German Language and Literature Commons^™

The Strategies And Risks Of Performing Citizenship And Rights Through Music, Carolin Mueller

Biennial Conference: The Social Practice of Human Rights

My work explores the capacity of cultural producers to perform “insurgent citizenship,” a term theorized by James Holsten (2008) to describe how the peripheries of social organization can propel alternative modes of civic participation, through music. I utilize Engin Isin’s performative dimension of citizenship (2017) to investigate such forms of insurgent citizenship as they evolve in social and cultural peripheries of the contemporary arts and culture industry in the city of Dresden, Germany to identify the pathways they open to socio-political participation and autonomy for refugees.

While Germany understands itself as a nation of culture, cultural policy unevenly addresses the …

How Dumbledore Saved Europe: A Comparison Of Fascist Rhetoric In European History And In The Harry Potter Franchises, Emma Pederson, Natalie Rice

MAD-RUSH Undergraduate Research Conference

In recent years, the popularity of the Harry Potter franchise has seen a resurgence with the release of the first two Fantastic Beasts films and accompanying screenplays. As parallels have been drawn between Voldemort’s Death Eaters and Nazis, it is time to examine the relationship between Gellert Grindelwald and real-life fascists. Through such a comparison, we can see common rhetoric in both real and fictional fascism.

Gellert Grindelwald and Albus Dumbledore have not only a Nazi-like goal of racial purity, but employ Nazi-like language to defend themselves. Related fascist rhetoric is woven throughout other European history, particularly in the dialogues …

A Pilgrim’S Progress For The Digital, Post-Human(Ist) Age?: Social And Religious Allegory In Russell Banks’S Lost Memory Of Skin, David J. Buehrer Dr.

South East Coastal Conference on Languages & Literatures (SECCLL)

In Lost Memory of Skin (2011), his twelfth novel, Russell Banks continues his exploration of the dark underbelly of American society—in this instance, the moral wilderness of a group of convicted sex offenders exiled to living beneath a concrete causeway in the south Florida city of Calusa, a fictionalized Miami. Banks, who has long been “our premier chronicler of the doomed and forgotten American male” (Schulman 8), focuses in Lost on a twenty-two-year-old parolee referred to throughout only as “The Kid.” While guilty and duly convicted of propositioning an underage girl online for sex, The Kid is still presented in …

Realismo Y Exasperación: Un Estudio De Los Personajes Femeninos En La Pata De La Sota Y La Nona De Roberto Cossa, Mariana Pensa

South East Coastal Conference on Languages & Literatures (SECCLL)

En esta presentación analizamos las obras teatrales La pata de la sota (1967) y La Nona (1977), del dramaturgo argentino Roberto Cossa. Estos textos se constituyen en textos-faro del subsistema teatral del realismo reflexivo. El primero, uno que define la ortodoxia del universo realista, mientras que el segundo la supera, incorporando un universo muy cercano al absurdo y el sin sentido. Trabajando, entonces, desde las coordenadas del realismo y su evolución, nos focalizamos aquí en la relación madre-hija, para señalar cuáles y cómo son los cambios en la construcción de los personajes femeninos en el pasaje de una fase a …

Seccll Conference Program 2019, Seccll Conference

South East Coastal Conference on Languages & Literatures (SECCLL)

Conference Program 2019

Putting It Graphically: Fidelity In Graphic Novel Adaptations Of Classic German Literature, Melissa Gernert, Abigail Mouring, Andrew Mrozek, Aaron Weiss, Annis Shaver Dr.

The Research and Scholarship Symposium (2013-2019)

The rise of the graphic novel as a new genre of the arts has prompted many questions surrounding it – about its nature, relationship to other genres, effect on audiences, etc. In our research, we specifically examined graphic novel adaptations of classic German works that are part of the “canon” of German literature. We first read the original work and then the graphic novel adaptation. Our aim was to determine how faithful the adaptation was to the original using four criteria: style (character perspective/representation), use of original text, plot additions or subtractions, and use of color. in each of the …