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Articles 1 - 30 of 1038
Full-Text Articles in History of Art, Architecture, and Archaeology
Egyptian Suite: Compositional Reflections, Jeremy Fisher Jacobus
Egyptian Suite: Compositional Reflections, Jeremy Fisher Jacobus
Master's Theses
Egyptian Suite is an original composition for concert wind ensemble that takes example and inspiration from what others believe was Ancient Egyptian music, with some of today’s examples of Egyptian music. This work is divided into four movements: The Nile, The Pharaoh’s Festival, The Pyramids, The Grand Coronation, with each movement representing personal interpretation of each idea with the instrumentation, and the changes in texture, color and rhythm. With each movement of the Egyptian suite, I evaluated instruments being used as additional colors and textures, used more non-conventional key signatures modulations and time signature changes, and utilized a diverse and …
"The First Web Novel At 30: The Collection And The Creative Process", Robert Arellano, Scott Rettberg
"The First Web Novel At 30: The Collection And The Creative Process", Robert Arellano, Scott Rettberg
ELO (un)supervised 2026
Summer 2026 marks the 30th anniversary of Sunshine '69, recognized as the first novelistic hypertext fiction published on the web. While the full work remains accessible online—an "(un)supervised" preservation achievement in itself—the archive remains split between boxes and memory. This conversation between the work's creator and a major scholar in electronic literature documents both specific preservation challenges and systemic patterns in what the field chooses to preserve.
Topics include: figuring out web-born composition before established methodologies existed; the three decades of technical decisions that kept a 1996 work alive through format obsolescence and server migrations; and what gets lost …
Love In Passing Time, Elysa T. Adams
Love In Passing Time, Elysa T. Adams
Masters Theses
Elysa Adams, 2026
Love in Passing Time reflects on how the Black church has molded my understanding of faith, family, and community. Working across relief, screenprint, sculpture, and sound, my practice explores how knowledge is shared across generations through music, tradition, and adornment.
The exhibition draws on my upbringing as a pastor’s child, in which the church serves as both a spiritual and communal home. These experiences appear through sculptural paper garments based on childhood memories, tambourines featuring the faces of people who have impacted my life, carved portraits of my grandparents, and sculptural pews that reference the architecture of …
A Description Of Zhao Zhang’S Nature No. 2 And Xiaoxuan Xu’S An Unusual Feast Of East, Sicheng He
A Description Of Zhao Zhang’S Nature No. 2 And Xiaoxuan Xu’S An Unusual Feast Of East, Sicheng He
Dissertations, 2020-current
This research presents a new path in the development of Chinese music by aiming to incorporate both modern Western and ancient Chinese influences in form, texture, tonality, topic, and other dimensions of style and structure. Two Chinese composers whose recent compositions for the piano share similar characteristics: Zhao Zhang (b. 1964; Nature no. 2, 2013) and Xiaoxuan Xu (b. 1990; An Unusual Feast of East, 2022). The research will discuss how Zhao Zhang and Xiaoxuan Xu accomplish this fusion of old and new in their recent piano works Nature no. 2, (2013) and An Unusual Feast of East, 2022. …
A Treasure Hunt: The Interdisciplinary Challenge Of A Digital Humanities Hackathon, Marie Barras, Adélaïde Quenson, Adrien Jeanrenaud, Angela Allemand, Marina Berazategui, Levyn Bürki, Michel Capot, Simon Gabay, Vestin Hategekimana, Pauline Jacsont, Bokar Lamine N'Diaye, Elina Leblanc, Clara May, Anne-Laure Oberson, Margherita Parigini, Lara Pitteloud, Fassaleh Taal, Cédric Viaccoz
A Treasure Hunt: The Interdisciplinary Challenge Of A Digital Humanities Hackathon, Marie Barras, Adélaïde Quenson, Adrien Jeanrenaud, Angela Allemand, Marina Berazategui, Levyn Bürki, Michel Capot, Simon Gabay, Vestin Hategekimana, Pauline Jacsont, Bokar Lamine N'Diaye, Elina Leblanc, Clara May, Anne-Laure Oberson, Margherita Parigini, Lara Pitteloud, Fassaleh Taal, Cédric Viaccoz
Artl@s Bulletin
Abstract: This article tells the story of an interdisciplinary hackathon emphasizing exploration, collaboration, and creative engagement with globalization-related cultural datasets. Participants worked in teams to produce research posters, which were then presented at the opening of the international conference Image Deluge & Globalization in Geneva. The article discusses three projects: one on 19th-century Spanish chapbooks using topic modeling and network analysis; another on leopard motifs in print imagery; and a third on olfactory heritage. The hackathon highlighted both the potential and the limitations of working with digital cultural data, offering insights into interdisciplinary methods.
Résumé: Cet article raconte un hackathon …
2 L'Inno Dell'albero Or Napoleon And The Trees Of Liberty, Ilaria Serra
2 L'Inno Dell'albero Or Napoleon And The Trees Of Liberty, Ilaria Serra
Andante: Chapter 1 The Napoleonic Era
Music and Lyrics for this section
Cover art: L’albero della Libertà in a French print
1 Introduction, Ilaria Serra
1 Introduction, Ilaria Serra
Andante: Chapter 1 The Napoleonic Era
No abstract provided.
3 Il Canto Dei Sanfedisti Or The Counter-Revolution, Ilaria Serra
3 Il Canto Dei Sanfedisti Or The Counter-Revolution, Ilaria Serra
Andante: Chapter 1 The Napoleonic Era
Music for this section, sung by Beppe Barra
Cover art: Cardinale Fabrizio Ruffo, 1850 by Ambito Napoletano
Andante: Introduction, Ilaria Serra
Andante: Introduction, Ilaria Serra
Andante: An Introduction
Cover art: Dorothy Tennant (1855-1926), Al gioco
4 Partire, Partirò, Partir Bisogna Or Napoleon's Bayonettes, Ilaria Serra
4 Partire, Partirò, Partir Bisogna Or Napoleon's Bayonettes, Ilaria Serra
Andante: Chapter 1 The Napoleonic Era
Music for this section: Canto dei Coscritti sung by Caterina Bueno
Cover art: La partenza dei coscritti nel 1866; by Gerolamo Indunno
5 Povero Napoleone Or The End Of Napoleon, Ilaria Serra
5 Povero Napoleone Or The End Of Napoleon, Ilaria Serra
Andante: Chapter 1 The Napoleonic Era
Cover art: Napoleon sitting by Anonymous, Museo Poldi Pezzoli in Milano
Arts-Based Sustainability: From New York To Malawi, Martha B. Lerski
Arts-Based Sustainability: From New York To Malawi, Martha B. Lerski
Publications and Research
Recognizing that libraries serve multiple constituencies and subject areas, this chapter documents and advocates for development of transdisciplinary arts-based research (ABR) and culture-related projects linked to environmental challenges. Libraries contribute collections and spaces, as well as the research of library and information scientists. Libraries are currently among invisible contributors to sustainability planning and services. The chapter will link this invisibility to the value of what visual arts refer to as negative space elements in subjects ranging from traditional ecological knowledge to environmental science. Library collections, projects, and research contribute to education for sustainable development (ESD) as required to achieve the …
The Development Of Violin Art In China And The Exchange Of Eastern And Western Elements: A Case Study Of Fritz Kreisler's Tambourin Chinois, Chengyu Ren
UNLV Theses, Dissertations, Professional Papers, and Capstones
The Violin, often regarded as one of the most expressive and versatile instruments in the world, holds a central place in both Western and non-Western musical traditions. Its wide dynamic range, tonal flexibility, and unmatched capacity for nuanced expression have allowed it to transcend cultural boundaries and play a key role in the development of diverse musical genres. From classical symphonies and chamber music to folk, jazz, and even popular music, the violin's distinctive voice can be heard shaping the sonic identity of cultures across the globe. In the context of Chinese music, the violin's influence has grown significantly since …
Visibly Invisible: Reclaiming Atlanta Black Architecture Through Black Expression, Sean M. Spencer
Visibly Invisible: Reclaiming Atlanta Black Architecture Through Black Expression, Sean M. Spencer
Bachelor of Architecture Theses - 5th Year
Architecture has long grappled with questions of self, community, and cultural identity. While the number of Black architects is growing, architecture that genuinely reflects Black identity remains rare. This lack of representation has contributed to a sense of invisibility for Black communities within the built environment—whether by design or neglect. There is an urgent need to define and celebrate Blackness and Black space in ways that reflect the cultural richness of Black communities. As George Will points out, broad labels like African American or African often obscure the unique cultural experiences within Black communities. Historically, the lack of economic and …
V.1 Spring 2025, Center For Arts & Language, Students Of Risd, Risd Archives
V.1 Spring 2025, Center For Arts & Language, Students Of Risd, Risd Archives
All Student Newspapers
v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Spring 2025 issue has the theme "Take It as a Sign" and features pieces on baby fever, spreadsheets and recording information, aura and technology, a trip to Horseshoe Bend, the new Art and Computation department at RISD, home and belonging, Illustration student projects related to sensitive experiences, red brick architecture in Providence, and technology and the English language, along with interviews of students in their studios, poetry, and other creative writing.
Horizonte Fronterizo: The Vitality Of Community And Contemporary San Diego-Tijuana Border Art, Ruben L. Loza
Horizonte Fronterizo: The Vitality Of Community And Contemporary San Diego-Tijuana Border Art, Ruben L. Loza
Chicana and Chicano Studies ETDs
This research dedicates attention to different examples of music and visual art that encompass contemporary San Diego-Tijuana border-integrated art. By employing a participant-observer approach with the music component and conducting plática-based interviews with all involved artists, this work underlines the vitality of the artworks’ manipulation of the U.S.-Mexico border wall and community as a driving force in the elaboration and growing influence of these projects and pieces. By analyzing how these works act as vehicles for response, light is also cast on greater matters that lie beyond the border zone: propagation of fear, anti-immigrant sentiment, and misinformed anxieties.
The Interaction Between The Dagda’S Harp And Celtic-Inspired Music, Sixie Chen, Jeanne Sumrall
The Interaction Between The Dagda’S Harp And Celtic-Inspired Music, Sixie Chen, Jeanne Sumrall
SACAD: Scholarly Activities
The purpose of this study is to find out the relationship between one of the Irish mythological symbols---The Dagda’s Harp and Celtic-Inspired Music. In Irish mythology, the god Dagda is able to use his harp to cause grief, joy, and sleep to people. The Dagda and his kin escape with the harp in battle against the Fomorians, which gave birth to these three strains of music, which would be played throughout Ireland as well as to the seasons, which sprang from his songs.
40 Years Passing By In (A) “Heartbeat”, Christopher Janney
40 Years Passing By In (A) “Heartbeat”, Christopher Janney
Monsoon: South Asian Studies Association Journal
This article outlines the forty-year history go Christopher Janney’s iconic performance work “HeartBeat.” Trained as an architect and jazz musician, Janney combines these two disciplines to create large interactive light/sound installations and performances. On the one hand, he attempts to make architecture more like music, more “alive” using real-time sensing devices as on his “Harmonic Convergence” installation on the Miami International Airport. On the other hand, he attempts to make music more like architecture, more physical more visual. In his “HeartBeat” performance, a dancer wears a heartbeat device that amplifies his/her heartbeat in “real time.” Over this pulse, live musicians …
Yoga Sūtra Book Four And The Yogabindu, Christopher Key Chapple
Yoga Sūtra Book Four And The Yogabindu, Christopher Key Chapple
Monsoon: South Asian Studies Association Journal
Four themes from the fourth pāda of Patañjali’s Yoga Sūtra are examined here: karma (IV:2-13), individuality (IV:16), humility (IV:20-22), and freedom (IV:29-34). Affirmations and variant interpretations of these four are provided from Haribhadra Virahāṅka’s Yogabindu, most likely composed a century or two later.
Collective Karma: From The Yogasūtra To Taylor Swift, Zoë Slatoff
Collective Karma: From The Yogasūtra To Taylor Swift, Zoë Slatoff
Monsoon: South Asian Studies Association Journal
The Indian knowledge traditions speak at length about karma, which is divided into three categories—accumulated (saṃcita), ripe (prārabdha), and future (kriyamāṇa). While much is said about our individual karma and how it affects our repeated reincarnation in cyclic existence, how does this affect others and how do others affect us? In other words, as this paper explores, what is our reciprocal and collective karma?
Painting Liberation: A Visual Ontology Of The Interplay Of Mind And Consciousness In Book Four Of The Yoga Sūtras, Melissa Townsend
Painting Liberation: A Visual Ontology Of The Interplay Of Mind And Consciousness In Book Four Of The Yoga Sūtras, Melissa Townsend
Monsoon: South Asian Studies Association Journal
This presentation explores how artistic practice can illuminate philosophical questions about the nature of mind, consciousness, and liberation as articulated in Book Four of the Yoga Sūtras of Patañjali. Through a series of paintings that visually translate these sūtras, I propose that art offers a unique, experiential means of engaging with the complex relationship between citta (mind) and puruṣa (consciousness).
The paintings function as a form of “visual ontology,” inviting viewers to engage with abstract philosophical concepts in a sensory, tangible way. By depicting the interplay between the mutable processes of the mind and the unchanging awareness of consciousness, these …
V.1 Fall 2024, Center For Arts & Language, Students Of Risd, Risd Archives
V.1 Fall 2024, Center For Arts & Language, Students Of Risd, Risd Archives
All Student Newspapers
v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Fall 2024 issue contains articles on RISD Alumni Graciela Batista's Commencement speech on friendship and community, Britain's Royal Festival Hall, birds crashing into glass buildings, an Ojibwe student's reflecting on his native identity, RISD student interviews, an abandoned Bed Bath and Beyond store, Ai Weiwei's Kui Hua Zi, life in Banaras, a student's Yankee Swap experience, the 2024 RISD Grad Show, and indentations, along with student creative writing and a feature on images students saw out …
The Elephant In The Baithak: Tabla And Audio Technological Discourse, Tyler Thom
The Elephant In The Baithak: Tabla And Audio Technological Discourse, Tyler Thom
Electronic Theses and Dissertations
This thesis discusses how power, status, and performance practices play out between performers of tabla (North Indian hand drums) and audio engineers. To do so, I analyze engineer, performer, and music critic discourse surrounding tabla performances and technology to place it within a broader scholarly debate regarding recording technology, cultural/technological capital, technological determinism, and agency. I extend Christopher Scales’s (2012) concept of “recording culture” to “live sound culture,” or the behaviors, power struggles, and labor surrounding tabla mic’ing and amplification. I argue that audio technology separates the artist’s sound into several domains of control (stage, hall, recording, playback), each controlled …
Shake Ya Ass, But Watch Yourself: An Intersectional And Decolonial Approach To Exploring The Sexualization Of Female Recording Artists And The Empowerment Of Women In The United States, H.B. Rebeka
Dissertations
This dissertation, titled Shake Ya Ass, But Watch Yourself: An Intersectional and Decolonial Approach to Exploring the Sexualization of Female Recording Artists and the Empowerment of Women in the United States, critically examines the phenomenon of sexualization of women in the music industry and its impact on female empowerment. Through an intersectional and decolonial feminist lens, the study delves into the historical and socio-cultural contexts that shape the portrayal and perception of female recording artists in the United States.
The research traces the roots of feminism and the commodification of racial stereotypes through music, exploring how female empowerment has been …
The Influence Of Western Music And The Wind Band In The Republic Of Korea, Mark Reimer
The Influence Of Western Music And The Wind Band In The Republic Of Korea, Mark Reimer
Journal of Global Awareness
Beginning with the arrival of American missionaries in 1885, the music of South Korea continues to reflect Western tonality, aesthetics, education, and popular taste. Through this musical and historical evolution, however, the country has not forsaken its traditions, musical imprint, and cultural identity, as will be discussed in the examination of select composers and music compositions.
With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner
With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner
Whittier Scholars Program
My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …
Researching & Designing Marketing Materials For Rachel Messer & Connor Dale, Isabelle Bauer
Researching & Designing Marketing Materials For Rachel Messer & Connor Dale, Isabelle Bauer
Honors Projects
Isabelle Bauer’s Honors Project, “Researching and Designing Marketing Materials for Rachel Messer and Connor Dale” is split into two components. First, the research paper titled "The American West as a Cultural Phenomenon" explores the fascination with the American West and its integration into various aspects of American culture, particularly in music, film, and art. The essay discusses the historical significance of the West and its transformation into a cultural obsession. Focusing on the resurgence of Western aesthetics in modern country music, the project’s second component involves the creation of marketing materials for country artists Rachel Messer and Connor Dale.
The …
Bedeviled Beauty: My Journey Through White American Theater Institutions, J'Aila C. Price
Bedeviled Beauty: My Journey Through White American Theater Institutions, J'Aila C. Price
LSU New Orleans Theses and Dissertations
Game console: Oculus Quest
World: American Theater Institutions
Player: Minority
Place: United States
Level: “Ain’t no way.”
This thesis explores the contrast between the Westernized philosophies ingrained in my education and my identity as a Black female artist. It sheds light on the difficulties of pursuing higher education in the arts and the gaps that arise from limited exposure to culturally diverse Black resources, revealing the systemic issues in Western performance education. The paper also discusses the insights gained from my journey as a Black female artist, focusing on my thesis performance of Blood at the Root, which is …
“When White Men And Indians United Shall Praise:” Indigenous Inclusion In The Hartford Music Company, Savannah N. Skaggs
“When White Men And Indians United Shall Praise:” Indigenous Inclusion In The Hartford Music Company, Savannah N. Skaggs
ATU Scholars Symposium
The Hartford Music Company and Institute of Hartford, Arkansas has attracted increasing academic interest, particularly within the last twenty years. This southern gospel music publishing company and singing school based in southern Sebastian County published a collection of shape note hymnals which boasted some of the genre’s most prolific literature. Though a growing number of Arkansans are learning that these gospel staples came from their own hill country, many do not realize that several of these songs were premiered by or recorded by Indigenous people. While this may not initially seem particularly impactful, this genre developed its own distinct identity …
Orpheus And The Harrowing Of Hell In The Tale Of Beren And Lúthien, Giovanni Carmine Costabile
Orpheus And The Harrowing Of Hell In The Tale Of Beren And Lúthien, Giovanni Carmine Costabile
Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature
Critics have observed that Beren and Lúthien’s tale is a Christian retelling of the myth of Orpheus and Eurydice. The “Harrowing of Hell” tradition is widespread in Italy as attested by the mosaic of San Marco among others, but it is in France that the Ovid Moralized reconnects it to Orpheus who descended into the Underworld to save Eurydice (an already late antique parallel) and therefore attests a happy ending version of the story that can be found in medieval England and also in various classical sources, perhaps even in the original legend of Orpheus. The apocryphal Harrowing is also …