Open Access. Powered by Scholars. Published by Universities.®
History of Art, Architecture, and Archaeology Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Abstraction (1)
- Aesthetics (1)
- Alterity (1)
- Art (1)
- Bohemian (1)
-
- Camp (1)
- Carnivalesque (1)
- Contemporary Art (1)
- Dialogical (1)
- Eighteenth-century (1)
- Flâneur (1)
- Gender (1)
- Graphic novel (1)
- Kamasi Washington (1)
- Macaroni (1)
- Masculinity (1)
- Minimalism (1)
- Nineteenth-century Art (1)
- Other (1)
- Primitivist (1)
- Print culture (1)
- Rosa montero (1)
- Satire (1)
- Science fiction (1)
- Space (1)
- Time (1)
- Visual Art (1)
- Publication
- Publication Type
Articles 1 - 4 of 4
Full-Text Articles in History of Art, Architecture, and Archaeology
Harmony Of Difference: Theorizing Rashid Johnson's New Universalism In The Grids Of Antoine's Organ, Mark Fredricks
Harmony Of Difference: Theorizing Rashid Johnson's New Universalism In The Grids Of Antoine's Organ, Mark Fredricks
USF Tampa Graduate Theses and Dissertations
My reading of Antoine’s Organ, a sculptural installation created by the artist Rashid Johnson in 2016, explores the artwork as a richly textured response to the limited universalism of modernism. I argue that Antoine’s Organ is a multimodal expression which crafts a harmony of difference using the aesthetic language and forms of both visual art and music. The term “harmony of difference” is taken from and inspired by a composition of the same name by jazz musician Kamasi Washington, and is used within to describe Rashid Johnson’s counterpoint strategy to work differences with and against each other, mobilizing the grid’s …
Representing Camp: Constructing Macaroni Masculinity In Eighteenth-Century Visual Satire, Freya Gowrley
Representing Camp: Constructing Macaroni Masculinity In Eighteenth-Century Visual Satire, Freya Gowrley
ABO: Interactive Journal for Women in the Arts, 1640-1830
This article asks how ‘Camp,’ as defined in Sontag’s 1964 essay, ‘Notes on Camp,’ might provide a valuable framework for the analysis of late eighteenth-century satirical prints, specifically those featuring images of the so-called ‘macaroni.’ Discussing a number of satirical prints and contemporary writings on the macaroni, the article reads them against Sontag’s text in order to establish its utility as a critical framework for understanding the images’ complex relationship of content, form, and function.
El Arte De "Lágrimas En La Lluvia", Todd K. Mack
El Arte De "Lágrimas En La Lluvia", Todd K. Mack
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
Uno de los elementos destacados de Lágrimas en la lluvia, la excelente novela de ciencia ficción de la madrileña Rosa Montero, es la genial inclusión de obras de arte con fines simbólicos dentro de la obra. Entre estas obras de arte se incluye el famoso cuadro de Johannes Vermeer, Una señora escribiendo una carta con su criada. En este artículo, el dr. Todd Mack muestra cómo este cuadro presagia el principal dilema de la protagonista de la novela. Bruna Husky es una replicante, y por eso sabe exactamente cuánto tiempo vivirá. El conocimiento de su inescapable fin hace …
Painting Parisian Identity: Place And Subjectivity In Fin-De-Siecle Art, Chelsea Anne Watts
Painting Parisian Identity: Place And Subjectivity In Fin-De-Siecle Art, Chelsea Anne Watts
USF Tampa Graduate Theses and Dissertations
In this thesis I provide analysis of several nineteenth-century artworks in order to elucidate the connections between place and identity as expressed in visual representations of Paris. I utilize Bakhtin's idea of the dialogical as a means of identifying multiple subject positions that might be accessed by particular individuals who live in socially constructed spaces specific to fin-de-siècle Paris. I discuss the construction of three performed identities unique to nineteenth-century Paris: the Flâneur, the bohemian, and the primitivist. In each chapter I will parse out the social construction of the spaces where these identities existed and were performed, and link …