Cultural History Commons^™

Review Of Kill Anything That Moves: The Real American War In Vietnam, Gregory A. Daddis

History Faculty Articles and Research

A review of Nick Turse's Kill Anything That Moves: The Real American War in Vietnam.

Community, Power, And Memory In Díaz Ordaz's Mexico: The 1968 Lynching In San Miguel Canoa, Puebla, Kevin M. Chrisman

Department of History: Dissertations, Theses, and Student Research

On September 14th, 1968, approximately 1,000 enraged inhabitants wielding assorted makeshift weapons formed a lynch mob that brutally murdered four people and injured three others in San Miguel Canoa, Mexico. According to the generally accepted account, Canoa’s inhabitants feared that recently-arrived Universidad Autónoma de Puebla employees, in town on a weekend mountain-climbing expedition, were in actuality communist agitators threatening the town’s social order. The lynching in Canoa received limited press coverage and was subsequently overshadowed by the much larger government orchestrated Tlatelolco massacre that occurred in Mexico City, on October 2, 1968. While Tlatelolco remains an important historic event from …

Strike A Pose: Propaganda In Augustus' And Mussolini's Imperial Imagery, Colleen Syler Parker

History Theses & Dissertations

In Ancient Rome, the transition from Republic to Empire was a volatile time. Augustus used his skills as a propagandist to consolidate his military position and craft specific images after the death of Julius Caesar. Augustus needed to appeal to Roman ideals in leadership, and recover the morality and traditional family values which had become lost in the Late Republic. In conjunction with this, he attempted to bolster religion and create a lasting legacy in a dynastic and architecturally structural sense.

Almost two thousand years later, Mussolini echoed many of the same themes as Augustus in his use of romanitá …

Naccs 40th Annual Conference, National Association For Chicana And Chicano Studies

NACCS Conference Programs

Advancing From Sea to Shining ¡Sí!: Learning From Our Past, Defending Our Rights in the 21st Century
March 20-23, 2013
Omni San Antonio Colonnade

Eating Soup With A Spoon: The U.S. Army As A "Learning Organization" In The Vietnam War, Gregory A. Daddis

History Faculty Articles and Research

Standard Vietnam War narratives often argue that the U.S. Army lost the war because it failed to learn and adapt to the conditions of an unconventional conflict. Based on a reappraisal of learning processes rather than on the outcome of the war, this essay argues that as an organization, the U.S. Army did learn and adapt in Vietnam; however, that learning was not sufficient, in itself, to preserve a South Vietnam in the throes of a powerful nationalist upheaval. A reexamination of the Army's strategic approach, operational experiences, and organizational changes reveals that significant learning did occur during the Vietnam …

Slaves To Contradictions: 13 Myths That Sustained Slavery, Wilson Huhn

Akron Law Faculty Publications

People have a fundamental need to think of themselves as “good people.” To achieve this we tell each other stories – we create myths – about ourselves and our society. These myths may be true or they may be false. The more discordant a myth is with reality, the more difficult it is to convince people to embrace it. In such cases to sustain the illusion of truth it may be necessary to develop an entire mythology – an integrated web of mutually supporting stories. This paper explores the system of myths that sustained the institution of slavery in the …

Effectiveness Of Active Learning In The Arts And Sciences, David Mello, Colleen A. Less

Humanities Department Faculty Publications & Research

No abstract provided.

Conclusion-Cola And Cartoons: A Showcase Of Freshman Research At Unlv, Cian T. Mcmahon

History First-Year Seminar Research

The decisions we make about politics and society are influenced by what we see and hear in the news. That is why political cartoons are so important. They present clear opinions on complicated matters in ways that transcend everyday language.

“The Most Recently Discovered Wild Beast”, Jenelle Tamio

History First-Year Seminar Research

This Political cartoon is labeled "The Most Recently Discovered Wild Beast.” This cartoon depicts Irish as jail bound hooligans. In this political cartoon simianization is used among the Irish-American. Simianization is the way cartoonists portray humans as having monkey like features.

“The Chinese Question”, Bianca Palacios

History First-Year Seminar Research

Published in Harper's Weekly on February 18, 1871, The Chinese Question defends Chinese immigrants against the brutal prejudice and discrimination that they faced in America. In this cartoon by Thomas Nast, Columbia, the feminine symbol of the United States, shields the despondent Chinese man against a gang of thugs, whom she emphatically reminds that "America means fair play for all men." This armed mob whom were also immigrants consisting of Irish Americans and perhaps German Americans as well. They were very angry about the Chinese coming to America to work and they protested against the Union Draft and Lincoln's Emancipation …

“Mongolian Octopus—Its Grip On Australia”, Ron Thornton

History First-Year Seminar Research

Published in the Sydney based The Bulletin Magazine on August 21, 1886, “The Mongolian Octopus – His Grip on Australia” cartoon was pointedly used as a form of propaganda against Mongolian & Chinese immigration. The cartoon illustrates an octopus with a human head and eight outstretched arms. On each of these arms is a different term, such as typhoid or immorality. These terms, along with the octopus itself, all portrayed racist views of Chinese and Mongolian immigrants.

“Welcome To All”, Samantha Hamika

History First-Year Seminar Research

In the cartoon “Welcome to All” by Joseph Keppler published in the magazine Puck on April 28, 1880, it portrays Uncle Sam standing in front of an ark with his arms open to immigrants, who are lined up in front of the ark. There are signs next to the ark that claim all good things about America that other countries don’t have. There is also a big, black, evil-looking ghost blending in with the clouds in the background that is staring down on the immigrants.

“The Day We Celebrate”, Tierra Washington

History First-Year Seminar Research

This cartoon was published in a New York newspaper, Harper’s Weekly on April 6, 1867, about March 17, 1867 celebration of St. Patrick’s Day. It shows the Irishmen having box shaped faces, to make them look alike to apes. The Irishmen are shown beating police and innocent citizens. Yet this cartoon showed how the Americans stereotyped the Irish-Americans.

“It’S Going To Be Just Turned Around”, Zachary Meyer

History First-Year Seminar Research

Appearing in the Columbus Dispatch on April 21st 1924, Ray Evans’ cartoon titled “It’s Going to Be Just Turned Around” supports the Immigration Act of 1924 by displaying two different worlds in which different immigration policies are being applied: One with the immigration act, and one without.

“Be Just—Even To John Chinaman”, Prinz Esteban

History First-Year Seminar Research

Published in Judge Magazine on June 3, 1893 the “Be Just—Even to John Chinaman” cartoon is used to represent the harsh treatment felt by many Chinese immigrants as they entered into the United States with the Chinese Exclusion Act, which was renewed by the Geary Act in 1892. The cartoon displays a Chinese man as he is being forced out of “Miss Columbia's school.” The cartoon itself is full of irony as the other students in the class were also heavily discriminated against in American history.

“They Are Pretty Safe There”, Madison Palmer

History First-Year Seminar Research

The year of 1882 was a intense year for Chinese migrants. This was the year that the Chinese Exclusion act was passed thus banning Chinese immigration to the United States. This hatred for the Chinese began around the time of the building of the transcontinental railroad. This was because so many Chinese were moving to the states to help with the railroad that white males began to feel “insecure” or “frightened” that the Chinese would take all the American jobs and women.

“The High Tide Of Immigration—A National Menace”, Mackenzie Brandenburger

History First-Year Seminar Research

This cartoon “The High Tide of Immigration – A National Menace” appeared in the humor magazine Judge in 1903. It reflects the alarm among some Americans at the growing number of immigrants from countries in Southern and Eastern Europe such as Italy, Russia, Austria, Hungary and declining number of immigrants from countries in northern and western Europe such as Ireland and Germany.

“Uncle Sam’S Thanksgiving Dinner”, Kenosha Gee

History First-Year Seminar Research

Published in the November 22nd, 1860 issue of Harper Weekly, by Thomas Nast (known for the invention of the character Uncle Sam) Nast captured and celebrated the ethnic diversity and envision the political equality of citizens of the American republic. Even though it seems as if the picture shows that everyone race (African, Native, French, German, Arab, British, Chinese, Italian, etc.) are getting along, there are many hidden messages that lies in this photo. Nast aims the cartoon at the ratification of the 15th amendment to the U.S. Constitution. On the table is a monument to “self- government” and “Universal …

“The Immigrant: Is He An Acquisition Or A Detriment?”, Karla Garcia-Cardenas

History First-Year Seminar Research

Published in Judge magazine on September 19, 1903, “The Immigrant: Is He An Acquisition Or A Detriment?” cartoon reveals the opposing viewpoints of seven major interest groups towards immigration. Individuals surround the immigrants located in the center, expressing their judgments through signs and identification labels. In general, the cartoon depicts the benefits and drawbacks of immigration in the early twentieth century.

“The Mortar Of Assimilation—And The One Element That Won’T Mix”, Jenna Downs

History First-Year Seminar Research

Published in Puck magazine on June 26, 1889, “The Mortar of Assimilation And The One Element That Just Won’t Mix” cartoon was a perfect exhibit of the Americans view on the Irish immigration to the United States. In the melting pot several different kinds of Americans can be spotted, but the one Irishman is standing on the edge of the pot holding a knife and a flag.

“Another Triumph For Jonathon—Biggest Reptile In The Universe”, Frances Skeirik

History First-Year Seminar Research

“Another Triumph for Jonathan- Biggest Reptile in the Universe” was published in Judy Newspaper on May 17th, 1882. In this cartoon, Uncle Sam sits back complacently in his rocking chair while this huge sea monster from the United States swims ashore of another country. On the beast is written “American Feniansim”. Looking even closer in the hand of this sea monster is a knife with the word “Assassination” written upon it. Lastly, ashore of the other country is a man holding a lasso in hopes of catching this monster but he is having no luck whatsoever due to the size …

“Looking Backward”, Flor De Liz Regalado

History First-Year Seminar Research

“Looking Backwards”, the controversial cartoon from Puck Magazine, was published on January 11, 1893. Composed by the founder of Puck Magazine himself, Joseph Keppler, created the cartoon that portrays the arguable rights of foreign visitors, also referred to as immigrants. The image represents an immigrant who has stepped off of a ship and entered into a foreign land and greeted with a generous “goodbye”, by those whom once were in his position and are now successful. Behind the figures that rejected the newcomer, are shadows of themselves being casted as they were once immigrants, too.