History Commons^™

Going Beyond The Margins: Photographs By Ming Smith, Isis A. Serna

Art & Art History ETDs

Ming Smith is a photographer who has been creating images since the early 1970s and trained with the artist collective Kamoinge Workshop. Throughout most of her career, Smith has been marginalized by art historians, critics, and museum curators. Since the early 2000s, Smith has only been included in museum exhibitions highlighting African-American female artists from 1960 to the present. Before this surge of interest in her work, the art world ignored and silenced her. However, Smith’s creative process allowed her to see and experience going beyond the struggle by being consistent in her strategy to do what she wanted on …

The Contributions Of Nuevomexicanas To New Mexico Lowrider Culture, Traditions, And Rituals: The Significance Of Young Chicana Cultural Pachuca And Chola Aesthetics And Identity Expression In The Albuquerque Lowrider Community, Valerie J. Chavez

Chicana and Chicano Studies ETDs

The lowrider community in Albuquerque creates a space for families and individuals to gather and express themselves within Chicana/o/x culture. Nuevomexicanas have played a significant role in the teaching and preservation of the New Mexican traditions and rituals of lowriding. This research project is a visual and plática-based study. It explores how young Nuevomexicanas express their Chicana identity through la pachuca and chola cultural aesthetics and identity while actively participating in lowrider culture. This project utilizes the research methods of la resolana, querencia, and plática to understand, discover, and document the roles of young Nuevomexicanas in the Albuquerque …

Behind The Lens, Jolie M. Adams Miss

Belmont University Research Symposium (BURS)

What Fuels Me as a Photographer?

Many photographers don’t realize their ability and opportunity to give back and make a difference. I believe photography extends beyond taking a series of photographs. For me, it is my way of serving others, connecting with people, and sharing their stories. I believe photography is a powerful tool to inspire change in communities—especially in those that are underserved. Photos are visual statements of humanity: an abstract of our failures, ignorance, arrogance, compassion, resilience, progress, and so much more. I want my photography to go beyond a small circle of influence. All of us have …

Ua1c11/128 Lucian Flora Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs and postcards removed from Lucian Flora's World War II scrapbook.

Ua1c11/122 Wku Panhellenic Council Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs removed from Panhellenic Council scrapbooks.

Archaeological Photography: The United Kingdom, Madeline Scholten

WWU Honors College Senior Projects

Archaeological photography is an interdisciplinary aspect of archaeological endeavors that is key in allowing archaeological finds to be accessible to a general audience. This facet is key in data collection and distribution within the field as it is to the general public.

Photography is something that people are exposed to, possibly even partaking in, on a daily basis, but photography goes a lot deeper than simply capturing a still image. The history of photography, and the ways photography has improved so many disciplines are things that are just as important as the camera itself, and yet not necessarily needed to …

Subjectivity In The Lancaster Amish Community Study Of 1940-42: 'Economic Conquest' In Loomis’S Diary And Rosinow’S Photographs, Elizabeth Bennett

Journal of Amish and Plain Anabaptist Studies

The American Farm Community Study (1940), funded by the USDA’s Bureau of Agricultural Economics, was a social investigation that sought to determine why some rural communities thrive while others fail. To conduct the Study, the Bureau sent social scientists to six rural communities across the country to investigate and document the most and least “stable” American communities. Geographer Walter Kollmorgen, sociologist Charles Loomis, and photographer Irving Rusinow documented the Old Order Amish of Lancaster County, PA, as the “most stable” community in the Study. In Lancaster, the men found a people thriving in the midst of english neighbors still economically …

In A Condition Of No Light, Alana Perino

Masters Theses

In a Condition of No Light is an autofictional investigation into lineages of familial domesticity. The performances therein circumnavigate one family in one domestic environment, yet are in dialogue with repertoires learned and rehearsed within legacies of myth, literature, theater, film, music, and image; as well as through the otherwise untraceability of embodied memory and inherited trauma. The methodologies used are primarily photographic but also encompass practices reaching towards sculpture, installation, and performance. The line of questioning reserved for this inquiry is how a home, its objects, and inhabitants generate, spacialize, and embody the conditions of wealth, whiteness, and gender. …

Making Then Meaning, Ben Denzer

Masters Theses

This is an artist talk contained within a book. It is 816 pages and 49 minutes long. Closed captions run across the spreads. A video of this talk can be watched on bendenzer.com/making-then-meaning

At RISD, I’ve been prompted to expand the scope and tools of my practice and to reflect on questions of meaning in my work.

I spend my days making things, but I’ve never really had good answers to questions of why I make the things I make, or what their meaning is. I don’t think there are simple answers to these questions.

I think meaning comes from …

Soul Furnace / فرن الأرواح, Isa Ghanayem

Masters Theses

“This is the good washing, this is (the washing) which separates the dirty body from the pure body. This is like silver mixed with lead, it is separated from it by this (process): one makes for it a cupel of bones, which is what is called the “head of the dog” and of which the common name is kūja-which is the crucible—and this must be made of burnt bones. One melts the silver in it, one gives it a strong fire: the cupel will absorb and receive the lead, the fire will make its subtle (part) fly away and extirpate …

Garden Etiquette, Kai Wasikowski

Masters Theses

Garden Etiquette is an ongoing project concerned with landscape photography, environmental conservation, and the way they have both served the settler colonialist agenda. I focus specifically on the conservation ideologies shaped in New South Wales (NSW) Australia and New England, United States of America (USA) in the late nineteenth century and the settler visualities that underwrote them. Both countries’ histories were marked by photography and conservation’s common function of mythologising land as empty space—to be invaded, extracted and occupied, and wilderness—to be territorialized and protected, albeit, in distinct ways.

With British, German and Polish settler ancestry, born and raised on …

Visual Representation Of Black Individuals At The Forefront Of Underground Railroad Interpretation, Alison Spongr

Museum Studies Theses

This thesis is grounded in a reflection and analysis of the building of an institution whose foundation and visuals position the narratives of Black individuals at the forefront of Underground Railroad interpretation. In 2018, the Niagara Falls Underground Railroad Heritage Center opened to the public after decades in the making. Its permanent exhibition, One More River to Cross, set in motion a shift in power – of whose stories are represented and shared – generated by visual activism.

“Between the American Revolution in 1776 and the end of the Civil War in 1865, thousands of freedom seekers escaped slavery …

Magic Mirrors, Jamie Ho

School of Art, Art History, and Design: Theses and Student Creative Work

When a beam of bright light hits the convex and polished surface, an image is reflected back onto the wall. This is a description of a magic mirror, an object from the Han Dynasty (206 BC -24 AD), that embodies how Euro-America views China: both technically advanced and shrouded in mystery. The magic mirror also points to the history of photography, as this term was often used in the Victorian era to describe a camera. The image created by a camera is a mimic of reality, both all too familiar and unfamiliar.^[1] Like magic mirrors, the GIFs I create …

A Pelican's Journey To Flight: A Louisiana National Guardsman, The Development Of The United States Army Air Service, And The Human Cost Of Military Innovation, James H. Smith

University of New Orleans Theses and Dissertations

George E. Dicks deployed to the Mexican Punitive Expedition and World War I with the Louisiana National Guard. He recorded his experience in writing and photography, which reside in the Jackson Barracks Military Museum in Chalmette, Louisiana. His memorabilia reflect an officer’s perspective on early military aviation and parallel to the United States military’s experimentation with aviation. Through experimentation, Dicks became an aerial observer in World War I.

This thesis explores George E. Dicks’ memorabilia and how it both represents the development of the American Air Service and the human cost of military aviation with photographic evidence. By representing aviation’s …

Light Leaf: Observations Of Leaves In Light, Paul Kelley

The STEAM Journal

For me, spending time in isolation yielded some interesting findings, as I began to closely observe the various leaves that engulf my backyard. Every new day brought with it a new detail, a subtlety with every shift in light, revealing an endless array of abstractions, textures and colors. I was seeing the hidden life of leaves dancing in the sunlight. Naturally, I began documenting my observations.

Developing Mexico: History, Architecture, Photography, And Esther Born’S The New Architecture In Mexico, Tyler Considine

Theses and Dissertations

Esther Born’s The New Architecture in Mexico (1937) presents the first survey of Mexican modern architecture and documents early works by Luis Barragán, Juan O’Gorman, among other Mexican modernists. This thesis examines Born’s architectural photography alongside that of Lola Álvarez Bravo, Guillermo Kahlo, and other photographers and within discourses of modernity, history, and representation.

Ua12/2/2 Talisman: Forge, Wku Student Affairs

WKU Archives Records

Fall 2022 Talisman:

• Our Mission
• Hunter, Leah. Forge
• Coles, Jack. Fakes
• Richer, Caily. Trailblazers – Kiara Braxton-Davis, Ashley Garrett, Torales Guadalupe
• Clifton, Zachary & Audrey Plescia. Built By Discipline – Bodybuilders, Meg Boshaw, Michelle Jones
• Jones, Michelle. Healthy Fried Rice
• Booth, Pandora. A Silent Strike – Quiet Quitting
• Moore, Emily. Strawberry Sun
• Fleshman, McKenna. Humans of WKU – Sada Jewel, Alaina Webber, Michael Ballard, Amara Danturthi
• Sandlin, Ellie. Forged in Fire – Zechariah Nelson
• Price, Devon. Not Too Pretty – Women in New Roles
• Whitsitt, Ashley. Ghost in Training
• Meyers, Jeffrey. Identity in Ink – Tattoos
• Hunter, Leah. After the …

The Aesthetics Of The Mexican Public Garden And Its Photographic Compositions (1912-1982), Victor Hugo Rivera-Diaz

Masters Theses

In Mexico, there are currently several collections of photographs which depict the history and development of public gardens and ecological corridors under the management of the National Institute of Anthropology and History. By focusing on two exemplary collections—the Nacho López Collection and Vicente Luengas Collection—I apply a visual studies approach to the photographic archive in order to formulate the Mexican public garden as a branching set of aesthetic (sub-)categories, all of which take into account the creation of garden landscapes vis-à-vis land use policies and historical accounts during the rise of Mexican modernity. In so doing, the primary sub-categories of …

Du Undergraduate Showcase: Research, Scholarship, And Creative Works: Abstracts, Emma Aggeler, Elena Arroway, Daisy T. Booker, Justin Bravo, Kyle Bucholtz, Megan Burnham, Nicole Choi, Spencer Cockerell, Rosie Contino, Jackson Garske, Kaitlyn Glover, Caroline Hamilton, Haley Hartmann, Madalyne Heiken, Colin Holter, Leah Huzjak, Alyssa Jeng, Cole Jernigan, Chad Kashiwa, Adelaide Kerenick, Emily King, Abigail Langeberg, Maddie Leake, Meredith Lemons, Alec Mackay, Greer Mckinley, Ori Miller, Guy Milliman, Katherine Miromonti, Audrey Mitchell, Lauren Moak, Megan Morrell, Gelella Nebiyu, Zdenek Otruba, Toni V. Panzera, Kassidy Patarino, Sneha Patil, Alexandra Penney, Kevin Persky, Caitlin Pham, Gabriela Recinos, Mary Ringgenberg, Chase Routt, Olivia Schneider, Roman Shrestha, Arlo Simmerman, Alec Smith, Tessa Smith, Nhi-Lac Thai, Kyle Thurmann, Casey Tindall, Amelia Trembath, Maria Trubetskaya, Zachary Vangelisti, Peter Vo, Abby Walker, David Winter, Grayden Wolfe, Leah York

DU Undergraduate Research Journal Archive

Abstracts from the DU Undergraduate Showcase.

Hall Family Collection - Index To Appendix 1, "Letters From The Attic" And Appendix 2, Postcards, Kyle Ainsworth

Librarian and Staff Presentations

The Hall Family Collection can generally be described in two parts. The first part is Letters from the Attic, which are more than 5,000 documents that Andrena Hall Brunotte transcribed into 16 volumes. Brunotte’s transcription project established an “original order” to this part of the collection that the processing archivist does their best to adhere to. All of these materials were found in one large steamer trunk and organized by Brunotte in chronological order. Boxes 1 to 4 of the collection house the paper transcriptions (3,330 pages). Boxes 5 to 13 contain the documents, which are in chronological order. The …

Looking Butch Through The Years: Intergenerationality And Gazing In Lesbian Literature And Photography, Miriam Harrow

English Honors Theses

This thesis uses literature and photography by butch lesbian artists and writers to argue that there is a particular mode of being as well as gazing for butches. It explores female masculinity in various contexts, with one chapter dedicated to Radclyffe Hall's The Well of Loneliness (1928) and Leslie Feinberg's Stone Butch Blues (1993) and the second chapter studying Alison Bechdel's Fun Home (2005). Making a nuanced argument about the relationship between image and text, this thesis brings the politics of gazing into a queer context following theorists like Paul Preciado and Jack Halberstam.

Me Tengo Que Ir, Eddy Leonel Aldana

School of Art, Art History, and Design: Theses and Student Creative Work

In Spanish, me tengo que ir means “I have to go.” “I have to go” as in go home, or back to one’s home country. As in leaving home for the unforeseeable future, hang up the phone, or pass away. me tengo que ir is also the name of a song by Adolescent’s Orquesta — a song about love, loss, and heartbreak over time that was always played at family parties when I was growing up.

In me tengo que ir, I use world history and personal memory to examine my family’s place within the Guatemalan diaspora. Diaspora is …

The Usambara Knowledge Project: Place As Archive In A Tanzanian Mountain Range, Chris A. Conte

History Faculty Publications

The essay chronicles the early phases of a digital history project on landscape change in the mountains of eastern Tanzania. In collecting sources for a land and culture narrative, the project aims ultimately to create an archive that is locally produced in Tanzania and maintained by Utah State University Library's Special Collections and Archives division. The project draws on more than thirty early twentieth-century landscape photographs from the Usambara Mountains in northeastern Tanzania by Walther Dobbertin, a professional photographer living in German East Africa. In the fall of 2015, team members scouted the sites for repeat photographs. The following summer, …

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

Ua1c11/121 Susan Mason Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs removed from a scrapbook probably belonging to Susan Mason.

Breed(Ing) Narratives: Visualizing Values In Industrial Farming, Camille Bellet, Emily Morgan

Animal Studies Journal

In this study, we consider how farmed animals, specifically pigs and chickens, are visualised in literature designed for circulation within animal production industries. The way breeding companies create and circulate images of industrial animals tells us a lot about their visions of what industrial animals are and how they believe animals should be treated. Drawing upon a wide range of material designed for circulation within animal production industries, from the 1880s to the 2010s, this paper examines how representations of pigs and chickens contribute to stories of perfection and advance ideals of power, race, gender, and progress. We demonstrate that …

Representing The Ali'i And Monarchy: Dress, Diplomacy, And Featherwork In Hawai'i, Tess Anderson

Scripps Senior Theses

When Native Hawaiians and haole (foreigners) first met, both participants belonged to fashion systems unknown to the other, composed of different materials, styles, tastes, standards, and construction techniques. As the outside world was introduced to the cultural heritage of Hawaiian hulu manu (featherwork), kūkaulani (chiefly fashion), and European skewed conceptions of Hawaiian indigeneity; the ali‘i (chiefs) and kama‘āina (commoners) received and adapted to incoming materials, technologies, and information. When these encounters transitioned into “prolonged contact” and settlement, dress and adornment proliferated in new ways. Analyzing the case studies of historic pā‘ū, holokū, ‘ahu'ula, and military uniforms shows the significance of …

Snapshots Of A Fictional Past: Photographic Nostalgia In The Early 20th Century Art Novel., Harry A. Jones Iv

Theses and Dissertations

In this dissertation I argue that the proliferation of a mass codependent relationship with nostalgia in the twentieth century shares a parallel history with the widespread adoption of the reproducible image being used by collective audiences as a supplement for natural memory, or what Proust names “voluntary memory.” This conflict between nostalgia-hungry consumers and artists inspired groups such as Alfred Stieglitz’s Photo-Secessionists and artistically minded authors like Henry James, who employed increasingly complex photographic and literary practices to resist the images’ tendency to debase the aesthetic quality of their own work. Authors such as Marcel Proust and William Faulkner used …

Ua1c11/119 Douglas Verdier Photo Collection, Wku Archives

WKU Archives Collection Inventories

Digital images of members of WKU Pershing Rifles.

The American Immigrant Experience Through A Photographic Lens, Olivia Sevits

Honors Projects

My goal is to assess how the photographic medium has historically been used to document the American immigrant experience. Then, I will create my own photo book to provide a different perspective and serve as a response to these traditional portrayals. As the granddaughter of Hungarian immigrants and refugees, I often reflect on my grandparents’ experiences and how they impacted my own life.

By researching both traditional and contemporary photographers whose work focused on American immigrants, I can compare how these immigrants were presented through different lenses. With my own photography, my intention is to provide an honest look into …