History Commons^™

Notation And Memorandum: Special Artists And Their Portrayal Of The American Civil War, Bryan G. Caswell

The Gettysburg Compiler: On the Front Lines of History

As the first war to see the extensive use of photography, the American Civil War was brought home to civilians in hundreds of photographs portraying camp life or the aftermath of battles. Due to the nature of nineteenth century photography as well as safety concerns, however, photographers were not able to capture scenes of actual combat for their viewers. This task fell instead to men known as Special Artists or “Specials,” hired by the illustrated periodicals of the day to travel with the armies and sketch all manner of events associated with the military, including battles as they progressed. [ …

Mocking A Perilous Prediction: Currier And Ives’ Political Cartoons, Megan A. Sutter

The Gettysburg Compiler: On the Front Lines of History

Currier and Ives’ political cartoons, while comical, also represent the general undertones of the time as well as people’s feelings regarding this era of political controversy. The election of 1860 was an incredibly important one because, not only were there numerous political and social divides, but the South had threatened to secede. The political cartoon “The Irrepressible Conflict” or “The Republican Barge in Danger,” released in 1860, gives historians a good understanding of the reactions to not only Seward’s speech but also the wariness of Lincoln’s nomination and eventual election. [excerpt]

Satirizing Strife: Currier And Ives Political Cartoons, Megan A. Sutter

The Gettysburg Compiler: On the Front Lines of History

Currier and Ives’ prints were a large part of the media during the Civil War era. Not only were Romantic prints sold and hung in people’s parlors, but cartoons were also very popular. It is important to remember that Currier and Ives’ goal was not to produce fine art, but to make a product that was attractive to middle-class consumers. Thus, political and social cartoons became a way to attract customers. They tried to stay away from controversial topics; however, their Darktown series was one of their best-selling series of the day. Today, the Darktown series is rarely displayed and …

Parker Family Papers (Mss 118), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Collection 118. A wide array of materials, chiefly correspondence, of the Liddell and Spencer families of Alabama and the Parker family of Bowling Green, Kentucky. Of particular interest are Civil War letters written to Mary E. “Mollie” Liddell, items related to Howard College and Judson Institute in Marion, Alabama, letters to Lorena Parker from a missionary in Ethiopia, and a letter mentioning Texas politics in 1860.

A Living Image: Newspaper Sketches In The American Civil War, Bryan G. Caswell

The Gettysburg Compiler: On the Front Lines of History

Photography: the ability to capture a moment in time exactly as it appeared, to then preserve it for posterity, even mass produce it for a wide viewership. A relatively new concept by the beginning of the American Civil War, photography quickly came into its own in the hands of such legends as Matthew Bray and Alexander Gardner as they sought to document the furious storm which had swept over the land. Photographs of the Civil War are prolific, and for many the memory of the conflict is intertwined with black-and-white photographs of unsmiling men and corpses bloating in the sun. …

For Those At Home: The Romantic Nature Of Civil War Lithography, Megan A. Sutter

The Gettysburg Compiler: On the Front Lines of History

Lithography, the art of drawing on stone, was an important part of American Victorian culture during the Civil War. Not only did lithography provide news in pictorial form, but it also was widely displayed in the home. With the economic move from home to factory during the early 19th century, the home became more of a “sanctuary” in which women could decorate and display. [excerpt]

Theater Of War: Booth And Beyond, Valerie N. Merlina

The Gettysburg Compiler: On the Front Lines of History

Lastly, we come upon perhaps the best known actor of the Civil War era, John Wilkes Booth. Of course, the reason memory allows us to recall the name is not because of the merits achieved through his profession, but rather because he murdered the elected executive official – United States President Abraham Lincoln. Booth, a product of a theater family, was a dramatic, eccentric, and impatient being. He wanted the leading roles, did not want to prepare the role, but to simply play the role. His brother, Edwin Booth, a talented poetical performer, one might deduce, did prepare for his …

Theater Of War: Combining Entertainment And Art, Valerie N. Merlina

The Gettysburg Compiler: On the Front Lines of History

Did the theater work to benefit the causes for north or south, dependent upon region? Sautter stated that this phenomenon was less common than many might expect. Many actors stated their neutrality, or as one Civil War era actor said, “I am neither northerner nor southerner.” Still others simply responded to the war by leaving the country. One must consider the “clannish nature” of theater of the time in order to understand how actors could have taken the neutral role during a war of ideals: many actors were born into theater life, therefore did not grow up in any one …

Theatre Of War: A Witness To Love, Tragedy, And Parody, Valerie N. Merlina

The Gettysburg Compiler: On the Front Lines of History

Central to American nineteenth century life was the theater. As the fratricidal fighting of the American Civil War broke out and divided the nation, this centrality remained, and audiences crowded into the theaters. For both north and south, the theater provided an outlet through which Americans could enjoy plays, performances, music, and variety shows that appealed to all social classes of American society. However, in order to understand the operations of theater companies during the war itself, it is first essential to examine the state of the theater as a concept during the mid-nineteenth century, and in the pre-war years. …

Confederates In The Swimming Pool, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I was swimming last night and thinking about dead Confederates. Someday, it's utterances like that which are going to see me involuntarily committed to an asylum. But it's true. I swam and thought about dead Confederates. [excerpt]

For Gods' Sake, Copy-Edit That Textbook On The Wall, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

So, my social streams flooded on Monday with an article from the Denver Business Journal, a weekly Colorado publication with a circulation rate of about 16,000 issues. The internet is an amazingly powerful force for magnification. It can make a rant from one irate museum goer with very-close-to-nil circulation seem like a meaningful and broadly held opinion. [excerpt]

Heckman’S Hidden Heroes: Battery K, First Ohio Light Artillery, 11th Corps, Brianna E. Kirk

The Gettysburg Compiler: On the Front Lines of History

The corner of Lincoln and Carlisle Streets is home to a frequently overlooked historical monument on the Gettysburg battlefield. Located on the campus of Gettysburg College, many students walk past this monument dedicated to Battery K of the 1st Ohio Light Artillery every day and are unaware of the significance of its placement and the story behind the words etched into the majestic Light Quincy granite stone. Battery K’s story, though only lasting a mere thirty minutes during the battle, surely should not go unnoticed. [excerpt]

Gettysburg's New Dawn, 1864, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

The first few days of January are usually crisp and cold in Gettysburg. Sometimes there is frost or snow, sometimes not. Sometimes there is a bitter wind, sometimes not. Sometimes there is sun bleeding across the horizon and splashing a cloudless sky, sometimes there is not. But the new year here, like everywhere else, stands as a symbol of promise and hope for the future. [excerpt]

"Remembrance Will Cling To Us Through Life": Kate Bushman's Memoir Of The Battle Of Gettysburg, Brian Matthew Jordan

Adams County History

Kate Bushman never expected that the Civil War would visit her tiny town. Nor could she have predicted the life altering impact of Gettysburg’s grisly scenes, indelibly etched into the folds of her memory. The best evidence of that transformation is the remarkable memoir of the battle and its aftermath that she obediently entered into her leather-bound scrapbook sometime in the early 1870s. Leaving no room for pretense, she recognized that the events she witnessed were significant, and that hers was important historical testimony. No longer just another devoted wife, mother, and Unionist, she was “an eye witness.” [excerpt …

George M. Leader, 1918-2013, Michael J. Birkner, Charles H. Glatfelter

Gettysburg College Faculty Books

George M. Leader (1918-2013), a native of York, Pennsylvania, rose from the anonymous status of chicken farmer's son and Gettysburg College undergraduate to become, first a State Senator, and then the 36th governor of the Commonwealth of Pennsylvania. A steadfast liberal in a traditionally conservative state, Leader spent his brief time in the governor's office (1955-1959) fighting uphill battles and blazing courageous trails. He overhauled the state's corrupt patronage system; streamlined and humanized its mental health apparatus; and, when a black family moved into the white enclave of Levittown, took a brave stand in favor of integration.

After politics, Leader …