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Articles 1 - 30 of 83
Full-Text Articles in History
International Terrorism:Role ,Responsibility And Operation Of Media Channles, Ratnesh Dwivedi Mr
International Terrorism:Role ,Responsibility And Operation Of Media Channles, Ratnesh Dwivedi Mr
Ratnesh Dwivedi
"Terrorism" is a term that cannot be given a stable defintion. Or rather, it can, but to do so forstalls any attempt to examine the major feature of its relation to television in the contemporary world. As the central public arena for organising ways of picturing and talking about social and political life, TV plays a pivotal role in the contest between competing defintions, accounts and explanations of terrorism. Which term is used in any particular context is inextricably tied to judgemements about the legitimacy of the action in question and of the political system against which it is directed. …
Liberdade, Ética E Direito, Paulo Ferreira Da Cunha
Liberdade, Ética E Direito, Paulo Ferreira Da Cunha
Paulo Ferreira da Cunha
Further than Ethics concieved as mere obedience, Republican Ethics expresses the idea of duty for freedom and Liberty. After Law concieved as only duty and imperative norms from power to the subjects, there is the possibility of a fraternal law, in new patterns. This article explores several ways in a new ethics and a new law paradigms, after the objective Roman Law and the subjective modern Law.
Icomos Charter For The Interpretation And Presentation Of Cultural Heritage Sites, Neil A. Silberman
Icomos Charter For The Interpretation And Presentation Of Cultural Heritage Sites, Neil A. Silberman
Selected Publications of EFS Faculty, Students, and Alumni
No abstract provided.
Icomos Charter For The Interpretation And Presentation Of Cultural Heritage Sites, Neil A. Silberman
Icomos Charter For The Interpretation And Presentation Of Cultural Heritage Sites, Neil A. Silberman
Neil A. Silberman
No abstract provided.
Online, Offline And Beyond: The Social Imaginary In A Scottish Diasporic Online Group, Charles A. Hays
Online, Offline And Beyond: The Social Imaginary In A Scottish Diasporic Online Group, Charles A. Hays
e-Keltoi: Journal of Interdisciplinary Celtic Studies
This project uses the method of depth hermeneutics to examine how a group of relatively technologically unsophisticated online discussion participants innovate in the formation of a social imaginary, as defined in Thompson's (1990) explication of the use of media to facilitate social interaction. By deploying a diverse range of technologies with which they are competent, the group avoids the uncertainties of new modalities of social networking such as those represented by Second Life, MySpace and Facebook, while pursuing their goal of discursively negotiating a Scottish cultural identity both online and offline.
William King, First Governor Of Maine: His Known Portraits And Their Stories, Deanna Bonner-Ganter
William King, First Governor Of Maine: His Known Portraits And Their Stories, Deanna Bonner-Ganter
Maine History
This article studies the known studio portraits of William King (1768-1852), first governor of Maine, finding that the leader’s personal life and professional travels led to sittings with such noted master painters as Gilbert Stuart, Edward Greene Malbone, and Chester Harding. These living portraits reflect period styles, while later likenesses require a broad understanding of formal state portraiture and its historical elements. One portrait, having resurfaced recently, was found to have hung in the Hall of Flags in the State Capitol for almost thirty years; others required considerable research to determine their provenance. The Honorable James G. Blaine played an …
Politique Culturelle : Tradition, Modernité Et Arts Contemporains Au Sénégal, 1960-2000, Kinsey Katchka
Politique Culturelle : Tradition, Modernité Et Arts Contemporains Au Sénégal, 1960-2000, Kinsey Katchka
Présence Francophone: Revue internationale de langue et de littérature
This essay approaches contemporary arts in Senegal and their exhibition from the perspective of cultural policy. This is an especially salient approach in Senegal, where policy has played a significant role in exhibition and creative practice since the colonial period. This history is conventionally examined through a distinctly nationalist framework that reveals the government’s clear distinction between "tradition" and "modernity". State exhibition practice and rhetoric have reinforced this dichotomy, serving to position the Senegalese state as purveyor, definer, and arbiter of cultural heritage. However, diverse creative expressions throughout the capital city of Dakar call into question nationalist rhetoric’s rigid distinction …
Biennale Et Effervescence Artistique Au Sénégal : Conjonctions Et Passerelles, Hélène Tissières
Biennale Et Effervescence Artistique Au Sénégal : Conjonctions Et Passerelles, Hélène Tissières
Présence Francophone: Revue internationale de langue et de littérature
The Dakar Biennial, Dak’Art, plays a key role and is the only event of this kind on the african continent. Held in a country where there is an abundant artistic production, it prolongs Senghor’s objectives (underlining the importance of the collective, intertwining art forms, investing mystical positions). Made of an “In” and “Off”, its structure dismantles divisions between popular/theoretical, accessible/obscure, autodidact/trained and promotes a dialog between people and approaches. Many Senegalese artists proceed in a similar fashion, assembling concepts (orality, signs, cultural references, categories), drawing from the world at large. Inscribing memory, they invite us to interrogate our future beyond …
Logiques Urbaines Dans Les Arts Plastiques : De La Filiation De Jean-Michel Basquiat Au Sénégal, Massamba Mbaye
Logiques Urbaines Dans Les Arts Plastiques : De La Filiation De Jean-Michel Basquiat Au Sénégal, Massamba Mbaye
Présence Francophone: Revue internationale de langue et de littérature
ertain Senegalese painters, including Soly Cissé, Camara Guèye, Birame Ndiaye and Samba Fall draw their inspiration from the city’s structure. Attentive to the tensions it produces as well as the daily struggles to survive, they transpose urban walls in their paintings to better transgress them, go beyond pre-imposed limits. One can therefore ask what is the influence of a painter like Basquiat on these contemporary painters ? Approaches and needs found in Senegal differ greatly from those found in the United States ; however interesting links can be traced that allow for a better understanding of present Senegalese art.
Projets De Collection Et D’Exposition D’Art Sénégalais : Être Mécène D’Art À Dakar, Joanna Grabski
Projets De Collection Et D’Exposition D’Art Sénégalais : Être Mécène D’Art À Dakar, Joanna Grabski
Présence Francophone: Revue internationale de langue et de littérature
The collection of Bassam Chaitou and its recent exhibition in Dakar offers a focal point to examine issues associated with private projects of collecting and exhibiting Senegalese art in Dakar. This article considers the relationship of Dakar’s collectors to historical patronage under Senghor and Dakar’s contemporary art scene. It proposes that private Dakar-based projects of collecting make visible a story about local propositions and dialogues about art. Dakar-based projects of collecting reveal a great deal about the city’s art scene, its history, artists, and trends.
La Dimension Cachée De L’Art Sénégalais Contemporain, Allen F. Roberts, Mary Nooter Roberts
La Dimension Cachée De L’Art Sénégalais Contemporain, Allen F. Roberts, Mary Nooter Roberts
Présence Francophone: Revue internationale de langue et de littérature
For nearly fifty years now, Dakar has been an epicenter of contemporary art, not just for continental Africa but for the entire world. Senegalese artists are well known internationally through participation in biennials, exhibitions, and gallery shows ; and many argue that they are contemporary artists from Senegal rather than “Senegalese artists” defined or constrained by their african identity. Among these, however, some match the global techniques and aesthetics of their works with local meanings derived from mystical Islam. Indeed, this “hidden side” can be very significant to the artists themselves even though it may be ignored by cosmopolitan connoisseurs.
Ilya Repin And The Zaporozhe Cossacks, Kristina Pavlov-Leiching
Ilya Repin And The Zaporozhe Cossacks, Kristina Pavlov-Leiching
MALS Final Projects, 1995-2019
Standing above other nineteenth-century century Russian painters, Ilya Repin has proven himself through his technical mastery and unrelenting quest for artistic exploration. Thi s has placed him among Russia' s most influential artists. This study examines Repin' s life and prolific career. The obj ective of thi s research i s to explore the unique marriage between art and politics in nineteenth-century Russia. This proj ect focuses on Repin' s 1 8 80 painting of the Zaporozhe Cossacks as a basis to explore the conflicting forces that befell Rep in, and also as a means to better understand the tempestuous …
Partitioning The Past, Neil A. Silberman
Duckett, Edward Austin, 1920-2008 (Sc 1620), Manuscripts & Folklife Archives
Duckett, Edward Austin, 1920-2008 (Sc 1620), Manuscripts & Folklife Archives
MSS Finding Aids
Cards and letters sent to architect and Bowling Green native Edward Austin Duckett while he was a resident of Hopkins Nursing Facility, Woodburn, Warren County, Kentucky. Also includes copies of his will and obituary.
Interview Of Caroline Wistar, Caroline Wistar, Meredith Valts
Interview Of Caroline Wistar, Caroline Wistar, Meredith Valts
All Oral Histories
Caroline Wistar was the La Salle Art Museum curator since 1976. The La Salle Art Museum is located in the basement of the Olney building at the main campus of La Salle.
Hlavní Nádraží: Past, Present, And Future, Laura Dillon
Hlavní Nádraží: Past, Present, And Future, Laura Dillon
Independent Study Project (ISP) Collection
I first conceived of this project in pursuit of an abstract quality that seemed inherently difficult to grasp. Everywhere I encountered references to an admirable “character” and “spirit” at the old train station—a spirit that is soon to evaporate with the pending renovation and restoration. In observing the station and talking with architects I saw many paths I could take in my research. No matter which direction I headed, though, I wanted somehow to reveal this elusive character. The most straightforward way I saw to attempt this was through a photographic documentation of the current state of Hlavní Nádraží. It …
After Abolition: Britain And The Slave Trade Since 1807, Marika Sherwood, Christian Hogsbjerg
After Abolition: Britain And The Slave Trade Since 1807, Marika Sherwood, Christian Hogsbjerg
African Diaspora Archaeology Newsletter
No abstract provided.
Historic Resource Study: Agate Fossil Beds National Monument, Gail Evans-Hatch
Historic Resource Study: Agate Fossil Beds National Monument, Gail Evans-Hatch
United States National Park Service: Publications
As steward of many of the United States' most important cultural and natural resources, the National Park Service (NPS) is required to create background documents along with specific plans aimed at managing and protecting these resources for the enjoyment of present and future generations. An important aspect of managing cultural landscapes requires knowing the past of those landscapes. A historic resource study (HRS) project involves researching and presenting the history of a park. A HRS also attempts to identify and evaluate the importance of all cultural resources within that park. Researching and presenting the broader historical context of a park …
Anecdotal Insights: Changing Perceptions Of Italian Women Artists In Eighteenth-Century Life Stories, Julia K. Dabbs
Anecdotal Insights: Changing Perceptions Of Italian Women Artists In Eighteenth-Century Life Stories, Julia K. Dabbs
Art History Publications
“Why can’t a woman be more like a man?” Professor Henry Higgins’s androcentric lament from the musical My Fair Lady would have resounded with male biographers of the eighteenth century who wrote about the perplexing phenomenon of the woman artist. Since the Renaissance, writers of artistic biographical compendia had characterized the few female artists included in their volumes in distinctly different ways from their male counterparts, mainly due to lingering prejudices concerning the intellectual abilities and societal roles of women. Emulating Castiglione’s vision of the ideal Renaissance lady, biographers such as Giorgio Vasari, Carlo Ridolfi, and Carlo Cesare Malvasia emphasized …
Front Matter, Huntsville-Madison County Historical Society
Front Matter, Huntsville-Madison County Historical Society
Huntsville Historical Review
No abstract provided.
Remembering Sarah Huff Fisk, Linda Wright Riley
Remembering Sarah Huff Fisk, Linda Wright Riley
Huntsville Historical Review
No abstract provided.
1819 Huntsville As A Trading Center, Sarah Huff Fisk
1819 Huntsville As A Trading Center, Sarah Huff Fisk
Huntsville Historical Review
No abstract provided.
The Triumph Of The Note-Card: The Sarah Huff Fisk System, B. Susanna Leberman
The Triumph Of The Note-Card: The Sarah Huff Fisk System, B. Susanna Leberman
Huntsville Historical Review
No abstract provided.
Early Huntsville: 1805-1825, Sarah Huff Fisk
Early Huntsville: 1805-1825, Sarah Huff Fisk
Huntsville Historical Review
No abstract provided.
Mapping 1819 Huntsville In Retrospect, Sarah Huff Fisk
Mapping 1819 Huntsville In Retrospect, Sarah Huff Fisk
Huntsville Historical Review
No abstract provided.
Madison County's First Courthouse, Sarah Huff Fisk
Madison County's First Courthouse, Sarah Huff Fisk
Huntsville Historical Review
No abstract provided.
The Huntsville Historical Review, Vol. 33, No. 1, Winter-Spring 2008, Huntsville-Madison County Historical Society
The Huntsville Historical Review, Vol. 33, No. 1, Winter-Spring 2008, Huntsville-Madison County Historical Society
Huntsville Historical Review
No abstract provided.
Huntsville's Indian Creek Canal, Sarah Huff Fisk
Huntsville's Indian Creek Canal, Sarah Huff Fisk
Huntsville Historical Review
No abstract provided.
My Memories Of Elizabeth Fraser Price, Sarah Huff Fisk
My Memories Of Elizabeth Fraser Price, Sarah Huff Fisk
Huntsville Historical Review
No abstract provided.
Howard Weeden, Artist And Poet, Sarah Huff Fisk
Howard Weeden, Artist And Poet, Sarah Huff Fisk
Huntsville Historical Review
No abstract provided.