History Commons^™

Warriors Of Bronze: The Virginia Monument And Remembrance Day, Zachary A. Wesley

The Gettysburg Compiler: On the Front Lines of History

Memory is a peculiar thing. To recall it is to remember, and there are two days dedicated to this activity in mid-November in Gettysburg. On November 18 and 19, reenactors and keynote speakers gather here to honor the sacrifices of millions of soldiers and sailors during the American Civil War. November 19 rings throughout the history of oration as the date of Lincoln’s famous Gettysburg Address, itself an exercise in remembrance. The recent Remembrance and Dedication Days have encouraged me to think of my work on the Virginia Monument Wayside Project in light of the celebrations. Just as much as …

The 2017 Fortenbaugh Lecture: “I’M A Radical Girl”, Olivia Ortman

The Gettysburg Compiler: On the Front Lines of History

In Gettysburg, we celebrate the anniversary of the Gettysburg Address in two ways: the Dedication Day ceremony and the Fortenbaugh Lecture. Every year on November 19, Gettysburg College and the Robert Fortenbaugh family invite a scholar to present their new Civil War research. This year, that scholar was Dr. Thavolia Glymph who presented her lecture titled “I’m a Radical Girl”: Enslaved and Free Black Women Unionists and the Politics of Civil War History. As the title reveals, her lecture revolved around black women unionists and their place in war efforts—a role which has often been overlooked. [excerpt]

Improving The Present By Studying The Past: Killed At Gettysburg Remembers O’Rorke And Phelps, Ryan D. Bilger

The Gettysburg Compiler: On the Front Lines of History

This semester, I have had the honor of working on the Civil War Institute’s Killed at Gettysburg project, hosted at killedatgettysburg.org. The project seeks to document the lives and legacies of soldiers who died during the three days of fighting in July 1863. I am happy to be contributing to Killed at Gettysburg again, as I strongly connected with the project when I worked on it for Dr. Carmichael’s Gettysburg class last semester. [excerpt]

Little Round Top: Remembering What They Did Here, Abigail Cocco

The Gettysburg Compiler: On the Front Lines of History

At Dedication Day, we remember Lincoln’s dedication of the Soldier’s National Cemetery. At the dedication ceremony, Lincoln delivered the Gettysburg Address, a speech that has become enshrined in the American consciousness. In just a few short minutes, Lincoln delivered a speech that evoked the spirit of the Founding Fathers, honored the sacrifice of the dead, and challenged the living to commit themselves to the young nation and the principles upon which it was founded. Through the Gettysburg Address, Lincoln shaped the collective memory of the Civil War and of American ideals. [excerpt]

Remembrance Day: History, Memory And The 20th Maine, Savannah A. Labbe

The Gettysburg Compiler: On the Front Lines of History

Every November, on the Saturday closest to the 19th, the town of Gettysburg celebrates Remembrance Day. This day is held in memory of those who fought and died at the Battle of Gettysburg and during the Civil War as a whole. On November 19th, crowds gather to celebrate Lincoln’s Gettysburg Address and his dedication of the Gettysburg National Cemetery. These events pose a few very important questions: why do we still remember the Civil War in this manner? Why do we find it so important to have an entire day dedicated just to Civil War soldiers? Why does Civil War …

The Real 54th Massachusetts: Dr. Douglas Egerton On The Lives Of United States Colored Troops In Lincoln Lyceum Lecture, Nick Tarchis

The Gettysburg Compiler: On the Front Lines of History

Two weeks ago, the Gettysburg College community was treated to a lecture by special guest Douglas Egerton, one of the recipients of the 2017 Gilder-Lehrman Lincoln Prize. Dr. Egerton works at Le Moyne College in Syracuse, New York, where he teaches courses on race in 19th century America. Egerton’s most recent book Thunder at the Gates: The Black Civil War Regiments that Redeemed America chronicles the lives of ten men from the 54th and 55th Massachusetts United States Colored Troops, documenting their experiences from the pre-war era to their deaths. [excerpt]

A Legacy Of Bravery: The Indian Home Guards In The Civil War, Savannah A. Labbe

The Gettysburg Compiler: On the Front Lines of History

Many may not realize that Native Americans played a part in the Civil War, just as they did in many previous American wars. Some Native Americans enlisted with regular infantry units, alongside white Americans. These Native Americans believed they could achieve better treatment by the government and keep their land if they enlisted. They also got paid and fed regularly in the army. They did face discrimination by white soldiers, who believed that these Native Americans exemplified the stereotype of the lazy, drunk Indian. However, such stereotypes were often proved wrong. The most notable example of this is Company K …

Reconciling With The Past: Ana Lucia Araujo’S Lecture On Coming To Terms With The Past When Monuments Are Taken Down, Daniel Wright

The Gettysburg Compiler: On the Front Lines of History

On Thursday, November 2nd, Howard University History Professor Ana Lucia Araujo visited Gettysburg College to give a lecture titled “Slavery, Memory, and Reparations: Coming to Terms with the Past When Monuments Are Taken Down.” The historian, author, and professor talked about the history of slavery as well as the concepts of memory and reparations. One form of reparations discussed recently has been the removal of Confederate monuments in the United States, which has been heavily debated for years. [excerpt]

“Rebellion In The Ranks”: Desertion And The United States Colored Troops: An Interview With Jonathan Lande, Ashley Whitehead Luskey

The Gettysburg Compiler: On the Front Lines of History

Over the course of this year, we’ll be interviewing some of the speakers from the upcoming 2018 CWI conference about their talks. Today we are speaking with Jonathan Lande, a doctoral candidate in History at Brown University, where he was the 2016 Peter Green Scholar. Jonathan teaches courses in American and African American history at Tougaloo College as the 2017-2018 Brown-Tougaloo Exchange Faculty Fellow. His current project, “Rebellion in the Ranks,” examines the desertion, mutiny, and courts-martial trials of former slaves serving in the Union army. Looking at African American soldiers who found military service offensive to their visions of …

Honor And Compromise, And Getting History Right, Allen C. Guelzo

Civil War Era Studies Faculty Publications

White House Chief of Staff John F. Kelly does not have a Ph.D. in history, although he does have two master’s degrees, in Strategic Studies (from the National Defense University) and in National Security Affairs from the Georgetown School of Foreign Service. So perhaps it was simply that he believed what he said about the Civil War this past Monday on Laura Ingraham’s new Fox News ‘Ingraham Angle’ was so innocuous that he could also believe that it wouldn’t even become a blip on anyone’s radar screen. (excerpt)

Dennis Mahan’S Leadership And Tactics: How A West Point Professor Shaped The Course Of The Civil War, Nick Tarchis

The Gettysburg Compiler: On the Front Lines of History

This summer, while doing research at Stratford Hall, I happened across the name of one West Point professor who quite literally taught every cadet who fought in the Civil War. It is fairly common knowledge than many of the war’s great commanders were classmates together at West Point. For example, the class of 1842 contained George McClellan, James Longstreet, and John Pope. Such commanders influenced the course of the war by drawing upon their West Point education, and while they may have held different military outlooks, they all drew upon the teachings of one man: Dennis Mahan, professor of mathematics …

A City Divided: Cosmo Mackenzie And Baltimore On The Eve Of Civil War, Zachary A. Wesley

The Gettysburg Compiler: On the Front Lines of History

Baltimore was a city of 215,000 inhabitants on the eve of the Civil War: 215,000 souls who would soon be torn by conflicting loyalties. One of these individuals, Cosmo Mackenzie, sat down on the evening of April 12, 1861, to write a letter to his brother, Collin. Despite the rainfall all day in Baltimore, Cosmo proclaimed “the war has opened at last and all is excitement here.” Throughout the city, Baltimoreans found themselves choosing between their identities as citizens of the Union and supporters of a Southern, slave-based society. [excerpt]

Discovering The War At Home: Oakland Manor, George Gaither, And The Shipley Brothers, Anika N. Jensen

The Gettysburg Compiler: On the Front Lines of History

From my high school, which is majority African American, it takes only ten minutes to drive to Oakland Manor, a grand, sweeping 19th century-style stone house that sits in my hometown of Columbia, Maryland, a town made up mainly of apartments and identical suburban homes. Growing up, the manor was no more than a big, old building that hosted weddings and was somehow tied to my local history. Growing up, moreover, I did not realize the extent to which my hometown was tied to slavery and the Civil War; both seemed too far removed from a community that stressed diversity …

“Let Us Stand Or Fall Together”: Hood’S Texas Brigade: An Interview With Dr. Susannah Ural, Ashley Whitehead Luskey

The Gettysburg Compiler: On the Front Lines of History

Over the course of this year, we’ll be interviewing some of the speakers from the upcoming 2018 CWI conference about their talks. Today we are speaking with Dr. Susannah Ural, Professor of History and Co-Director of the Dale Center for the Study of War & Society at the University of Southern Mississippi. A military historian and scholar of war and society, Ural’s work focuses on the experiences of soldiers and families in the U.S. Civil War era. She is the author of several books, including Don’t Hurry Me Down to Hades: The Civil War in the Words of Those Who …

Finding Meaning In The Flag: Furl That Banner, Olivia Ortman

The Gettysburg Compiler: On the Front Lines of History

Hello again, readers. I hope you enjoyed the summer and are now as eager as I am to jump back into our conversation about the Confederate flag. Although I spent the summer at Minute Man NHP, the Civil War was never far from my mind. Even in a northern park dedicated to the American Revolution, I still heard a lot about the Confederate monument debates, and as I spoke with visitors who were following this topic in the news, I was reminded of a similar debate several years ago concerning the Confederate flag. [excerpt]

Waging Just Warfare During America’S Civil War: An Interview With Dr. D.H. Dilbeck, Ashley Whitehead Luskey

The Gettysburg Compiler: On the Front Lines of History

Over the course of this year, we’ll be interviewing some of the speakers from the upcoming 2018 CWI conference about their talks. Today we are speaking with Dr. D.H. Dilbeck, an historian of 19th-century American legal and religious history. Dr. Dilbeck received his Ph.D. in American History from the University of Virginia. His first book, A More Civil War: How the Union Waged a Just War (UNC Press, 2016), was a finalist for the Gilder-Lehrman Lincoln Prize. His most recent book, Frederick Douglass: America’s Prophet is forthcoming from UNC Press in 2018. A former Assistant Professor of History at Oklahoma …

“Died Of The Spotted Fever”: The Spot Resolutions And The Making Of Abraham Lincoln, Ryan D. Bilger

The Gettysburg Compiler: On the Front Lines of History

On December 22, 1847, the Speaker of the House of Representatives recognized a young, freshman congressman from Illinois named Abraham Lincoln who wished to speak about the ongoing war with Mexico. The lanky, awkward, high-voiced westerner raised doubts regarding President James Knox Polk’s conduct in starting the war, proposing eight resolutions that challenged Polk to provide evidence for his stated reason for doing so. Polk had said that Mexican troops had shed “American blood on American soil” and forced his hand, but Lincoln challenged this assertion. Lincoln insinuated that the fatal encounter between Mexican and American troops had in fact …

We All Bleed Red: African American Soldiers And The 1st Maine Heavy Artillery, Savannah A. Labbe

The Gettysburg Compiler: On the Front Lines of History

Years before the United States military was officially desegregated in 1948, African Americans fought alongside white men in the 1st Maine Heavy Artillery during the Civil War. Most African American men that fought for the Union in the Civil War did so in United States Colored Troops (U.S.C.T.) units, separated from white men. Because of this segregation, many black men, such as Andrew J. Williams of Industry, Maine, left home to find and fight with a U.S.C.T. regiment. Williams would not be accepted into a Maine regiment, or at least so he thought. His brother, Aaron E. Williams, decided to …

Jasper Skulls And Memento Mori, Kathleen C. Paul

Wonders of Nature and Artifice

The jasper skulls in this Curiosity Cabinet sit on the scale atop the touch-ables table. Jasper, a type of impure silica usually a reddish color, is commonly carved for small sculptures, as we see in the skulls.

The reddish tones of both skulls match the overall tone of the cabinet nicely, as well as complimenting the rich medium blue of the walls. Thematically, skulls perfectly align with other objects in the cabinet.

A ubiquitous theme of curiosity cabinets in the 16th and 17th century is the inevitability of death. Symbols of this notion in art work are known as …

Ortelius Map Of Africa, Meredith D. Staats

Wonders of Nature and Artifice

The “Presbiteri Iohannis Sive, Abissinorvm Imperii Descriptio,” or “Map of the Kingdom of Prester John,” is a work by Abraham Ortelius, a cartographer, cosmographer, and publisher who was born and died in Antwerp, Belgium. This map was published in the Theatrum Orbis Terrarum, or Theater of the World, “the first uniformly sized and systematically collected set of maps by different mapmakers which is acknowledged as the first atlas,” published c. 1570 and edited into a number of languages posthumously through 1612. The atlas contained 70 maps engraved by Frans Hogenberg on 53 folio sheets. [excerpt]

Carved Ivory Puzzle Balls, Erica M. Schaumberg

Wonders of Nature and Artifice

The Chinese Carved Ivory Puzzle Balls reference the interest in combing art and nature while designating curiosity in Chinese craftsmanship and imagery affecting a European market.The Chinese Ivory Carved Puzzle Balls have been beloved items in the Gettysburg College collection since they were donated in 1959 by Frank Kramer and John Hampshire. The Puzzle Balls, featuring nine balls were displayed in the Schmucker Hall Library. Alumni love the items and regularly ask about the collection in Special Collections as they represent an aspect of the college they continue to love. [excerpt]

Quintus Curtius, Francesca M. Costa

Wonders of Nature and Artifice

This book would have been created and read during the 1600’s, and throughout the European Enlightenment period. Written in Latin, it was made to be consumed by a wealthy and educated gentleman. This example was donated to the exhibit by Charles Emmons. It is covered in not-so-well-tooled vellum and gold leaf. All in all, it is in good condition with no marginalia, so while the vellum cover in the Renaissance is sometimes used on textbooks or other travel-appropriate tomes, this was probably only in a stationary location for a long period of time. [excerpt]

Veduta Del Tempio Di Antonino E Faustino In Campo Vaccino, Emma J. Conant-Hiley

Wonders of Nature and Artifice

Giovanni Battista Piranesi is one of history’s best etchers and architects. His two main series of copper etchings, I Carceri (The Prisons) and Vedute (The Views) spread out across the European continent and beyond both during his life and after his death. The “Wonders of Nature and Artifice” exhibition at Schmucker Art Gallery is lucky to have one of his original prints from the Vedute series generously on loan, from the Collection of Professor Charles F. Emmons, Professor of Sociology here at Gettysburg College. The print sizes in at 35 inches by 25 and a half inches, depicting a temple-church …

In Defense Of His Holiness: The Cellini Plaque, Christopher J. Condon

Wonders of Nature and Artifice

The plaque depicting Cellini was donated to Gettysburg College by Reverend Jeremiah Zimmerman, Class of 1873, who later became a lecturer at Syracuse University and a frequent benefactor of Gettysburg College. A highly educated alum, Reverend Zimmerman became a clergyman and traveled the world for over a decade to further his studies, ranging from Asian culture to ancient coinage.

The plaque itself measures 32” x 26.75” x 2.5”, is of considerable weight for a porcelain plate, and is painted in the 19th century academic style to offer a dramatic interpretation of Benvenuto Cellini’s actions during the 1527 Sack of Rome. …

Immolation Of The Phoenix, James H. Raphaelson

Wonders of Nature and Artifice

The time period of wunderkammer opened a plethora of sciences that scholars devoted their lives to. Among these were botany, zoology, ethnography – studies that had already been somewhat established before. But there were some fields that had not been tapped into, one of them being the study of human anatomy. Up until the late 15th century, the most legitimate writing on anatomy was the Fasciculus medicinae which had very crude illustrations and professed incorrect, archaic theories about the human body. [excerpt]

Blue-And-White Wonder: Ming Dynasty Porcelain Plate, Laura G. Waters

Wonders of Nature and Artifice

This authentic Ming Dynasty (1368-1644) plate is a prime example of early export porcelain, a luminous substance that enthralled European collectors. The generous gift of Joyce P. Bishop in honor of her daughter, Kimberly Bishop Connors, Ming Dynasty Blue-and-White Plate is on loan from the Reeves Collection at Washington and Lee University in Lexington, Virginia. The plate itself is approximately 7.75 inches (20 cm) in diameter, and appears much deeper from the bottom than it does from the top. Gradually sloping forms are what make the dish so deceptively shallow. In fact, from the reverse, it appears closer in shape …

A Latin Letter, Francesca M. Costa

Wonders of Nature and Artifice

This manuscript was written sometime within the Renaissance, and can open up the world of a gentleman to us. Johannes Lampreicht would have been classically trained around the same time as he learned how to read, write, and count. Because of this, he could compose letters in Latin, and possibly Greek too. He mentions a few Greek authors, and seems well versed in their work. Throughout he uses many shorthand symbols to make writing faster, including an em-dash, and an ampersand. These do not help date the document, however, because they wereinvented by Cicero’s right-hand-slave Tiro in the first century …

Small Asian Wonders, Gabriella A. Bucci

Wonders of Nature and Artifice

As curiosity grew in the Renaissance, so did the scope of collections of wonders. The Cricket Cage, Jade Screen, and Iron Dragon are three examples of rare collection items from the Far East. While these three east Asian small wonders may have been commonplace in their country of origin, they were considered marvelous to the collectors of Europe who had never seen objects such as these produced in their own countries. [excerpt]

Rhinoceros Horn Libation Cup, Erin C. Harten

Wonders of Nature and Artifice

On display in the “Wonders of Nature and Artifice” exhibit at Gettysburg College is an exquisitely carved Chinese rhinoceros horn cup decorated with many images of animals, from dragons to tortoises.The rhinoceros horn has been noted by the Chinese as early as the T’ang dynasty (618-907) to have magical properties, and it was believed that when a poisonous liquid was poured into a rhino horn, the horn would change colors to alert to the presence of poison.Due to these magical properties, rhinoceros horns have been regarded as especially valuable. [excerpt]

Skeletons In The Closet, Kevin M. Isky

Wonders of Nature and Artifice

Among the collections cabinets of the Renaissance, fish, in the forms of naturalia and artificialia, can be widely found. They were sought after for their beauty as well as their relation to the natural world. In the famous frontispiece to Ferrante Imperato’s Dell’historia naturale (1599), fish of varying kinds are hung against and atop the ceiling on either side of a large alligator. They are mixed between an assortment of crustaceans and shells, also sea creatures, including the prized nautilus shell found so abundantly in Renaissance culture. As seen in this frontispiece, fish could be found as decoration in …