African History Commons^™

Entry Nr. 321 Nicolas Gangá, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 325 Anastasio Mina, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 328 Alejandro Congo, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 324 Adriano Gangá, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 322 Manuel Gangá, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 326 Mariano Gangá, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 453 Canuto Houssin, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 454 Pedro Real Congo, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 458 Ikubaje, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 457 Carolina Conga, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 460 Manuela De La Guardia, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 463 Manuel Valero, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 461 Manuel Congo, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 465 Román Lucumí, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 466 Telésforo Lucumí, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 464 Emilio Piñeiro, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 467 Cristobal Gangá, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 462 José Mina, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 468 Francisco Mina, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 469 Dolores Roca, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 470 Antonio Quesada, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 472 Poli, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 153 Ibrahim, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 132 Antson Zizer, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 172 Richard Pierpoint, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Retelling The Classics: The Harlem Renaissance, Biblical Stories, And Black Peoplehood, Mina Magalhaes

Celebration of Learning

Applying social identity theory to the process of creating peoplehood can illustrate the positive power that literature has in uplifting marginalized communities by showing their worth. James Weldon Johnson’s “The Creation” and Zora Neale Hurston’s Moses, Man of the Mountain, both composed during the Harlem Renaissance, offer one way to create Black peoplehood by creating depictions of God’s love for His Black people through the repurposing of biblical stories. Through the implementation of social identity theory to Hurston’s Moses, Man of the Mountain and Johnson’s “The Creation,” I argue that these two authors addressed the need among African Americans to …

Exalted And Debased: Psychological/Sexual Conflict As Bildungsroman In Half Of A Yellow Sun, Anne Lance

Scholars Week

While many still view the Bildungsroman, novels of formation or coming of age stories, as the purview of stuffy formation novels like Dickens’ Great Expectations or Joyce’s A Portrait of the Artist as a Young Man, there is significant scholarship that suggests a recent revolution in the genre that centers women, people of color, and males in post-colonial or war-torn spaces.

My paper examines Chimamanda Ngozi Adichie’s 2006 novel Half of a Yellow Sun as an example of a Bildungsroman through the focalization of one of the main characters, Ugwu, as he endures two psychologically conflicting sexual experiences, one …

The Color Of Memory: Reimagining The Antebellum South In Works By James Mcbride Through The Use Of Free Indirect Discourse, Janel L. Holmes

Theses and Dissertations

This thesis examines the use of interior narrative techniques such as free indirect discourse and internal monologue in two of James McBride’s neo-slave narratives, Song Yet Sung (2008) and The Good Lord Bird (2013). Very limited critical attention has been given to these neo-slave narratives that illustrate McBrides attention to characterization and focalized narration. In these narratives McBride builds upon the revelations he explores in his bestselling memoir, The Color of Water (1996, 2006), where he learns to disassociate race and character. What he discovers about not only his mother, but also himself, inspires his re-imagination of the people who …

Hamish Henderson And Nelson Mandela: Notes For “Rivonia”, Patrick G. Scott

Studies in Scottish Literature

Describes and reproduces manuscript notesin the G. Ross Roy Collection University of South Carolina Libraries, for the protest song "Rivonia" ("Free Mandela"), written by the Scottish poet, folklorist and folksinger Hamish Henderson (1919-2002) in 1963-64 in response to the trial of Nelson Mandela and other leaders of the African National Congress who had been arrested at Rivonia, South Africa and sentenced to life imprisonment on Robben Island; assesses the influence of Henderson's song, which was recorded in 1964 by the Corries Trio, and sung at the anti-apartheid protests at Murrayfield, Edinburgh, against the visit of the Springboks rugby team in …

The 1876 Centennial Exposed: How Souvenir Publications Reveal Contrasting Attitudes Of Race And Gender In The Post-Bellum United States, Hope Hancock

Mellon Scholars' Works

The Centennial Exhibition of 1876 celebrated not only the 100-year anniversary of the signing of the Declaration of Independence but the industrial innovation and reuniting of American society after the Civil War. Using two rare books about the Exhibiton, Frank Leslie’s Illustrated Historical Register of the Centennial Exposition, 1876 and The Illustrated Historical Register of the Centennial Exhibition by James Dabney McCabe, Jr., this project compares the portrayal of women and African Americans in the late 19th-century United States.