History of Gender Commons^™

A History Of The Underground Comix Scene: The Seriousness Of An Unserious Genre, Harris Darcie Shugart

Master's Theses

The Underground Comix Scene of the 1960s and 1970s was born out of an age of censorship. The Comics Code Authority, a regulatory body created by the Comics Magazine Association of America in 1954, established guidelines requiring publishing houses to self-regulate following a recommendation from the United States Senate Subcommittee on Juvenile Delinquency in 1953. Comix with an X, for their X-rated nature, represent an emerging counter-culture in the latter half of the 1960s and the 1970s, with an epicenter of San Francisco. These comix and their artists were not interested in obtaining the looming ‘Seal of Approval’ from the …

Res Historica, Volume 5, Alpha Rho Epsilon Phi Alpha Theta, Lindsay Rae Smith Privette Phd

Res Historica

The 2026 journal of historical research by Anderson University students, Res Historica.

The editorial team for this edition of Res Historica was Dr. Lindsay Rae Smith Privette, Julia Ackerman, Callyn Wright, Logan Davis, and John Hinton. Cover art by Mary Beth Lee.

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

Women In War In The Ancient Middle East, Margaret E. Kimbro, Margaret Kimbro

Undergraduate Honors Theses

Women are often overlooked as contributors in conflict and warfare throughout time, both modern and ancient. Women in positions of authority through politics, religion, or both contributed to the management of conflict and warfare through propaganda, political ritual, and direct involvement in the army. This thesis focuses on five different women from Mesopotamia, Egypt, and Syria beginning in the 2200s BCE to the height of the Roman Empire. It focuses on the utilization of primary sources such as translated writings, statues, art and iconography, and documentation of the works of these women. Women’s contributions continue to be overlooked or erased …

Pedro Aceves Mfa Thesis, Pedro M. Aceves

Electronic Theses, Projects, and Dissertations

My Work is about looking at Cruising through a queer decolonial lens. Using multiple mediums such as photo, glass, Augmented reality, and film, I explore these queer histories and aesthetics through not just an anthropological approach but also an artistic epistemological approach weaving together narratives of prehispanic and modern queer Latinidad.

Under The Veil: Women's Head Coverings In Tudor England, Savannah Toth

Honors Program: Senior Projects (Public)

This thesis seeks to discover and analyze the agency and meaning of the role of women’s head coverings and veils within the context of Tudor Christianity, society, and the fashion world of English culture. By observing the usage of the veil through various lenses, this thesis examines the nuance of the veil as an object and actor in Tudor society that enables yet prohibits personal choice for women. This research uses various sources such as Tudor paintings and portraits, surviving pieces of garments, and written accounts to paint a picture of the impact and significance the veil had in every …

Defining ‘Un-Americanism’ In Culture And Art: The Dies Committee’S Investigation Of The Federal Theatre Project, Matthew G. Summers

Dissertations and Theses

This thesis explores the House Un-American Activities Committee’s (HUAC) expansive definition of ‘Un-Americanism’ through the body’s 1938 investigation of the Federal Theatre Project (FTP). The committee, then known as the Dies Committee after its chairman Martin Dies (D-TX), publicly presented the hearings as an attempt to root out communism in a deeply compromised government program. And indeed the FTP, an ambitious New Deal Program to provide work for unemployed professionals in the theatre, had an undoubtedly leftist bent. However, the hearings were consistently focused on the project's progressive stances on issues of race and gender, and effectively exposed the underlying …

Medieval German Christian Women’S Religious Experience, Elliot Knell

Departmental Honors & Graduate Capstone Projects

In the medieval period, both professed women and laywomen were deeply involved in manuscript production, and the use of books was often a vital part of their religious practices. In order to fully understand the value that manuscripts held for medieval women it is important to understand the medical and philosophical understandings of sex that permeated medieval society in order to better understand gendered experiences within Christian spaces. Additionally, examining how vision was understood as both a physical and spiritual process allows for a deeper understanding of how visual art is used in religious contexts. In the medieval period, understandings …

Knowledge Production And The Unthinkable: Weaving Stories Of Art, Gender, And Land, Christin Huntsman

Master's Theses

Colonialism is deeply and violently embedded in Western knowledge formation—dominant power structures produce epistemes that uphold and perpetuate colonial narratives. This kind of knowledge production forecloses other possibilities. Western discourse of truth becomes universalized to the point that other worldviews, other knowledges that do not conform to hegemonic norms, are suppressed or silenced. This thesis examines three areas of hegemony and erasure: art, gender, and land. First, the history of art clearly marks a delineation between Western elitist artistic masterpieces and non-Western ethnographic artifacts. Eurocentrism of art in the academy determines what counts as art and how art is categorized. …

Queerform/Ing, Matthew Solon-Lee Weimer

Art Theses and Dissertations

My artwork is situated within and around vessels and the Queer Homoerotic World and explores sexuality as a Demisexual within them. This is accomplished through the two processes of my creation, Minivague and Queerform/ing: balancing sexual tension and explicit expression, while subverting traditional norms and stereotypes with queerness to distance oneself from stereotypical Gay Art. Altering/emphasizing makes the artwork more romantic, lighter, whimsical, softer, and tender than the figure/s and the situations actually are. The process is also emphasizing what one sees or wants to be seen. The Pink Boy becomes a celebration of intimacy of any form. I discuss …

That Way: An Examination Of Male Relationships In Film During The Hays Code, Jane Knudsen

Theses/Capstones/Creative Projects

The Hays Code (1934-1968) influenced the construct of United States masculinity and the discourse surrounding masculine presentation between the 1920s to the 1960s. The Hays Code and World War II affected the culture surrounding male/male relationships in the United States. Previous research done by David Lugowski (1999) and Jeffrey Suzik (1999) shows that both World Wars led to crises of masculinity in which the hegemonic ideal of masculinity was restructured to establish men as providers and warriors, and Code-era films reflected the discourse. To understand the gender roles in the 20^th century, I analyzed the Hays code, male bonds, …

Bouguereau’S Vampires: Navigating Transgressive Desire In Dante Et Virgile, Angelina Diamante

MA Theses

This thesis investigates William Bouguereau’s Dante et Virgile (1850) in the context of nineteenth century vampire literature, emerging as the seminal text on the matter. Through a cross-discipline examination of Dante’s Divina Commedia (ca. 1308–1321), and two canonical works of Gothic vampire fiction — John Polidori’s The Vampyre (1819) and Joseph Sheridan Le Fanu’s Carmilla (1872), respectively — prominent affinities are articulated. Comprising a broad scope, this text propounds a panoptic argument that such consonance is demonstrative of a reconciliation between the classical and Gothic, forged by nuances of the composition’s own nineteenth century — the Byronic hero, homoeroticism, Neoclassicism, …

Self-Authorship And Professional Identity Formation In Professional-Level Athletic Training Students, Matthew Rivera

All-Inclusive List of Electronic Theses and Dissertations

The development of a professional identity is a crucial component of health professions’ education programs and aids in interprofessional collaboration, communication, efficiency, and patient outcomes. Yet, limited research on the development of the individual as a component of professional identity development exists. The use of curricular strategies rooted in the self-authorship theory can close this gap in the development of a professional identity. Self-authorship is a developmental continuum whereby individuals move from following external formulas to building an internal foundation where they make meaning and integrate beliefs into how they think and act. This study aimed to investigate the self-authorship …

Res Historica, Volume 2, Lynneth Miller Renberg Phd, Alpha Rho Epsilon Phi Alpha Theta

Res Historica

The 2023 journal of historical research by Anderson University students, Res Historica.

The editorial team for this edition of Res Historica was Dr. Lynneth Miller Renberg. Johnathan Sorce, and Helen Smith. Cover art for this volume by Helen Smith.

Navigating Femininity: Queen Elizabeth I And The Armada Portrait, Julia Maurer

Capstone Showcase

By analyzing the iconographic program of the Armada Portrait, this essay demonstrates the various visual strategies that Queen Elizabeth I employed in order to navigate certain gendered, cultural barriers present in Early Modern England. I argue throughout this essay that Elizabeth was meticulous in her delicate dance of bolstering her individual authority, while not radically undermining the patriarchal dispensation in which she lived and ruled. In particular, I demonstrate that Queen Elizabeth I effectively utilized the visual arts to control the public perception of her reign in ways unique to female regnants, as she both confirmed and denied her femininity. …

Re-Curation And Recognition: Addressing The Curation Crisis Through The Garnet Ghost Town, Jocelyn A. Palombo

Graduate Student Theses, Dissertations, & Professional Papers

As universities, federal curation facilities, public museums, and private collections struggle to create space on their shelves curators and archaeologists continuously evaluate what must continue to be stored and what needs to be deaccessioned. Utilizing a collection housed at the University of Montana I explore strategies for combating this issue. The collection originates from the Garnet Ghost Town and has been in the university’s care since its excavation. The objectives of this project are to obtain new information and incorporate innovative techniques to learn more about the collection itself and provide an updated analysis to one of Montana’s most complete …

The Dance Of Domesticity: How Gender Constructs Obscure Lived Experience At Museums, Marcy J. Botwick

Museum Studies Theses

My thesis focuses on Mary Shepard Greene Blumenschein and Ernest L. Blumenschein, married artists born in the late 1860s. Ernest Blumenschein was an important regional artist and member of the Taos Society of Artists (TSA). Paintings by Blumenschein and other TSA members promoted tourism in the Southwestern United States through annual exhibitions and their use in advertising the Atchison, Topeka and Santa Fe Railway (AT&SF). Mary Greene Blumenschein was an award-winning painter and illustrator whose work focused on images of women at the beginning of the twentieth century, however, she is now a secondary and obscure figure in art history. …

Scenes Of Screens, Scenes Of Sodomy: The Role And Impact Of The Folding Screen In Eighteenth-Century French Erotic Novels, Katherine Delony

English Undergraduate Distinction Projects

This project provides an analysis of the folding screen as a literary agent and signifier which reflects the cultural happenings of the eighteenth century with specific emphasis on new ideas about queerness which arise in France during the eighteenth century. I will focus primarily on the Marquis de Sade’s (1740-1814) Justine, ou Les Malheurs de la vertu (1791) (as well as La Nouvelle Justine, 1797) and John Cleland’s (1709-1789) Le Fille de Joie (translated 1751) with reference to Jean-Louis Fougeret de Monbron’s (1706-1760) Margot la Ravaudeuse (1753), Sade’s Philosophie dans le boudoir Jean-François de Bastide’s (1724-1798) La …

By The Power Vesta-Ed In Me: The Power Of The Vestal Virgins And Those Who Took Advantage Of It, Elena M. Stanley

Classical Mediterranean and Middle East Honors Projects

Vestal Virgins were high ranking members of the Roman elite. Due to the priestesses’ elevated standing, Romans made use of their inherent privileges. Through analyses of case studies from ancient authors and archaeology, I identify three ways Romans wielded Vestal power: familial connections, financial and material resources, and political sway. I end by exploring cases of crimen incesti, the crime of unchastity, which highlight all three forms. The Vestals were influential women who shared access to power in different ways. The Vestals were active participants in the social and political world of Rome.

Res Historica, Volume 1, Lynneth Miller Renberg Phd, Alpha Rho Epsilon Phi Alpha Theta

Res Historica

The inaugural journal of historical research by Anderson University students, Res Historica.

The editorial team for this edition of Res Historica was Dr. Lynneth Miller Renberg, Hunter Curlee, and Johnathan Sorce. Cover art for this volume is the Phi Alpha Theta: Alpha Rho Epsilon logo created by Dr. Lynneth Miller Renberg.

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

The Medieval Ideal: Utopian Medievalism In The Life, Thought, And Works Of William Morris, Benjamin Michael Kimball

Dissertations and Theses @ UNI

Interpreting the past often reveals as much about the interpreter as it does about the subject they interpret. This was the case with William Morris and his utopian mythologization of the Middle Ages. His art, writings, politics, and philosophy are suffused with a utopian vision of the medieval past. It runs through the whole body of his work and even in affected his personal life. It became a lens through which he could understand the world around him, a source on which he could draw for his political, social, and artistic critiques of Victorian Society. Through three different vantage points, …

Miraculous Monstrosity: Birth And Female Sexuality In The Illuminated Scivias And Cloisters Apocalypse, Jenna M. Mckellips

Medieval Feminist Forum: A Journal of Gender and Sexuality

This paper compares the illuminations in two medieval apocalypses, the Cloisters Apocalypse and Hildegard von Bingen’s Scivias, to inspect their similar constructions of female sexuality, motherhood, and monstrosity. It first analyzes the monstrosity of female sexual organs found in Hildegard’s portrayal of the Church and the Mother of the Antichrist. The paper then goes on to consider the uncanny slippage between images of birth and death in the Cloisters’s depiction of John and the Woman of Revelation 12. Ultimately, the paper not only explores the monstrosity of female bodies in apocalyptic manuscripts, but also concludes that medieval women’s …

Witch Pamphlets, Tsea M. Francisconi

Graduate Student Theses, Dissertations, & Professional Papers

The witch hysteria that overtook Christian Europe during the Early Modern era inspired a mass paranoia over the conspiratorial belief that the Abrahamic religion’s personification of the world’s evils, also known as Satan, the Devil, demons, or Lucifer interchangeably, was attempting to rise up and cause harm to Christian communities during this time period. It was believed that in order to achieve this goal the Christian version of the Devil had been recruiting humans within Christian communities and turning these chosen humans into witches by granting them the ability to wield magical powers to spread their destruction, murder, and terror …

The Transition Of Guanyin: Reinterpreting Queerness And Buddha Nature In Medieval East Asia, Robert Wilf

Religious Studies Honors Papers

Avalokitesvara, better known by the Chinese name of Guanyin, is perhaps the second most pervasive figure in all of Buddhism after the historical Buddha himself. Part of this popularity comes from his adaptability and willingness to change to order to save everyone, no matter what part of society they might be from. It is thanks to this adaptability that Guanyin’s iconography varies wildly by region, with much of Theravada and tantric Buddhism depicting him as a man, while Mahayana Buddhism tends to revere her as the patron of women. From their earliest description, Guanyin was known to transcend boundaries to …

Women At The Dawn Of History, Agnete Wisti Lassen, Klaus Wagensonner

Occasional Publications

This lavishly illustrated volume gives a voice to women who lived millennia ago in Mesopotamia, present-day Iraq, Syria and Turkey, and explores their roles, representations and contributions to society.

Tens of thousands of cuneiform texts, monumental sculptures, and images on terracotta reliefs and cylinder seals cast light on the fates of women at the dawn of history, from queens to female slaves. In the patriarchal world of ancient Mesopotamia, women were often represented in their relation to men—as mothers, daughters, or wives—giving the impression that a woman’s place was in the home. But, as we explore in this volume, they …

Α “Guarantee Of Clustered Energy And Collective Promotion”: The Association Of Greek Women Artists And Its Exhibitions In The 50s And 60s, Glafki Gotsi

Artl@s Bulletin

Founded in Athens in 1954 the Association of Greek Women Artists aimed at promoting art among the Greek public, confronting the problems of women artists through collective action, and encouraging the presentation of Greek art on the international scene. In the 1950s and 1960s it organized a significant number of group exhibitions in Greece as well as abroad, where its members showed their work. This paper examines the context of the association’s all-women shows and their meaning in relation to feminist cultural politics inside but also beyond national borders. More specifically, it analyzes the circumstances under which the collectivity was …

Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo

Dissertations, Theses, and Capstone Projects

This thesis explores the life-work chronology of the dancers and choreographers Clotilde von Derp (whose surname then was Sakharoff) and Alexander Sakharoff, who were exiled in Montevideo, Uruguay, and Buenos Aires, Argentina, between 1941 and 1948. During their stay in the Rio de la Plata region, the Sakharoffs stirred up the art scene by performing extremely detailed dances with great attention to costume design. This thesis begins with a review of the reception of the dancers’ performances by the artistic and cultural circles in Montevideo, arguing that the Sakharoffs’ “queer” trajectory resonated with the Uruguayan artistic community, influencing the creation …

"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano, Raquel Sáenz-Llano

LSU Master's Theses

This thesis studies the evolution, ideology and use of the myth of La Llorona through time in the Hispanic World. Considering this myth as one of the most known traditional narratives of the American continent, I begin by providing visual, ethnohistorical and ethnographical insights of weeping in Mesoamerica and South America and the specific mention of a weeping woman in some Spanish chronicles to say how western values were stablished in “the new continent” through this legend. I suggest that during the postcolonialism the legend did not tell anymore about a mother that cries and search a place for their …

Janja Majstorovic, Marija Maracic, Josipa Karaca

SICANJE

No abstract provided.