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Articles 271 - 300 of 367
Full-Text Articles in Cultural History
Review Of Dakota Philosopher: Charles Eastman And American Indian Thought By David Martinez, Gwen W. Westerman
Review Of Dakota Philosopher: Charles Eastman And American Indian Thought By David Martinez, Gwen W. Westerman
Great Plains Quarterly (through 2013)
As a Dakota man, Charles Alexander Eastman (1858-1939) carried the values and history of his people into a rapidly changing world at the beginning of the twentieth century. Most often noted for his contributions as a narrator of Dakota life on the Great Plains in Indian Boyhood and From the Deep Woods to Civilization, Eastman was also an intellectual and an activist who worked diligently to address contemporary issues of Indian rights-efforts now brought into a new light in Dakota Philosopher: Charles Eastman and American Indian Thought.
Review Of Delaware Tribe In A Cherokee Nation By Brice Obermeyer, Dawn G. Marsh
Review Of Delaware Tribe In A Cherokee Nation By Brice Obermeyer, Dawn G. Marsh
Great Plains Quarterly (through 2013)
The federal acknowledgment process is a highly contested procedure under the best of circumstances. For the Delaware Tribe of Oklahoma the negotiations to establish their national identity while living within the physical boundaries of the Cherokee Nation continue to divide its members and challenge modern interpretations of enrollment. Brice Obermeyer, a cultural anthropologist at Emporia State University and NAGPRA representative for the Delaware Tribe, provides a comprehensive discussion of this historic relationship.
Obermeyer summarizes the histories that brought the Cherokees and Delawares to eastern Oklahoma and the legal efforts to establish an independent Delaware identity since the 1867 Cherokee-Delaware Agreement. …
Review Of Native Liberty: Natural Reason And Cultural Survivance By Gerald Vizenor, Michael Snyder
Review Of Native Liberty: Natural Reason And Cultural Survivance By Gerald Vizenor, Michael Snyder
Great Plains Quarterly (through 2013)
Poet, novelist, and critic Gerald Vizenor is arguably the most accomplished and prolific intellectual in the field of Native American studies. His new collection of cultural criticism includes four original essays and nine expanded revisions of uncollected published pieces. "Ontic Images," perhaps the finest selection, applies his concept of Native transmotion to representations of Natives in photography. Two perceptive pieces of art criticism discuss the aesthetics and contributions of Anishinaabe artists George Morrison and David Bradley. On the whole, this work serves as a useful introduction to the theory and criticism of this brilliant Anishinaabe (aka Ojibwe, Chippewa) writer.
Review Of Conquests & Consequences: The American West From Frontier To Region By Carol L. Higham And William H. Katerberg, Aubrey Streit Krug
Review Of Conquests & Consequences: The American West From Frontier To Region By Carol L. Higham And William H. Katerberg, Aubrey Streit Krug
Great Plains Quarterly (through 2013)
The textbook Conquests & Consequences provides a cohesive narrative framed by the question: How does a historical perspective of cultures, empires, and environments in the American West inform and influence understandings of the West as a frontier, colony, region, borderland, or "center of power in its own right"? To engage undergraduate history students, Carol L. Higham and William H. Katerberg employ a folksy, conversational style (Native pit houses are "roughly the length of an average single dormitory room"). The text also contains an impressive number of photographs and illustrations. Most importantly, Higham and Katerberg introduce terms and content in the …
Review Of Meriwether Lewis By Thomas C. Danisi And John C. Jackson, J. I. Merritt
Review Of Meriwether Lewis By Thomas C. Danisi And John C. Jackson, J. I. Merritt
Great Plains Quarterly (through 2013)
With the possible exception of Aaron Burr, perhaps no figure from the early history of the Republic remains more enigmatic than Meriwether Lewis, who with fellow Army officer William Clark led one of the most celebrated expeditions in the history of exploration. Lewis and Clark's twenty-eight-month "tour," which took them to the Pacific Ocean and back via the Missouri and Columbia drainages, gave the young nation a wealth of knowledge about the Louisiana Territory and Pacific Northwest. Lewis was just thirty-two years old when the Corps of Discovery banked its canoes in St. Louis in September 1806. Yet the young …
Great Plains Quarterly Volume 30 / Number 4 / Fall 2010
Great Plains Quarterly Volume 30 / Number 4 / Fall 2010
Great Plains Quarterly (through 2013)
Contents
Book Reviews
Notes and News
Review Of Calvin Littlejohn: Portrait Of A Community In Black And White By Bob Ray Sanders, Carla Williams
Review Of Calvin Littlejohn: Portrait Of A Community In Black And White By Bob Ray Sanders, Carla Williams
Great Plains Quarterly (through 2013)
Calvin Littlejohn: Portrait of a Community in Black and White came about through the confluence of two significant events around 1994: the enthusiastic reception surrounding the publication of a similarly themed title, Behold the People: R. C. Hickman's Photographs of Black Dallas, 1949-1961; and Littlejohn's family contacting the director of the Dolph Briscoe Center for American History at the University of Texas at Austin about possibly donating his prints and negatives there. These are significant because they point to the need for an archive to preserve and organize material of this scope-some 70,000 negatives and 55,000 prints made over …
Review Of Uprising! Woody Crumbo's Indian Art By Robert Perry, Robert B. Pickering
Review Of Uprising! Woody Crumbo's Indian Art By Robert Perry, Robert B. Pickering
Great Plains Quarterly (through 2013)
In any discussion of important Indian artists of the twentieth century, Woody Crumbo (1912-1989) is a pivotal player. His dynamic figures, brilliant colors, and traditional themes were combined to create a new kind of art. He used traditional art forms and themes from his Potawatomi background as well as themes and incidents from other tribal traditions to inspire his work. Not satisfied with just creating art, Crumbo mentored other artists, and for much of his life he was personally involved in the business of art-creating new opportunities for himself and other Indian artists.
Review Of Taming The Land: The Lost Postcard Photographs Of The Texas High Plains By John Miller Morris, Anne E. Peterson
Review Of Taming The Land: The Lost Postcard Photographs Of The Texas High Plains By John Miller Morris, Anne E. Peterson
Great Plains Quarterly (through 2013)
The advent of the real photographic postcard (RPPC) and the burgeoning growth in the early twentieth century of the Texas Panhandle area of the southern Great Plains coincide. More than 100,000 "optimists" spilled into the region after 1906. The frontier receded as farmsteads grew around railroad towns. The era also witnessed a surge in popularity of the real photographic postcard from 1906 into the 1920s, mailed by the tens of thousands and collected in albums documenting the region. As the population grew, photographers increasingly worked for land developers making images of farmland and also of excursionists traveling to see the …
Review Of A Nation In Transition: Douglas Henry Johnston And The Chickasaws, 1898-1939 By Michael W. Lovegrove, Lisa K. Neuman
Review Of A Nation In Transition: Douglas Henry Johnston And The Chickasaws, 1898-1939 By Michael W. Lovegrove, Lisa K. Neuman
Great Plains Quarterly (through 2013)
What happens when a Native American nation is gradually and purposefully dismantled in order to make way for a new state government? How do tribal leaders meet the challenges of an impending dissolution of their own government and simultaneously fight against the erosion of their tribal sovereignty? These compelling questions inform A Nation in Transition: Douglas Henry Johnston and the Chickasaws, 1898-1939, a new history of the Chickasaw Nation of Oklahoma and its leadership under Governor Douglas Henry Johnston (1898-1902; 1904-1939), whose tenure, according to author Michael W. Lovegrove, was longer than that of any other American Indian executive. …
Review Of Faces Of The Frontier: Photographic Portraits From The American West, 1845-1924 By Frank H. Goodyear Iii, With An Essay By Richard White And Contributions By Maya E. Foo And Amy L. Baskette, Mary Murphy
Great Plains Quarterly (through 2013)
The rise of photography in the United States coincided with the spread of Manifest Destiny, and this handsome exhibit catalogue presents a veritable photographic who's who of the men (and a few women) who were pivotal actors in both the conquest and representation of the American West. The National Portrait Gallery organized the exhibition, Faces of the Frontier, in 2009, with travels to the San Diego Historical Society and the Gilcrease Museum in 2010. The book consists of essays by curator Frank H. Goodyear III and Richard White and the portraits themselves, accompanied by biographical captions.
Four thematic sections …
Review Of Indian Tribes Of Oklahoma: A Guide By Blue Clark, Ron Mccoy
Review Of Indian Tribes Of Oklahoma: A Guide By Blue Clark, Ron Mccoy
Great Plains Quarterly (through 2013)
Oklahoma's license plates, which formerly displayed an Osage shield, now depict a representation of Native son Allan Houser's evocative sculpture of a fellow Apache preparing to fire an arrow at the sky. The legend running across the bottom of the plate reads: "Native America." This is an apt statement about Oklahoma, site of pre-Columbian Indian settlements, westernmost extension of Mississippian mound building cultures, home for Kiowa and Comanche buffalo hunters, and adopted land of Cherokees and others forced to abandon familiar stomping grounds east of the Mississippi River. On a per capita basis, Oklahoma boasts the nation's largest Native American …
Review Of Charles Deas And 1840s America By Carol Clark, With Contributions By Joan Carpenter Troccoli, Frederick E. Hoxie, And Guy Jordan, Gail E. Husch
Great Plains Quarterly (through 2013)
His known works are not many-ninety-eight paintings, drawings, and prints are listed in Carol Clark's catalogue at the end of this richly documented volume-and almost half have not been located. Most of the artist's extant paintings were produced between 1833 and 1849. By the age of thirty, Charles Deas (1818-1867) was disturbed enough to require institutionalization; he spent the rest of his days in one asylum or another. With a career of such apparently limited scope and scale, one might wonder whether the artist deserves the attention he is given in this book and in the exhibition at the Denver …
Review Of Lanterns On The Prairie: The Blackfeet Photographs Of Walter Mcclintock Edited By Steven L. Grafe, With Contributions By William E. Farr, Sherry L. Smith, And Darrell Robes Kipp, Brian W. Dippie
Great Plains Quarterly (through 2013)
Walter McClintock (1870-1949) is principally known for two books, The Old North Trail; or Life, Legends and Religion of the Blackfeet Indians (1910) and Old Indian Trails (1923). Both are illustrated with McClintock's photographs, The Old North Trail generously so. They convey an idealized vision of the traditional Blackfeet culture that captivated McClintock when, as a Yale graduate aspiring to a career in forestry, he visited the Blackfeet reservation in Montana in 1896. On subsequent visits through 1912 his collection grew to over 2,000 photographs, and he established himself as an authority on the tribe, delivering lectures in America and …
"If The Lord's Willing And The Creek Don't Rise" Flood Control And The Displaced Rural Communities Of Irving And Broughton, Kansas, Robin A. Hanson
"If The Lord's Willing And The Creek Don't Rise" Flood Control And The Displaced Rural Communities Of Irving And Broughton, Kansas, Robin A. Hanson
Great Plains Quarterly (through 2013)
In this case study, I examine how the residents of two displaced rural Kansas towns, and their descendants, exhibit a sense of identity common to small farm communities throughout the Great Plains, and how tenacious these ties are even after the physical reminder of their communal bonds no longer exists. By examining the struggles to survive faced by these two towns, Irving and Broughton, the resiliency of the people who called them home, and the continuing expression of community solidarity by the individuals associated with them, I propose that the individuals living within these communities created a transcendental identity similar …
Review Of "I Am A Man": Chief Standing Bear's Journey For Justice By Joe Starita, John M. Coward
Review Of "I Am A Man": Chief Standing Bear's Journey For Justice By Joe Starita, John M. Coward
Great Plains Quarterly (through 2013)
On the night of January 2, 1879, Standing Bear and thirty other Ponca men, women, and children slipped away from their disease-ridden new home in Indian Territory. Standing Bear was on a mission, leading his band back to the tribe's ancestral lands along the Nebraska-South Dakota border where he could honor his dying son's last wish, to be buried near the sacred chalk bluffs above the Missouri River.
As author Joe Starita explains, Standing Bear's journey was plagued by subzero temperatures and gales. When their Omaha Indian friends went out to meet them 600 miles and two months later, Starita …
Review Of He Was Some Kind Of A Man: Masculinities In The B Western By Roderick Mcgillis, John M. Clum
Review Of He Was Some Kind Of A Man: Masculinities In The B Western By Roderick Mcgillis, John M. Clum
Great Plains Quarterly (through 2013)
It takes something of a masochist to watch close to two hundred B westerns, but Roderick McGillis claims to have done that in researching this book. For those of you who are not film history buffs, a B movie was a cheap, relatively short (sixty to seventy-five minutes), formulaic genre film made to be the second half of a double feature. A lot of B movies were westerns because they were cheap and popular, particularly with boys and young men. They had their own stars, many of whom moved on to television, which killed the B movie: Roy Rogers, Gene …
Wish List Wilderness Endgame In The Black Hills National Forest, Robert Wellman Campbell
Wish List Wilderness Endgame In The Black Hills National Forest, Robert Wellman Campbell
Great Plains Quarterly (through 2013)
In January 1979 Dave Foreman loosened his tie, propped his cowboy boots up on his desk, and brooded awhile on RARE II. In a second try at Roadless Area Review and Evaluation (RARE), the u.s. Forest Service had just spent two years deciding once and for all how much of its undeveloped land should be designated Wilderness. To Foreman, a Washington executive of the Wilderness Society, RARE II tasted of bitter defeat, and he lonesomely "popped the top on another Stroh's" as he brooded. The Forest Service had just recommended increasing its Wilderness acres from 18 million to 33 million, …
Review Of The Last Indian War: The Nez Perce Story By Elliott West, Dennis Baird
Review Of The Last Indian War: The Nez Perce Story By Elliott West, Dennis Baird
Great Plains Quarterly (through 2013)
The Nez Perce people (who call themselves Nimiipuu) are ancient inhabitants of Idaho's Clearwater Valley and of the Wallowa Mountains of eastern Oregon. Driven by both curiosity and economics, they have a rich history of travels to distant places, including California, the Rio Grande Valley, and across the Plains to Missouri. Buffalo drew large segments of the tribe to the Great Plains, where many leaders where born. They have an equally rich history of generosity to visitors, a category that included Lewis and Clark, fur traders and missionaries, and eventually the miners and settlers who helped various federal officials …
Preservation Ethics In The Case Of Nebraska's Nationally Registered Historic Properties, Darren Michael Adams
Preservation Ethics In The Case Of Nebraska's Nationally Registered Historic Properties, Darren Michael Adams
Department of Geography: Dissertations, Theses, and Student Research
This dissertation focuses on the National Register of Historic Places and considers the geographical implications of valuing particular historic sites over others. Certain historical sites will either gain or lose desirability from one era to the next, this dissertation identifies and explains three unique preservation ethical eras, and it maps the sites which were selected during those eras. These eras are the Settlement Era (1966–1975), the Commercial Architecture Era (1976–1991), and the Progressive Planning Era (1992–2010). The findings show that transformations in the program included an early phase when state authorities listed historical resources pertaining to the settlement of the …
Review Of We Are All Treaty People: Prairie Essays By Roger Epp. Edmonton, J. William Brennan
Review Of We Are All Treaty People: Prairie Essays By Roger Epp. Edmonton, J. William Brennan
Great Plains Quarterly (through 2013)
In the aftermath of the 1996 release of the massive report of the Royal Commission on Aboriginal Peoples, and Canada's subsequent official statement of regret for the "Indian policies" that successive governments have pursued down to our own day, "We Are All Treaty People: History, Reconciliation and the 'Settler Problem'" is arguably this book's most provocative essay. Roger Epp begins by asserting that the relationship between Aboriginal peoples and the Euro-Canadian settlers who came afterward "constitutes a ... powerful common history, inherited, not chosen, whose birthright we can either disavow, because its burdens are too great, or else make our …
Review Of Under The Big Sky: A Biography Of A. B. Guthrie Jr. By Jackson J. Benson, Capper Nichols
Review Of Under The Big Sky: A Biography Of A. B. Guthrie Jr. By Jackson J. Benson, Capper Nichols
Great Plains Quarterly (through 2013)
On the Web site of a major bookseller, a "customer reviewer" claims that A. B. Guthrie Jr.'s 1947 novel The Big Sky "is really about freedom." Jackson Benson acknowledges the romanticism of Guthrie's writing, but he argues more convincingly that the novel is actually about how "man always destroys the thing he loves." Benson applies this idea to all of Guthrie's work, describing the writer as a Western environmentalist, saddened and angered by his region's history of damage and depredation.
Benson places Guthrie (1901-1991) in the pantheon of writers who have "tried to refute Western myth, to tell it as …
Review Of Agnes Lake Hickok: Queen Of The Circus, Wife Of A Legend By Linda A. Fisher And Carrie Bowers, Kim Warren
Review Of Agnes Lake Hickok: Queen Of The Circus, Wife Of A Legend By Linda A. Fisher And Carrie Bowers, Kim Warren
Great Plains Quarterly (through 2013)
Agnes Lake Hickok rode horses, walked on slack wires, and trained various animals. If that was not enough, she was also a smart, diligent entrepreneur who became the first woman to own and operate a circus in the United States. The circus business brought her a busy schedule, some profitable opportunities, and wide acclaim as an entertainer who traveled with legendary performers P. T. Barnum and Buffalo Bill Cody. Although Agnes Lake Hickok did not necessarily invent circus shows, she certainly helped to popularize this form of entertainment in the nineteenth century and prepared the next generation of performers, including …
Review Of Braiding Histories: Learning From Aboriginal Peoples' Experiences And Perspectives By Susan Dion, Lynne Davis
Review Of Braiding Histories: Learning From Aboriginal Peoples' Experiences And Perspectives By Susan Dion, Lynne Davis
Great Plains Quarterly (through 2013)
In its final report in 1996, the Royal Commission on Aboriginal Peoples observed that Canadians have little knowledge of Aboriginal people, the issues of importance to them, and the history that underlies Aboriginal-non-Aboriginal relationships today. How can this be changed? In Braiding Histories, Susan Dion takes up the complexities of transforming the consciousness of non-Aboriginal people through education.
The book is organized around three focal points. First, the author and her brother Michael Dion {re)write and {re}tell the life stories of several Aboriginal people, including Beothuk survivor Shanawdithit, the Plains Cree leader Mistahimaskwa, and the writers' mother, Audrey Dion, …
Review Of The Indian Craze: Primitivism, Modernism, And Transculturation In American Art, 1890-1915 By Elizabeth Hutchinson, Linda M. Waggoner
Review Of The Indian Craze: Primitivism, Modernism, And Transculturation In American Art, 1890-1915 By Elizabeth Hutchinson, Linda M. Waggoner
Great Plains Quarterly (through 2013)
Elizabeth Hutchinson's The Indian Craze examines the trend that was not merely "fad or fancy" but "a significant artistic phenomenon with lasting effects on both American art history and U.S. Indian policy." Although the origin of Native American art as art is commonly associated with the Santa Fe movement of the 1920s and 1930s, Hutchinson declares that "this cross-cultural conversation," fueled by progressive primitivism, began at least two decades earlier.
Enhanced by historical images and informed by Janet C. Berlo's anthology, The Early Years of Native American Art History (1992), The Indian Craze revives a politically charged and artistically productive …
Great Plains Quarterly Volume 30/ Number 3 / Summer 2010 -- Editorial Matter
Great Plains Quarterly Volume 30/ Number 3 / Summer 2010 -- Editorial Matter
Great Plains Quarterly (through 2013)
Contents
Book Reviews
Book Notes
Notes and News
Bringing The War Home The Patriotic Imagination In Saskatoon, 1939-1942, Brendan Kelly
Bringing The War Home The Patriotic Imagination In Saskatoon, 1939-1942, Brendan Kelly
Great Plains Quarterly (through 2013)
In The American West Transformed: The Impact of the Second World War, noted historian Gerald D. Nash argued that the war, more than any other event in the West's history, completely altered that region.1 There is as yet no equivalent of Nash's fine study for the Great Plains north of the forty-ninth parallel, or what Canadians call the "prairies."2 This gap notwithstanding, historians of western Canada have begun to explore at least one key aspect of Nash's research: the war's impact on cities. Since 1995 there have been three histories of urban centers in wartime: Red Deer (Alberta), Lethbridge …
Review Of Charles Fritz: 100 Paintings Illustrating The Journals Of Lewis And Clark: The Complete Collection By Charles Fritz, Rock Hushka
Great Plains Quarterly (through 2013)
The traditional Lewis and Clark buff will find much enjoyment in Charles Fritz: 100 Paintings Illustrating the Journals of Lewis and Clark: The Complete Collection. Fritz's delineation gives accurate impressions of the majesty of diverse topographies, ranging from the low-slung prairies of Nebraska to the rugged mountain chains at the Great Divide. His depictions of the North Dakota winter convey the special quality of light produced only by the frigid stillness of the High Plains. Fritz has an extraordinary ability to paint water, from the slow grace of the Missouri River to the thundering falls on the Columbia to …
Narrative Mappings Of The Land As Space And Place In Willa Cather's O Pioneers!, Karen E. Ramirez
Narrative Mappings Of The Land As Space And Place In Willa Cather's O Pioneers!, Karen E. Ramirez
Great Plains Quarterly (through 2013)
At the conclusion of Willa Cather's 1913 novel O Pioneers!, Alexandra Bergson muses about landownership, and more broadly about the human-land relationship, by reflecting on the transience of the county plat map, one of the most popular forms of mapping rural America in the late nineteenth and early twentieth centuries. These maps were not only housed at the county clerk's office; by the 1880s and 1890s, while Cather was living in Nebraska, commercialized survey maps periodically were collected and published in large, colorful county atlases, also called plat books, becoming among the most widely circulated maps of rural areas …
Review Of Music Of The First Nations: Tradition And Innovation In Native North America Edited By Tara Browner, Anna Hoefnagels
Review Of Music Of The First Nations: Tradition And Innovation In Native North America Edited By Tara Browner, Anna Hoefnagels
Great Plains Quarterly (through 2013)
This collection of nine essays examines diverse traditions and issues in contemporary Native American music from a variety of perspectives. The anthology also covers a wide geographic span, ranging from the Inuits of northern Canada to the Choctaws of Mississippi, and the Passamaquoddies of New Brunswick in eastern Canada to the Coast Salish of western Washington. Many of these chapters highlight the movement of Aboriginal people and their music, as well as the transformations and retentions that characterized these movements and interactions with other Aboriginal groups and European settlers. An article addressing intertribal powwow music and another on country music …