History Commons^™

Iran: Beyond The Headlines, Musselman Library

Other Exhibits & Events

Poster with Spring 2015 events for Iran: Beyond the Headlines series.

Iran: Beyond the Headlines is a learning series that includes book discussions, film screenings, and lecture designed to help us move past today's headlines and explore the history, art, culture, and everyday life of Iranians. Series events are scheduled for September 2014 - April 2015. All events are free and open to the public.

Business, Education, And Enjoyment: Stakeholder Interpretations Of The Gettysburg Museum And Visitors Center, Ava M. Muhr

Student Publications

An anthropological study of the Gettysburg Museum and Visitors Center undertaken to understand the ways in which the visitor experience is conditioned by their own personal background, as well as filtered through the carefully constructed historical narrative created by museum historians, National Park Service rangers, and administrators. The Gettysburg Museum and Visitors Center is a site in which multiple stakeholders contend to ensure that their interpretations of the museum’s purpose is being upheld. This paper will examine the ways in which these various stakeholders – primarily NPS rangers, Civil War historians, and history buffs – interpret the catalyst(s) for constructing …

The American National Exhibition And Kitchen Debates: How The World's Superpowers Portrayed The Events Of The Summer Of 1959 To Meet National Needs, Kevin D. Bardin

Student Publications

An undergraduate research paper centered on the investigation of American and Soviet propaganda efforts during and immediately after the Kitchen Debate of 1959.

The Long Road: Eisenhower’S Inter-American Highway: The Path To Economic Investment, Political Stability, And Collective Security In Central America, Jacob A. Ross

Student Publications

This paper explores the anti-communist Cold War tactics of public diplomacy as undertaken by the Eisenhower Administration. The focus of this paper is the Inter-American Highway: a program which the U.S. government funded and constructed to develop Central America economically, politically, and beyond. Funding for this program was increased and supported by the president because it fit the axiom of spending as little money as possible in the Cold War, but spending it in a way to be effective in the battle against Soviet communism. The stance of the U.S. government was to provide Central America with increased infrastructure development …

Assessing Reconstruction: Did The South Undergo Revolutionary Change?, Lauren H. Sobotka

Student Publications

With the end of the Civil War, came a number of unanswered questions Reconstruction would attempt to answer for the South. While the South underwent economic, political and social changes for a short period, old traditions continued to persist resulting in racist sentiment.

Seato Stumbles: The Failure Of The Nato Model In The Third World, Louis T. Gentilucci

Student Publications

NATO as an alliance has stood the test of time since the early post-war years. Yet similar alliances such as SEATO passed into history long ago. The problem with the NATO model of alliance was its inability to be applied to the Third World. The particular circumstances of Southeast Asia prevented SEATO from becoming a true successor to the NATO alliance system. In addition, the approach of Eisenhower and his administration to Southeast Asia and anti-communist alliances was undermined by their own political needs and personal experiences. Southeast Asia was fit into the mold of the post-war period and the …

Beyond Rodin: Revisiting The Legacy Of Camille Claudel, Shannon R. Callahan

Student Publications

French sculptress Camille Claudel has gained recognition in the past 30 years due to a focus on her tragic life rather than her artistic talent. Despite critical acclaim and respect amongst her peers during the late 19th and early 20th centuries, her affair with Auguste Rodin and her struggles with mental illness have cast a dark, dramatic shadow over modern interpretations of Claudel’s oeuvre. Considering how difficult it was for a woman to be working as an artist at this time, Claudel’s sculptures should not be outweighed by her personal life. In order to challenge the reader not to accept …

Peering Into The Jezebel Archetype In African American Culture And Emancipating Her From Hyper-Sexuality: Within And Beyond James Baldwin’S 'Go Tell It On The Mountain' And Alice Walker’S 'The Color Purple', Zakiya A. Brown

Student Publications

Literary authors and performing artists are redefining the image of the Jezebel archetype from a negative stereotype to an empowering persona. The reformation of the Jezebel’s identity and reputation, from a manipulating stereotype to an uplifting individual may not be a common occurrence, but the Jezebel archetype as a positive figure has earned a dignified position in literature and in reality. Jezebel archetypes wear their sexuality proudly. Her sultriness may be the first aspect of her identity that readers see, but readers must be cautious not to overlook her merit and moral standards as a character that has the potential …

“Strength Shed By A New And Terrible Vision:” The Organic Evolution Of The Blues And The Blues Aesthetic In Richard Wright’S 'Uncle Tom’S Children', Jeffrey J. Horvath

Student Publications

An exploration into the development of the "blues aesthetic" in the African-American literary tradition.

Dr. Jekyll And Mr. Hyde: The Complicated Identity Of The Brussels International Festival Of Fantastic Films, Mila H. Whiteley

Student Publications

The Brussels International Festival of Fantastic Films (BIFFF) is a genre festival specializing in thriller, horror, science fiction and fantasy films. Started in 1983, with an initial audience of 32,650 for a festival of 60 films, by its most recent run in April 2015, 64,400 tickets were sold for a showing of 108 films (BIFFF Presentation 4-5; “Festival 2015” 2015). The almost doubling in audience attendance over the course of the BIFFF’s 33 year run emphasizes the manner in which the festival’s identity has become oriented towards a specific and passionate audience. Interestingly, as the festival’s audience engagement has increased, …

They Survived The Conversion From 35mm To Digital, So Now What? The Future Of America’S Small-Town Art House Theaters, Morgan H. Marianelli

Student Publications

This paper explores the vital role art house movie theaters play in their communities, particularly in bringing film culture to small towns. I argue that art house theaters have a symbiotic relationship with their communities (particularly small towns) in which the art houses play a vital role in bringing culture to their downtown communities, and these communities are ardent supporters of art house theaters, helping them convert from 35mm to digital and continue to thrive. I explore two art house movie theaters in great detail as case studies, the County theater in Doylestown, PA and Gettysburg's Majestic theater, to prove …

We've Got A Movement Down In Selma: Day 5, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

"My people, my people, listen. The battle is in our hands. The battle is in our hands in Mississippi and Alabama and all over the United States.... And so as we go away this afternoon, let us go away more than ever before committed to this struggle and committed to nonviolence. I must admit to you that there are still some difficult days ahead. We are still in for a season of suffering...." [excerpt]

Can't Turn Around, We've Come This Far By Faith: Day 4, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

"...today I want to say to the people of America and the nations of the world, that we are not about to turn around. We are on the move now. Yes, we are on the move and no wave of racism can stop us. We are on the move now."

The last time I went to a Catholic Mass was on Easter last year. My head was in a bad place. I felt all alone. Mom was gone. and the landscape of the world looked entirely foreign. Even the Mass itself had changed. New responses replaced old ingrained phrases. My …

Playing Catch-Up: Jonathan Letterman And The Triage System, Bryan G. Caswell

The Gettysburg Compiler: On the Front Lines of History

Gettysburg has more than its fair share of heroes. While the overwhelming majority of these larger-than-life figures was intimately acquainted with the conduct of the Battle of Gettysburg, a few stand apart from tales of martial valor. The most famous, of course, is Abraham Lincoln, yet he is not the only man associated with the aftermath of Gettysburg. In the immediate aftermath of the battle, provisions for the care of the wounded and dying left behind by both armies were organized by Major Jonathan Letterman, Medical Director of the Army of the Potomac. [excerpt]

The Thunder Of The Marching Men Of Joshua: Day 3, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

"Let us march on ballot boxes until the Wallaces of our nation tremble away in silence.... There is nothing wrong with marching in this sense.The Bible tells us that the mighty men of Joshua merely walked about the walled city of Jericho and the barriers to freedom came tumbling down." [excerpt]

Like An Idea Whose Time Has Come: Day 2, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

"They told us we wouldn’t get here. And there were those who said that we would get here only over their dead bodies, but all the world today knows that we are here and we are standing before the forces of power in the state of Alabama saying, 'We ain’t goin’ let nobody turn us around.'"

I met Edith today. We were walking down the road and Edith was with us. She didn't say much. She just sort of gurgled, dangling from a sling on her mother's chest. [excerpt]

Walking Through 1965 On An Alabama Highway: Day 1, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

"Outside in the backyards I had just passed other youngsters engaged in their game 'State Trooper' in which half the number lined up locked arms, and proceeded to march singing 'We Shall Overcome,' then were set upon and beat down by the others wielding sticks and branches. In situations like these, one must observe the tragedy: that the misdeeds of our immature society are imprinted in the minds of innocent children."

Carl Benkert, Freedom Songs: Selma, Alabama, 1965

We were marching down the road. Seriously. We were marching down a rural Alabama highway. Hundreds of us. Marching. [excerpt …

Artifacts As Ambassadors: Sharing Special Collections Through Collaboration With Student Curators, Carolyn Sautter

All Musselman Library Staff Works

Special Collections and College Archives at Musselman Library, Gettysburg College, regularly collaborates with various academic departments to conduct class visits utilizing the primary sources in Special Collections Reading Room. In the last two years, some of these opportunity have grown into semester long student curation experiences both inside Special Collections and in collaboration with Schmucker Art Gallery at Gettysburg College.

The exhibits discussed included:

Slaves, Soldiers, Citizens: African American Artifacts of the Civil War Era

Slow to Heal: The Evolution of Medicine from the Civil War Era to WWI

Owl & Nightingale Players, 1914-2014: One Hundred Years of Drama

Art …

Searching For Stevens, Kevin P. Lavery

The Gettysburg Compiler: On the Front Lines of History

You haven’t seen much from me yet this semester. For this I apologize. I have been knee-deep in preliminary research for a special project I’m working on for the blog – one that can’t be completed until the weather breaks. I originally meant to learn just enough about the topic of this project to share a brief overview with you all, but, as sometimes happens during the research process, I’ve become a little obsessed with the central figure of my research: one Congressman Thaddeus Stevens. [excerpt]

Crusading For The Truth, Kevin P. Lavery

The Gettysburg Compiler: On the Front Lines of History

Last semester, I received a very memorable critique on one of my more polarizing blog posts. In it, a reader derisively referred to another of the CWI Fellows and me as “truth-driven crusaders” for our commitment to healthy historical engagement. Finding it an appropriate if not excessively romanticized description of the work we do as historians-in-training, my friends and I have since then appropriated the term to describe ourselves. I feel obliged to admit here that the antagonism signaled by the term “crusader” makes me a bit uneasy, but I like to think that we “crusade” against certain ideas, and …

Lancastrians Marched With Dr. King In Selma, Michael J. Birkner

History Faculty Publications

Fifty years after he addressed a crowd in Lancaster’s Penn Square about “the idea that all men are one,” Wayne Glick remembers that moment as if it happened yesterday. Glick’s speech, inviting Lancastrians to participate in the Rev. Martin Luther King Jr.’s march from Selma to Montgomery, Alabama, on behalf of African-American voting rights, is a footnote to Lancaster County history. But the march itself, featured in the popular film “Selma,” helped to change America. [excerpt]

The End Is Near: The Civil War In 1864, Brianna E. Kirk

The Gettysburg Compiler: On the Front Lines of History

In the minds of most Civil War lovers, the year 1864 marks the noticeable shift from a conciliatory war to a hard war. Most view it through the lens of Ulysses S. Grant’s Overland Campaign, through William Tecumseh Sherman’s March to the Sea, through the successes of the Union Army. After all, the Battle of Gettysburg in July 1863 is seen as the ‘high tide of the Confederacy,’ marking the falling action point in the war when total Union victory became inevitable. But in actuality, 1864 was just as—if not more—critical to the outcome of the war than the prior …

A Useable Past: First World War Training Camps On Civil War Battlefields, S. Marianne Johnson

The Gettysburg Compiler: On the Front Lines of History

When visitors flock to America’s National Parks, the battlefields from the American Civil War are perennially popular. Every summer, thousands come to walk over the serene fields and forests where men suffered unimaginable carnage. These sites have become sacred in the American psyche, places to remember and honor the dead, educate the public, or engage in quiet personal reflection. The rolling plains, dense forests and impressive mountains of Civil War battlefields inspire awe and reverence for what author Robert Penn Warren tagged America’s only “felt history.” [excerpt]

Link Racial Past To The Present, Jill Ogline Titus

Civil War Institute Faculty Publications

Americans have been putting a great deal of energy into commemorating the 50th anniversary of some of the key moments of the civil rights movement. This burst of memorialization has inspired one new museum in Atlanta and the redesign of another in Memphis. The Smithsonian and Library of Congress are launching a new oral-history initiative, and films like Selma bring the movement to life for those who rarely read a history book or visit a museum.

This year brings more anniversaries: the Selma-to-Montgomery March, the passage of the Voting Rights Act, and the Watts rebellion. And the commemorative stakes are …

“Children Of The Damned”: An Indie Band Remembers Andersonville, Heather L. Clancy

The Gettysburg Compiler: On the Front Lines of History

When alternative band Quiet Hounds released Megaphona in 2012, they presented an album peppered with an impressive range of styles, from folksy ballads to pseudo-manic hipster club tunes. The album’s most unexpected choice, though, came in the form of its closing song, “Beacon Sun.” In it, the band’s lead singer carries a mournful melody. A hypnotizing rhythm runs through the track, underscored by the tattoo of a lethargic tambourine. Indeed, the track is more akin to a jazzed-up hymn than anything else, an impression that is not surprising to listeners once they heave themselves out of the indie haze long …

“I Am Always Thinking First Of You:” The Chamberlains In Love And War, Bryan G. Caswell

The Gettysburg Compiler: On the Front Lines of History

Soldier. Professor. Hero. Braggart. Joshua Lawrence Chamberlain has been called many things by many people. Regardless of whether one loves or despises him, Chamberlain and his role in the American Civil War never fail to evoke intense emotion. While books, movies, and the occasional painting have all immortalized Chamberlain the soldier, rare is the occasion to observe Chamberlain the husband. In honor of Valentine’s Day, I bring you the story of the Chamberlains; a story of romance and rebuttal, of peace and conflict, of injury both physical and emotional and, in the end, a deep, abiding love. [excerpt]

Introducing Fortenbaugh Intern Abby, Abby M. Rolland

Blogging the Library

Hi I’m Abby – the last of three Fortenbaugh Interns to post! I am a senior with a History major and Political Science and Anthropology minors and I hail from Kokomo, Indiana. I am so excited to be working in Special Collections – I love working with history first-hand! Here’s a brief write-up of what I have completed so far in my time on the 4th Floor. [excerpt]

Slavery's End Deserves A 150th Celebration, Allen C. Guelzo

Civil War Era Studies Faculty Publications

As the 150th anniversary of the Civil War winds down toward its conclusion in the spring, it's difficult not to look back on the four years of this sesquicentennial and wonder why it all seemed so lackluster. Unlike the centennial in 1961-65, Congress decided not to create a national commission. And President Obama took a pass on the 150th anniversary of the Gettysburg Address.

But the most surprisingly lackluster remembrance was the one that just slipped by us - the 150th anniversary of the passage of the 13th Amendment to the Constitution, abolishing slavery in the United States. [excerpt …

“Caught Between Southern Pride And Southern Blame”: Brad Paisley’S “Accidental Racist”, Brianna E. Kirk

The Gettysburg Compiler: On the Front Lines of History

An ongoing and rather controversial debate in the Civil War world is that over the rightful placement of the Confederate battle flag in American memory. Being such a provocative symbol both in terms of history and race relations, its ‘true’ meaning and ‘true’ symbolism are constantly in flux. With recent disputes on the removal of the Confederate flag from Robert E. Lee’s tomb at Washington and Lee University making their way into the mainstream news, the complicated meaning of the rebel symbol and where it belongs in American memory have earned their places at the forefront of the national consciousness. …

Escape Artistry: Elisabeth Bergner And Jewish Disappearance In Der Träumende Mund (Czinner, 1932), Kerry Wallach

German Studies Faculty Publications

The late Weimar film Der träumende Mund culminates in the apparent but unconfirmed suicide of its female protagonist, played by Elisabeth Bergner. Bergner, whose background contributed to the film’s Jewish reception, and who later claimed to have written the film’s screenplay, left Germany and went into exile with director Paul Czinner in 1932. This film and the circumstances of its production and premiere link tragic modes of self-erasure, including the suicides of both many women and many German Jews, to notions of escape, emigration, and reemergence. Its success among Jewish spectators points to its enduring and international appeal.