History Commons^™

Aurora: A Painting Of The Coming Dawn, Noa Leibson

Wonders of Nature and Artifice

While collectors and scientists sought out the rarest and best preserved naturalia for their collections, others sought out and commissioned paintings and other forms of artifice to go beside them. One artist held in high regard during the era of curiosity cabinets was Guido Reni, artist of the famed ‘Aurora,’ a copy of which remains in the gallery today. Paintings like this one would have hung regally on the walls of curiosity cabinets, the beauty showing the potential of man, and the themes of nature and classics fitting right in with other pieces surrounding them. [excerpt]

Wondrous Cetaceans, Logan D. S. Henley

Wonders of Nature and Artifice

The Renaissance was named for the cultural rebirth it witnessed. It meant a decrease in the widespread artistic and scientific suppression of the Middle Ages. As a result, Europeans enjoyed a new exploratory enthusiasm, which brought them to the far corners of the world. The concept of exoticism was renewed by European contact with places like China and Brazil. But as well as new cultural connections being bolstered, immense scientific discovery was going on. Science, then named natural philosophy, was seeing breakthrough after breakthrough. Scientists and interested persons brought knowledge and specimens from far and wide together in curiosity cabinets, …

19th Century Writings On The Grand Tour, Emily E. Wilcox

Wonders of Nature and Artifice

Two collections of writings, found in the glass cabinet on the left wall of our Wonder Cabinet, contain the descriptions of two travelers’ times abroad during the Grand Tour. The first item is a travel journal written by Henry Louis Baugher, son of Pennsylvania (now Gettysburg) College’s second president, Henry Lewis Baugher. The journal was generously donated to Gettysburg College’s Special Collections and College Archives by Gary Hawbaker, class of 1966. Beneath the travel journal you’ll find a collection of letters written by Louisa Augusta Webb about the tales of her and her sisters’ travels. This compilation of letters is …

Quartz And Prehnite: Minerals During The Renaissance, Shannon R. Zeltmann

Wonders of Nature and Artifice

Minerals were displayed in wonder rooms for their beauty and used by apothecaries for their medical properties and artists, for sculptures and pigments. Minerals during the Renaissance were collected and displayed in wonder rooms to illustrate the beauty of nature. Humanists would have categorized minerals by their external qualities- color, transparency, form, luster, and smell. Over time, geologists continue to study these external qualities when they are first analyzing minerals, and the internal properties. Today the six major factors in identifying minerals are cleavage, the tendency of minerals to break into flat surfaces; color; crystal form or how the form …

Guardians Of Ink And Vellum: Ethiopian Magical Scrolls, Zachary A. Wesley

Wonders of Nature and Artifice

Ethiopian magical scrolls are powerful tools to combat sickness and demons in Ethiopian folk belief. As works of art, they display influences from Muslim, Jewish, and Christian sources. The scroll showcased in the “Wonders of Nature and Artifice” Exhibition was graciously donated by Mike Hobor, Gettysburg College Class of 1969. A prolific traveler, Mike purchased this piece in an art shop in Rome along with two other scrolls. 1 The scroll is believed to come from the city of Gondar, and is believed to date to the eighteenth-century. [excerpt]

Crocodiles - The Singular Beast In The Renaissance Cabinet, Peter Zhang

Wonders of Nature and Artifice

Stuffed crocodiles often predominated many famous cabinets, hanging in the center of the ceiling. Crocodilians are the largest reptiles and the largest predator that spends time on land. They have existed for about 240 million years, and today there are 23 species of crocodilians in total, categorized in three families: 13 species of crocodiles, two species of alligators, and six species of caimans. Archaeologists found a “Supercroc” fossil as long as 40 feet (12 meters) and weighting 17,500 pounds in Niger. They believe that the crocodile lived alongside dinosaurs about 100 million years ago. [excerpt]

Ortelius's Map Of The World And Homann's Ship Model Map, Jane C, Fitzpatrick

Wonders of Nature and Artifice

Abraham Ortelius and Johann Baptist Homann were very successful cartographers who benefitted from the rising trend in curiosity cabinets during the Renaissance. Ortelius lived from 1527-1598 and was born in Antwerp, Belgium, and Homann became famous in Nuremberg, Germany during his life from 1663-1724. [excerpt]

16th Century Antiphon, Abigail K. Major

Wonders of Nature and Artifice

The Renaissance era, which spanned from the 14th century until the 16th century, served as a transitional period. Considered to be a period of rebirth, the Renaissance commenced a revival in culture, literature, and the arts throughout Europe. The 16th century antiphon not only signifies that music was indeed an important aspect during the Renaissance, but is also tangible evidence that choral music, and more specifically Gregorian chant, were prominent forms of musical expression.

Under The Wing Of A Creature Of The Night, Julia M. Chin

Wonders of Nature and Artifice

Magnificent in its sheer power and beauty, this owl wing has a wingspan of 18 inches and measures 10 inches from the shoulder bone to the secondary feathers. Wings such as the one displayed play a vital role in the lifestyle of owls and other hunting birds who fulfill their dietary requirements through stealthy foraging in the dark of the night. Being predatory animals, an owl depends upon its wings as a weapon, equipping it with an arsenal worthy of any hunter. Because of their composition of downy feathers, soft fringes, and comb-like primary feathers, these light appendages create less …

Botanical Illustrations, Emily N. Roush

Wonders of Nature and Artifice

Botanical illustrations were an integral facet of botany in the Renaissance era. Many naturalists and physicians studied plants in collections to observe and record the naturalia. In many collections, specimens were displayed for visitors to draw and then create illustrations or prints. With an illustration, detail in plants could be captured and visually understood instead of learning through text. The great feature of illustrations was the fact that the specimens could be exotic yet still studied. Kusukawa says, “Pictures enabled scholars to access unobtainable objects, build knowledge of rare objects over time, and study them long after the live specimens …

Fossils: Digging Into The Past, Sidney N. Caccioppoli

Wonders of Nature and Artifice

Fossils collected in Renaissance collection cabinets were items of wonder and curiosity. Although sometimes mistaken for other pieces of naturalia, they were widely collected by owners of princely cabinets and scholarly collections.Though naturalists and collectors often kept fossils in their collections, they did not have the same understanding as we do today of what they are. Due to their belief in mythological monsters and naturalia with magical properties, there were often misinterpretations or mislabeled objects to something they were not. According to Kenseth’s “A World of Wonders in One Closet Shut,” some collectors believed that fossilized shark’s teeth were “adders’ …

Butterflies And Rebirth, Meredith E. Brown

Wonders of Nature and Artifice

During the Renaissance, collectors saw Morpho butterflies as beautiful, elegant, and rare creatures. Their exotic origin and sophistication made these fascinating creatures the subjects of scientific observation, decoration, and symbolism. Butterflies of the Morpho genus include a wide variety of marvelous, striking, and beautiful species. Home to South and Central America, Morpho butterflies thrive in the rainforests of Nicaragua, Colombia, and Venezuela. When Renaissance Europeans began exploring American rainforests, they were quickly captivated by these butterflies. Morphos feature vivid blue coloration and iridescence on the dorsal side of their wings as well as a yellow-brown coloration on the other side. …

Seutter Map Of America, Meredith D. Staats

Wonders of Nature and Artifice

The map featured in our show, Novus Orbis sive America, was printed in 1730. The engraving measures 50 x 58 centimeters and is a 1:19,000,000 scale.1 The map was donated by John H.W. and Mary G. Stuckenberg. It shows the “New World,” North and South America; the copy Special Collections owns features hand-colored continents. Different states or regions are colored in yellow, pink, orange, and green. On either side of each continent are islands with trade routes highlighted across the Atlantic and Pacific Oceans. Also present are two text boxes, both in Latin, one in the upper left-hand corner and …

19th Century Miniature Landscape And Seascape, Kathleen C. Paul

Wonders of Nature and Artifice

As a gift to Gettysburg College, known as Pennsylvania College at the time, Johann Heinrich Wilbrand Stuckenberg willed his vast estate including an extensive 17^th-19^th century map collection after his death in London in 1903. J.H.W. Stuckenberg, and his wife Mary, were fond of the college for its progressive curriculum and support of his philosophical endeavors in publication, sociology, religion, and his native politics and culture.Two items that were bequeathed to the college are a pair of small paintings, one a landscape, the other a seascape. [excerpt]

Romanticism And Religion: The Superb Lily, Alexis Marie Michelle Zilen

Wonders of Nature and Artifice

“The Superb Lily,” was donated by Geoff Jackson, class of 1991 and beloved benefactor of Gettysburg College, to Special Collections. This first edition piece was published in the twenty first page of the book, Temple of Flora. This text is considered the greatest and most famous florilegia of the twentieth century due to its accuracy of descriptions and vast size. It contained a total of thirty five floral prints. The publisher, Robert Thornton, produced numerous copies of this book in the same year, however, the exact number of copies is unknown. (excerpt)

Wonders Of Nature And Artifice, Schmucker Art Gallery

Schmucker Art Catalogs

A stuffed blowfish, a meticulously-drawn insect, a ravishing lily, and a rhinoceros horn carved with scenes of plants and animals—these were among the wonders of nature and artifice, the marvels that fueled the Renaissance quest for knowledge. This exhibition explores the intellectual and aesthetic motivations of Renaissance naturalists and collectors, whose wonders of nature and artifice were displayed in elaborate gardens, illustrated books, and remarkable cabinets of curiosities. Collectors were driven by curiosity and a sense of wonder about what seemed to be an ever-expanding world. Students from Prof. Felicia Else’s upper-level art history course and Kay Etheridge’s First Year …

Ambigüedad Y Rebeldía En El Tono Económico De El Periquillo Sarniento, Amilcar Challú

History Faculty Publications

No abstract provided.

Gentrification & The Cultural Identity Of Harlem, William Gibbons

Open Educational Resources

No abstract provided.

“If You Want Peace, Work For Justice:” Assessing Pope Paul Vi As A Peacebuilder On The Levels Of Insight And Action, Christopher W. Hrynkow

Peace and Conflict Studies

Paul VI was the first reigning pope to travel via airplane. On one such trip, he addressed the UN General Assembly, emphatically declaring “War never again! Never again war!” During the same period, Paul VI also saw the Second Vatican Council through to its completion. Vatican II produced an articulation of substantive peace in one of its final documents, Gaudium et Spes. This article employs an analytical yardstick through reading Gaudium et Spes in conversation with a Peace and Conflict Studies perspective, as a means to assess Paul VI’s peacemaking efforts on the levels of insight and action. Specifically, …

Oral History Conversation With Najah Abdelkader, Evan Bui, Eric Hoster, Jesseca Bates

Philosophy 111: Philosophy of Human Nature

Najah Abdelkader, Professor of Philosophy at San Diego City College and Southwestern College, share stories and memories from her homeland of Iraq and her experiences of adapting to her new life in the US. This oral history conversation is part of an oral history project entitled "From Cradle to Cradle". In this project, students in a Philosophy of Human Nature course invites Iraqis and Syrians who have migrated to the US to share the stories and memories they have carried with them from their homelands and to explain how those stories and memories continue to shape and enrich the lives …

Introduction To "Migration And The Crisis Of The Modern Nation State", Frank Jacob, Adam Luedtke

Publications and Research

Introduction to an anthology dealing with the interrelationship between migration and a supposedly existing crisis of the modern nation state.

Oral History Of Migrants, Shira Klein

History Teaching Resources

This is a collection of collections of oral histories by migrants that can be used both for teaching and for research purposes.

Wvrhc Newsletter, Fall 2017, West Virginia & Regional History Center

West Virginia & Regional History Center Newsletters

Ancella Bickley Papers Document the Life and Work of Pioneer Black Educator and Historian

L.A. Rebellion: Creating A New Black Cinema, Book Review, Peter Catapano

Publications and Research

No abstract provided.

Remembering An Abolitionist, Ambassador John R. Miller (May 23, 1938-October 4, 2017), Eleanor Kennelly Gaetan, Donna M. Hughes

Dignity: A Journal of Analysis of Exploitation and Violence

A memorial for Ambassador-at-Large to Monitor and Combat Trafficking in Persons, John R. Miller (May 23, 1938-October 4, 2017). Ambassador Miller believed modern-day slavery, encompassing sex trafficking and forced labor, requires a principled global offensive that the United States is morally obligated to lead. In the four formative years he led the State Department’s Office to Monitor and Combat Trafficking in Persons, 2002 to 2006, John Miller set the office’s course as diplomatically aggressive and programmatically creative. He made the annual Trafficking in Persons report more than a bureaucratic submission, putting daring heroes at the center, and insisting on compelling …

“A Disconnected Dialogue: American Military Strategy, 1964-1968,” Oklahoma Humanities, Vol. 10, No. 2, Fall-Winter 2017., Gregory A. Daddis

History Faculty Articles and Research

"The admission, supported by a careful reading of the historical record, begs larger questions: How do we remember American strategy in Vietnam? What language do we use to describe a war that proved so tragic, not only for the United States but, perhaps more importantly, for the millions of Vietnamese who lost their lives in a decades-long civil war? In coming to grips with a complex war, Americans, then and now, have relied on a series of tropes to streamline their conversations about a distasteful war."

"Adventures Of Little Miss Marker," Or "What Goes Around Comes Around", Joyce Smith

Huntsville Historical Review

No abstract provided.

La Voz Fall 2017, El Instituto: Institute Of Latina/O, Caribbean, And Latin American Studies

La Voz

In this issue:

• Mark Overmyer-Velazquez
• Feria Internacioinal de Libros
• Racismo y Lenguaje
• Pre-doctoral research funding
• Tinker Field Research
• Latino Fraternities
• Latino Sororities
• Daisy Reyes
• DACA
• Hurricane Study
• La Comunidad Intelectual
• Maria del Mar Olmedo-Malagon

Scriptural Justification For The American Revolution, Samuel Ewing

Senior Honors Theses

This thesis will seek to examine the intention of the Founding Fathers regarding their decision to break from England in what became the American Revolution. On July 4^th, 1776, fifty-five men gathered to sign the defining document of their cause – the Declaration of Independence. As the document presents the climactic argument against the English crown, this thesis will seek to analyze its writers’ intentions, presuppositions, and rationalizations. Ultimately, this thesis will demonstrate that the Founders not only sought biblical justification for their actions and opinions, but followed the letter of biblical and common law in order to …

The Rhetoric Of The Civil War: Literary Devices Of The North And South, Kelsey Williams

Senior Honors Theses

While both Northern and Southern antebellum writers employed religious imagery for their persuasive purposes, their specific rhetoric differed: Timrod pictured the South romantically, as the revival of Camelot even after the Confederacy’s death; Stowe, heavily influenced by her personal background, enacted emotion accompanied by an appeal to ethics in her fictional apologetic for the end of slavery in Uncle Tom’s Cabin. Although history handed both authors the opportunity to affect the nation’s trajectory, only Stowe achieved this feat, and she owes her triumph over Timrod, the victory of the North over the South, to her emotional rhetoric concerning slavery. …