family, their relationships, and the larger thematic questions about family and society put forward by the poet. Chapter one interrogates the notion of the king as a national father figure as well as the spread of injury and violence from the father/king to the members of …

Brigid Of Kildare: The Saint Who Got A Facelift, Aimee Hunt

Student Research

On the outskirts of Papal authority, early medieval Ireland created its own Christian identity separate from other European nations closer to Rome. Saint Brigid of Kildare, one of the patron saints of Ireland, played important yet problematic roles in that identity. After her death, the church began to alter her history. Being a female bishop, performing the first recorded abortion, and having both men and women within her monastery, Brigid had trodden on the male-dominated system in a way that few women had. Deemed unacceptable but having already been sainted, the Catholic church gave Brigid a holy facelift.

Guþcwen And Ides Ellenrof – The Old English Warrior Woman As Role Model For Female Characters In Tolkien’S Works, Flora Sophie Lemburg

Journal of Tolkien Research

This paper examines the connection between the motif of the Old English warrior woman and Tolkien’s female characters. It provides a critique of Leslie Donovan’s paper “The valkyrie reflex in J. R. R. Tolkien´s The Lord of the Rings: Galadriel, Shelob, Éowyn and Arwen” and contrasts previous research on Tolkien’s female characters focussed either on gender-studies or on a “Germanic” influence with a more direct and specific connection between Medieval English and his works. The motif of the Old English warrior woman is established by investigating the female characters Judith, Elene, and Juliana from the Old English poems Judith, …

Medieval Infertility: Treatments, Cures, And Consequences, Zia Simpson

The Forum: Journal of History

Since the first civilizations emerged, reproductive ability has been one of the most prominent elements in assessing a woman’s value to society. Other characteristics such as beauty, intelligence, and wealth may have been granted comparable consequence, but those are arbitrary and improvable. Fertility is genetic, and for centuries it was beyond human control. Among the medieval European nobility, fertility held even greater power. The absence of an heir could, either directly or indirectly, bring about war, economic depression, and social disorder. Catholicism provided a refuge by allowing barren women to retain their hopes, while simultaneously enriching Rome’s coffers. Other women …

Full Issue

The Forum: Journal of History

No abstract provided.

Imperatrix, Domina, Rex: Conceptualizing The Female King In Twelfth-Century England, Coral Lumbley

Medieval Feminist Forum: A Journal of Gender and Sexuality

This article draws on methods from transgender theory, historicist literary studies, and visual analysis of medieval sealing practices to show that Empress Matilda of England was controversially styled as a female king during her career in the early to mid twelfth century. While the chronicle Gesta Stephani castigates Matilda’s failure to engage in sanctioned gendered behaviors as she waged civil war to claim her inherited throne, Matilda’s seal harnesses both masculine and feminine signifiers in order to proclaim herself both king and queen. While Matilda’s transgressive gender position was targeted by her detractors during her lifetime, the obstinately transgender object …

Demonic Pedagogy And The Teaching Saint: Voice, Body, And Place In Cynewulf's Juliana, Christina M. Heckman

Medieval Feminist Forum: A Journal of Gender and Sexuality

In Cynewulf’s Old English poem Juliana, the saint frames her encounters with her adversaries as pedagogical confrontations, refusing the lessons they attempt to “teach” her and ultimately adopting the identity of a teacher herself. These confrontations depend on three key tropes in the poem: Juliana’s voice, as a material manifestation of language deployed by the saint; her body, both as living body and as relic; and place, especially the place of the saint’s martyrdom and/or burial. Viewed through theories of material feminism, these tropes reveal diverse forms of agency in the poem, as both human and non-human agents make …

Kata Kapcevic, Marija Maracic, Josipa Karaca

SICANJE

No abstract provided.

Janja Majstorovic, Marija Maracic, Josipa Karaca

SICANJE

No abstract provided.

Mara Bojic, Marija Maracic, Josipa Karaca

SICANJE

No abstract provided.

Anica Maric, Marija Maracic, Josipa Karaca

SICANJE

No abstract provided.

Clemence Of Barking And Valdes Of Lyon: Two Contemporaneous Examples Of Innovation In The Twelfth Century, Lisa Murray

Dissertations, Theses, and Capstone Projects

The Twelfth Century in Western Europe was a remarkable time in history. Scholars have noted that Roman law was being revived, Aristotelian theory was being studied, Romanesque and Gothic art was being produced, scholasticism was being cultivated, and economic growth was being fostered by the rise of towns. These are just some of the developments that help give this era the well-known term “twelfth-century renaissance.” Despite the flourishing of creativity that this label suggests, there are few surviving, specific examples of innovation from this time that have been passed down to us. In AD 1175 the Benedictine nun Clemence of …

Depending On Sex? Tongue, Sieve, And Ladle Shaped Pendants From Late Iron Age Gotland, Meghan P. Mattsson Mcginnis

Medieval Feminist Forum: A Journal of Gender and Sexuality

Artifacts of female dress such as brooches and pendants have long been objects of interest to scholars of late Iron Age /early medieval Scandinavia. They figure in dating and tracing stylistic developments, and their presence is often (controversially) used to help assign gender to burials. There are three types of pendants which constitute a type of feminine adornment unique to Viking Age Gotland: the so-called tongue, sieve, and ladle pendants. The purpose of this paper is to examine these pendant types and the possible symbolic and magical functions behind their forms and manner of use, and how these functions intersected …

Research And Study Of Fashion And Costume History Spanning From Ancient Egypt To Modern Day, Kaitlyn E. Dennis Miss

Posters-at-the-Capitol

Through a generous donation to Morehead State University, research has been conducted on thousands of slides containing images of artwork and artifacts of historical significance. These images span from Egyptian hieroglyphs to the inaugural dress of every first lady of the United States. The slides are in the process of being recorded and catalogued for future use by students in hopes of furthering academic comprehension and awareness of the influence of fashion and costume history through the ages. Special thanks to the family of Gretel Geist Rutledge, faculty mentor Denise Watkins, as well as the Department of Music, Theatre, and …

“The Bedroom And The Barnyard: Zoomorphic Lust Through Territory, Procedure, And Shelter In ‘The Miller’S Tale’” & Haunchebones, Danielle N. Byington

Undergraduate Honors Theses

“The Bedroom and the Barnyard: Zoomorphic Lust Through Territory, Procedure, and Shelter in ‘The Miller’s Tale’” is an academic endeavor that takes Chaucer’s zoomorphic metaphors and similes and analyzes them in a sense that reveals the chaos of what is human and what is animal tendency. The academic work is expressed in the adjunct creative project, Haunchebones, a 10-minute drama that echoes the tale and its zoomorphic influences, while presenting the content in a stylized play influenced by Theatre of the Absurd and artwork from the medieval and early renaissance period.

The Queer And The Bodily: Explorations Of Power In Women's Visionary Writing In The Book Of Margery Kempe 2014, Jayne Emerson Stacconi

Master's Theses

The provocative Book of Margery Kempe is a seminal text in the history of female authorship. Claiming to be the first written autobiography, The Book serves as a literary representation of womanhood during the late fourteenth to the fifteenth centuries when Margery was writing, and also speaks to circulating medieval discourses of religion, pilgrimage, and sexuality. Participating in medieval women’s visionary writing as a genre, Margery’s visionary power is a tool by which she is able to emancipate herself from the limiting roles of wife and mother. Additionally, by working within the conventions of visionary writing, Margery is able to …

Medieval Women In Film: An Annotated Handlist And Reference Guide, With Essays On Teaching The Sorceress, Virginia Blanton, Martha M. Johnson-Olin, Charlene Miller Avrich

Medieval Feminist Forum: A Journal of Gender and Sexuality

No abstract provided.

Bibliography Of Works By And About Imre Kertész, Nobel Laureate In Literature 2002, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

The Study Of Literature And Culture Online (Theory And Application), Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.