German Language and Literature Commons^™

Die Zukunft Gehoert Dem Ingeniuer: Herman Soergel's Attempt To Engineer Europe's Salvation, Ryan Bartlett Linger

Masters Theses

Herman Sörgel devised a plan, beginning in 1927, to usher in a new era of peace and prosperity for the whole of Europe. Atlantropa was his answer to the perceived threats that the European people faced from international competition, overpopulation, and lack of resources. The plan would have resulted in the lowering of the Mediterranean Sea and the ultimate creation of one continent comprised of the former Europe and Africa. Though the plan was never implemented, it poses a fascinating model through which historians may reconsider the time period between the end of the First and Second World Wars.

This …

Spuren Visionärer Multikulturalität: Fantasie Und Wirklichkeit In Campes "Robinson Der Jüngere": Auf Dem Weg Vom Kolonialismus Zum Kosmopolitismus., Claus Huxdorff

Masters Theses

This thesis aims to investigate the traces of multicultural implications in Joachim Heinrich Campe’s Robinson der Jüngere 1779/80. On one level, Campe’s adaptation of Defoe’s Robinson Crusoe appears to awaken or sustain potential colonial fantasies among its German readers. However, Campe’s Robinson der Jüngere does not follow colonial conventions, such as exhibited in Defoe, but instead depicts a society based much more on the concept of a common humanity shared by Europeans and Caribbean natives alike. It conceives of cooperation and exchange as a mutual gain for both parties. Robinson’s island functions as a kind of social testing ground offering …

A Study Of The Social And Political Implication Of Friedrich Schlegel’S ‘Comedy Of Freude’, Manjit Singh Bhatti

Masters Theses

Generally speaking, scholarship in the field of Germanistik has taken an interest in Friedrich Schlegel’s early publication, “Vom aesthetischen Werte der griechischen Komoedie” (1794), either because of its perceived influence on German Romantic Comedy [(Catholy 1982), (Kluge 1980), (Holl 1923), (Japp 1999)], or else because of its relevance as an example of Schlegel's still inchoate aesthetic philosophy [(Dierkes 1980), (Behrens 1984), (Schanze 1966), (Michel 1982), (Dannenberg 1993), (Mennemeier 1971)]. As a theory of comedy in its own right, Schlegel’s essay has garnered little attention, in part because of its supposed inapplicability to comedic praxis and at times utopian implications, in …