History Commons^™

Online, Offline And Beyond: The Social Imaginary In A Scottish Diasporic Online Group, Charles A. Hays

e-Keltoi: Journal of Interdisciplinary Celtic Studies

This project uses the method of depth hermeneutics to examine how a group of relatively technologically unsophisticated online discussion participants innovate in the formation of a social imaginary, as defined in Thompson's (1990) explication of the use of media to facilitate social interaction. By deploying a diverse range of technologies with which they are competent, the group avoids the uncertainties of new modalities of social networking such as those represented by Second Life, MySpace and Facebook, while pursuing their goal of discursively negotiating a Scottish cultural identity both online and offline.

William King, First Governor Of Maine: His Known Portraits And Their Stories, Deanna Bonner-Ganter

Maine History

This article studies the known studio portraits of William King (1768-1852), first governor of Maine, finding that the leader’s personal life and professional travels led to sittings with such noted master painters as Gilbert Stuart, Edward Greene Malbone, and Chester Harding. These living portraits reflect period styles, while later likenesses require a broad understanding of formal state portraiture and its historical elements. One portrait, having resurfaced recently, was found to have hung in the Hall of Flags in the State Capitol for almost thirty years; others required considerable research to determine their provenance. The Honorable James G. Blaine played an …

Politique Culturelle : Tradition, Modernité Et Arts Contemporains Au Sénégal, 1960-2000, Kinsey Katchka

Présence Francophone: Revue internationale de langue et de littérature

This essay approaches contemporary arts in Senegal and their exhibition from the perspective of cultural policy. This is an especially salient approach in Senegal, where policy has played a significant role in exhibition and creative practice since the colonial period. This history is conventionally examined through a distinctly nationalist framework that reveals the government’s clear distinction between "tradition" and "modernity". State exhibition practice and rhetoric have reinforced this dichotomy, serving to position the Senegalese state as purveyor, definer, and arbiter of cultural heritage. However, diverse creative expressions throughout the capital city of Dakar call into question nationalist rhetoric’s rigid distinction …

Biennale Et Effervescence Artistique Au Sénégal : Conjonctions Et Passerelles, Hélène Tissières

Présence Francophone: Revue internationale de langue et de littérature

The Dakar Biennial, Dak’Art, plays a key role and is the only event of this kind on the african continent. Held in a country where there is an abundant artistic production, it prolongs Senghor’s objectives (underlining the importance of the collective, intertwining art forms, investing mystical positions). Made of an “In” and “Off”, its structure dismantles divisions between popular/theoretical, accessible/obscure, autodidact/trained and promotes a dialog between people and approaches. Many Senegalese artists proceed in a similar fashion, assembling concepts (orality, signs, cultural references, categories), drawing from the world at large. Inscribing memory, they invite us to interrogate our future beyond …

Logiques Urbaines Dans Les Arts Plastiques : De La Filiation De Jean-Michel Basquiat Au Sénégal, Massamba Mbaye

Présence Francophone: Revue internationale de langue et de littérature

ertain Senegalese painters, including Soly Cissé, Camara Guèye, Birame Ndiaye and Samba Fall draw their inspiration from the city’s structure. Attentive to the tensions it produces as well as the daily struggles to survive, they transpose urban walls in their paintings to better transgress them, go beyond pre-imposed limits. One can therefore ask what is the influence of a painter like Basquiat on these contemporary painters ? Approaches and needs found in Senegal differ greatly from those found in the United States ; however interesting links can be traced that allow for a better understanding of present Senegalese art.

Projets De Collection Et D’Exposition D’Art Sénégalais : Être Mécène D’Art À Dakar, Joanna Grabski

Présence Francophone: Revue internationale de langue et de littérature

The collection of Bassam Chaitou and its recent exhibition in Dakar offers a focal point to examine issues associated with private projects of collecting and exhibiting Senegalese art in Dakar. This article considers the relationship of Dakar’s collectors to historical patronage under Senghor and Dakar’s contemporary art scene. It proposes that private Dakar-based projects of collecting make visible a story about local propositions and dialogues about art. Dakar-based projects of collecting reveal a great deal about the city’s art scene, its history, artists, and trends.

La Dimension Cachée De L’Art Sénégalais Contemporain, Allen F. Roberts, Mary Nooter Roberts

Présence Francophone: Revue internationale de langue et de littérature

For nearly fifty years now, Dakar has been an epicenter of contemporary art, not just for continental Africa but for the entire world. Senegalese artists are well known internationally through participation in biennials, exhibitions, and gallery shows ; and many argue that they are contemporary artists from Senegal rather than “Senegalese artists” defined or constrained by their african identity. Among these, however, some match the global techniques and aesthetics of their works with local meanings derived from mystical Islam. Indeed, this “hidden side” can be very significant to the artists themselves even though it may be ignored by cosmopolitan connoisseurs.

After Abolition: Britain And The Slave Trade Since 1807, Marika Sherwood, Christian Hogsbjerg

African Diaspora Archaeology Newsletter

No abstract provided.

Front Matter, Huntsville-Madison County Historical Society

Huntsville Historical Review

No abstract provided.

Remembering Sarah Huff Fisk, Linda Wright Riley

Huntsville Historical Review

No abstract provided.

1819 Huntsville As A Trading Center, Sarah Huff Fisk

Huntsville Historical Review

No abstract provided.

The Triumph Of The Note-Card: The Sarah Huff Fisk System, B. Susanna Leberman

Huntsville Historical Review

No abstract provided.

Early Huntsville: 1805-1825, Sarah Huff Fisk

Huntsville Historical Review

No abstract provided.

Mapping 1819 Huntsville In Retrospect, Sarah Huff Fisk

Huntsville Historical Review

No abstract provided.

Madison County's First Courthouse, Sarah Huff Fisk

Huntsville Historical Review

No abstract provided.

The Huntsville Historical Review, Vol. 33, No. 1, Winter-Spring 2008, Huntsville-Madison County Historical Society

Huntsville Historical Review

No abstract provided.

Huntsville's Indian Creek Canal, Sarah Huff Fisk

Huntsville Historical Review

No abstract provided.

My Memories Of Elizabeth Fraser Price, Sarah Huff Fisk

Huntsville Historical Review

No abstract provided.

Howard Weeden, Artist And Poet, Sarah Huff Fisk

Huntsville Historical Review

No abstract provided.

Merrimack Mill History, Sarah Huff Fisk, Debra Jenkins

Huntsville Historical Review

No abstract provided.

Growing Up In Huntsville, Sarah Huff Fisk

Huntsville Historical Review

No abstract provided.

Back Matter, Huntsville-Madison County Historical Society

Huntsville Historical Review

No abstract provided.

The Huntsville Historical Review, Vol. 33, Special Issue, 2008, Huntsville-Madison County Historical Society

Huntsville Historical Review

Full issue is available for purchase via the Huntsville-Madison County Historical Society website.

Cultural Resources Survey At Old Velaso Townsite, 41bo125 Brazoria County, Texas, Andrea Stahman

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

At the request of Port Freeport and the United States Army Corps of Engineers, Galveston District, PBS&J has conducted a cultural resources survey of a portion of Old Velasco (41BO125), a historic townsite at the current location Brazoria County, Texas. Initially settled by Stephen F. Austin in the 1820s, Old Velasco became an important coastal port and military outpost during the 1830s and early years of the Republic of Texas, but declined during the mid-nineteenth century and was eventually abandoned by the late 1870s. The purpose of the survey was to identify potential impacts from the proposed widening of the …

The Henry Chapman Site (41sm56), Mark Walters

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

In the mid-1950s, Sam Whiteside conducted excavations at the Henry Chapman site, his site P-5 (41SM56), on Prairie Creek in eastern Smith County, Texas, some 18 miles east of Tyler, Texas. Mr. Whiteside was an amateur archaeologist who discovered and explored numerous sites up and down Prairie Creek as well as other important sites in Smith and adjoining counties. The Chapman site was one of the first sites to be investigated by Mr. Whiteside, and the major part of the work took place there in 1957 and 1958.

In August 1957, the site was visited by Edward B. Jelks and …

Caddo Ceramics From The D'Ortolan Site (41na299), Timothy K. Perttula

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

The D'Ortolan site (41NA299) is a late 1790s to 1830s ranch established by Bernard D'Ortolan on Bayou Loco, a tributary to the Angelina River, in Nacogdoches County, Texas. The ranch was known as Rancho San Bemando del Loco. Tom Middlebrook, Texas Archeological Steward, located and identified the rancho in 2003.

During the course of archaeological investigations conducted at the site over the next few years, a small sample of aboriginal Caddo ceramic sherds were found on the rancho in contexts indicating that Caddo ceramic vessels were in use during the rancho occupation. These vessels had to have been obtained by …

A Study Of Chipped Stone Artifacts From The Redwine Site (41sm193), Smith County, Texas, Harry J. Shafer

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

This article presents a detailed analysis of chipped stone artifacts from the Redwine Site (41SM193), a Middle Caddo mound and village site located on the headwaters of Auburn Creek, a tributary of the Sabine River. The collection includes chipped stone recovered from the surface, test excavations, and arrow points associated with two adult burials. The site was investigated by avocational archeologist Sam Whiteside in the 1960s and more recently by Mark Walters and Patti Haskins under the direction of John Keller of Southern Archaeological Consultants. The investigations and material culture have been briefly described. This study is designed to take …

A Probable Early 19th Century Coushatta Village Site On Big Cypress Bayou In Northeastern Texas, Timothy K. Perttula, Bryan E. Boyd

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

In February 2002, avocational archaeologists from northeastern Texas and northwestern Louisiana conducted archaeological investigations in an area along Big Cypress Bayou in Marion County, Texas, to search for and identify a pre-1841 Coushatta Indian village depicted on a 1943 General Land Office map. That map showed a "Coushatti" village with at least seven to eight structures (a common way at the time to indicate an Indian village, but not necessarily an accurate characterization of the number of structures once present at the site) near the confluence of Black Cypress Bayou and Big Cypress Bayou. This article describes the results of …

Historic Caddo Archaeology On The Red And Lower Sulphur River Areas Of Northeast Texas, Timothy K. Perttula

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

Post-ca. A.D. 1685 Caddo archaeological sites are somewhat surprisingly uncommon on the Red and lower Sulphur rivers in Northeast Texas compared to other parts of this broad region. For instance, there are more Historic Caddo sites known in Nacogdoches County in the Neches and Angelina river basin in East Texas than there are in all of the Red and lower Sulphur river regions.

The low density of Historic Caddo archaeological sites on the Red and lower Sulphur river areas of Northeast Texas is a product of several factors, the most important likely being the rapid abandonment of much of the …

The Pine Tree Mound Site And The Entrada Of The Hernando De Soto Expedition Of 1542, Ross C. Fields

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

The entrada into Texas of the Hernando de Solo expedition in July 1542, which was led by Luis de Moscoso after de Soto's death in June of that year, is relevant to the Pine Tree Mound site (4IHS15) because it appears that the site was occupied at that time, and the entrada likely followed a path that brought it very close to the site. In fact, we hypothesize that the Pine Tree Mound site, along with associated villages nearby, is specifically mentioned in entrada accounts as the province of Nondacao. These may have been the forebears of the Nadaco (Anadarko) …