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Articles 1 - 23 of 23
Full-Text Articles in History
A Sense Of Loss: The Effect Of Prisoner Camp Conditions On German Pows’ Masculinity During The First World War, Analucia Lugo
A Sense Of Loss: The Effect Of Prisoner Camp Conditions On German Pows’ Masculinity During The First World War, Analucia Lugo
The Purdue Historian
During the First World War, almost a million German soldiers became prisoners of war (POW) and held captive in enemy camps. The moment of capture and arrest caused these men to experience debilitating emotions, including guilt and fear. Varied conditions at POW camps bolstered these responses and often determined prisoner health and morale throughout the war. This article examines how camps in Britain, France, and Russia treated German POWs, and how German nationalism affected these soldiers' senses of masculinity and patriotism during and after the war.
The Death Of Glasnost And Perestroika, Matthew B. Zechiel
The Death Of Glasnost And Perestroika, Matthew B. Zechiel
The Purdue Historian
This paper covers the rise, fall, and ultimate destruction of the twin policies of Glasnost and Perestroika in Russia as they existed under the regimes of Gorbachev, Yeltsin, and Putin. After ascending to the position of General Secretary of the Communist Party of the Soviet Union, Mikhail Gorbachev attempted to liberalize the USSR through his policies of Glasnost and Perestroika. While these policies were not always followed under Gorbachev, it is clear that they were relatively successful at creating a freer society and state. However, these policies began to whither under Yeltsin, as the state, particularly the office of President, …
Les Expositions Turnus, Une Page D’Histoire Transnationale Des Beaux-Arts En Suisse À La Fin Du Xixe Siècle. Et Comment Découvrir Les Humanités Numériques, Béatrice Joyeux-Prunel
Les Expositions Turnus, Une Page D’Histoire Transnationale Des Beaux-Arts En Suisse À La Fin Du Xixe Siècle. Et Comment Découvrir Les Humanités Numériques, Béatrice Joyeux-Prunel
Artl@s Bulletin
Cet article présente le travail de la classe d’introduction aux humanités numériques de l’Université de Genève sur les expositions Turnus en Suisse à partir des années 1840. Près de 50 catalogues ont été retranscrits, décrits et structurés à l’aide de scripts Python, puis géolocalisés. Les données ont été ajoutées à BasArt, le répertoire mondial de catalogues d’expositions d’Artl@s (https://artlas.huma-num.fr/map). Elles permettent de mieux comprendre les premières années de ces expositions et leurs dynamiques locales, fédérales et internationales. Le Turnus fut une plaque tournante pour les artistes suisses, voire un tremplin vers le marché européen de l’art.
War And Peace. The Film Iconeme Of The Urban Square As Image Of Europe In Transition (1944-1948), Paolo Villa
War And Peace. The Film Iconeme Of The Urban Square As Image Of Europe In Transition (1944-1948), Paolo Villa
Artl@s Bulletin
A central feature of European urban landscapes, the square represents the public space par excellence. At the end of WW2 and in the immediate postwar time, the role of cinema in representing and reimagining urban squares was crucial. Through film images, they became the stage and the mirror of a Europe in transition. This contribution, examining Italian, French, German, and Czechoslovak cases, posits the square as an essential iconeme in postwar nonfiction cinema and visual culture, acting as a fil rouge to visually retrace the path of Europe from war to peace, and into new forms of political tension.
Perspectives On Changing Cultural Spaces In 19th Century Europe, Christophe Charle
Perspectives On Changing Cultural Spaces In 19th Century Europe, Christophe Charle
Artl@s Bulletin
To define the limits of European cultural spaces requires a pragmatic and empirical approach, founded on a comparative overview of the circulations of symbolic goods, of the agents involved in the processes of diffusion and mediatization of these goods, and of their modes of transmission or valorization. In this essay, I illustrate the effects of changing conditions on the specific field of 19th-century opera, one of the first international forms of cultural practice in Europe. I then consider the origins and causes of unequal cultural circulations in other fields, notably the presence or absence of mediators in these processes of …
Applying The Byronic Model To The International Volunteers Of The Spanish Nationalists (1936–1939), Nathan Au
Applying The Byronic Model To The International Volunteers Of The Spanish Nationalists (1936–1939), Nathan Au
The Journal of Purdue Undergraduate Research
No abstract provided.
The Marriage Between Art And Politics: Propaganda, Rebecca J. Counen
The Marriage Between Art And Politics: Propaganda, Rebecca J. Counen
The Purdue Historian
During the first half of the twentieth century Europe, Asia, and the United States faced many political/social changes and challenges amid both ideological wars and revolutions. This research paper works to analyze films from this era in order to convey the somewhat unorthodox, yet nonetheless influential and compelling, relationship between the arts and politics and how creativity is oftentimes manipulated for power and influence.
From The Stars To The Headlines: The Propaganda Of Yuri Gagarin, Peyton Edelbrock
From The Stars To The Headlines: The Propaganda Of Yuri Gagarin, Peyton Edelbrock
The Purdue Historian
There were no haphazard decisions made by the Soviet Union when it came to choosing the first man to be sent to space. Months of training, careful planning, and well-hidden secrets eventually led to the decision of Yuri Gagarin. This led to the mass production of propaganda to spread, from Yuri Gagarin touring around the world to music being written about him, all centered around his trip to space and Soviet excellency. This propaganda still stands today in Russia, and its God-like idolization of cosmonauts is forever present.
Organized Savagery: Legitimization Of British Occupation In The Post-Ottoman State, Jamie M. Emerson
Organized Savagery: Legitimization Of British Occupation In The Post-Ottoman State, Jamie M. Emerson
The Purdue Historian
The Great War of 1914-1918 saw the internment of hundreds of thousands of prisoners of war, captured and maintained by the hand of their enemy. Allegations and accounts of ill-treatment under the enemy’s care abounded during and after the war. Leading up to the Peace Conference of 1919, negotiators chose to account for the suffering of these prisoners in their demands for indemnities and reparations. This paper assesses how the British Parliament and press used stories about the suffering of British and Indian prisoners of war in Ottoman internment camps as a means to delegitimize Ottoman rule and legitimize British …
Opposing Strands: The Mediterranean As Site Of Cultural Conflict Around 1900, Neil F. Mcwilliam
Opposing Strands: The Mediterranean As Site Of Cultural Conflict Around 1900, Neil F. Mcwilliam
Artl@s Bulletin
From antiquity to the Third Republic, this article follows visual and literary representations that measured space, time and ideological oppositions that spawned an image of the Mediterranean as an area of transmission and cultural tension. It focuses on three theorists: the head of Action Française, Charles Maurras; the novelist Louis Bertrand; and critic and cultural impresario Joachim Gasquet. Each contributed to the formation of an image of the Mediterranean basin as the birthplace of European heritage and a battlefield in a struggle against the forces of democracy and cultural hybridization.
Provincializing New York: In And Out Of The Geopolitics Of Art After 1945, Béatrice Joyeux-Prunel
Provincializing New York: In And Out Of The Geopolitics Of Art After 1945, Béatrice Joyeux-Prunel
Artl@s Bulletin
In this article, I argue that the putative global centrality of New York in art after 1945 is a construct, as it is for Paris prior to 1945. Monographs and national approaches are unsuccessful in challenging such powerful myths as these. A global, transnational and comparative approach demonstrates that the struggle for centrality was a global phenomenon after 1945, a battle that New York does not win (depending on one’s point of view) until after 1964. Rather than considering centres and peripheries as a fixed category, I propose to consider them as a strategic notion which artists and their promoters …
How To Build A World Art: The Strategic Universalism Of Colour Reproductions And The Unesco Prize (1953-1968), Chiara Vitali
How To Build A World Art: The Strategic Universalism Of Colour Reproductions And The Unesco Prize (1953-1968), Chiara Vitali
Artl@s Bulletin
What role did UNESCO play in the art world of the post-war era? This article makes use of published and archival sources in order to clarify the utopia of a “World Art” that shaped UNESCO and led to the “Archives of Colour Reproductions of Works of Art”, a project of worldwide collect and diffusion of images of “masterworks” inspired by Malraux’s “Museum without walls”. This case study focuses on one particular aspect of the project, the “UNESCO Prize”, conceived by the Brazilian art critic and Marxist intellectual Mario Pedrosa for the 1953 São Paulo Biennial.
The Suppression Of Satirizing Belgian Community Difficulties In Flemish Cinema And The Film Adaptation Of Will-O'-The Wisp, Gertjan Willems
The Suppression Of Satirizing Belgian Community Difficulties In Flemish Cinema And The Film Adaptation Of Will-O'-The Wisp, Gertjan Willems
CLCWeb: Comparative Literature and Culture
In his article "The Suppression of Satirizing Belgian Community Difficulties in Flemish Cinema and the Film Adaptation of Will-O'-the Wisp" Gertjan Willems analyzes two film projects of Frans Buyens. In 1970, Buyens received a positive funding recommendation for Top-Hit Girl, a satire about community difficulties in Belgium. However, Minister of Culture Frans van Mechelen refused to support the project because it conflicted with his pro-Flemish views. The minister successfully swept this controversial decision under the rug by offering Buyens the option to trade his socially critical project for a film adaptation of Willem Elsschot's novel Will-O'-the Wisp. …
Parchment As Power: The Effects Of Pre-Revolutionary Treaties On Native Americans From The Colonial Period To Present, Katie Wilkinson
Parchment As Power: The Effects Of Pre-Revolutionary Treaties On Native Americans From The Colonial Period To Present, Katie Wilkinson
The Purdue Historian
In colonial America, there was one resource that settlers were thirsty for and only Native Americans could provide: land. Europeans were interested in gaining possession of Native land via whatever methods would place the fertile soil into their greedy palms the fastest. As a result, they turned to a familiar practice to establish ownership – the written word, more specifically treaties. Unfortunately, the Europeans had fundamentally different thoughts concerning land than the Natives and it resulted in great forfeitures for tribes. While Native Americans were often tricked into land cessions, this was not always the case. Some of the reasons …
« Dégénérés » En France. Tentatives De Définition D'Une Identité Collective Par Les Artistes Germaniques Exilés En France À La Fin Des Années 1930, Hélène Duret
Artl@s Bulletin
Cet article examine les stratégies d'identification mises en œuvre par les artistes allemands et autrichiens exilés en France au moment où les expositions d'art « dégénéré » circulent dans l'Allemagne hitlérienne. Dans un contexte de tensions internationales et d'accueil méfiant des réfugiés allemands en France, certains collectifs d'artistes se définissent tour à tour comme fers de lance de l'« autre Allemagne », d'un héritage français de liberté artistique ou d'une « Internationale » artistique. En revanche, ces artistes ne franchissent pas le pas d'un « retournement du stigmate » (Goffman) vis-à-vis du qualificatif nazi « dégénéré ».
Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
CLCWeb: Comparative Literature and Culture
No abstract provided for the introduction.
Immigrant And Irish Identities In Hand In The Fire And Hamilton's Writing Between 2003 And 2014, Dervila Cooke
Immigrant And Irish Identities In Hand In The Fire And Hamilton's Writing Between 2003 And 2014, Dervila Cooke
CLCWeb: Comparative Literature and Culture
In her article "Immigrant and Irish Identities in Hand in the Fire and Hamilton's Writing between 2003 and 2014" Dervila Cooke discusses the intertwining of Irish and immigrant identities. Cooke examines the connection between openness to memory and embracing migrant identities in Hamilton's writing both in the 2010 novel and as a whole. The empathetic and inclusive character of Helen in Hand in the Fire is analyzed in contrast to characters who have repressed memory including the Serbian Vid. Helen's ties to elsewhere, her openness to new influence, and her willingness to engage with traumatic elements of the past (Irish …
Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
CLCWeb: Comparative Literature and Culture
No abstract provided.
Past Disquiet: From Research To Exhibition, Kristine Khouri, Rasha Salti
Past Disquiet: From Research To Exhibition, Kristine Khouri, Rasha Salti
Artl@s Bulletin
An exhibition of an exceptional scale and scope took place in Beirut in the middle of the civil war and today, its archival and documentary traces have been almost entirely lost. The International Art Exhibition for Palestine opened in the Spring of 1978, comprising some 200 works donated by artists hailing from nearly 30 countries, to be a seed collection for a museum in exile. This is a transcript of a presentation of the transformation of research into an exhibition format and a virtual walkthrough of the show Past Disquiet: Narratives and Ghosts from the International Art Exhibition for Palestine, …
Tracing Paintings In Napoleonic Italy: Archival Records And The Spatial And Contextual Displacement Of Artworks, Nora Gietz
Artl@s Bulletin
Using a Venetian case study from the Napoleonic Kingdom of Italy, this article demonstrates how archival research enables us to trace the spatial life of artworks. The Revolutionary and Napoleonic policy of the suppression of religious corporations, followed by the appropriation of their patrimony, as well as the widespread looting of artworks, led to the centralisation of patrimony in newly established museums in the capitals of the Empire and its satellite kingdoms. This made the geographical and contextual displacement, transnationalisation, and change in the value of artworks inevitable.
Documentation And Fiction In Hameiri's Accounts Of The Great War, Tamar S. Drukker
Documentation And Fiction In Hameiri's Accounts Of The Great War, Tamar S. Drukker
CLCWeb: Comparative Literature and Culture
In her article "Documentation and Fiction in Hameiri's Accounts of the Great War" Tamar S. Drukker discusses the only surviving Hebrew-language docu-novel of the Great War, written by Avigdor Hameiri (1890-1970), a Hungarian Jewish officer. His 1930 memoir The Great Madness is a wartime personal journal about his life at the Russian front. Many of the episodes described in The Great Madness receive a more styled treatment in Hameiri's wartime short stories which appeared in three collections during the 1920s. These stories are sometimes surreal, symbolic, and carefully crafted. Drukker's study of Hameiri's wartime life writing and his literary rendition …
Fodor’S Field Diary And The Writing Of The Hungarian Imperial Self During World War I, Steven A.E. Jobbitt
Fodor’S Field Diary And The Writing Of The Hungarian Imperial Self During World War I, Steven A.E. Jobbitt
CLCWeb: Comparative Literature and Culture
In his article "Fodor's Field Diary and the Writing of the Hungarian Imperial Self during World War I" Steven A.E. Jobbitt analyses a field diary written by the Hungarian geographer and botanist, Ferenc Fodor, who took part in a two-week geobotanical expedition to Bosnia-Hercegovina in the summer of 1917. Sponsored by the Hungarian Academy of Science, the expedition was part of a much broader Austro-Hungarian imperialist project in the Balkans during World War I. Close scrutiny of Fodor's field diary as a particular form of life writing provides important insight into the masculine-imperialist fantasies that informed Hungary's mapping of the …
The Geography Of Art In Communist Europe: Other Centralities, Other Universalities., Jerome Bazin
The Geography Of Art In Communist Europe: Other Centralities, Other Universalities., Jerome Bazin
Artl@s Bulletin
Through the analysis of one woodcut created in the GDR in 1973, the article offers a comprehensive approach to the spatial processes of creation, diffusion, and reception of an ordinary and modest image. In which spaces did actors (the artist, administrators, audience) place an image like this one? The main hypothesis is that realist art in a socialist context is characterised by two trends: on the one hand, the trend to embed art in a very local space, and on the other, the trend to universalise art in a communist way. The two divergent trends produced a special kind of …