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Full-Text Articles in German Language and Literature
A Genealogy Of Victimhood: Empathy And Memory In Recent German Fiction, Catherine E. Mcnally
A Genealogy Of Victimhood: Empathy And Memory In Recent German Fiction, Catherine E. Mcnally
Doctoral Dissertations
This dissertation addresses literary representations of empathy and altruism in Jenny Erpenbeck’s 2015 novel Gehen, Ging, Gegangen and Bodo Kirchhoff’s 2016 novel Widerfahrnis. These novels demonstrate continuities and discontinuities between German literature of the postwar, reunification and contemporary contexts.Analyzing expressions of empathy by Erpenbeck and Kirchhoff’s protagonists, I locate them in historical and literary contexts, the roots of which can be traced to the first generation of postwar German literature (1945-1968), particularly Heinrich Böll and Günter Grass. In both Grass and Böll’s early postwar fiction, German experiences of the war and its aftermath are foregrounded, and focus is placed …
Sketches, Impressions And Confessions: Literature As Experiment In The Nineteenth Century, Andrew Ragsdale Lallier
Sketches, Impressions And Confessions: Literature As Experiment In The Nineteenth Century, Andrew Ragsdale Lallier
Doctoral Dissertations
In this dissertation, I argue for the existence and critical relevance of a program of experimental literature in the long nineteenth century, developed in the aesthetics of German Romanticism and adapted in a set of texts by Thomas De Quincey, Charles Dickens and George Eliot. My introduction positions this argument in context of larger debates concerning form, theory and literary capacity, provides points of connection between these authors, and outlines the most prominent features of experimental literature. In the first chapter, I present an unorthodox reading of Kant’s Critique of Judgment, accompanied by a brief account of the literary-critical …
Insurgent Spectacles: Spring Awakening, Woyzeck, Mother Courage And The ‘New’ Broadway Spectacle, Noah Porter Soltau
Insurgent Spectacles: Spring Awakening, Woyzeck, Mother Courage And The ‘New’ Broadway Spectacle, Noah Porter Soltau
Doctoral Dissertations
This dissertation explores the political and ideological work done by what I call "insurgent spectacles," which comprised a historical episode of American theater occurring primarily from 2006 to 2008. The spectacles had liberatory and redemptive potential not in spite of their identity as mass culture, but indeed precisely because of it. They functioned in a contested political and ideological space within the schema of mass culture. The insurgent spectacle is so-called because it superficially resembled other bits of Broadway fluff with its glitziness, over-production, and ham-fistedness that allow the audience to be intellectually disengaged. During this episode, it persisted (often …