African History Commons^™

The Hegemony Of English In South African Education, Kelsey E. Figone

Scripps Senior Theses

The South African Constitution recognizes 11 official languages and protects an individual’s right to use their mother-tongue freely. Despite this recognition, the majority of South African schools use English as the language of learning and teaching (LOLT). Learning in English is a struggle for many students who speak indigenous African languages, rather than English, as a mother-tongue, and the educational system is failing its students. This perpetuates inequality between different South African communities in a way that has roots in the divisions of South Africa’s past. An examination of the power of language and South Africa’s experience with colonialism and …

Colonialism And Mandates, John C. Hawley

English

Daily life in contemporary African countries must be understood as determined by their status as members of an interlocking network of postcolonies, striving to imagine themselves as related through Pan-Africanism but struggling first to realize themselves as fully functioning nations. Even though Ethiopia and Liberia are generally spoken of as the only countries in Africa that were not colonized, this actually suggests the level of subjugation the rest of the continent did experience. After all, if Italy failed in its attempt to take over Ethiopia in the 1880s, Mussolini succeeded in doing so in 1936; Liberia was, in fact, a …

Withholding Political Authority: Civil Society And People's Power In Zimbabwe, A. Scott Dupree

Electronic Theses and Dissertations

The relationship of civil society to the state is rarely antagonistic and at most times supportive. The political regime and civil society are taken to be interdependent social structures that interact through hegemonic, supportive and socially constructed dimensions. Given this interdependency, when does civil society challenge authority or does its efforts rise to the level of a people's power revolution? When does it act to dismantle the political regime or seek to reconstruct it? This project attempts to shed light on how civil society mobilizes a people's power capable of challenging political authority through the story of its ongoing struggles …

Les Fondements Littéraires De La Réception D’Aimé Césaire Au Bénin, Guy Ossito Midiohouan

Présence Francophone: Revue internationale de langue et de littérature

Aime Cesaire is a popular writer in Benin. Evidence lies in the increasing number of writers and scholars who have been supporting his ideas since the 60s. His books are on secondary school as well as university curricula. He has enjoyed more attention in the 1990s with the advent of democracy and the notable influence of then Head of State N. D. Soglo who is a keen admirer of his political career. Cesaire is held in such an esteem in Benin because he is capable of going beyond his natal Caribbean and willingly express the sad destiny of Africa ever …

Le Français De Tunisie. Normes Ou Formes Endogènes, Foued Laroussi

Présence Francophone: Revue internationale de langue et de littérature

The article deals with some lexical and morphosyntactic aspects of Tunisian French based on examples taken from literary works and the press. These are for the most part lexemes borrowed from Tunisian Arabic, some of which are accepted as standard French. the debate on Tunisian French takes place in a multilingual sociolinguistic context in which users adopt a variety of sometimes conflicting positions. While some attempt to legitimize an endogenous norm, others cling to the exogenous norm which they take as a reference especially in an educational context.

La Poésie Hors-Normes De Mohamed Hmoudane Ou L’Art De La Provocation, Yamna Abdelkader

Présence Francophone: Revue internationale de langue et de littérature

Poetry is often understood as a series of deviations from linguistic norms, but Mohamed Hmoudane’s collections appear to be a systematic subversive strategy against both aesthetic conventions and prevailing assumptions about Eastern and Western identitarian categories. Published between 2003 and 2005, the works entitled Attentat, incandescence and Blanche mécanique avert poetic clichés as they invert cultural stereotypes, taking a most satirical stance toward the state of the world at the dawn of a new millenium. The pervasive sense of detachment resulting from Hmoudane’s satirical tendencies is associated with a poetics of excess, and this paradoxical union serves as a powerful …

Normes Endogènes : Pratiques Culturelles, Traduction Impossible, Rafaël Lucas

Présence Francophone: Revue internationale de langue et de littérature

The words novel, drama and poetry can be translated because they refer to well-known specific concepts. Words referring to endogenous or indigenous forms and norms with cultural codes unknown to us cannot be translated. The translation of these words does not provide much information about them. The word koteba in bambara, a language spoken in Mali, means “a big snail”. The word hainteny (science of speech in Malagasy) refers to a specific type of popular oral poetry. What does the word concert-party (used in Nigeria, Ghana, Togo) or the Swahili word manganja mean? An analysis of these endogenous genres with …

Quels Écrivains Francophones Pour Quelles Normes ?, Daniel Delas

Présence Francophone: Revue internationale de langue et de littérature

With the benefit of historical hindsight, the rise of endogenous linguistic norms, justified in literary practices, can be reassessed. The firstg eneration of African writers such as Camara Laye and Léopold Sédar Senghor, because of their normative educational background, favoured exogenous French standards in their writing. Yet, Kourouma’s fiction is a turning point which initiated new literary practices, borrowing much from ordinary ways of speaking. Does it mean that French in Africa now follows endogenous norms? Without vouching for it, one can at least state the importance of recognizing African literature in French as a major form of expression.

De Quelques Normes Esthétiques Endogènes Non Légitimées : Exemples De La Littérature Aja-Fon Du Bénin, Jean-Norbert Vignondé

Présence Francophone: Revue internationale de langue et de littérature

Uusing endogenous aesthetic norms as critical tool, we do not purport to evaluate the avatars of the French language outside of the Hexagon. instead, we locate the languages of the “periphery,” and particularly the Aja-Fon language of Benin, at the center of our inquiry to examine the means by which those languages move away from a text initially constructed on the basis of Western endogenous norms. We proceed to show that only “community intellectuals” can create a dialogue between truly endogenous norms and the universal culturesince“intellectuals by qualification” are often only capable of reproducing the exogenous norms of the Western …

Book Reviews, Dick Jonsson, Bizeck Jube Phiri, Gear M. Kajoba, Obrian Ndhlovu

Zambia Social Science Journal

Reviews of:

Why Africa is Poor – and what Africans can do about it. By Greg Mills;

Living the End of Empire: Politics and Society in Late Colonial Zambia. Edited by Jan-Bart Gewald, Marja Hinfelaar and Giacomo Macola;

Left Behind: Rural Zambia in the Third Republic. By Jeremy Gould;

Gender Budgeting as a Tool for Poverty Reduction. By The African Capacity Building Foundation. African Capacity Building Foundation

Endangered Heritage And Emergent Ogogo: A Case Study Of The “Ulwazi Programme”, Emily Kwong

Independent Study Project (ISP) Collection

Kwesukesukela, or “a long time ago,” there was a beautiful woman who lived by the ocean with her husband and two small children. The woman’s name was Mazanendaba. Although she lived a life full of happiness, Mazanendaba came to realize with time that something important was missing: there were no stories. No stories for mothers and grandmothers to tell their children. No stories to inspire joy and ease sorrow. No stories to enrich the mind and nurture the soul. Determined to find stories in a world without any, Mazanendaba left her beloved home in search of a new story to …

Colonial And Post-Colonial Human Rights Violations In Nigeria, Alka Jauhari

Political Science & Global Affairs Faculty Publications

Nigeria has a long history of violation of human rights. It is commonly believed that human rights violations in Nigeria have colonial roots. In an effort to consolidate and expand their power, the British colonial masters grossly violated the rights of the people in Nigeria. But even 50 years after independence, the Nigerian citizens continue to face constant violations of their basic rights. After independence, Nigeria has experienced a mix of periods of military and civilian rule. The military rule in Nigeria became a symbol of complete authoritarianism. After every military coup, the government suspended the constitution and, thus, absolved …

Thomas Jefferson In Nairobi: The United States, Kenya, And The Democratization Debate, Cullen Haskins

Open Access Theses & Dissertations

This work is an intellectual history focussing on the ideas surrounding the implimentaiton of democratic systems in Africa, and specifically Kenya, at the end of the cold war. Taking the constitutional change to multi-party politics in Kenya in late 1991 as its fulcrum, this work examines the ideas about democracy put forth by politcians and policy-making cirlces in the United States and Kenya during this period. The work begins with an examination of the attitudes toward democracy in Africa as expressed at the U.S. congressional hearings on aid to Africa in 1991, and ends with an afterward looking at the …

Écriture Et Oralité Dans L’Oeuvre De Calixthe Beyala, Gloria Nne Onyeziri

Présence Francophone: Revue internationale de langue et de littérature

A reading of several works of Beyala will help us consider the way orality works for African women and to suggest new forms of the symbolic representation and of narrative framing drawn from the speech of the people. Reference to their African culture, to their consciousness of cultural identity, helps characters such as Édène, Loukoum and Beyala to define themselves and to lay claim to a critical and self-confi dent voice. They learn from orality the ways of saying of the wise, what is to be retained and transmitted through traditional culture and what aspects of collective memory are better …

Calixte Beyala Ou La Réécriture De La Littérature Coloniale Française, Frieda Ekotto

Présence Francophone: Revue internationale de langue et de littérature

This article shows how Calixthe Beyala, in Le petit prince de Belleville (1992) and Maman a un amant (1993), presents the character of the child as producer of sociopolitical and historical discourse. By using the child as narrator, Beyala rewrites the colonial literature of the interwar period extending from Francis Carco to Mac Orlan from a less noble perspective. As producer of certain racist discourses, the child is singled out as the one who represents life and assures the future of the community.

Calixthe Beyala Chez Les Scandinaves, Ylva Lindberg

Présence Francophone: Revue internationale de langue et de littérature

The study focuses on the circulation of literature in the world and it takes as an example the publication of the literary works of Beyala in Scandinavia. The reception of her novels is analyzed on the basis of commentaries by critics in Swedish media. The analysis shows that the Swedes construct their own image of the author. In order to find interpretation tools they link her texts to their own literary patrimony and they take into account the exoticism inherent in her novels. It thus becomes legitimate, apt to serve current ebates in Sweden, for example about feminism and cultural …

Enjeux Du Message Anticolonialiste En Métropole Dans Les Années 1950 : La Critique Journalistique De Trois Romans De Mongo Beti Et De Ferdinand Oyono, Vivan Steemers

Présence Francophone: Revue internationale de langue et de littérature

This paper examines the effectiveness of the anticolonialist message in three novels published in 1956 by two Cameroonian writers -- Mongo Beti and Ferdinand Oyono-- by analyzing in particular their reception by French metropolitan reviewers. African writers of the 1950s depended exclusively on the metropolitan literary institutions and authorities for their recognition, i.e. the publishing houses and press of the colonial power. Mongo Beti and Ferdinand Oyono were among the first francophone African novelists to criticize the colonial regime. Nevertheless, important differences exist in the Africanist discourse of the critics who reviewed the novels when they were first published. We …

Beyala Et Le Plagiat : Gary, Buten Et Walker Pourvoyeurs De Textes, Kisito Hona

Présence Francophone: Revue internationale de langue et de littérature

If the name of Calixthe Beyala seems to be linked to controversial issues, it is also because she was repeatedly suspected and accused of plagiarism. One of these accusations led to her condemnation by the tribunal of Paris on May 7th, 1996. The purpose of this article consists not only in recapitulating the facts, but also, in capitalizing on them to study the phenomenon of plagiarism in general and the specifi c aspects which it takes with this writer.

De Stock À Albin Michel : Beyala Et L’Édition, Bernard De Meyer

Présence Francophone: Revue internationale de langue et de littérature

Beyala has remained faithful to the publisher Albin Michel for her fictional work since the publication of Le petit prince de Belleville in 1992, but her four fi rst novels had three different publishers. A study of her relationship with the publishing world during this period shows her desire for recognition on the Parisian literary scene, which was ready to take up the challenge by publishing the novel of an unknown African woman writer. A careful analysis of paratextual elements, in particular the titrology, and of the contents of the novels reveals that Calixthe Beyala enters into a direct conversation …

France As A Negative Influence On The Côte D’Ivoire: The Consequences Of Foreign Interference, Courtney P. Conroy

Pell Scholars and Senior Theses

The Côte d’Ivoire, like many African nations, has been greatly influenced by the presence of foreign powers. However, the case of the Côte d’Ivoire is unique because of the country’s contemporary and continuous relations with France – despite the many negative consequences that this relationship has produced. By examining the presence of the European colonial power throughout the history of the Côte d’Ivoire, it is clear that a direct link between the French and the modern problems of the Côte d’Ivoire, specifically when addressing unfair and authoritative rulers, weighted social stratifications, issues with economy, trade, and the Ivoirian Civil War …

Money, Power And Landscapes Of Consumption, Ana Miscolta-Cameron

Geography Capstone Projects

This paper explores the phenomenon of national parks and reserves in Tanzania as a product of early colonial ideology and the evolution of that ideology into a post-independence capitalist enterprise. Serengeti National Park, Selous Game Reserve and the Ngorongoro Conservation Area are examined as historically contested sites in which indigenous people have been denied customary use rights by successive regimes of power keen on profiting through resource exploitation and tourism. Though this paper’s focus is Tanzania, it attempts to reveal a pattern of colonial and neo-colonial environmentalism widespread throughout the developing world.

Je E(S)T L’Autre, Nadia Duchêne

Présence Francophone: Revue internationale de langue et de littérature

Immigration and otherness represent core concerns in contemporary society and, as such, give rise to debate and discussion in many disciplines. the question of otherness also arises as a recurrent and key subject in the field of literature. Tahar Ben Jelloun’s novel Partir is replete with the ambivalence of otherness: attraction/aversion; difference/similarity; lack/exile; native/foreigner; close/distant; normal/deviant and as such provides a laboratory where the expression of otherness in discourse can be dissected. We will examine the perception and the issue of otherness in the novel as well as the strength of its representations.

Images De Femmes: Une H/Histoire De La France En Algérie À Travers Les Carnets D’Orient De Jacques Ferrandez, Carla Calargé

Présence Francophone: Revue internationale de langue et de littérature

My article analyses the representation of women in the Carnets d’Orient, a graphic novel series that tells the (hi)story of Algeria since its colonial conquest by the French army until its independence in 1962. I argue that the representation of women in the series varies not only according to the periods represented in the work, but also and more importantly according to the evolution that took place in the author himself while working on the series. the essay is organized in three parts according to three historical periods. The first period is that of the colonial conquest of Algeria (1830-1872) …

Le Roman Africain : Drame Or Histoire, Bernard Mouralis

Présence Francophone: Revue internationale de langue et de littérature

For a long time, African novelists claimed filiation with realism. But there is in realism a deep contradiction between the will of describing the social world and the will of changing it. From this contradiction, the paper studies : the relation between theatre and novel ; the question of citizenship in the novel ; the place of the novel in front of knowledge and action. The novel shows dynamics and characters living in the time. So, it tends to wander from the principle of knowledge and self-consciousness.

De La Parole Poétique À La Parole Politique Dans Les Oeuvres Théâtrales D’Aimé Césaire Et De Sony Labou Tansi, Virginie Darriet-Féréol

Présence Francophone: Revue internationale de langue et de littérature

Aimé Césaire and Sony Labou Tansi wished for acting and voicing for their people both on the political and literary level. By choosing the drama, they presented the language. By creating a new language, a new literature, a new artistic aesthetics, consequently a new trend of thinking, their writing served policy.

Le Théâtre Amateur Marocain. Trajectoire D’Un Théâtre Alternatif, Omar Fertat

Présence Francophone: Revue internationale de langue et de littérature

Modern Moroccan theatre was born with non-professional artists and has remained intimately linked to this milieu. Unlike professional playwrights, non-professional artists have never bowed to the demands of political authorities, whether it be the French administration or the local Makhzen. They used this artistic medium as a forum for debate and resistance against the oppressor. This freedom of expression operated not just at the political level but also at the aesthetic level. Since non-professionals were not constrained by the need to please an audience fond of social comedies and melodramas, they could explore more risky avant-garde paths. In spite of …

L’Écriture De La Perte Chez Assia Djebar, Lila Kermas

Présence Francophone: Revue internationale de langue et de littérature

This study proposes a reflexion on the feeling of “loss” as a source of literary creation. The different tensions generated by an hybrid identity of a character in a quest, especially in La disparition de la langue française (“disappearance of the French language”) by Assia Djebar ; what matters here is to see how the feeling of crisis and the split reveals itself and how it dissolves in and through (the process of) writing.

Mutations Politiques Et Processus De Légitimation Culturelle : Considérations Sur Le Théâtre Populaire Camerounais, Pierre Fandio

Présence Francophone: Revue internationale de langue et de littérature

All forms of theatre have never been perceived the same way in contemporary Cameroon. Whereas the written theatre relatively received an acceptable treatment from the official instances of recognition, the non-written one has always been excluded. This communication sets out to show how, from this marginalized position and palpably inspired at the same time from the Italian commedia dell’arte, the French vaudeville and the African traditional dramaturgic shape, a new and popular form of theatre came to existence. Thanks to the exceptional capacity of adaptation and innovation of its discourse and thematic, the offer of this “street dramaturgy” rather matches …

La Dramatisation De L’Écriture Chez Sony Labou Tansi, Georges Ngal

Présence Francophone: Revue internationale de langue et de littérature

As an author always articulates his writing with idioms that reflect a specific time period and a given social group, Sony Labou Tansi talks about “tropicalité”, and gives himself the goal to create multiple “tropicalités”.

L’Art De L’« Écrire » Chez Patrick Chamoiseau, Savrina Parevadee Chinien

Présence Francophone: Revue internationale de langue et de littérature

In the works of Patrick Chamoiseau, the act of writing is a main, recurrent theme. The narrator, often, tries to define himself through his writings which have their own autonomy in the novel. This character questions his writing and is torn by the dissatisfaction he feels to get close to the “breath” of the creole storyteller : the chasm between orality and writing creates suffering. He, then, advocates l’“écrire”, closer, according to him, to the utterance of the storyteller and free of the “constraints” of an occidental writing, which he considers as stamped by the ideology of the Universal.