History of the Pacific Islands Commons^™

Transformational Effects Of Museum Exhibits Upon Their Patrons: The National Underground Railroad Freedom Center, Cassandra Caruso-Woolard

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

Mphs Flyer

Mormon Pacific Historical Society

No abstract provided.

Mphs Program Byu-Hawaii

Mormon Pacific Historical Society

No abstract provided.

Kaleohano 1860s, Dr. Ishmael Stagner

Mormon Pacific Historical Society

No abstract provided.

La‘Ie: 1865-1963: The Pre-Pcc Years, Dr. Ishmael Stagner

Mormon Pacific Historical Society

No abstract provided.

To: Tavita “David” Tausilinu’U Hannemann, Max E. Stanton

Mormon Pacific Historical Society

Regarding: Max Stanton’s Experience at the Polynesian Cultural Center, 1964-1965

Altered and revised August 26, 2013 for presentation via Skype from my home in Portland, Oregon (where I was recovering from a recently a severely broken left ankle I had received on August 2, 20123, just five weeks before in Vancouver Island, in Canada.) This was my verbal presentation for the Mormon Pacific Historical Society –at the “Little Theatre” at BYU-Hawaii for the Joseph Napela Centre for Pacific Studies Fiftieth Anniversary Celebration of the Polynesian Cultural Center, September 7, 2013. I wish to extend my sincerest thanks to Drs. Riley …

Pcc Night Show Update, Craig Ferre

Mormon Pacific Historical Society

In 1940 the original chapel in Laie, then 75 years old was being readied for a much need repainting. At the time it was common to remove old paint with a blow torch. This proved fatal to the old wooding structure as it subsequently burnt to the ground. I can imagine that the poor saint whose blow torch ignited the blaze felt terrible, and that he and the other workers were inconsolable with their loss. They could never have envisioned that this tragic act would give rise to one of the world’s most popular tourist attractions, and blessing beyond measure …

“School Thy Feelings”: The Critical Years At The Church College Of Hawaii And The Polynesian Cultural Center, 1955-1970, Alf Pratte

Mormon Pacific Historical Society

Shortly after he was introduced to LDS president David O. McKay, Ishmael W. Stagner was invited to show McKay around the scrubby and waste-like North Shore area in 1955. It had not yet blossomed into the yet unfinished and unnamed cultural institution that in future decades would, in the words of Harold B. Lee, “…tie together the La’ie temple, the Church College of Hawaii, and the Polynesian Culture Center as the paramount activities of the Church.”1

William A. Hagins Papers, Zach S. Henderson Library Special Collections

Finding Aids

This collection contains the papers of William Archer Hagins, Sr. from 1919-2005. Included within the collection are written letters, V-Mail, military documents, and legal documents concerning Hagins’ service in the United States Army during World War I and World War II. Additional materials related to the Hagins Family including William Archer Hagins, Jr., prominent American medical researcher, are included and consist of family photographs and genealogical research materials

Find this collection in the University Libraries' catalog.

Howard W. Hunter And The Development Of The Polynesian Culture Center, Chad Orton

Mormon Pacific Historical Society

While the vision behind the Polynesian Cultural Center may never have been realized without the efforts of Wendell B. Mendenhall, it is also likely that the center may never have celebrated fifty years without the work of Howard W. Hunter. In January 1965—fifteen months after the PCC opened its doors—Elder Hunter, then a member of the Quorum of the Twelve, received a letter from LDS Church President David O. McKay appointing him to replace Mendenhall as Chairman of the Board of the PCC, a position he would hold for more than eleven years. Elder Hunter’s service, coming as it did …

George Paele Mossman’S Lalani Village As A Model For The Polynesian Cultural Center, Riley Moffat

Mormon Pacific Historical Society

As we consider the history and legacy of the Polynesian Cultural Center I think we ought to recognize that while the Center is in many ways unique in its development and purpose it was not the first attempt to create a cultural village with the goal of displaying and preserving Hawaiian culture. That honor goes to George Paele Mossman and his Lalani Village. Indeed, the Lalani Village can and probably was viewed as the model for what was attempted in La‘ie with the PCC.