History Commons^™

Erotic Grotesque Nonsense: Veiled Criticism Through Extreme Entertainment, Thoby Jeanty

Seton Hall University Dissertations and Theses (ETDs)

This thesis examines the writings of Meiji novelists living during a time of transition. Their writings became known as part of a genre called Erotic Grotesque Nonsense. The genre became defined as engaging in extremes to entertain an audience captivated by the eroticism, grotesque, or even the nonsensical nature of the stories being told. The thesis discovers there is a pressing social commentary on the tumultuous transition to modernity hidden within these works. The traditions established during the Tokugawa era starting from 1603 and lasting until 1867 came under pressure with the start of the Meiji era in 1868. Each …

Supporting Characters: Prosthesis And Aesthetic Technologies Of Disability In The Victorian Novel, Rebecca L. Mccann

Doctoral Dissertations

This dissertation investigates the production of physical disability and the function of prosthesis in nineteenth-century British fiction. My intervention in disability studies readings of Victorian literature attends to the prosthetic object and prosthetic body not only as the dual products of medicine and art, but also as catalytic elements of fiction and culture. I read reciprocal developments in medical technology and disabled characterization in the Victorian novel to demonstrate how the artistic translation of the prosthetic object effected a set of criteria for defining people through both bodies and things and, in so doing, revealed the ways in which the …

The Postcolonial Condition In Tayeb Salih's Season Of Migration To The North, Rachida Yassine

Dirassat

Tayeb Salih's Season of Migration to the North Disacounter-narrative written in 1969 at the early phase of African 'Decolonization'. This narrative re-writes Conrad's Heart of Darkness –and other ethnocentric representations of Europe's Other such as Shakespeare's Cali ban and Othello-from an Arab/African perspective. In his Culture and Imperialism, Said considers Salih's novel an example of the postcolonial native writers' reclamation of the fictive to poi of colonial culture "on the very same territory once ruled by a consciousness that assumed the subordination of a designated inferior. Saree Makdisee makes a similar point in his essay," The Empire Renarrated: Season of …

Notes From A ‘World That Had Forgotten How To Give’: Edna O’Brien’S Stories Of Resilience, Mine Özyurt Kılıç

Critical Inquiries Into Irish Studies

No abstract provided.

“Say It With Flowers”: Exile, Ecology, And Edna O’Brien, Annie Williams

Critical Inquiries Into Irish Studies

No abstract provided.

“Edna O’Brien: An Interview With Maureen O’Connor”, Maureen O'Connor, Martha Carpentier, Elizabeth Brewer Redwine

Critical Inquiries Into Irish Studies

No abstract provided.

Books: The Original And Final Refuge For Mental Wellness, Kyle Christopher Miller

Journal of Wellness

An appreciation for literature and how reading fights to stay relevant in the fast moving era of technology.

Agency And Political Engagement In Gide And Barrault's Post-War Theatrical Adaptation Of Kafka's The Trial, Yevgenya Strakovsky

CLCWeb: Comparative Literature and Culture

In her article, "Agency and Political Engagement in Gide and Barrault's Post-war Theatrical Adaptation of Kafka's The Trial" Yevgenya Strakovsky considers the political themes of André Gide and Jean-Louis Barrault's Le Procès (The Trial, 1947), the first theatrical adaptation of Franz Kafka's Der Prozess (The Trial, 1914). Strakovsky demonstrates that Le Procès, written and staged in the immediate aftermath of World War II, levels a critique against the passive complicity of citizens in unjust persecution in both its script and its staging. The paper also considers the elements of Kafka's prose that lend themselves to …

The Montagnards, Jarred J. Marlatt

University of New Orleans Theses and Dissertations

No abstract provided.

Servant Voices And Tales In The British Gothic Novel, 1764-1847, Reema Barlaskar

Wayne State University Dissertations

Servant Voices and Tales in the British Gothic Novel, 1764-1847 explores the intersectionality of class, race, and gender positions in the Gothic novel’s portrayal of lower-class identity, constructing an argument framed on the following questions: how do servant voices manifest in the marginal spaces surrounding the dominant narrative of rational discourse; in what ways do servants’ discourse resist and negotiate the narrative of individual experience; how do servants subvert dominant narratives; and what ideological implications do such subversions and resistance entail? The argument emphasizes servants’ discourse within the context of domestic ideology, and as a result, analyzes class, gender, and …

(In)Authenticité: De Brûler À La Manière De La Glace, Elizabeth Jane Israel

Senior Projects Spring 2017

Senior Project submitted to The Division of Languages and Literature of Bard College.

Faithlessly Or Faithless Lie?: The Name Symbolism Conundrum In Sedgwick's Hope Leslie, Erin Wade

Honors Theses

This thesis focuses on the symbolic importance of names in Catharine Maria Sedgwick’s Hope Leslie. While, historically, other scholars have examined the title character’s name, I argue that examining the oft-ignored significance of Faith Leslie’s name is extraordinarily important to the thematic content of the novel and could be more interesting than an examination of Hope Leslie’s name. To delve fully into the possible meanings of the dual pronunciations of Faith’s name — as either faithlessly or faithless lie — I look at religious discrimination against Catholics and Natives during the 17th and 19th centuries, as well as literary …

Melancholic Mirages: Jules Verne's Vision Of A Saharan Sea, Peter Schulman

World Languages and Cultures Faculty Publications

L’invasion de la mer (The Invasion of the Sea), Verne’s last novel to be published during his lifetime, would appear to be a paradoxical vision of French colonial involvement as it chronicles the attempts of the French army occupying Tunisia and Algeria to capture Tuareg leaders bent on pushing the French out of the Maghreb on the one hand, and thwarting an environmentally disastrous French project on the other. L’Invasion de la mer (The Invasion of the Sea) is a complex, if not melancholic vision of the limits of French expansionism, however. The real-life French army geographer François-Elie Roudaire and …

Women, The Novel, And Natural Philosophy, 1660-1727, Karen Gevirtz

Karen Bloom Gevirtz

Women, the Novel, and Natural Philosophy, 1660-1727 shows how early women novelists drew on debates about the self generated by the 'scientific' revolution to establish the novel as a genre and literary omniscience as a point of view. These writers such as Aphra Behn, Jane Barker, Eliza Haywood, and Mary Davys used, tested, explored, accepted, and rejected ideas about the self in their works to represent the act of knowing and what it means to be a knowing self. Karen Bloom Gevirtz agues that as they did so, they developed structures for representing authoritative knowing that contributed to the development …

The Indian Novel: The Indigenization Of The English Novel In India, Allison M. Smyth Miss

Allison M Smyth Miss

In the early years of the nationalist movement the Indian people looking to break free from colonial domination. While the British novel became very popular among Indian book buyers and library borrowers, its subjects and themes did not necessarily agree with Indian history and traditions. After 1865 Indian authors began indigenizing this popular literary form through a series of experiments and debates about the form the Indian novel would take, and its similarities and differences from the British form. In a relatively short time period the Indian novel developed and became a founding component of what would become the Indian …

Eighteenth-Century Poetry And The Rise Of The Novel Reconsidered, Courtney Smith, Kate Parker

Courtney Weiss Smith

"Eighteenth-Century Poetry and the Rise of the Novel Reconsidered" begins with the brute fact that poetry jostled up alongside novels in the bookstalls of eighteenth-century England. Indeed, by exploring unexpected collisions and collusions between poetry and novels, this volume of exciting, new essays offers a reconsideration of the literary and cultural history of the period. The novel poached from and featured poetry, and the “modern” subjects and objects privileged by “rise of the novel” scholarship are only one part of a world full of animate things and people with indistinct boundaries. http://www.bucknell.edu/script/upress/book.asp?id=2501

Tidying As We Go: Constructing The Eighteenth Century Through Adaptation In Becoming Jane, Gulliver’S Travels, And Crusoe, Karen Gevirtz

Karen Bloom Gevirtz

Film Review: Gulliver's Travels, Karen Gevirtz

Department of English Publications

No abstract provided.

Bolshevik For Capitalism: Ayn Rand & Soviet Socialist Realism, Peter Jebsen

CMC Senior Theses

Since the late 1950s, Russian-American novelist and philosopher Ayn Rand has been “the ultimate gateway drug to life on the right.” Her philosophy – “Objectivism” – combined militant atheism, libertarian natural rights, and a philosophical commitment to what she called “the virtue of selfishness,” and earned her the admiration of such luminaries as Alan Greenspan: a remarkable achievement for an immigrant woman who learned to speak English in her late 20s. What is less-often observed is that Rand’s work, especially her mature novels The Fountainhead (1943) and Atlas Shrugged (1957), bear a close stylistic resemblance to the Soviet Socialist Realist …

Film Review: Gulliver's Travels, Karen Gevirtz

Karen Bloom Gevirtz

No abstract provided.

Mémoire Du Duel Dans À La Recherche Du Temps Perdu, Yan Hamel

Présence Francophone: Revue internationale de langue et de littérature

This paper analyses the duel as a central motive in Marcel Proust’s novel À la recherche du temps perdu. In the novels cycle, it appears that the occasions the men have to fight or to watch a duel help to understand why that violent practice increased during the last decade before the second World War. The practice seems to be monstrous morally and socially.

(De)Constructing Jane: Converting Austen In Film Responses, Karen Gevirtz

Department of English Publications

No abstract provided.

(De)Constructing Jane: Converting Austen In Film Responses, Karen Gevirtz

Karen Bloom Gevirtz

No abstract provided.

« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi

Présence Francophone: Revue internationale de langue et de littérature

This article is a study of the dialogue that is maintained between the novel « La femme qui pleure » by Assia Djebar and the Picasso painting that bears the same title. This article also aims to show author’s achievement of the liberation of the feminine subject through an aesthetic means, in other words, through an angle that allows for an encounter between that which has been written and the painting, which combined give the women the right to the word and the image portrayed. The form and the structure that are shared between the novel and the painting appear …

La Traversée Des Savoirs Dans Le Roman Africain, Justin K. Bisanswa

Présence Francophone: Revue internationale de langue et de littérature

The African novel refers to a socio-political as well as a literary History, but does so with guile, expressing this History from an angle. Referring constantly to the social and human sciences, to the point of competing with them, the novel vacillates between dependency and autonomy. It thus proposes a specific knowledge of society, its functioning, and the individuals who constitute it. However, its true intention is not to copy the world, nor even to imitate its life, but to provide a miniaturized replica of both, and set itself up as a vast metonymic duplicate of a certain universe.

Region, Academic Dynamics And Promise Of Comparativism, Robert Cribb

Robert Cribb

Argues for setting Southeast Asia in a broach comparative studies framework.

Entre Intertextualité Et Réécriture, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

Aesthetic practices have become more and more diversified in contemporary cultures. Although rewritings and adaptations are most common from literature to film, from myth/epic to novels, African filmmakers have recently been inaugurating novelization, that is the literary rewriting of a film. This essay examines the case of the Algerian filmmaker Merzac Allouache, who has written Bab el-Oued City, based on his film Bab el-Oued, in order to escape the technical and practical limitations of cinema. In doing so, he best expresses the challenges of contemporary Algeria, which is permanently threatened by violence and Islamic fundamentalism.

Life After Death: Widows And The English Novel, Defoe To Austen, Karen Gevirtz

Karen Bloom Gevirtz

This monograph argues that images of the widow in the early novel served to express, explore, and construct concepts of appropriate female activity in emerging capitalism during the eighteenth century in England. Drawing on novels published between 1719 and 1818, this study investigates how different classes of widows (affluent, working class, impoverished, and criminal) functioned to challenge and affirm emerging economic values. A concluding chapter on widows in Jane Austen's work shows how changing notions of appropriate female economic activity had settled by the establishment of both the capitalist economy and the novel in the early nineteenth century.

My Worldy Goods Do Thee Endow: Widowhood, Economic Conservatism, And The Mid- And Late Eighteenth-Century Novel, Karen Gevirtz

Department of English Publications

No abstract provided.

My Worldy Goods Do Thee Endow: Widowhood, Economic Conservatism, And The Mid- And Late Eighteenth-Century Novel, Karen Gevirtz

Karen Bloom Gevirtz

No abstract provided.