Medieval History Commons^™

The Third Gender And Ælfric's Lives Of Saints, Rhonda L. Mcdaniel

Richard Rawlinson Center Series

In The Third Gender, McDaniel addresses the idea of the "third gender" in early hagiography and Latin treatises on virginity and then examines Ælfric's treatment of gender in his translations of Latin monastic Lives for his non-monastic audiences. She first investigates patristic ideas about a "third gender" by describing this concept within the theoretical frameworks of monasticism provided by the four Latin Doctors and illustrated in the early Latin Lives of Roman martyrs, revealing the importance of memory in the construction of the monastic "third gender." In the second section McDaniel turns to creating a historical and theological cultural …

"A Meruelous Thinge!": Elizabeth Of Spalbeek, Christina The Astonishing, And Performative Self-Abjection In Oxford, Bodleian Library, Ms Douce 114, Murrielle Michaud

Theses and Dissertations (Comprehensive)

Contributing to the spirited discussion regarding feminist and pro-feminine readings of Middle English hagiography, this dissertation challenges the tradition of grouping accounts of medieval holy women into a single genre that relies on stereotypes of meekness and obedience. I argue that fifteenth-century England saw a pro-feminine literary movement extolling the virtues of women who engaged in what I term “performative self-abjection,” a form of vicious self-renunciation and grotesque asceticism based on Julia Kristeva's model of the abject. The corollary of women's performative self-abjection is ex-gratia spiritual authority, public recognition, and independence, emphasized in the English corpus of fifteenth-century women’s hagiography. …

Bodies Of Resistance: On (Not) Naming Gender In The Medieval West, Alexander V. Baldassano

Dissertations, Theses, and Capstone Projects

This dissertation considers the genres of historiography, romance, hagiography, Chaucerian poetry, and court transcripts. While there are no extant manuscripts depicting transgender-like people’s accounts of themselves, literature of the Middle Ages is replete with fictionalized depictions of ambiguously or transgressively gendered individuals who are meant to symbolize or represent something other than themselves. By investigating how a variety of genres depicts sensationalized and transgressively gendered embodiments, I examine the presentation of transgender-like subjectivity as a manipulation of rhetoric. Viviane Namaste critiques theory such as Marjorie Garber’s Vested Interests, claiming that it reduces the transvestite figure to a rhetorical trope …

Invisible Injuries: The Salvific And Sacramental Roles Of Christina Mirabilis, Sarah Macmillan

Medieval Feminist Forum: A Journal of Gender and Sexuality

The Life of Christina Mirabilis depicts a series of self-inflicted torments which are seemingly unique in medieval devotional literature in that they leave no outward evidence on her body. This essay examines the self-healing nature of Christina's wounds and the importance of their invisibility in a culture which typically emphasises the visibility of the broken body. It considers the ways in Christina’s resurrected body (in both the Latin (c. 1232) and English (c. 1420) versions of her Life) contributes to thirteenth and fifteenth-century purgatorial and Eucharistic theologies, and suggests a correlation between the bodies of Christina and Christ which …

Literary Theories Of Circumcision, A. W. Strouse

Dissertations, Theses, and Capstone Projects

“Literary Theories of Circumcision” investigates a school of thought in which the prepuce, as a conceptual metaphor, organizes literary experience. In every period of English literature, major authors have employed the penis’s hood as a figure for thinking about reading and writing. These authors belong to a tradition that defines textuality as a foreskin and interpretation as circumcision. In “Literary Theories of Circumcision,” I investigate the origins of this literary-theoretical formulation in the writings of Saint Paul, and then I trace this formulation’s formal applications among medieval, early modern, and modernist writers. My study lays the groundwork for an ambitious …

Responding To Modern Flooding: Old English Place-Names As A Repository Of Traditional Ecological Knowledge, Richard L.C. Jones

Journal of Ecological Anthropology

Place-names are used to communicate Traditional Ecological Knowledge (TEK) by all indigenous, aboriginal and First Nations people. Here and for the first time, English place-names are examined through a TEK lens. Specifically, place-names formed in Old English—the language of the Anglo-Saxon—and coined between c. 550 and c. 1100 A.D., are explored. This naming horizon provides the basic name stock for the majority of English towns and villages still occupied today. While modern English place-names now simply function as convenient geographical tags Old English toponymy is shown here to exhibit close semantic parallels with many other indigenous place-names around the world. …

An Environmental History Of Medieval Europe By Richard C. Hoffman, Geneviève Pigeon Dr

The Goose

Review of Richard C. Hoffman's An Environmental History of Medieval Europe.

“The Bedroom And The Barnyard: Zoomorphic Lust Through Territory, Procedure, And Shelter In ‘The Miller’S Tale’” & Haunchebones, Danielle N. Byington

Undergraduate Honors Theses

“The Bedroom and the Barnyard: Zoomorphic Lust Through Territory, Procedure, and Shelter in ‘The Miller’s Tale’” is an academic endeavor that takes Chaucer’s zoomorphic metaphors and similes and analyzes them in a sense that reveals the chaos of what is human and what is animal tendency. The academic work is expressed in the adjunct creative project, Haunchebones, a 10-minute drama that echoes the tale and its zoomorphic influences, while presenting the content in a stylized play influenced by Theatre of the Absurd and artwork from the medieval and early renaissance period.

"So Vexed Me The Þouȝtful Maladie": Public Presentation Of The Private Self In Hoccleve's My Compleinte And The Conpleynte Paramont, Lauren M. Silverio

Honors Scholar Theses

The scholarship surrounding the life and work of Thomas Hoccleve is relatively young and lean compared to the tomes of knowledge that have been circulated about the slightly older and vastly more popular Geoffrey Chaucer. Up until the second half of the 20th century, Hoccleve came through history with the unfortunate moniker of the "lesser Chaucer." What this insult neglects, however, is that Hoccleve was more than just a lowly clerk who spent his days admiring and emulating the so-called Father of English Literature. Thomas Hoccleve deserves recognition for conceiving and creating works that are impressive both in their form …

The Anti-Crusade Voice Of Chaucer's Canterbury Tales, Malek Jamal Zuraikat

Graduate Theses and Dissertations

This study reads some Middle English poetry in terms of crusading, and it argues that the most prominent English poets, namely Geoffrey Chaucer, William Langland, and John Gower, were against the later crusades regardless of their target. However, since the anti-crusade voice of Gower and Langland has been discussed by many other scholars, this study focuses on Chaucer's poems and their implicit opposition of crusading. I argue that despite Chaucer's apparent neutrality to crusading as well as other sociopolitical and cultural matters of England, his poetry can hardly be read but as an indirect critique of war in general and …

Introduction To Innovative Approaches To Teaching Chaucer, Alison (Ganze) Langdon, David Sprunger

English Faculty Publications

Many a medievalist has been seduced by Chaucer. Perhaps it’s the totality of Chaucer’s enduring characters, memorable tales, elusive narrator, and fragmented whole that keeps us coming back. We are fascinated and delighted, too, by his linguistic play and the lyrical cadence of Middle English. Chaucer may have led us to graduate study in the first place and remains a treat that organizes our pedagogical lives. For some who teach in smaller programs or two-year colleges, Chaucer’s canonical status may provide the only guaranteed place for medieval texts in the curriculum and thus represents one small chance to share our …

The Ethics Of Mourning: The Role Of Material Culture And Public Politics In The 'Book Of The Duchess' And The 'Pearl' Poem, Tarren Andrews

Graduate Student Theses, Dissertations, & Professional Papers

This project is a socio-historic analysis of two late 14^th century dream visions: Chaucer’s Book of the Duchess and the Pearl poem. Utilizing Robert Pogue Harrison’s concept of objectifying grief through ritualized communal mourning, this thesis examines the ways in which mourning literature functioned as consolatory device, and a form of public performance for the powerful patrons who commissioned the pieces. By engaging with pre-existing communities of grief, material culture, and courtly discourse these poems perform the work of mourning while simultaneously enacting modes of public performativity that stress the ethics of grieving, and suggest that, for royal patrons, …

The Queer And The Bodily: Explorations Of Power In Women's Visionary Writing In The Book Of Margery Kempe 2014, Jayne Emerson Stacconi

Master's Theses

The provocative Book of Margery Kempe is a seminal text in the history of female authorship. Claiming to be the first written autobiography, The Book serves as a literary representation of womanhood during the late fourteenth to the fifteenth centuries when Margery was writing, and also speaks to circulating medieval discourses of religion, pilgrimage, and sexuality. Participating in medieval women’s visionary writing as a genre, Margery’s visionary power is a tool by which she is able to emancipate herself from the limiting roles of wife and mother. Additionally, by working within the conventions of visionary writing, Margery is able to …

Bound By Words: Oath-Taking And Oath-Breaking In Medieval Lceland And Anglo-Saxon England, Gregory L. Laing

Dissertations

The legal and literary texts of early medieval England and Iceland share a common emphasis on truth and demonstrate its importance through the sheer volume of textual references. One of the most common applications of truth-seeking in these sources occurs in the swearing of oaths. Instances of oath-taking and oath-breaking, therefore, are critical textual loci wherein the language of swearing unites an individual’s socially constructed reputation and his personal guarantees under the careful supervision of the community. Traditionally, scholars looking at truth and attestation from the later medieval period tend to view early cases of swearing as procedural, artless, or …

Student-Centered, Interactive Teaching Of The Anglo-Saxon Cult Of The Cross, Christopher R. Fee

English Faculty Publications

Although most Anglo-Saxonists deal with Old English texts and contexts as a matter of course in our research agendas, many of us teach relatively few specialized courses focused on our areas of expertise to highly-trained students; thus, many Old English texts and objects which are commonplace in our research lives can seem arcane and esoteric to a great many of our students. This article proposes to confront this gap, to suggest some ways of teaching a few potentially obscure texts and artifacts to undergrads, to offer some guidance about uses of technology in this endeavor, and to help fellow teachers …

Welsh Manipulations Of The Matter Of Britain, Timothy J. Nelson

Graduate Theses and Dissertations

"Welsh Manipulations of the Matter of Britain" examines the textual relationships between Geoffrey of Monmouth's Historia regum Britanniae and the Welsh Brut y Brenhinedd in the Cotton Cleopatra manuscript. This thesis initially provides an overview of the existing scholarship surrounding the Welsh translations of Geoffrey's Historia with a specific focus on the Cotton Cleopatra Brut. The textual examination of the two histories begins with an extended commentary on the general textual variations between the two texts before concentrating on the specific changes that were made in the Cotton Cleopatra to reflect the adapter's pro-Welsh nationalistic and political biases. The general …

Chivalric Schism : The Man Who Occupies The Masculine And The Feminine 2014, Timothy C. Morris

Master's Theses

Designated male and female gender roles have created a certain set of expectations that shape the lives of men and women. Although there are benefits and drawbacks for each of the sexes as a result of these sets of rules, males have unquestionably seen themselves the beneficiaries throughout the course of history far more often than their female counterparts. I would argue, however, that chivalric codes, behaviors ascribed to men of the knightly class in the Middle Ages, are confusing and even contradictory for their subjects, thus negating some of the advantage typically granted by virtue of being a male. …

Situating Digital Archives, Michelle R. Warren

Dartmouth Scholarship

This essay is the introduction to an essay collection about the Middle English Prose Brut manuscript purchased by Dartmouth College in 2006. I consider how the competing pressures of access and preservation condition scholarship in medieval studies. I suggest several analogies between the digital humanities in general, digital philology in medieval studies, and the historical practices of medieval writers: hacking, dark archive, and prosthesis.

The Dartmouth Brut: Conservation, Authenticity, Dissemination, Deborah Howe, Michelle R. Warren

Dartmouth Scholarship

This essay describes the conservation process of the Dartmouth Brut manuscript: Dartmouth College, Rauner Special Collections Library, MS 003183. The format alternates between the observations and descriptions of the conservator, Deborah Howe, and those of medievalists Michelle Warren. The essay includes photos of Deborah's process in making a fragile fifteenth-century manuscript useable in the twenty-first century.

Appendix A To Feeling Like Saints: Lollard Writings After Wyclif, Fiona Somerset

Supplementary Material for Published Books

Appendix A: Brief Descriptions of Frequently Cited Manuscripts

These descriptions provide a list of contents for selected manuscripts frequently cited in Feeling Like Saints: Lollard Writings after Wyclif (Cornell U. P., 2014). I have worked extensively with each of these manuscripts, but I also rely on previous descriptions as cited within. Abbreviations used are those listed in the table of abbreviations in the published book.

Appendix B To Feeling Like Saints: Lollard Writings After Wyclif, Fiona Somerset

Supplementary Material for Published Books

Appendix B: The Pastoral Syllabus of SS74 and a Detailed Summary of the Sermons

This appendix summarizes the contents of each sermon in the sermon cycle that occupies the bulk of Cambridge, Sidney Sussex College MS 74. Details are given of the epistle lection, the sermon from the English Wycliffite Sermons included as a protheme, the content of the epistle sermon, and the pastoral teaching provided. Abbreviations used are those in the table of abbreviations in Feeling Like Saints: Lollard Writings after Wyclif (Cornell, 2014).

The Unbought Grace Of Life: Chivalry In Western Literature, Richard N. Boggs

Master of Liberal Studies Theses

The code of chivalry has a rich literary history. From the violence and misogyny of pre-chivalric ancient Greece and Rome, the chivalric code was constructed in a deliberate effort to curb and improve the most violent aspects of male behavior. The chivalric male ideal was built upon the tripartite foundation of the ancient archaic virtues, the gallantry of Germanic barbarians, and the Christian beatitudes. Chivalry sought a male ideal which brought raw strength and power under the concept of legitimate authority. By casting the literary male ideal – the knight – into the role of the defender of the weak …

Mars And Venus: Symbols Of The Chaotic And Conflicted Human Passions And The Reestablishment Of Order In “The Knight’S Tale.”, Olivia L. Blessing

Senior Honors Theses

During the Middle Ages, Europe experienced a period when philosophers attempted to separate and analyze the passionate and rational elements of the soul.  Some supported strict reason as the sole moral basis for living, while others looked to the tempestuous passionate emotions.  Geoffrey Chaucer’s “The Knight’s Tale” portrays this conflict between reason and the passions through the depicted relationship between Mars and Venus and the uncontrolled passions of Arcite and Palamon.

Determining that a world controlled by passions results in chaos, Chaucer offers three different solutions—negating the passions, subjugating the passions to reason, and a balance between passion and reason. …

Mythology In The Middle Ages: Heroic Tales Of Monsters, Magic, And Might, Christopher R. Fee

Gettysburg College Faculty Books

Myths of gods, legends of battles, and folktales of magic abound in the heroic narratives of the Middle Ages. Mythology in the Middle Ages: Heroic Tales of Monsters, Magic, and Might describes how Medieval heroes were developed from a variety of source materials: Early pagan gods become euhemerized through a Christian lens, and an older epic heroic sensibility was exchanged for a Christian typological and figural representation of saints. Most startlingly, the faces of Christian martyrs were refracted through a heroic lens in the battles between Christian standard-bearers and their opponents, who were at times explicitly described in demonic terms. …

Shakespeare Adapting Chaucer: “Myn Auctour Shal I Folwen, If I Konne”, Scott A. Hollifield

UNLV Theses, Dissertations, Professional Papers, and Capstones

Geoffrey Chaucer's distinctively English spins on such genres as dream vision, fabliau and Breton lai, as well as his liberal citation of authorities in Troilus and Criseyde, offered early modern English poets the license to mingle sources and authorities within their work, rather than bend their writing to fit the format. Few authors took such productive advantage of Chaucerian permissiveness as William Shakespeare, whose narrative poems defer to Chaucer's distinctively English authority with a regularity comparable to his uses of Homer, Ovid, Virgil and Plutarch. This free-associative approach to auctoritee, the whetstone of the poet-playwright's dramatic imagination, suggests that …

Interpretations Of Medievalism In The 19th Century: Keats, Tennyson And The Pre-Raphaelites, Shannon K. Wilsey

CMC Senior Theses

This thesis describes how different 19th century poets and artists depicted elements of the medieval in their artwork as a means to contradict the rapid progress and metropolitan build-up of the Industrial Revolution. The poets discussed are John Keats and Alfred, Lord Tennyson; the painters include William Holman Hunt and John William Waterhouse. Examples of the poems and corresponding Pre-Raphaelite depictions include The Eve of Saint Agnes, La Belle Dame Sans Merci and The Lady of Shalott.

Bibliography Of Works By And About Imre Kertész, Nobel Laureate In Literature 2002, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

The Study Of Literature And Culture Online (Theory And Application), Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

History Of Ricl: Research Institute For Comparative Literature, University Of Alberta 1985-1999, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Landscapes Of Conversion: Guthlac's Mound And Grendel's Mere As Expressions Of Anglo-Saxon Nation Building, Paul Siewers

Faculty Contributions to Books

An examination of the Old English poem Beowulf as a landscape-text, expressing the Anglo-Saxon project of political hegemony over native peoples and environments.