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Full-Text Articles in African History

Aguaaaa!!!, Cory Villegas May 2024

Aguaaaa!!!, Cory Villegas

Theses and Dissertations

“AGUA” is a call for new models of learning and sharing, celebrating the diasporic as a place of global revolution. Salsa, rooted in Latin American and Afro-Caribbean histories, is choreographer Cory Villegas’s expression of cultural legacy. As an Afro-diasporic dance, Salsa carries the wealth and variety of African and Indigenous roots. Villegas contextualizes her thesis event “Las Leyendas: An Afro Cuban Suite,” presenting herself and her troupe Soul Dance Co. as evidence that contradicts the erasure of Latin & Caribbean Culture in US dance history. The paper uses English and Spanish, written, visual, and oral materials with an accompanying webpage.


Radical Social Ecology As Deep Pragmatism: A Call To The Abolition Of Systemic Dissonance And The Minimization Of Entropic Chaos, Arielle Brender May 2018

Radical Social Ecology As Deep Pragmatism: A Call To The Abolition Of Systemic Dissonance And The Minimization Of Entropic Chaos, Arielle Brender

Student Theses 2015-Present

This paper aims to shed light on the dissonance caused by the superimposition of Dominant Human Systems on Natural Systems. I highlight the synthetic nature of Dominant Human Systems as egoic and linguistic phenomenon manufactured by a mere portion of the human population, which renders them inherently oppressive unto peoples and landscapes whose wisdom were barred from the design process. In pursuing a radical pragmatic approach to mending the simultaneous oppression and destruction of the human being and the earth, I highlight the necessity of minimizing entropic chaos caused by excess energy expenditure, an essential feature of systems that aim …


Black Matter, Kahlil Irving May 2017

Black Matter, Kahlil Irving

Graduate School of Art Theses

History as we know it, is inherited. Racism, fascism, white supremacy, and Eurocentric dominance have been presented as normal and acceptable within our society for many years. This has allowed police officers to execute Black American’s and not be acquitted for their horrendous crimes. As an activist I want to challenge the status quo. As an artist I am interested in investigating how I can present ideas embody or reflect contemporary issues and concerns. Using different colors can aggressively change how an object is perceived. Historical objects hold many important.

I explore many mediums, but an anchor material that I …


Race, Class And Wealth: Thomas Gainsborough's Mr. And Mrs. Andrews (1750) And Yinka Shonibare's Mr. And Mrs. Andrews Without Their Heads (1998), Yema Thomas Apr 2016

Race, Class And Wealth: Thomas Gainsborough's Mr. And Mrs. Andrews (1750) And Yinka Shonibare's Mr. And Mrs. Andrews Without Their Heads (1998), Yema Thomas

Georgia State Undergraduate Research Conference

No abstract provided.


“The Negro Speaks Of Rivers” An African Centered Historical Study Of The Selfethnic Liberatory Education Nature And Goals Of The Poetry Of Langston Hughes: The Impact On Adult Education, Sarah E. Howard Jun 2009

“The Negro Speaks Of Rivers” An African Centered Historical Study Of The Selfethnic Liberatory Education Nature And Goals Of The Poetry Of Langston Hughes: The Impact On Adult Education, Sarah E. Howard

Dissertations

The purposes of this historical study were to 1) document the Selfethnic Liberatory adult education nature and goals of the poetry of Langston Hughes (from 1921 to 1933); and 2) to document the impact this poetry had on members of the African Diaspora. In addition, the goal of this research was to expand the historical knowledge base of the adult education field, so that it is more inclusive of the contributions of African Americans.

This study addressed the problem that the historical and philosophical literature of the field does not to any significant degree include the intellectual and adult education …


Diabolical Frivolity Of Neoliberal Fundamentalism, Sefik Tatlic Jan 2009

Diabolical Frivolity Of Neoliberal Fundamentalism, Sefik Tatlic

Sefik Tatlic

Today, we cannot talk just about plain control, but we must talk about the nature of the interaction of the one who is being controlled and the one who controls, an interaction where the one that is “controlled” is asking for more control over himself/herself while expecting to be compensated by a surplus of freedom to satisfy trivial needs and wishes. Such a liberty for the fulfillment of trivial needs is being declared as freedom. But this implies as well the freedom to choose not to be engaged in any kind of socially sensible or politically articulated struggle.


Cultural Atrocity Expressed In Cultural Art, Marlie Mcgovern Jan 2000

Cultural Atrocity Expressed In Cultural Art, Marlie Mcgovern

Inquiry: The University of Arkansas Undergraduate Research Journal

Some of the most horrific chapters in human history have involved an ethnic dimension, notably the centuries-long obliteration of traditional Nigerian cultures by European colonizers, the attempted destruction of European Jews in the Holocaust, and the World War ll decision to assault the Japanese with atomic bombs. The consequences of the above atrocities are not contained within temporal or cultural barriers, but hold profound and pervasive ramifications within contemporary society in its entirety. More recent conflicts in Africa, Southeast Asia and the Balkans reemphasize the horror and suffering brought about by cultural collisions. One of the most potent reactions to …


"It Don't Mean A Thing If It Got That Swing": Langston Hughes's Musical-Poetic Fusion Of The Vernacular And Literary Traditions, John Hall Jan 1997

"It Don't Mean A Thing If It Got That Swing": Langston Hughes's Musical-Poetic Fusion Of The Vernacular And Literary Traditions, John Hall

Theses, Dissertations and Capstones

Early in his literary career, Langston Hughes was faced with a question that occupied his writing and led to an important innovation in American literature: how could Hughes describe the experiences of African-Americans while using the forms and traditions of a Western (i.e., predominantly Anglo-American) literary culture which often sought to exclude, even negate, the very experiences and oral traditions which he sought to express? Hughes's desire to create an individual poetic voice which could present the African-American community as a whole soon led him to modify traditional Western literary forms by incorporating African-American oral and vernacular forms into his …