Medieval History Commons^™

The Image Falls Apart, Alexa N. Curran

Masters Theses

The Image Falls Apart is a phenomenological account of my collision with Rogier van der Weyden’s The Descent from the Cross (ca. 1435). In an ever-expanding landscape of visual stimuli, how do we make sense of images that are an encounter with the sacred? Of what use to a modern viewer is an altarpiece of the late medieval period that, in its miraculous rendering of each of its human figures, reflects the impending iconophobia of the Protestant Reformation? And what does falling have to do with it? With careful attention to the assembly of bodies in space, this multidisciplinary project, …

Regional And Temporal Variation In The Function Of The Castles Of The Norman Conquest, Leah A. Perdue

Departmental Honors & Graduate Capstone Projects

Following the Norman Conquest in 1066, a castle-building project of unprecedented scale transformed the landscape of England. This paper investigates how these structures supported the establishment of Norman rule over England, and how their role changed over time. Through examining case studies, the paper concludes that in the early years following the Conquest castles were primarily used in military operations, but in the following decades became essential administrative sites and seats of local government, as well as symbols of Norman power. The paper also concludes that castles on the border with Wales have a more complicated history, fluctuating in function …

Infinite Line, Infinite Knowledge: The 'Spera' And Organized Chaos In Lambert's Encyclopedia, The 'Liber Floridus', Ava Romano

Theses and Dissertations

The Liber Floridus is a medieval encyclopedia renowned for its program of circular diagrams, or sperae. Inside this manuscript of 190 chapters, these diagrams frame and embody written knowledge, revealing a connection between encyclopedism and life in the Benedictine monastery by creating a coherent visual organization of chapters.

Assertions Of Monastic Identity And Power In The Cloister And Nave Of St. Gall, John D. Treat

The Ozark Historical Review

The Carolingian monastery lived in an unresolved tension between the purity of separation from the world and the benefits to be gained from secular engagement. To confront this dilemma, the parts of the monastery received new layers of symbolic meaning, opening some spaces to lay penetration while shielding others more securely. Here I will examine the monastic cloister and the nave of the abbey church as instances of these two tendencies.

Secured Through Stone: The Power, Monuments, And Memory Of Thyra Danmarkarbót And The Jelling Dynasty, Jacquelyn Truitt

History ETDs

Sometime in the mid-tenth century on the Jutland peninsula of Denmark, the Viking Age Queen Thyra (d. ca. 958/9) passed away and the epithet Danmarkarbót—Denmark’s Adornment—was skillfully carved onto her memorial runestone. Yet Thyra’s story has been clouded by few and unreliable textual sources, by differing assessments of her familial background that have emerged from those sources, and by misrepresentations of the material culture relating to her. This thesis explores Thyra and her place within the Viking Age Jelling dynasty through textual and material evidence and considers how the construction of both medieval and modern memory work and memorialization …

Hemispheres Of Faith: Mapping The Global Journey Of An Ivory Rosary Bead At The Metropolitan Museum Of Art, Mary M. Thompson

Theses and Dissertations

Hemispheres of Faith reattributes a carved ivory rosary bead in the Metropolitan Museum of Art to the Quito School in 18th-century Ecuador. Through examining the trade history of the Manila Galleons, material analysis, and iconographic study, Hemispheres of Faith challenges the bead's European origins and reveals the object as a product of global exchange, devotional practice, and colonial artistic collaboration within the Spanish Empire.

Rinceaux: Authority And Botanical Transcendance In Medieval Authorship, Kyle J. Gunning

Senior Honors Projects

“Rinceaux: Authority and Botanical Transcendence in Medieval Authorship” is a research paper I composed which followed a semester of research that sought to explore various constructions of authorship throughout the late-medieval period. My research considered the field of Chaucer Studies as its main subject, making central the ways in which methodologies such as paleography, codicology, and literary analysis can provide different contexts with which we may understand late-medieval writing and authorship. Throughout the research period I consulted scholarship from a variety of disciplines, analyzed digital manuscript facsimiles, compared textual variations in manuscript transliterations, and studied modern printed editions of medieval …

Theological Rituals Of Death: An Archaeological Case Study Of A Thirteenth Century Christian Burial Site, Makayla J. Bowman

Research and Creativity Symposium

This study examines the theological principles reflected in the burial practices of El Corral de los Condes, a thirteenth-century cemetery associated with the Knights of Calatrava at Zorita de los Canes, Spain. Founded during the Crusades, the Knights combined monastic vows with military service, emphasizing poverty, chastity, and obedience. Archaeological evidence from El Corral de los Condes reveals burials devoid of grave goods, consistent with Christian ideals of renouncing earthly possessions at death, as exemplified in Athanasius’ Life of Antony. The orientation of burials along an East/West axis, with heads facing east, aligns with early Christian eschatology, symbolizing the …

Disrupting The Timeline: Challenging Notions Of A Singular, Linear Early Muslim Historiography, Grayson D. Shaw

Pomona Senior Theses

Few historical events have received the same attention in the formative years of Islam as the so-called “‘Abbāsid Revolution” in 132 AH/750 CE. In both the medieval and modern contexts, this event has been recognized as a monumental formation from which the rest of Islamic history comes downstream from. Problematically, there are no cohesive historical sources from the losers of this conflict; the Umayyads. Utilizing numismatic and architectural evidence, I argue that the alleged rupture between the Umayyads and their ‘Abbāsid successors is overblown by historiography two centuries after the fact. Then, I further analyze what this continuity means for …

Medieval German Christian Women’S Religious Experience, Elliot Knell

Departmental Honors & Graduate Capstone Projects

In the medieval period, both professed women and laywomen were deeply involved in manuscript production, and the use of books was often a vital part of their religious practices. In order to fully understand the value that manuscripts held for medieval women it is important to understand the medical and philosophical understandings of sex that permeated medieval society in order to better understand gendered experiences within Christian spaces. Additionally, examining how vision was understood as both a physical and spiritual process allows for a deeper understanding of how visual art is used in religious contexts. In the medieval period, understandings …

The Mosaic Programs Of The Basilica Of San Vitale And The Great Palace Of Constantinople: A Unique Reinvention Of Roman Pasts, Justine Spencer

University Honors Theses

The Church of San Vitale and the Great Palace of Constantinople offer remarkable examples of artistic productions in early Byzantine mosaics. Bridging from the same Roman past they reinvented a classical medium with their unique interpretations of earlier traditions. They exemplify the diversity of Byzantine artistic productions that could coexist within the same medium and era. The mosaics of the Great Palace were part of a secular governmental public space and found deep in the heart of the Eastern Roman Empire. The mosaics of the Church of San Vitale were made for the domain of the newly reconsecrated Orthodox church …

Fighter, Player, Hunter: Queer Women And Female Agents On Secular Gothic Ivories, Emma Le Pouésard

Medieval Feminist Forum: A Journal of Gender and Sexuality

This essay shines a light on the previously ignored queer representations of women on Gothic secular ivories, taking as its case studies three popular iconographical themes: the Castle of Love, the game of chess, and the courtly hunt. Refusing to yield to compulsory heterosexuality when looking at the indeterminately gendered bodies that populate these objects reveals both the ivories’ inherent queerness and their potential to interrogate their own normativity. Like the romance literature that inspired the images on these objects, they represent and enforce idealized gender norms with remarkable reluctance. In particular, the author highlights overlooked depictions of female homosocial …

Legends Of Light: Crafting Middle Grade Fantasy In The Tradition Of Catholic Philosophy And Medieval Visual Culture, Bernadette Lamb

MFA in Illustration & Visual Culture

This essay promotes the writing and illustrating of middle grade literature that mirrors the wonder-inducing experiences of leafing through an illuminated manuscript and stepping into a Gothic cathedral. An examination of Catholic medieval visual culture moves into a discussion on its underlying philosophy and theology, which are profoundly centered on relational healing and the dignity of the human person. Christian writers including St. Pope John Paul II, C.S. Lewis, J.R.R. Tolkien, Josef Pieper, Madeline L’Engle, Dr. Bob Schuchts, Makoto Fujimura, and Andrew Peterson inform an exploration of mercy, forgiveness, and love as self-gift in the context of illustration and storytelling …

Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift

Publications and Research

From the fall of Islamic Išbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid performance culture emerged in spectacles of miraculous transformation, disciplinary processionals, and representations of religious identity. Ritual, Spectacle, and Theatre in Late Medieval Seville reinvigorates the study of medieval Iberian theater by revealing the ways in which public expressions of devotion, penance, and power fostered cultural reciprocity, rehearsed religious difference, and ultimately helped establish Seville …

Mysteries Of The Gothic, Addison Duvall

CMC Senior Theses

By examining the histories of the Notre-Dame and Chartres cathedrals, I will consider three academic schools of thought regarding the high Gothic Cathedrals: the balanced and rational feat of engineering, the communal and social rituals that bond humans to this space, and the iconographic manifestation of the supernatural. Functionalist engineering paradoxically lays at the heart of these cathedrals' capacity to open the human consciousness to the sacred by using recurrent symbolic patterns from nature, music and mathematics to create divine ratios that transport us. Integrated into these larger architectural designs the repeating visual patterns exalting both biblical and supernatural icons …

Meet Me In The Middle Ages: Engaging With Fantasy, Reality, And Collaborative World-Building, Amanda Greene

MFA in Illustration & Visual Culture

This critical essay accompanies and describes my thesis project, Medievalia Miscellany, a magazine for middle-grade readers which explores the world of medieval fantasy through art, comics, stories, and activities. Throughout the essay, I use my own term “archaeological upcycling” to discuss and explore a variety of relationships between ideas of parts and a whole. I then use it to characterize the way stories are created out of many different parts and how these parts help a reader to relate to both the world of the story and the world in which they live. I describe the genre of medieval fantasy …

Res Historica, Volume 1, Lynneth Miller Renberg Phd, Alpha Rho Epsilon Phi Alpha Theta

Res Historica

The inaugural journal of historical research by Anderson University students, Res Historica.

The editorial team for this edition of Res Historica was Dr. Lynneth Miller Renberg, Hunter Curlee, and Johnathan Sorce. Cover art for this volume is the Phi Alpha Theta: Alpha Rho Epsilon logo created by Dr. Lynneth Miller Renberg.

The World As We Know It: Maps And Atlases From Special Collections, Archives And Special Collections, Luke Meagher

Library Exhibits

Selections of maps and atlases from Sandor Teszler Library’s Special Collections are presented in this exhibit to show how, over time, cartographers have represented the world as we know it.

The Medieval Ideal: Utopian Medievalism In The Life, Thought, And Works Of William Morris, Benjamin Michael Kimball

Dissertations and Theses @ UNI

Interpreting the past often reveals as much about the interpreter as it does about the subject they interpret. This was the case with William Morris and his utopian mythologization of the Middle Ages. His art, writings, politics, and philosophy are suffused with a utopian vision of the medieval past. It runs through the whole body of his work and even in affected his personal life. It became a lens through which he could understand the world around him, a source on which he could draw for his political, social, and artistic critiques of Victorian Society. Through three different vantage points, …

Medieval Weathers: An Introduction, Michael J. Warren

Medieval Ecocriticisms

Introduction to the first volume of Medieval Ecocriticisms.

Full Issue

The Forum: Journal of History

No abstract provided.

As Above, So Below: Italian Amuletic Practices Following The Black Death, Danielle Pigeon

Art History Theses and Dissertations

This thesis explores the production of amuletic rings in the Italian peninsula following the arrival of Yersinia pestis during the mid-fourteenth century. By examining patterns of ornamentation on a selection of Italian rings, I establish connections to the trauma experienced by individuals left in the wake of the plague and argue that these objects offered a sacralized model of protective adornment to counteract the threat of a fatal and seemingly unstoppable illness. Italian amuletic rings can thereby be read as a material response to the anxieties of mass death and bodily horrors that accompanied outbreaks of the Black Death.

The …

Miraculous Monstrosity: Birth And Female Sexuality In The Illuminated Scivias And Cloisters Apocalypse, Jenna M. Mckellips

Medieval Feminist Forum: A Journal of Gender and Sexuality

This paper compares the illuminations in two medieval apocalypses, the Cloisters Apocalypse and Hildegard von Bingen’s Scivias, to inspect their similar constructions of female sexuality, motherhood, and monstrosity. It first analyzes the monstrosity of female sexual organs found in Hildegard’s portrayal of the Church and the Mother of the Antichrist. The paper then goes on to consider the uncanny slippage between images of birth and death in the Cloisters’s depiction of John and the Woman of Revelation 12. Ultimately, the paper not only explores the monstrosity of female bodies in apocalyptic manuscripts, but also concludes that medieval women’s …

Playing At The Crossroads Of Religion And Law: Historical Milieu, Context And Curriculum Hooks In Lost & Found, Owen Gottlieb

Articles

This chapter presents the use of Lost & Found – a purpose-built tabletop to mobile game series – to teach medieval religious legal systems. The series aims to broaden the discourse around religious legal systems and to counter popular depiction of these systems which often promote prejudice and misnomers. A central element is the importance of contextualizing religion in period and locale. The Lost & Found series uses period accurate depictions of material culture to set the stage for play around relevant topics – specifically how the law promoted collaboration and sustainable governance practices in Fustat (Old Cairo) in twelfth-century …

Designing Analog Learning Games: Genre Affordances, Limitations And Multi-Game Approaches, Owen Gottlieb, Ian Schreiber

Articles

This chapter explores what the authors discovered about analog games and game design during the many iterative processes that have led to the Lost & Found series, and how they found certain constraints and affordances (that which an artifact assists, promotes or allows) provided by the boardgame genre. Some findings were counter-intuitive. What choices would allow for the modeling of complex systems, such as legal and economic systems? What choices would allow for gameplay within the time of a class-period? What mechanics could promote discussions of tradeoff decisions? If players are expending too much cognition on arithmetic strategizing, could that …

The Frontispiece Woodcut In The Fasciculus Temporum In Portland State University’S Codex, Amanda Bonilla

Extra-Textual Elements

The frontispiece image in the PSU codex is in the tradition of ‘the education of the prince,’ a popular choice for early printed works, particularly historical chronicles and similar manuscripts related to ancient times.

A portal with columns provides an entrance into the book, and also encloses and protects its contents. This shape, echoing the triumphal arches of classical antiquity, was a popular motif in renaissance publishing. Along with the king’s crown worn on top of a turban-like head wrap, the columns and arches suggest a connection to classical antiquity. Although most images do not reference an artist, making it …

Lost & Found: New Harvest, Owen Gottlieb, Ian Schreiber

Presentations and other scholarship

Lost & Found is a strategy card-to-mobile game series that teaches medieval religious legal systems with attention to period accuracy and cultural and historical context.

Set in Fustat (Old Cairo) in the 12th century, a great crossroads of Islam, Judaism, and Christianity. The Lost & Found games project seeks to expand the discourse around religious legal systems, to enrich public conversations in a variety of communities, and to promote greater understanding of the religious traditions that build the fabric of the United States. Comparative religious literacy can build bridges between and within communities and prepare learners to be responsible citizens …

Acts Of Meaning, Resource Diagrams, And Essential Learning Behaviors: The Design Evolution Of Lost & Found, Owen Gottlieb, Ian Schreiber

Articles

Lost & Found is a tabletop-to-mobile game series designed for teaching medieval religious legal systems. The long-term goals of the project are to change the discourse around religious laws, such as foregrounding the prosocial aspects of religious law such as collaboration, cooperation, and communal sustainability. This design case focuses on the evolution of the design of the mechanics and core systems in the first two tabletop games in the series, informed by over three and a half years’ worth of design notes, playable prototypes, outside design consultations, internal design reviews, playtests, and interviews.

Vice & Virtue As Woman?: The Iconography Of Gender Identity In The Late Anglo-Saxon Psychomachia Illustrations, Stephenie Mcgucken

Medieval Feminist Forum: A Journal of Gender and Sexuality

In the Late Anglo-Saxon illustrated manuscripts of Prudentius's Psychomachia, vice and virtue are often shown ambiguously and the audience is encouraged to question what is male and what is female, and whether such categories are appropriate in understanding these illustrations. This paper utilises transgender theory to demonstrate how gender could be deployed in Late Anglo-Saxon manuscripts to question the roles of men and women with the ultimate aim of stressing the importance of righteous behaviours.

Janja Majstorovic, Marija Maracic, Josipa Karaca

SICANJE

No abstract provided.