Other History of Art, Architecture, and Archaeology Commons^™

'Poetry That Does Not Die': Andrew Lang And Walter Scott’S 'Immortal' Antiquarianism, Lucy Wood

Studies in Scottish Literature

The late 19th century essayist Andrew Lang, born in the Scottish borders, shared with Walter Scott a passionate devotion for the Borders landscape, mapped and mediated by Scott’s fictions; in his introductions to the Border Edition of Scott's novels, Lang argued that, by “immortalising” national antiquities, Scott ensured that Scotland's geographical and architectural heritage would be preserved.

Historiography Of Industrialization In Nigeria: 1914–1960, Chris. B.N Ogbogbo, Ayodele Samuel Aborisade

Journal of Humanities and Social Sciences

The historiography of industrialization in Nigeria has a rich but confused literature. Scholars from various disciplinary orientations have engaged this subject matter from perspectives that have complexified the idea and concept of industrialization in a colonial state. This study interrogates the various perspectives of intellectual inquiry on industrialization of colonial Nigeria, and argues that although industries and industrial activities existed in pre-colonial and colonial Nigeria, industrialization between 1914 and 1960, as portrayed by a number of scholars, was a farce. Thus, the interrogation of theoretical and historical explanation of industrialization by scholars as one of the important components of colonial …

Lords From The Desert, Caroline Mercado

Capstones

Lords from the Desert

This work explores a reality that is little talked about: how the most prestigious pre-Columbian art exhibits in the United States hide a murky origin. From looting of temples to illicit art trafficking, to smuggling and collectors’ affairs, the pieces gain value in proportion to the social prestige of their owner. Along the way, the most important is lost: research that provides context and allows us to know history. The First World wins a seductive, but simplistic story. The Third World, from which all these cultures emerge, loses patrimony and possibilities of understanding themselves. A pair …

A Research Program For Studying Lams And Community In The Digital Age, Andreas Vårheim, Roswitha Skare, Noah Lenstra, Kiersten F. Latham, Geir Grenersen

Proceedings from the Document Academy

The paper outlines a research effort into the changing representations, policies, strategies, activities, and practices of libraries, archives, and museums (LAMs) in the digital age. Comprehensive social changes including big slow-moving processes, such as aging populations, global migration, technological change, and environmental change, expose communities and LAM institutions to vulnerabilities. How do the institutions handle vulnerabilities, how do they become more resilient, and how do they contribute to building the resilience of their local communities?

“A Bright Pattern Of Domestic Virtue And Economy”: Philadelphia Queensware At The Smith-Maskell Site (28ca124), Camden, New Jersey, Thomas J. Kutys, George D. Cress, Rebecca L. White, Ingrid A. Wuebber

Northeast Historical Archaeology

Excavations at the Smith-Maskell Site (28CA124) in the Spring of 2011 by URS Corporation revealed a number of early 19th-century features behind what was once 318 Cooper Street in Camden, New Jersey. These features produced significant quantities of Federal period tea and tablewares, including a number of Philadelphia Queensware vessels. During this period Camden was beginning its transition from a scattering of sparsely populated villages to a city of summer residences and country retreats for Philadelphia’s well-to-do middle class. The likely owners of the Philadelphia Queensware found at the Smith-Maskell Site were among this prosperous middle class, and thus the …

The Rise And Fall Of American Queensware 1807-1822, Rebecca L. White, Meta F. Janowitz, George D. Cress, Thomas J. Kutys, Samuel A. Pickard

Northeast Historical Archaeology

.

This article examines the history of several manufacturers of American queensware in Philadelphia, Pennsylvania, and beyond. Our research reveals that efforts to produce queensware were more extensive and widespread than previously thought. This survey expanded as we discovered references to contemporary queensware potteries in other parts of the United States during the first two decades of the 19th century. In all, 14 queensware-manufacturing ventures are identified and described from Pennsylvania, New Jersey, Ohio, what is now West Virginia, Vermont, and New Hampshire. Much of this research is drawn from period newspaper notices, advertisements, and surviving personal correspondence. The period …

North American Indigenous Collection And Curation And Its Impact On Market Arts., Adelaide Mccomb

Electronic Theses and Dissertations

This thesis examines the history of two North American Indigenous groups, those belonging to the Great Plains and the Arctic, and observes how settler-colonial influence determined the collection and curation of arts and artifacts in these areas. This art includes a mention of pre-Colombian works, but focuses predominantly on works being made after “first-contact” through the contemporary ear. The paper addresses the effect imperialist history has had on the development of Indigenous art markets, and how institutions such as museums may address them through ethical practices, and efforts to decolonize museum spaces.

Common Ground, Diverging Paths: Eighteenth-Century English And French Landscape Painting., Jessica Robins Schumacher

Electronic Theses and Dissertations

In the early eighteenth century, both English and French artists traveled to Rome to study the great seventeenth-century landscape artists --Claude Lorrain and Nicolas Poussin in particular—at the source. The English were motivated by a combination of reverence for the ancient, classical world, an associative imagination and a burgeoning competitive art market. The French, by an equal regard for antiquity and the pragmatic desire to complete the requirements of the monopolistic French Academy. While English landscape painting evolved away from the idealism of Claude to a modern naturalism imbued with the artist’s subjective response to a visual experience, French landscape …

The Study Of Culturally Relevant Visual Imagery And Student Interest In Contemporary Secondary Art Classrooms, Carly Marie Anderson

Graduate Theses/Dissertations

Contemporary art pedagogy indicates some educators are using visual cultural exemplars that contain little cultural relevance to many students in their secondary art classrooms. The purpose of this study was to investigate students’ preferences and interests concerning visual imagery as the focus of curricular content in current secondary art classrooms in Southwest Missouri. This investigation began with a review of visual imagery within traditional fine art academies and what role this imagery plays in contemporary art rooms. The research question included: Were current secondary art students more interested in contemporary, culturally relevant imagery or traditional Eurocentric Western fine art imagery? …

A Comparative Analysis Of Non-Invasive Exploration Techniques Lidar Vs. Aerial Photography – Kincaid Mounds Archaeological Site, Austin Valentine, Austin Valentine Jr.

Student Scholarship & Creative Works

KINCAID MOUNDS - A Comparative Analysis of Non-invasive Exploration Techniques is a journal of my efforts to conduct non-invasive site investigations at the Kincaid Mounds Archaeological site in Southern Illinois. Through the utilization of tools such as; drones, photography, satellite imaging, light distance and ranging, and powerful analysis software, I will demonstrate a number of useful techniques which one can utilize to conduct independent site investigations without disturbing a sites landscape or structural integrity. Thus, illustrating differences between those techniques and pointing out their strengths and weaknesses in their various applications.

During this journey, I will also venture into the …

Art Of The Harlem Renaissance, Joshua I. Cohen

Open Educational Resources

The Harlem Renaissance of the 1920s and 1930s, known during that time as the Negro Renaissance, affected a sea change in literary and artistic production. Whereas the early-20^th-century avant-gardes in Europe had looked to black culture only as “primitive” inspiration, Harlem Renaissance practitioners asserted their status as agents of modern history and creators of black modernism. This important and tumultuous transformation can be tracked in the artistic expressions of the period, and in relation to key texts that shaped the movement. Planned visits to Harlem sites and collections, as well as to timely exhibitions elsewhere in New York, …

The Paper Zoo: 500 Years Of Animals In Art By Charlotte Sleigh, Gina M. Granter

The Goose

Review of Charlotte Sleigh's The Paper Zoo: 500 Years of Animals in Art.

Modeling Sound In Ancient Maya Cities: Moving Towards A Synesthetic Experience Using Gis And 3d Simulation, Graham Goodwin

Department of Anthropology: Theses and Student Research

Digital technologies enable modeling of the potential role of sound in past environments. While digital approaches have limitations in objectively rendering reality, they provide an expanded platform that potentially increases our understanding of experience in the past and enhances the investigation of ancient landscapes. Digital technologies enable new experiences in ways that are multi-sensual and move us closer toward reconstructing holistic views of past landscapes. Archaeologists have successfully employed 2D and 3D tools to measure vision and movement within cityscapes. However, built environments are often designed to invoke synesthetic experiences that also include sound and other senses. Geographic Information Systems …

Heroes Of Indian Head Rock, Rick Duncan

Indian Head Rock Project

A series of posters created by Rick Duncan to commemorate the Heroes of Indian Head Rock in July of 2018.

Concerning The Spectacular Austerities, Brian Bouldrey

International Journal of Religious Tourism and Pilgrimage

Modern pilgrims are the updated versions of hermit athletae Dei, athletes of God, as the Desert Fathers are called by Dorotheus the Theban. Are the more ascetic of religious pilgrims going too far with their spectacular austerities?

Atlanta: Reconstructing A Fractured History, Clayton Odom

Bachelor of Architecture Theses - 5th Year

Today we live in a world where the development of our cities has resulted in the destruction of historical and magnificent architecture that stood as monumental symbols of human achievement and evolution. This has been a problem for Atlanta in which the foundations of the city's architectural heritage and legacy has been destroyed as a result of Atlanta's fragmented development over time, leaving the city's architectural legacy and history in a state of fragmented ruin. For Atlanta, it is important to restore this lost architectural heritage by reconstructing the memory of the city's destroyed architectural icons by recreating and reassembling …

Adoration And Art: Ancient Egypt, Greece, And Rome, Fiona Wirth

Senior Honors Projects, 2010-2019

"Adoration and Art" focuses upon religious artifacts from the ancient Mediterranean and explores what these artifacts reveal about the religious practices and sacred spaces of their cultures. This Honors College capstone consisted of an exhibition through the Lisanby Museum utilizing artifacts from the Madison Art Collection. This text is the full exhibition catalog compiled by the student through her research as an intern for the Lisanby Museum.

Middle-Class Millions: The Creation Of Atlantic City's "Modern" Image, 1890-1910, Trevor Cooper

Masters Theses, 2010-2019

By the end of the nineteenth century, vacationing became more accessible to middle-class Americans than ever before, resulting in the growth of tourist destinations on the New Jersey shore, particularly in Atlantic City. Between 1890 and 1910, government officials, railroad companies, and hotel owners advertised Atlantic City’s technological and cultural modernity to middle-class Americans particularly in Philadelphia, creating an image of Atlantic City as a modern middle-class utopia.

This thesis further examines the relationship between consumerism and American middle-class identity. While we often consider the link between consumerism and identity to have been solidified in American culture following the Second …

Wearing Art History: Fashion As An Art, Sofia Killion

Senior Theses

Fashion is often seen as a frivolous craft which many believe to lack substance. Fashion however has for generations drawn inspiration from one of the very things that defines culture and that is art. Some of the most successful fashion designers of our time have drawn inspiration directly from masterpieces of art. The Spanish fashion designer Cristóbal Balenciaga (1895-1972) was heavily inspired by his countrymen including Diego Velázquez (1599-1660), Francisco de Zurbarán (1598-1664), and Francisco Goya (1746-1828). The Italian fashion designers Domenico Dolce (1958-present) and Stefano Gabbana (1962-present) created a Fall 2013 collection that was significantly inspired by the Byzantine …

Reconstructing Ancient Lives Using 3d Technology: A Case Study Of Pork And Doughboy Point, Belize, Jane Fiegel

Electronic Theses and Dissertations

3D technology can preserve cultural heritage resources and enhance museum collections and exhibits. Through 3D scanning, an exact digital replica of an artifact is created, which can be printed out or used to create a digital display. For this project, 3D scanning was used to reconstruct ancient Maya lives at Pork and Doughboy Point, Belize. By studying and classifying an inventory of selected artifacts, we were able to determine what activities occurred at the site. goal of this project was to showcase the growing importance of 3D technology in cultural preservation and the variety of ways in which it can …

Creating 1968: Art, Architecture, And The Afterlives Of The Mexican Student Movement, Mya B. Dosch

Dissertations, Theses, and Capstone Projects

The student movement of 1968 in Mexico City staked a claim to urban space. Through mass gatherings in the Zócalo, posters in the streets, and marches past prominent landmarks, student activists countered the spectacles of national unity designed in preparation for the 1968 Olympic Games. These competing claims to space came to a head on October 2, 1968, when government agents fired on activists and bystanders gathered in Tlatelolco Square, killing dozens and imprisoning thousands more. Scholars and essayists have since framed 1968 as a watershed moment in twentieth-century Mexican history and the massacre at Tlatelolco as a “wound” …

Buying Time: Consuming Urban Pasts In Nineteenth-Century Britain, Dory Agazarian

Dissertations, Theses, and Capstone Projects

This dissertation is about how historical narratives developed in the context of a modern marketplace in nineteenth-century Britain. In particular, it explores British historicism through urban space with a focus on Rome and London. Both cities were invested with complex political, religious and cultural meanings central to the British imagination. These were favorite tourist destinations and the subjects of popular and professional history writing. Both cities operated as palimpsests, offering a variety of histories to be “tried on” across the span of time. In Rome, British consumers struggled when traditional histories were problematized by emerging scholarship and archaeology. In London, …

Between Global And Local: Geometric Patterns Of Gallic Roman Mosaics, Rebecca Salem

School of Art, Art History, and Design: Theses and Student Creative Work

It is often assumed that mosaicists working in different parts of the Roman Empire utilized specific repertoires of geometric patterns, specific to that locality, which formed distinct regional styles. Accordingly, scholarship has sought to assign particular layouts and ornamentation to different areas around the Empire: illusionistic patterns mimicking architectural elements such as coffering in the Eastern Roman Empire, black and white scenes of imagery with no geometric designs in central Italy, and large figural scenes bordered with geometric patterns in North Africa. But this existing model of regional difference does not explain the similarities that can also be seen. For …

Think Natural ! Une Nécessité Qui Ne Se Cache Plus, Cedrick Nzolo Ngamobu

Artl@s Bulletin

This contribution raises questions regarding the search for mediation and transition found in pedagogy and the creative process. This can be posed as a response to an affirmation of identity, coupled with a search for philosophical autonomy. The need for mediation or transition is a necessity that we all seek in different ways and according to our respective contexts. In teaching in a school of art or fashion, it is a question with different variables that leaves the field open to all forms of questioning and brings to the fore the confrontation of modes of expression.

Œuvre D’Art Comme Récit Historique (Rapport Des Discussions Du Groupe De Travail), Emi Koide

Artl@s Bulletin

This report aims to present central questions raised during two days of group discussion and debate concerning the theme « art work as history ». Several different points of view were presented, in which generational frictions in kinois artistic milieu came to the fore. The main subjects during the discussions were: the challenges involved in writing Art History in the Congo through their own perspectives; the importance on creating archives about Congolese art locally; considering artwork as historical narrative; the importance of the body as a link between object and performance, as well as between material and immaterial dimension.

Au-Delà Des Rivalités Provinciales : Poétiques Visuelles Tropicalistes Et Autres Projets D’Art Étendu Depuis La Perspective Du Nord-Est Brésilien, Ayrson Heráclito

Artl@s Bulletin

This text is a compilation of writings published during the course of our research for the 3^rd Biennale of Bahia (2014), for which we worked in the curatorial team. These investigations reflect on the genealogy of Northeast Brazil’s contemporary art, seeing this region as unrestricted and non-essentialist. The production of certain artists is considered within an expanded context. To this end, we employed the idea of PEBA (Pernambuco-Bahia), while attempting to come to terms with the possibility of existence of a family, united by the desire for a poetic turn in the tropics.

The Lubumbashi Biennial: Towards New Protagonisms, Daniella Géo

Artl@s Bulletin

This article reflects on the role and relevance of the Lubumbashi Biennial (DR Congo), taking into account its specificities, context and modus operandi, as well as making brief parallels with other recurring art events in an attempt to situate the Congolese biennale within the histories of contemporary art biennales. The text provides first-hand commentary on the Lubumbashi Biennial, in particular its fourth edition in which the author formed part of the curatorial team.

Histoire Picturale De Laurent-Désiré Kabila (1997-2001), Donatien Dibwe Dia Mwembu

Artl@s Bulletin

This article considers the story of the late Laurent-Désiré Kabila, President of the Democratic Republic of Congo, as told by the popular painters of the city of Lubumbashi. Its shows how popular painting contributes to the knowledge of LD Kabila's reign, by serving as a support for oral history. Indeed, the commentaries of the paintings made by their authors or by critics unveil a chapter of history. Placed next to each other according to their theme and chronological order, popular paintings depict the highlights of the history of a given region in a specific area such as politics, economy, culture, …

Le Paradigme « Art Africain » : De L’Origine À Sa Physionomie Actuelle, Henri Kalama

Artl@s Bulletin

This study relooks at the problematic concept of "African Art". The conceptual evolution of "African Art" coincides with three realities: firstly, that the art discovered in Africa was described as uncivilized; secondly, that this art capitulated with the colonial past of Africa; finally, that this art of an underdeveloped continent. In such a context of emergence, this art has been or is still exploited by ambitious and interested promoters. Hence, there is an imperative need for contemporary artists to overcome all these influences to produce works whose ontological values and universality cannot be challenged.

Les Nouveaux Défis Du Métier D’Artiste En République Démocratique Du Congo, André Yoka Lye

Artl@s Bulletin

The history of art institutions in D.R. Congo is relatively old compared to the rest of Africa. This justifies the know-how of Congolese artists since 1930-40’s, even if the general trend was, for a long time, reliant on amateurism and mimetism of European production. With the integration of art institutes into university education level since 1971, the issues and challenges became precise and appeared to be possible to overcome: professionalization, rooted and applied research, community building and international competitiveness, with the urge of solidarity with countries and experiences from the South.