German Language and Literature Commons^™

How Dumbledore Saved Europe: A Comparison Of Fascist Rhetoric In European History And In The Harry Potter Franchises, Emma Pederson, Natalie Rice

MAD-RUSH Undergraduate Research Conference

In recent years, the popularity of the Harry Potter franchise has seen a resurgence with the release of the first two Fantastic Beasts films and accompanying screenplays. As parallels have been drawn between Voldemort’s Death Eaters and Nazis, it is time to examine the relationship between Gellert Grindelwald and real-life fascists. Through such a comparison, we can see common rhetoric in both real and fictional fascism.

Gellert Grindelwald and Albus Dumbledore have not only a Nazi-like goal of racial purity, but employ Nazi-like language to defend themselves. Related fascist rhetoric is woven throughout other European history, particularly in the dialogues …

From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp

Student Scholar Showcase

Known as the ‘King of Swing’, clarinetist and band leader Benny Goodman (1909-1986) threatened the Nazi cause during WWII. With intent of improving music pedagogy, the purpose of this research was to investigate swing music during World War II. The particular problems of this study were to: (1) identify how the swing music of Benny Goodman (1909-1986) influenced adolescents in the United States of America, United Kingdom, and Germany; (2) explore the Nazi party view on ‘swing’ music of the era; (3) examine how the music of Charlie and his Orchestra became used as a tool for Nazi propaganda; and …

The Roma And Sinti In Germany: Orientalism And Exclusion From German Historical Narratives (Romantisiert, Kriminalisiert, Und Abgewertet: Orientalismus Und Narrative Der Roma Und Sinti In Deutschland), Kimberly A. Longfellow

Celebration

The Roma and Sinti represent presence and absence in German culture. Although there has been a population of Roma and Sinti in Germany for centuries, they are often perceived by the German majority population as distinctly "eastern" and, as such, non-German. The perceptions of Roma by the German majority population mimic Orientalist assumptions, where the Roma are romanticized, criminalized, and generally devalued in comparison to Eurocentric narratives. Through an analysis of the Roma presence in German history, literature, and current events, one can see that the experience of the Roma in Germany is largely structured by the perceptions and assumptions …

The Evolving Depictions Of Women In Films About The Holocaust (Die Sich Entwickelnden Darstellungen Von Frauen In Visuellen Texten Zum Holocaust), Alexandra J. Leclaire

Celebration

This paper explores how women are depicted in films about the Holocaust. Close readings of three films about the Holocaust reveal that the year of production, not the gender of the director or country of origin, is the greatest factor in how women are depicted. The miniseries Holocaust (1978) set the stage for depictions of women as naive and sexualized. Europa Europa (1990) continued to depict women in a typical way, as set by Holocaust (1978). Phönix (2014) departed from typical depictions of women by showing them as independent and not sexualized.

Vietnamese Contract Workers In The East German Republic, Sean W. Hough

Celebration

This paper will analyze the historical and cultural conditions that affected how the German Democratic Republic treated one of its largest minority groups, the Vietnamese. During the height of the Cold War and as Decolonization reached its peak phase in the 1960s and 70s, these two factors pushed the GDR and Vietnam closer, which resulted in an exchange in workers. Contract Workers were brought to the GDR to work in an environment "united in socialist solidarity." However, despite this rhetoric, age-old racism, xenophobia, and Orientalism still infiltrated the so called "Socialist Paradise," as the GDR was often called by its …

Life At The Meridian: The Subjectivity Of Ethics In The Works Of Albert Camus And Friedrich Nietzsche, Clancy E. Robledo

Seaver College Research And Scholarly Achievement Symposium

This paper endeavors to respond to the questions: can ethics can be unbound from its traditional rootedness in religious systems? If so, what contributions did Nietzsche make to liberate value from the shackles of Western morality? To what degree is Camus one of the “new philosophers” Nietzsche calls for in On the Genealogy of Morals?

In an attempt to demonstrate that ethics can and do exist vividly in the realm of the non-religious, this paper will begin by illustrating the metaphysical door Nietzsche opens through his use of aphorisms in Thus Spoke Zarathustra and his investigation of the history …

Minhag And Migration: A Yiddish Custom Book From Venice, 1553, Lucia Raspe

Early Modern Workshop: Resources in Jewish History

This presentation focuses on a Yiddish book of customs written in Venice in the mid-sixteenth century, which describes synagogue and home observances over the course of the Jewish year. Comparing MS Oxford Can. Or. 12 to the fifteenth-century Hebrew custumal it is based on (MS Frankfurt hebr. oct. 227), the presentation will discuss the efforts of Ashkenazic émigrés to northern Italy trying to preserve their identity in the face of a Jewish world suddenly become complex.

This presentation is for the following text(s):

• Book of Customs (MS Frankfurt hebr. oct. 227)
• Book of Customs (MS Oxford Can. Or. 12)

Broadsheet Of Koheles Shlomo: Beney Israel Rahmanim Vegomley Hasadim (1738), Shalhevet Dotan-Ofir

Early Modern Workshop: Resources in Jewish History

This is a translation of a 1738 Broadsheet of Koheles Shlomo "Beney Israel rahmanim vegomley hasadim"

Early Modern Yiddish Readers: Immoderately Addicted To Rhyme?, Ruth Von Bernuth

Early Modern Workshop: Resources in Jewish History

Roughly one third of Old Yiddish literature is based on traceable European literary sources, mainly German. Given how close Old Yiddish is to Early New High German, some of these Old Yiddish texts with European sources feel like mere transcriptions, others more like legitimate translations and yet others more like free adaptations. From the Yiddish reader's perspective, the texts become accessible through transcription into Hebrew characters and more accessible the more that the translator engages the text as representative Jewish reader. A large proportion of these Yiddish books with German sources are prose novels–a genre newly popular with German readers …