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Full-Text Articles in History of Art, Architecture, and Archaeology
The Use Of Egyptian Blue In Funerary Paintings From Roman Egypt, Margaret Sather
The Use Of Egyptian Blue In Funerary Paintings From Roman Egypt, Margaret Sather
School of Art, Art History, and Design: Theses and Student Creative Work
This paper explores the use of the synthesized pigment Egyptian blue in the encaustic and tempera funerary portraits of Graeco-Roman ruled Egypt in the 1st-3rd centuries CE. Recent developments in non-destructive imaging analysis technology have aided research institutions and museums in detecting the presence of this pigment. New questions have arisen based on these findings of Egyptian blue in the depiction of flesh and hair of these subjects, particularly because blue is so rarely used as a standalone pigment in works of this category. These analyses have challenged assumptions that Egyptian blue was a rare and valuable pigment during the …
Of Water Jars And Women: A Re-Evaluation Of Fountain House Imagery On Late Archaic Black-Figure Hydriai, Christopher Askew
Of Water Jars And Women: A Re-Evaluation Of Fountain House Imagery On Late Archaic Black-Figure Hydriai, Christopher Askew
School of Art, Art History, and Design: Theses and Student Creative Work
From approximately 530 to 500 BCE, images of fountain houses became popular subjects on black-figure hydriai produced in or around ancient Athens. These scenes often involve groups of unidentified women gathering around a fountain spout, typically attached to an ornate architectural structure, in order to fill their water jars. Although isolated pottery sherds depicting these scenes have been discovered in Greece, approximately seventy-five of these scenes have been identified on Attic hydriai depicting such scenes were discovered in Etruscan tombs. Past scholarship has categorized these images either as genre scenes, which represent a domestic activity characteristic of everyday life, or …
The Origins And Identity Of Roman Mithraism, Charles R. Hill
The Origins And Identity Of Roman Mithraism, Charles R. Hill
School of Art, Art History, and Design: Theses and Student Creative Work
This thesis is a reassessment of scholarship concerning the origins of the cult mysteries of Mithraism in its Roman form during the Imperial Period. While much has been published in the debate over the cult’s true origins, we are still left without a satisfactory answer. The present work is an attempt to reconcile some of the arguments posed in the 19th and early 20th centuries with those of the later 20th and 21st centuries, focusing mostly on the cult’s art and iconography in Mithraea, the central spaces of Mithraic worship. First will be a summary of …