Cultural History Commons^™

Review Of A New Heartland: Women, Modernity, And The Agrarian Ideal In America By Janet Galligani Casey, Pamela Riney-Kehrberg

Great Plains Quarterly (through 2013)

In A New Heartland, Janet Galligani Casey tackles the difficult issue of how to judge modernity in early twentieth-century America by focusing on a group often thought to embody traditional and anti modern America, its rural women. The book is not about the realities of rural life. Instead, it is about the depiction and idea of rural life, and women's place within these. Galligani Casey examines women's place in the periodicals, literature, and photography of the time, doing a particularly good job of analyzing the leading farm women's periodical of the day, The Farmer's Wife. The book connects agrarian …

Great Plains Quarterly Volume 32 / Number 3 / Summer 2012

Great Plains Quarterly (through 2013)

Contents

Book Reviews

Notes and News

Christopher Lasch And Prairie Populism, Jon K. Lauck

Great Plains Quarterly (through 2013)

Christopher Lasch was born in Omaha in 1932. By the end of his life, cut short at age sixty-one, he had become one of the most famous intellectuals in the world. During his life of active writing from the time of the early Cold War until the fall of the Soviet Union, Lasch's distinctive voice pierced through the din of the nation's noisy political and cultural debates. The historian Jackson Lears recalled, in particular, the "spell that Lasch cast over a generation of historians and cultural critics who came of age in the 1960s and 1970s." A product and one-time …

Review Of Eyewitness At Wounded Knee By Richard E. Jensen, R. Eli Paul, And John E. Carter, Dawn G. Marsh

Great Plains Quarterly (through 2013)

Wounded Knee, Pine Ridge, the Ghost Dance are all phrases that invoke, perhaps more than any others, the senseless, prolonged acts of atrocity against Native Americans. The story of the events, peoples, and places unfolds on a bleak wintry landscape of the Northern Plains at the end of the nineteenth century. Scholars tell and retell this story, pondering the causes and failed communications, often seeking explanations or rationalizations for the assault on Sioux men, women, and children that took place in South Dakota leaving more than 250 dead. Storytellers, poets, and screenwriters employ the frozen, barren landscapes of the Northern …

Review Of The Dream Of A Broken Field By Diane Glancy

Great Plains Quarterly (through 2013)

In her latest book, Diane Glancy, professor emerita at Macalester College, Minnesota, and author of numerous novels, short story collections, and essay collections, returns to the topics that have always been the focus of her work: the importance of space, of landscape, and of travel; reflections on (nonfiction) writing and what she calls "geographies of language" in The Dream of a Broken Field; the difficulties of bridging Native American and European heritages (Glancy has Cherokee, English, and German ancestry); the uneasy combination of Christianity and Indigeneity; and her personal emotional and family history. Like her previous work, especially Claiming …

Review Of Lone Stars Iii: A Legacy Of Texas Quilts, 1986- 2011 By Karoline Patterson Bresenhan And Nancy O'Bryant Puentes, Marcia Kaylakie

Great Plains Quarterly (through 2013)

Long awaited by the quilt world, Lone Stars III is the summation of a trilogy of Texas quilt history and quilt documentations. Following the tremendous success of the first two volumes (1986, 1990), book three is another visual wonder of quilt artistry in all its forms. The book is well constructed to create a unified flow of images and ideas. In their introductory "A Quarter Century of Change," Karoline Patterson Bresenhan and Nancy O'Bryant Puentes present a graphic account of the thoughts of modern quilt artists as they struggle to find meaning in modern events.

Review Of West-Words: Celebrating Western Canadian Theatre And Playwriting Edited By Moira J. Day, Scott Sharplin

Great Plains Quarterly (through 2013)

Collecting essays from a 2007 national conference hosted by the University of Saskatchewan Drama Department and the Canadian Association of Theatre Research, West-words purports to be "the first comprehensive study of contemporary theatre across the [Canadian] prairies" since 1977. It is certainly wideranging, in terms of style, subject matter, and theme; "comprehensive," however, is beyond the reach of this scattershot anthology.

Editor Moira J. Day divides the entries according to provincial content, moving east to west like the colonists' path across the three prairie provinces. A fourth heading, "Crossing Regional Borders," seems to undermine the tidy geographical categorization of Manitoban, …

Review Of Will Rogers: A Political Life By Richard D. White Jr., Paul F. Lambert

Great Plains Quarterly (through 2013)

A child of the Southern Plains, Will Rogers became an iconic national figure in the 1920s and '30s. Renowned as a vaudevillian, a comedic movie star, a syndicated newspaper columnist, a radio commentator, and an author, Rogers's significance as a political figure has largely been minimized or overlooked. Richard D. White Jr. demonstrates successfully that Rogers indeed was an influential political commentator whose support on behalf of various issues was sought and coveted by presidents from Woodrow Wilson to Franklin Roosevelt.

Review Of Masculine Style: The American West And Literary Modernism By Daniel Worden, Blake Allmendinger

Great Plains Quarterly (through 2013)

Daniel Worden argues that masculinity isn't a biological identity or a fixed construct, but a type of performance that allows for fluidity, enabling individuals "the freedom to refashion the self and live as an equal among others." The men and women who assume such a style challenge a hierarchical system in which men are equated with power and dominance. They reveal a complex subjectivity, sometimes engaging in sentimental relationships and forming unorthodox friendships and unions-unlike the traditional cowboy, who is portrayed in literature as a rugged and isolate, though presumably heterosexual, male. Worden examines the subversion of stereotypical western masculinity …

Review Of Scenery, Curiosities, And Stupendous Rocks: William Quesenbury's Overland Sketches, 1850-51 By David Royce Murphy, With Contributions By Michael L. Tate And Michael Farrell, James Peck

Great Plains Quarterly (through 2013)

This handsome volume is a welcome addition to the growing literature detailing nineteenth- century overland migration, especially travel in and through the Great Plains. Its subject is the Omaha World-Herald's William Quesenbury sketchbook, published here in its entirety for the first time. Quesenbury, who traveled west from Arkansas to California seeking gold in 1850 and returned east with John Wesley Jones as part of his team of Pantoscope artists in 1851, produced more landscape drawings of the North Platte and Sweetwater Rivers High Plains regions than any other historical figure.

Review Of Imprisoned Art, Complex Patronage: Plains Drawings By Howling Wolf And Zotom At The Autry National Center By Joyce M. Szabo, Phillip Earenfight

Great Plains Quarterly (through 2013)

Imprisoned Art adds to its author's growing list of impressive publications that consider the so-called ledger drawings created by Plains Indian warriors incarcerated, as prisoners of the Southern Plains wars, at Fort Marion in St. Augustine, Florida, between 1875 and 1879. It focuses on what were once two fully intact books of drawings, one by Zotom (Kiowa), the other by Howling Wolf (Cheyenne). Treated earlier in Dorothy Dunn's 1877: Plains Indian Sketch Books of Zo-Tom and Howling Wolf (1969), and, with respect to Howling Wolf, in Szabo's Howling Wolf and the History of Ledger Art (1994), the books receive here …

Review Of American Indian Nations From Termination To Restoration, 1953-2006 By Roberta Ulrich, James Allison

Great Plains Quarterly (through 2013)

Roberta Ulrich's blistering, 2S0-page tour of dozens of different Indian groups undergoing termination and restoration can at times leave the reader dizzy and gasping for air. With so many different communities undergoing such diverse experiences, it is often hard to see the utility of housing these stories under one roof. Convenience is welcome, but analytical coherence is better. Ulrich herself provides little justification for the project and rarely draws illustrious conclusions across tribal experiences. She does, however, dutifully collect all the stories together and provides a clear structure that allows readers easily to discern common themes and patterns. For that, …

Review Of This Is Not The Ivy League: A Memoir Y Mary Clearman Blew, Julene Bair

Great Plains Quarterly (through 2013)

Mary Clearman Blew reports that her "gorge still rises" recalling "the dearth of expectations" held out for her during her remote Montana childhood. In passages reminiscent of Alice Munro's Lives of Girls and Women, we see a smart girl who, to realize her potential, must bring her own volition ruthlessly to bear.

Of course, she is not forgiven for overstepping her bounds. Most critical of her are her husband's parents. When, after marrying at age eighteen, she becomes pregnant within the year, her mother-in-law is triumphant: "I guess this is finally the end of college for you!" Instead, Blew …

Review Of After Custer: Loss And Transformation In Sioux Country By Paul L. Hedren, Rani-Henrik Andersson

Great Plains Quarterly (through 2013)

Paul Hedren is well known for excellent studies focusing on the Sioux wars and the Northern Plains. In After Custer: Loss and Transformation in Sioux Country, Hedren returns to his favorite topics, but this time telling a story no longer focused on Northern Plains conflicts between Indians and whites, but on the changes that took place in the years following the Plains Indian Wars. His approach is admirable, since for most people-scholars and general readers alike-interest often ends with the conclusion of open combat. The years between Little Big Horn and Wounded Knee are seldom treated so thoroughly as in …

The 2012 Great Plains Distinguished Book Prize, Andrew Jewell

Great Plains Quarterly (through 2013)

Selecting a single book to win a prize is a tremendous challenge. There can be something unsatisfying about ranking creative scholarly works knowing there is no such thing as a sole "best" book in a group of quality titles. And yet, each year that I've been a part of the Great Plains Distinguished Book Prize committee, it has happened relatively easily: a book is chosen as the prize winner. The ease does not emerge from a casual attitude toward the selection. On the contrary, the many people involved with choosing the Book Prize winner take it very seriously. I also …

Indians And Empires: Cultural Change Among The Omaha And Pawnee, From Contact To 1808, Kurt E. Kinbacher

Great Plains Quarterly (through 2013)

The Great Plains is in the middle of everywhere. It has been crossed and recrossed for tens of thousands of years. Because of its central location, the region served as a historical laboratory where people were "forever imagining new environments and trying to muscle them into being." In what is now the state of Nebraska-the very center of the middle-divergent groups of Native Americans claimed vast territories and created dynamic cultures. Among these peoples were the Omaha, who settled on the Missouri River, and the Pawnee, who lived in the Platte Valley. Four empires--Spain, France, Great Britain, and the United …

Review Of Violent Encounters: Interviews On Western Massacres Edited By Deborah And Jon Lawrence, Paul H. Carlson

Great Plains Quarterly (through 2013)

"Massacre" is a fiery, often provocative word, and sometimes it is hard to define. In the American West, for example, in a violent encounter, how does one distinguish between 'massacre and battle? Such violence as Cutthroat Gap (1833), Oatman (1851), Mountain Meadows (1857), Bear River (1863), Sand Creek (1864), and McComas (1883) should be defined as massacres. But, how should one define the Sioux Uprising (1862), the Saline and Solomon rivers and the Washita (1868), Little Big Horn (1876), and Wounded Knee (1890)?

Review Of Indigenous Women And Feminism: Politics, Activism, Culture Edited By Cheryl Suzack, Shari M. Huhndorf, Jeanne Perreault, And Jean Barman, Elizabeth Archuleta

Great Plains Quarterly (through 2013)

The editors of this volume recognize politics, activism, and culture as three areas where Indigenous women come together across place and time in order to counter colonial policies that have diminished their power, status, and material circumstances in mainstream society as well as in their own communities. The essays included in Indigenous Women and Feminism explore these three areas through the work of Indigenous women living in the Great Plains regions of Canada and the United States.

The essays in part 1, "Politics," point to leadership as an imperative component of Indigenous feminism. Their authors examine the politics of leadership …

Review Of The Brokeback Book: From Story To Cultural Phenomenon Edited By William R. Handley, Neil Campbell

Great Plains Quarterly (through 2013)

The Brokeback Book's subtitle suggests that it aims to be something more comprehensive than a collection of essays on Annie Proulx's story or director Ang Lee's film. In this respect, this impressive book works well to bring together some previously published essays, such as those by David Leavitt and Daniel Mendelsohn, which took particular positions on the debates around the "gayness" of the film, and places them alongside direct and indirect responses to such critical readings. Hence we have the producer of the film James Schamus's reply to Mendelsohn in which he argues that through "mainstreaming" gayness "we disturb the …

Beyond The Violence Indian Agriculture, White Removal, And The Unlikely Construction Of The Northern Cheyenne Reservation, 1876-1900, James R. Allison Iii

Great Plains Quarterly (through 2013)

Upon first glance, a specific act of violence seemed to fix the particular location of the Northern Cheyenne Reservation. On December 12, 1880, the prominent Northern Cheyenne chief, Little Wolf, staggered into a white-owned trading store near Fort Keogh, Montana Territory, and, in a drunken stupor, shot and killed a fellow Cheyenne named Starving Elk. Enraged at Starving Elk for gambling with his daughter, Little Wolf committed the most atrocious act a Cheyenne could commit, the killing of another Cheyenne. Blood spilled within the tribe polluted the Mahuts, the four sacred arrows the Creator gave to the Cheyenne people to …

Review Of Principle Over Party: The Farmers' Alliance And Populism In South Dakota, 1880-1900 By R. Alton Lee, Francis Moul

Great Plains Quarterly (through 2013)

"During this era, farmers and workers watched as forces of wealth captured control of both major political parties, promoting the formation of monopolies. . . . In the process, the small capitalist class gained control of the great bulk of the nation's wealth. This monetary disparity exacerbated class divisions in the country, and many worried that it would lead to violence and upheaval." That sounds like contemporary headlines about the Occupy Wall Street movement. It isn't. Those words in this book's introduction describe the era from 1865 to 1894, taking in the conditions that spawned one of the most successful, …

Review Of The Notorious Dr. Flippin: Abortion And Consequence In The Early Twentieth Century By Jamie Q. Tallman, Sarah B. Rodriguez

Great Plains Quarterly (through 2013)

Born into slavery, the child of Hugh Flippin and one of his slaves, Vera Denipplf, the teenage Charles Flippin joined the 14th United States Colored Troops Company A in Chattanooga, Tennessee, in 1864. While enlisted, he learned to read. Following the war, he married, had two children, and, following his wife's death, moved to Kansas to start a farm. In the 1880s, Flippin apprenticed with an eclectic physician in Kansas and traveled to the Bennett College of Medicine in Chicago for further study. The local newspaper announced his return as "the only colored medical graduate in the state of Kansas."

Review Of A New Heartland: Women, Modernity, And The Agrarian Ideal In America By Janet Galligani Casey, Pamela Riney-Kehrberg

Great Plains Quarterly (through 2013)

In A New Heartland, Janet Galligani Casey tackles the difficult issue of how to judge modernity in early twentieth-century America by focusing on a group often thought to embody traditional and antimodern America, its rural women. The book is not about the realities of rural life. Instead, it is about the depiction and idea of rural life, and women's place within these. Galligani Casey examines women's place in the periodicals, literature, and photography of the time, doing a particularly good job of analyzing the leading farm women's periodical of the day, The Farmer's Wife. The book connects agrarian …

Review Of The Art Of John Snow By Elizabeth Herbert, Robert Steven

Great Plains Quarterly (through 2013)

Elizabeth Herbert's aim in The Art of John Snow is to restore John Snow (1911-2004) to the register of the most significant artists in Calgary's recent art history. She does this by documenting the recognition he received in his lifetime, the close working relationship he had with other significant artists of his day, the reasons she sees for his neglect by historians, and, more than anything else, the sophistication she sees in his work.

The book is the ninth in a series titled Art in Profile that aims to provide "insight into the life and work of an artist or …

Review Of The Northern Cheyenne Exodus In History And Memory By James N. Leiker And Ramon Powers, Alan Boye

Great Plains Quarterly (through 2013)

In 1878, about 350 Northern Cheyennes fled captivity in Indian Territory, in what is now Oklahoma, in an attempt to return to their homeland in present-day Montana. Before long, thousands of soldiers involving three departments of the U.S. Army, dozens of cowboys, a number of pioneer families, and such mythic figures as Bat Masterson and Wyatt Earp were swept up in the event.

The Cheyennes successfully withstood several battles with the army on their flight. For much of the distance, they paused only long enough to steal horses and food; but, while crossing northwestern Kansas, a number of the Cheyennes …

Review Of Engaged Resistance: American Indian Art, Literature, And Film From Alcatraz To The Nmai By Dean Rader, Beverly R. Singer

Great Plains Quarterly (through 2013)

This study is a wholehearted exploration of artistic and cultural production engaging the theme of American Indian resistance, perhaps going further than previous American Indian art forums in print with a thematic analysis. Rader organizes an inventory of the creative process of resistance (against extinction, misrepresentation, and debasement) by detailing in chapter 2 artistic works-including Jaune Quick-to-See Smith's large painted canvases denoting maps of Indigenous-named states in the U.S.-that Rader says represent a resistance to settler society's seizings and its attempted erasure of Natives while simultaneously claiming their continued presence.

Review Of Texas Through Women's Eyes: The Twentieth-Century Experience By Judith N. Mcarthur And Harold L. Smith, Jean A. Stuntz

Great Plains Quarterly (through 2013)

Texas Through Women's Eyes tells the story of twentieth-century Texans who are mostly left out of Texas history texts. Including women of all races and social classes, the book is arranged to make it especially useful for college classes, but is written in a manner non-academics can enjoy. Each of its four chronological parts (1900-1920, 1920-1945, 1945-1965, and 1965-2000) begins with a lively narrative broken down into several topics, accompanied by a suggested reading list, and ends with a selection of documents pertaining closely to the narrative.

Part 1, "Social Reform and Suffrage in the Progressive Era, 1900-1920," effectively links …

Review Of Empire Of The Summer Moon: Quanah Parker And The Rise And Fall Of The Comanches, The Most Powerful Indian Tribe In American History By S. C. Gwynne, Joseph A. Stout Jr.

Great Plains Quarterly (through 2013)

By 1836, white settlement had moved steadily westward into the Southern Plains, confronting nomadic Indians and leading to increasing violence between the two. When Nokoni Comanches that year attacked Fort Parker-a stockaded fort in east central Texas-they killed or captured white settlers, nine-year-old Cynthia Ann Parker numbered among them. Parker survived to become the wife of Peta Nocona, a Comanche warrior known for his hatred of whites and ferocity in battle. She bore him children, including Quanah Parker.

Review Of Working The Land: The Stories Of Ranch And Farm Women In The Modern American West By Sandra K. Schackel, Mary Zeiss Stange

Great Plains Quarterly (through 2013)

In 1995 Sandra Schackel, then professor of history at Boise State University, was asked to contribute a chapter about rural women's experiences to an anthology on the post World War II American West. The research Schackel accumulated for that chapter, largely in the form of interviews of farm- and ranchwives, provided the foundation for this slender volume. It is a foundation upon which she did relatively little to build. While her oral historical approach suggests some tantalizing avenues for further exploration, they remain for the most part rural roads not taken.

Review Of Empires, Nations, And Families: A History Of The North American West, 1800-1860 By Anne F. Hyde, Walter Nugent

Great Plains Quarterly (through 2013)

This extraordinary book is a recasting and retelling of virtually the entire history of the trans-Mississippi West from 1804 to about 1860. Its solid source foundation ranges from early fur-trade documents to the most recent monographs. It is amply illustrated with rarely seen visuals from many archives and replete with scores of real women and men-AngloAmerican, French, Native, and Metis. The focus is on family connections-marital, sexual, social, economic-and the crossing of racial boundaries and networks. Women are never absent, and their agency is evident. Every chapter opens with a vignette about a family member-man, woman, or child.