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History of Art, Architecture, and Archaeology Commons™
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Articles 1 - 16 of 16
Full-Text Articles in History of Art, Architecture, and Archaeology
Pricing In Opaque Markets: Paintings Old And New, Sharon V. Thach
Pricing In Opaque Markets: Paintings Old And New, Sharon V. Thach
Atlantic Marketing Association Proceedings
Pricing is one of the more difficult aspects of marketing management and poses interesting problems for economists trying to account for what are really a collection of microsales that are not well reflected in aggregate macroterms. The developed models and processes work best for mass produced products but grow increasingly problematic when products are intangible services or unique goods. This paper looks at paintings as a product within a specific “industry” , but many of the issues are similar to those in the professional services (law, medicine, education) and auxiliary services (consulting, IT outsourcing, insurance). There are also aspects of …
Colby Session 4: Urban Change And Renewal, Diana Tuite
Colby Session 4: Urban Change And Renewal, Diana Tuite
Colby College Museum of Art
No abstract provided.
Colby Session 3: Teaching Photography And Migration, Tanya Sheehan
Colby Session 3: Teaching Photography And Migration, Tanya Sheehan
Colby College Museum of Art
No abstract provided.
Colby Session 2: Photograph As Archive, Chansonetta Stanley Emmons, David Odo
Colby Session 2: Photograph As Archive, Chansonetta Stanley Emmons, David Odo
Colby College Museum of Art
No abstract provided.
Colby Session 1: Human/Nature, Lauren Lessing
Colby Session 1: Human/Nature, Lauren Lessing
Colby College Museum of Art
No abstract provided.
Bowdoin Session 4: 'Take Me To The River,' Photography And Place, Mike Kolster
Bowdoin Session 4: 'Take Me To The River,' Photography And Place, Mike Kolster
Colby College Museum of Art
No abstract provided.
Bowdoin Session 3: Ethnography And Photography, David Odo
Bowdoin Session 3: Ethnography And Photography, David Odo
Colby College Museum of Art
No abstract provided.
Bowdoin Session 2: The Body And Photography, Performance And Voyeurism, Sarah Montross
Bowdoin Session 2: The Body And Photography, Performance And Voyeurism, Sarah Montross
Colby College Museum of Art
No abstract provided.
Bowdoin Session 1: Overview Of Historic Photographic Processes, Frank Goodyear
Bowdoin Session 1: Overview Of Historic Photographic Processes, Frank Goodyear
Colby College Museum of Art
No abstract provided.
Fr 371 Writing The Self / L'Ecriture De Soi
Fr 371 Writing The Self / L'Ecriture De Soi
Colby College Museum of Art
In the spring of 2015, Colby students from the course FR 371 "L'écriture de soi / Writing the Self," taught by Assistant Professor Audrey Brunetaux, analyzed a variety of written and visual texts to understand how French writers, artists, and filmmakers conceptualize the notion of the "self." Research projects on Alex Katz, James McNeill Whistler and Mary Cassatt, accessible in French and English below, enabled students to apply the concepts and theories from class to textual and visual material in the Colby College Museum of Art.
The Medieval Screen: A Work In Progress, Julie Carmen
The Medieval Screen: A Work In Progress, Julie Carmen
Symposium Of University Research and Creative Expression (SOURCE)
The purpose is to design a medieval screen to answer the question: "Will people be inspired to study history and fiber art when presented with colorful embroidered patches displayed on a screen?" The screen project is a work in progress I am creating to display images from a thirteenth century manuscript in a different art medium to induce inspiration and curiosity about this period of time. The poster will describe the work in progress, the different materials used to create a medieval screen, and how the screen has developed over fifteen years. It will discuss the importance of the codices, …
Evidence For The Role Of Asherah In Israelite Religion, Taylor Thomas
Evidence For The Role Of Asherah In Israelite Religion, Taylor Thomas
EURēCA: Exhibition of Undergraduate Research and Creative Achievement
In the early days of Israelite religion, cultic practices and icon worship were common. One example of such practice involves the term asherah. In the Ancient Near East, asherah referred to a sacred object crafted from wood that was located near places of religious gathering. It is also possible that the term asherah is a reference to the ancient goddess Astarte worshipped by Ugaritic cultures. A third possibility, evidenced by the tendency of cultures of the ancient Near East to have little to no separation between deities and their physical representations and the non-static nature of religion, is that the …
Imagination And Reality: Landscape And The Folk Culture Of Joseon Dynasty Korea, Matthew Finley
Imagination And Reality: Landscape And The Folk Culture Of Joseon Dynasty Korea, Matthew Finley
Seaver College Research And Scholarly Achievement Symposium
The Five Peaks Screen of Korea’s Joseon dynasty (1392-1910) is one of the most iconic works of its time. Nevertheless, the remarkable visual impact and cultural significance of the Five Peaks Screen evades systematic scholarly study, partly because of its generic classification as folk art. In this paper, I will resituate the Five Peaks Screen in the artistic tradition of East Asian landscape painting. When considered in the context of literati painting traditions and relevant popular landscapes, it becomes clear that the design of the Five Peaks Screen coheres to traditional aesthetics to emphasize the ability of artwork to inform …
Development And Dissemination: Deliberations On Spanish Renaissance Music, Lindsey E. Pfeifer
Development And Dissemination: Deliberations On Spanish Renaissance Music, Lindsey E. Pfeifer
The Research and Scholarship Symposium (2013-2019)
Throughout history, every musical culture grew and developed under a specific set of influences, whether political, philosophical, or geographical. Varying sets of influences created likewise varying types of music. Spanish music, in particular, enjoyed an especially unique array of influences during the fifteenth century. My presentation explores these influences. How did the interaction of Spain’s three major religions—Christianity, Islam, and Judaism—affect musical development? How did the newly unified government, ruled by Ferdinand II of Aragon and Isabella I of Castile, influence the musical culture? How did Spain’s discovery and conquest of the New World facilitate the spread of Spanish music …