American Art and Architecture Commons^™

From Peril To Perseverance: Dr. Arthur C. Parker And The Seneca Arts Project, Brennan Ciccolone

Binghamton University Undergraduate Journal

Like many Native people, the Haudenosaunee were subjected to culturcide and assimilation using residential schools like the Thomas Indian School in the late 19th and early 20th century. During this time, in 1925, the Seneca archaeologist Dr. Arthur C. Parker was hired as the director of the Rochester Museum and Science Center. Parker used his museum position to uplift and preserve Haudenosaunee arts and culture. This paper focuses on his Seneca Arts Project (1935-1941), which gathered art and artifacts from both ancient and contemporary Haudenosaunee members. This project explores how Parker’s work was used to help revitalize and honor Native …

A History Of The Underground Comix Scene: The Seriousness Of An Unserious Genre, Harris Darcie Shugart

Master's Theses

The Underground Comix Scene of the 1960s and 1970s was born out of an age of censorship. The Comics Code Authority, a regulatory body created by the Comics Magazine Association of America in 1954, established guidelines requiring publishing houses to self-regulate following a recommendation from the United States Senate Subcommittee on Juvenile Delinquency in 1953. Comix with an X, for their X-rated nature, represent an emerging counter-culture in the latter half of the 1960s and the 1970s, with an epicenter of San Francisco. These comix and their artists were not interested in obtaining the looming ‘Seal of Approval’ from the …

A Northwest Perspective: A Comprehensive Survey Of Sally Haley's Life And Career, Mary Timbrook

University Honors Theses

Sally Haley is a successful artist who built a long career in the second half of the 20th century as a painter in Portland, Oregon. Her work has been part of several solo and group exhibitions within museums and galleries across the country and she was awarded the Oregon Governor's Award for the Arts in 1989. She is best remembered for her unique still life paintings, frequently painted in egg tempera, which sold immensely well during her lifetime and after. Haley trained at the Yale School of Art in the late 1920s and early 30s, where she learned to paint …

The Log Cabin | Public Perception And Mediated Reality (1840 – 1980), Aspen M. Regan

Architecture Undergraduate Honors Theses

This capstone examines the evolution of the log cabin from 1840 to 1980. At its core, the project questions the legacy of the log cabin from its origins as simply being a traditional dwelling typology to its establishment as a cultural icon or rather, an enduring vessel that established the American Dream and ideals of self-reliance, freedom, and individualism deep within the heart of American culture.

Chapter One situates the log cabin historically and architecturally, defining the popular frontier dwelling as being a single-pen horizontal log constructed cabin. It then explores the cabin’s emergence as a cultural image through political …

Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert

Theses and Dissertations

This thesis examines how contemporary artists Rubén Ortiz Torres, Chico MacMurtrie, rafa esparza, and Cassils transformed military technologies into powerful artworks that interrogate the Mexico-U.S. border as a battlefield. Together, their works illuminate militarization and surveillance technologies at the border and the violent enforcement of U.S. immigration policy.

Hotels As Placemakers In Downtown Los Angeles, 1890-1950, Chrissie Alea Rensing, Megan Kendrick

Seaver College Research And Scholarly Achievement Symposium

Early twentieth-century Los Angeles is often characterized as a rapidly expanding metropolis shaped by informal segregation along lines of race, class, and gender. Yet within this landscape, hotels and lodging houses sometimes functioned as unexpected sites of inclusion and community for marginalized populations. This project investigates how these spaces of hospitality served women and racial minorities between 1890 and 1950 in Los Angeles. Drawing from recent scholarship from Natalia Molina and others, we set out to examine the role of vernacular hotel architecture and the “placemakers” who operated them.

The project involved examining hundreds of handwritten census pages and original …

New Insights From Old Sources: Using Hot Spot Analysis Of Fire Insurance Documents To Characterize The C. 1800 Built Environment Of Fredericksburg, Va, Grace Hannah Buck

Research and Creativity Symposium

The field of historic preservation makes use of many types of archival resources to understand past events, practices, and spaces that would otherwise be difficult to parse from extant objects.  Though they can be used in their initial state, application of geospatial methods to certain archival resources can improve their ease of use, reveal missing context, or provide new insight to the information they hold.  In that vein, this study applies geospatial analysis to a collection of historic insurance policies issued by the Mutual Assurance Society (MAS) of Virginia (1796-1867) for buildings in Fredericksburg, VA, at the turn of the …

Sparks Under Ashes, Ani Sargsyan

School of Art, Art History, and Design: Theses and Student Creative Work

Rooted in hope, reflections on longing, family history, and the contemporary Armenian experience take precedence in Sparks Under Ashes. The title of the show itself derives from my great-grandfather’s notebook, which details his unjust exile during the Great Purge of the Soviet era and other life experiences. His handwriting becomes ingrained in my work as both our marks collide through painting, drawing, and transfer processes to bridge the time between us and celebrate generations of resilience.

Acts of endurance are crucial for Armenia’s survival because attempts of erasure have always been prominent, with the 1915 genocide being the darkest …

The Postmodern Frontier: Richard Prince And The Neoliberal Spectacle Of The American Dream, Taïs Khassanova

MA Theses

This thesis examines the oeuvre of Richard Prince’s as a sustained allegory of contemporary American visual culture, beginning with his Cowboys series as the point of origin from which his later appropriations, including Girlfriends, Spiritual America, and New Portraits, unfold. Through the recursive gesture of appropriation, Prince’s Cowboys expose the myth of rugged independence as a corporate fiction, revealing how the frontier ethos was redeployed under the Reagan presidency to naturalize neoliberal ideology. Building on this premise, the thesis traces how such logic extends throughout Prince’s subsequent body of work, as his Girlfriends refigure the cowboy’s masculine autonomy as the …

A Pageant Of Spectacles: Chromolithography In America, Matthew H. Edney Phd

Osher Map Library Exhibition Catalogs

Chromolithography was used in the nineteenth century to create full-color and realistic images of the world. A Pageant of Spectacles: Chromolithography in Nineteenth-Century America, an exhibition at the Osher Map Library from November 30th, 2023 - June 29th, 2024, explained the printing process and explored some of its particular applications to maps and bird’s-eye views. This exhibition catalog features the companion article Mapping, Printing, and Color, which explores the history of different printing processes used in mapmaking throughout history, as well as a catalog of the items displayed in the exhibition.

A digital version of exhibition is available …

Tailoring Black Style And Its Powerful Pieces: From West Africa To The U.S. West Coast And Everything In-Between, Gabriel Capellan

Occasional Essays

Introduction:

On September 19, 2025, I went to the Metropolitan Museum of Art Museum (MET) with some of the Bronx African American History Project team. The people in attendance were Graduate Assistant, Anthony Rosado, and Undergraduate Assistants, Serena Velasquez and Emma Garr, wonderful people, I tell you. After the tour, we ended up at the American art exhibit and had podcast conversations about history for what felt like both hours and very brief minutes... We went to the MET to see a particular piece that was in the Superfine: Tailoring Black Style exhibit curated by Barnard professor, Monica L. Miller …

“Do Women Have To Be Naked To Get Into The Met. Museum?”: An Exploration Of Contemporary Feminist And Women’S Exhibitions And Collectives, Demi R. Dauterive

LSU Master's Theses

This thesis examines the creation and evolution of feminist art exhibitions and collectives in the United States from the early 1970s through the 2020s. These exhibitions and the work they contain are analyzed alongside each wave of feminism that ran parallel to their existence. Beginning with the 1970s and Second Wave Feminism, Chapter One explores Judy Chicago and Miriam Schapiro’s Womanhouse in addition to Lucy Lippard’s Twenty Six Contemporary Women Artists and the work of other smaller collectives. Chapter Two explores the DIY initiatives and subversive ideologies of Third Wave Feminism through artist groups such as the Guerrilla Girls and …

On Petrochemical Fantasies: The Art And Energy Of American Comics, Mike Classon Frangos

Criticism

Petrochecmical Fantasies: The Art and Energy of American Comics by Daniel Worden. The Ohio State University Press: Columbus, 2024. Pp. 171. $34.95 cloth.

Challenging The Gaze: A Feminist Interpretation Of The S.M.S. Mail Art Collection, Karissa A. Krievins

All Graduate Reports and Creative Projects, Fall 2023 to Present

In the late 1960s, many people called for radical, immediate change to America’s political, societal, and cultural structures. The artistic practices of the time reflected the social and political realities of the moment and played a crucial role in advocating for change. The title of the 1968 S.M.S. (Shit Must Stop) subscription art portfolios was a bold and urgent call for action, challenging artists and audiences alike to confront the pressing injustices of the era and inspire a collective awakening to the necessity of transformative change across the United States. Despite a fifty-six-year gap, today we are …

Creating Possibilities: The Ethelind Pope Brown Collection: An Overview Of Who May Have Illustrated America's Oldest Naturalist Paintings, Maksym Dedenko

University Honors Theses

This thesis investigates the Ethelind Pope Brown Collection at the University of South Carolina, a rare assembly of hand-illustrated naturalist artworks depicting an assortment of flora and fauna from the eighteenth century. Despite its artistic and educational value, the creator of the collection remains unidentified. Through close textual and visual analysis, archival research, and comparative stylistic study, this project explores several potential authorship theories while providing background to the necessity of evolving science that facilitated its creation.

Considering The Ethics Of Conserving American Art: White Nationalism And The Evolving Meanings Of Nineteenth-Century Genre And Landscape Painting, Evan M. Crocker

LSU Master's Theses

This thesis analyzes the stylistic and conceptual qualities of American genre and landscape painting from the antebellum period and how these qualities acted in service to establishing white nationalism before the Civil War. The intricate and calculated system of typing in genre painting presented carefully crafted idealizations of quintessential Americans, defined by their whiteness and maleness. Landscape painters of the early- to mid-nineteenth century endowed their compositions with a sense of wondrous opportunity which justified and upheld westward expansion under Manifest Destiny. At the intersection of genre and landscape practices sits plantation paintings—specifically house portraits—in which the plantation serves as …

Visibly Invisible: Reclaiming Atlanta Black Architecture Through Black Expression, Sean M. Spencer

Bachelor of Architecture Theses - 5th Year

Architecture has long grappled with questions of self, community, and cultural identity. While the number of Black architects is growing, architecture that genuinely reflects Black identity remains rare. This lack of representation has contributed to a sense of invisibility for Black communities within the built environment—whether by design or neglect. There is an urgent need to define and celebrate Blackness and Black space in ways that reflect the cultural richness of Black communities. As George Will points out, broad labels like African American or African often obscure the unique cultural experiences within Black communities. Historically, the lack of economic and …

Gone With The Wind: The Confederacy's Trojan Horse, Skyler J. Shipp

Swarthmore Undergraduate History Journal

This paper analyzes the film Gone with the Wind as a piece of Southern nationalist propaganda. This includes an exploration of the earlier Southern nationalist film Birth of a Nation, as well as a comparison to Margaret Mitchell’s 1936 novel Gone with the Wind. In my analysis of Gone with the Wind’s production process, including memos between producer David O. Selznick and other members of the production team, I find that Selznick maintained tight control over the film’s production and was extremely concerned with maintaining positive publicity for his film. This led him to allow a few seemingly progressive …

Blackness And Nineteenth-Century Art In The Atlantic World, Rachel Hooper

Curatorial Publications

No abstract provided.

Defining ‘Un-Americanism’ In Culture And Art: The Dies Committee’S Investigation Of The Federal Theatre Project, Matthew G. Summers

Dissertations and Theses

This thesis explores the House Un-American Activities Committee’s (HUAC) expansive definition of ‘Un-Americanism’ through the body’s 1938 investigation of the Federal Theatre Project (FTP). The committee, then known as the Dies Committee after its chairman Martin Dies (D-TX), publicly presented the hearings as an attempt to root out communism in a deeply compromised government program. And indeed the FTP, an ambitious New Deal Program to provide work for unemployed professionals in the theatre, had an undoubtedly leftist bent. However, the hearings were consistently focused on the project's progressive stances on issues of race and gender, and effectively exposed the underlying …

The Cut Worm Forgives The Plow, August Neuscheler

Theses and Dissertations

The explorations in this thesis writing are centered on William Blake’s proverb “The cut worm forgives the plow.” It has been reinterpreted as an allegory of history and energy. A theory of their relation is proposed based on forgiveness, a theory that accepts the palimpsest of orders as evidence for the abundance of the present moment. The writing focuses on questions of proportionality, scale, archaeological screening methods, planar cutting, and a critique of entropy as grounds for this theory. Some of its subjects include the Statue of Liberty, Kate Raworth’s donut economic model, sashimi, triangulation, Joseph Beuys’ “7,000 Eichen,” semiconductors, …

Codifying Domesticity: The Story Of The Recommended Minimum Requirements For Small Dwelling Construction Of 1923, The Housing Policy Of The Hoover Secretariat, And The Impact On American Residential Architecture, Noah Morris

Graduate School of Architecture & Urban Design Theses & Dissertations

During the nineteenth and twentieth centuries, fire disasters and health-safety issues led to the widespread adoption of building codes. While the National Board of Fire Underwriters published the National Building Code in 1905, the code did not maintain regulatory consistency across the nation. This lack of consistency across the nation and socio-economic factors contributed to a nation-wide housing shortage of a million units by 1919. During World War I, the government addressed the housing crisis through the United States Housing Corporation and Emergency Fleet Corporation, building public housing based on the ideals of the Garden City Movement.[1] Following the …

Origins Of Art: Demystifying The Scheuring Icon Collection, Mikayla Klemp

The Journal of Purdue Undergraduate Research

No abstract provided.

Building Black Manhattan: Architecture, Art, And The Politics Of Respectability, 1857–1914, Jessica Larson

Dissertations, Theses, and Capstone Projects

“Building Black Manhattan” is the first study to examine the architectural contributions of Black women reformers to the urban development of New York City between the Civil War and the Great Migration. Through the construction of charitable and reform institutions throughout Manhattan, they articulated a strategy of racial uplift through deliberate spatial construction.

As reform work was one of the very few arenas in the nineteenth and early twentieth centuries in which women had a significant public voice, the buildings constructed to facilitate reformers’ work encoded the social, racial, and gendered demands of women into their designs. These institutions included …

America, Dreaming., Sarah Meftah

Masters Theses

There is a version

of America

that exists

only in dreams,

a kind of folklore,

shrouded in images,

technicolor interiors,

wrapped in plastic,

ghosts of recent past

to haunt and guide;

a constant reminder.

Wishful thinking

a constructed imaginary,

one I can hold in my hand.

Popular culture and spectacle, America and the domestic ideal, capitalism and the collective unconscious of a national identity. As an artist, I am interested in the myriad images that manifest for a viewer when they think of the spectacle of American pop culture, its domestic archetypes, and the material worship it revolves around. My …

Frontier: Land, Architecture, And Abstraction, Jacob Boatman

Masters Theses

The abstraction of land is a colonial process by which physical land is transformed into a conceptual or symbolic entity. This transformation occurs through various economic, architectural, and cultural practices that imbue land with abstract values, meanings, and functions beyond its physicality. This includes the division of land into parcels for economic transactions, the design and construction of built environments that shape human interactions with the land, and the cultural narratives and representations that ascribe significance to particular landscapes. Through abstraction, colonial powers devalue indigenous perspectives and relationships to the land, reducing them to mere obstacles in the path of …

Going Beyond The Margins: Photographs By Ming Smith, Isis A. Serna

Art & Art History ETDs

Ming Smith is a photographer who has been creating images since the early 1970s and trained with the artist collective Kamoinge Workshop. Throughout most of her career, Smith has been marginalized by art historians, critics, and museum curators. Since the early 2000s, Smith has only been included in museum exhibitions highlighting African-American female artists from 1960 to the present. Before this surge of interest in her work, the art world ignored and silenced her. However, Smith’s creative process allowed her to see and experience going beyond the struggle by being consistent in her strategy to do what she wanted on …

Increasing The Accuracy Of The Military‟S Post-Deployment Mental Health Screening Strategies, Daniel Fass

All-Inclusive List of Electronic Theses and Dissertations

The author investigated the prevalence rates of mental health problems reported by college students and compared them with previously existing data on active duty, reserve, and National Guard Operation Iraqi Freedom veterans. Participants completed the mental health portion of the Post-Deployment Health Re-Assessment and an additional questionnaire in which the effect of a drug use screen was explored. Subjects were also asked about their intentions to seek mental health or substance abuse treatment and how anonymity affected their treatment seeking and reporting accuracy. Results indicate similar and at times higher rates of mental health problems in the sample of college …

Researching & Designing Marketing Materials For Rachel Messer & Connor Dale, Isabelle Bauer

Honors Projects

Isabelle Bauer’s Honors Project, “Researching and Designing Marketing Materials for Rachel Messer and Connor Dale” is split into two components. First, the research paper titled "The American West as a Cultural Phenomenon" explores the fascination with the American West and its integration into various aspects of American culture, particularly in music, film, and art. The essay discusses the historical significance of the West and its transformation into a cultural obsession. Focusing on the resurgence of Western aesthetics in modern country music, the project’s second component involves the creation of marketing materials for country artists Rachel Messer and Connor Dale.

The …

Bedeviled Beauty: My Journey Through White American Theater Institutions, J'Aila C. Price

LSU New Orleans Theses and Dissertations

Game console: Oculus Quest

World: American Theater Institutions

Player: Minority

Place: United States

Level: “Ain’t no way.”

This thesis explores the contrast between the Westernized philosophies ingrained in my education and my identity as a Black female artist. It sheds light on the difficulties of pursuing higher education in the arts and the gaps that arise from limited exposure to culturally diverse Black resources, revealing the systemic issues in Western performance education. The paper also discusses the insights gained from my journey as a Black female artist, focusing on my thesis performance of Blood at the Root, which is …