German Language and Literature Commons^™

Beyond Nationalism? Blank Spaces At The Documenta 1955 – The Legacy Of An Exhibition Between Old Europe And New World Order, Mirl Redmann

Artl@s Bulletin

Was the first documenta really beyond nationalism? documenta 1955 has been widely regarded as conciliation for the fascist legacy of the exhibition “Degenerate Art” (1937), and as an attempt to reintegrate Germany into the international arts community. This article employs published and archival sources in order to understand if and how documenta was impacted by the legacy of nationalism in post-fascist Germany. A biographic sketch of Antonio Corpora (1909-2004) shows how the purportedly “universalist” selection criteria employed by documenta erased cultural specificity and solidified nationalist conceptions of center and periphery.

Nationalism And Education: A Case Study Of Germany And Japan, Sarah Vrtiska

Honors Theses

In this piece I ask the question: How has education contributed to the formation or prevention of nationalism in Germany and Japan? In examining this, after defining the standard conceptions of nationalism, I apply these definitions to pre-war and post-war Germany and Japan. Ultimately, I conclude that the goals of education, concepts of national identity that are taught, history curricula, and control of education all historically have the potential to contribute to the rise of nationalism within a country. Based on these fields, I find that although there are similar nationalist trends in both countries during the pre-war period, in …

Impossible Communities In Prague’S German Gothic: Nationalism, Degeneration, And The Monstrous Feminine In Gustav Meyrink’S Der Golem (1915), Amy Michelle Braun

Arts & Sciences Electronic Theses and Dissertations

My dissertation investigates the contribution of Gustav Meyrink’s best-selling novel The Golem/Der Golem (1915) to the second revival of the international Gothic. While previous scholarship suggests that this genre disappeared from the German literary landscape in the 1830s, I interpret The Golem as a Gothic contribution to the “Prague Novel,” a trend in Prague-based, turn-of-the-twentieth-century German-language literature that found inspiration in the heated sociocultural and political tensions that characterized the milieu.

Structured around the demolition of Prague’s former Jewish ghetto under the auspices of the Finis Ghetto plan, a historic Czech-led urban renewal project that leveled the district of Josefov/Josephstadt …