German Language and Literature Commons^™

Seltsame Worte, Seltsamer Wahn? Erzählstimme Und Geschlecht In Ingeborg Bachmanns Malina (1971), Caroline Jebens

Arts & Sciences Electronic Theses and Dissertations

No abstract provided.

Hillary L. Chute. Disaster Drawn: Visual Witness, Comics, And Documentary Form. Cambridge: Harvard Up, 2016., Julia Watson

Studies in 20th & 21st Century Literature

Review of Hillary L. Chute. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge: Harvard UP, 2016.

From Once Upon A Time To Happily Ever After: Grimms’ Fairy Tales And Early Childhood Development, Hannah Mccarley

Senior Projects Spring 2017

Senior Project submitted to The Division of Social Studies and The Division of Languages and Literature of Bard College.

Blitz Aus Heiterm Himmel: Monstrous Femininity And The Illusion Of Gender Equality In The Gdr, Sarah Bonoff

Lawrence University Honors Projects

The anthology Blitz aus heiterm Himmel was published in the German Democratic Republic (GDR) in 1975. It includes short stories written by both men and women in which the protagonist undergoes a miraculous gender change of sorts. While the various authors take different approaches to the concept of gender, there are themes that tie the stories together. In the stories that scholars have analyzed, their analyses generally focus on either the portrayal of men and the role of masculinity, or the discourse of women in science. I instead chose to focus on and analyze three of these short stories (“Selbstversuch: …

Young Germans In The World: Race, Gender, And Imperialism In Wilhelmine Young Adult Literature, Maureen O. Gallagher

Doctoral Dissertations

This dissertation shows how popular reading material for young adults was used to craft a new generation of German imperial citizens in the Second Empire (1871-1918). Uniting insights from contemporary postcolonial theory, gender studies, and the global history of nineteenth- and twentieth-century Germany, it shows the intersectional development of German national identity in the children’s and young adult literature of Wilhelmine Germany. As literature written by adults for young people, designed both to entertain and instruct, children’s and young adult literature offers a unique window on how Germany built nation and empire simultaneously during this period. Focusing on texts set …

Frauen Und Geschlechter In Märchen: Von Der Gebrüder Grimm Zu Disney, Harrison W. Lawrence

Senior Theses and Projects

This thesis explores the representation of gender in fairy tales. Gender is among the most fundamental social constructs. Every culture has unique gender roles, and these roles must be taught to members of a society from a very young age. One of the oldest, and most successful methods of teaching gender roles to people of all ages is through fairy tales. In this thesis I demonstrate many of the subtle ways in which fairy tales are able to communicate powerful lessons about gender. The Grimm Brother’s Kinder und Hausmärchen transformed the fairy tale from oral tradition to literary genre. As …

Unmasking Wagner's Grail: Homoeroticism, Androgyny, And Anxiety In Parsifal, Tyler Cole Mitchell

Masters Theses

Most readings of Wagner’s final music drama Parsifal seek to illumine a clandestine presentation of Wagner’s racist doctrine or make sense of a less-shrouded but still ambiguous panegyric to Christianity. However, little scholarly material addresses Wagner’s provocative account of sensuality and homoeroticism in this Bühnenweihfestspiel [Stage Consecration Festival Play]. This thesis explores desire and homosexuality within the drama and considers how and why Wagner masks these themes through the opaque mythos of religion, race, and community. Parsifal was partly informed by Wagner’s own complex neuroses: his sexual anxieties and scandals, amalgam of German philosophies, and confusion concerning Germanness. As filtered …

Be A Man, Comrade! Construction Of The ‘Socialist Male Personality’ In The Gdr Youth Literature Of The 1950s And 1960s., Joanna Broda-Schunck

Doctoral Dissertations

One of the main goals of the East German government was the education of its population towards Socialism, and the creation of the new type of human – the Neue Mensch. The belief in the possibility of molding the next generation was particularly strong in the first decades of the German Democratic Republic (GDR), – in the 1950s and the 1960s. At the same time, the leaders of the regime presented the new Socialist state as the rightful heir to the German cultural and historical traditions. Both claims were aimed at strengthening the legitimacy of the Sozialistische Einheitspartei (SED …

Intercourse As Discourse In Alexa Hennig Von Lange’S Relax, Corinna Kahnke

Studies in 20th & 21st Century Literature

While gender has long been an abiding concern of Popliteratur, pop writers (in particular female authors) are often criticized for simply reflecting, if not positively endorsing, negative forms of postfeminism—an attitude that negates the accomplishments of emancipation by regressing to traditional ideas of what it means to be a woman. Some critics suggest that pop texts re-inscribe the gender binary by presenting, even glorifying, long-established gender roles. In response to such a reception, this article investigates Alexa Hennig von Lange’s iconic but much criticized novel Relax (1999) in order to illustrate the reflective and critical nature of Popliteratur. …

Eternal Interns: Kathrin Röggla’S Literary Treatment Of Gendered Capitalism, Florence Feiereisen

Studies in 20th & 21st Century Literature

In today’s Germany, university graduates and first-time job seekers find themselves in a different position than did those of previous generations—for many, obtaining a secure, full-time job has become a dream of the past. To boost their résumés, many enter a loop of internships and other similarly precarious states of employment. This article examines the way in which author Kathrin Röggla treats these insecure economic times in her 2004 novel Wir schlafen nicht, with a focus on sex and gender in the New Economy. Are jobs gendered, and what are the resulting effects for both men and women? I …

Dialogues With Tradition: Feminist-Queer Encounters In German Crime Stories At The Turn Of The Twenty-First Century, Faye Stewart

Studies in 20th & 21st Century Literature

Pieke Biermann’s feminist crime collection Mit Zorn, Charme, und Methode (1992) and Lisa Kuppler’s gay and lesbian anthology Queer Crime (2002) engage in a common project, the rewriting of a popular genre to give voice to previously marginalized identities and perspectives. This article investigates the ways in which each volume negotiates the gendered conventions of crime fiction and its subcategories, feminist and queer crime. A comparative analysis of three mysteries from each collection demonstrates the converging and diverging tendencies of feminist and queer representation in turn-of-the-twenty-first century crime narratives. Feminist mysteries by Edith Kneifl, Birgit Rabisch, and Barbara Neuhaus shift …

Sexuality, Gender And Identity In Selected Works Of Arthur Schnitzler, Michelle L Webster

Masters Theses

The purpose of this study was to investigate Arthur Schnitzler’s depiction of three female figures in short stories with a specific focus on how the figures are portrayed in relation to socially sanctioned roles in late nineteenth and early twentieth century German-speaking Europe. The figures and works selected as subjects of this study were Friederike in Die Frau des Weisen (1898), Elise in Der Mörder (1921) and Else in Fräulein Else (1924). The primary question that was investigated was whether Schnitzler depicted these female figures in a manner that could be interpreted as impacting the loosening of the grip of …

Nietzsche/Pentheus: The Last Disciple Of Dionysus And Queer Fear Of The Feminine, C. Heike Schotten

Political Science Faculty Publication Series

This article examines the scholarly preoccupation with the hypothesis that Nietzsche was gay by offering a reading of Nietzsche's texts as autobiographical that puts them in conversation with Euripides's drama The Bacchae. Drawing a number of parallels between Nietzsche, self-avowed disciple of Dionysus, and Pentheus, the main character of The Bacchae and demonstrated antidisciple of Dionysus, I argue that both men experience their sexual attraction to women as somehow intolerable, and they negotiate this discomfort—which is simultaneously an unjustified paranoia and fear of the feminine—through the appropriation of feminine capacities and qualities for themselves. This appropriation ultimately expresses these men's …

Nietzsche/Pentheus: The Last Disciple Of Dionysus And Queer Fear Of The Feminine, C. Heike Schotten

C. Heike Schotten

No abstract provided.

Gender, The Cold War, And Ingeborg Bachmann, Sara Lennox

Studies in 20th & 21st Century Literature

This essay uses the methodology of materialist feminism to situate Ingeborg Bachmann's life and writing in their Cold War context. After outlining the ways in which U.S. Cold War policy affected Austrian cultural life in the nineteen-fifties, I show that Bachmann's own activities during the period of U.S. occupation were steeped in that Cold War atmosphere. I also argue that the Cold War reconfiguration of gender relations left their imprint on Bachmann's writing. Comparing the narrative techniques of the unpublished short story "Sterben für Berlin" (1961) and Bachmann's Büchner Prize Speech "Ein Ort für Zufälle" (1964), I maintain that both …

Gender, Cultural Memory, And The Representation Of Queerness In Ingeborg Bachmann's Narrative "A Step Towards Gomorrah." , Imke Meyer

Studies in 20th & 21st Century Literature

This paper explores the questioning of a culturally produced fixed binary gender opposition, as well as of genre conventions, in Bachmann's "Gomorrah." This questioning, I argue, is achieved despite and in part even due to the fact that a lesbian relationship between the text's protagonists remains unrealized. The text's refusal to depict a lesbian relationship is not so much a capitulation to taboos of the 1950's. Rather, it points up the lack of a language and the lack of generic forms that would allow for the representation of true alternatives to traditional gendered power dynamics. If the narrative wants to …

Geographies Of Memory: Ruth Beckermann's Film Aesthetics , Karen Remmler

Studies in 20th & 21st Century Literature

How might we view the films by the Jewish Austrian filmmaker, Ruth Beckermann through the lens of the prose by the late German writer W.G. Sebald? The archival and, at the same time, haunting prose of Sebald's works such as The Emigrants or Austerlitz bears a close resemblance to the work of memory that Beckermann's films begs us to do. By focusing on particular spaces of remembrance in Beckermann's films in comparison to Sebald's similar practice of intermeshing historical and individual memories, this essay explores how the gendered construction of cultural memory takes place through transcultural encounters with those deemed …

Gen(D)Eration Next: Prose By Julia Franck And Judith Hermann, Anke Biendarra

Studies in 20th & 21st Century Literature

In March 1999, critic Volker Hage adopted a term in Der Spiegel that subsequently dominated public discussions about new German literature by female authors-"Fräuleinwunder"…

Masochism, Marginality, And The Metropolis: Kutlug Ataman's Lola And Billy The Kid , Barbara Mennel

Studies in 20th & 21st Century Literature

Baltimore: "What you get is what you see"

While sitting at the window of "City Café," a gay café in Baltimore, I let my eyes wander to the other side of the street where a group of young gay black men were camping it up…

Restaging Hysteria: Mary Wigman As Writer And Dancer , Laura A. Mclary

Studies in 20th & 21st Century Literature

Mary Wigman was not only a leading proponent of the early twentieth-century Expressionist dance movement, but also a writer of poetry and short poetic prose. Despite her assertion that dance was beyond language, she wrote often about dance in an attempt to articulate the kinesthetic experience of dance through languages. This interdisciplinary study explores the intersection of dance and writing for Wigman, focusing on gender coding in writing and dance within the context of early twentieth-century dialogues. Despite the pervasive equation of (feminine) hysteria with dance and (masculine) subjectivity with authorship, Wigman engaged in both activities. I argue that Wigman …

Orientalism Reconsidered: Turkey In Barbara Frischmuth's Das Verschwinden Des Schattens In Der Sonne And Hanne Mede-Flock's Im Schatten Der Mondsichel, Petra Fachinger

Studies in 20th & 21st Century Literature

Recent German criticism has demonstrated that the relationships of Austria and Germany with the "Orient" have been more complex than Edward Said's Orientalism makes it appear. Furthermore, Said only touches upon gender issues. Studies like Rana Kabbani's Europe's Myths of Orient: Devise and Rule explore the convergence of race, class, and gender in the conceptualization of the "Orient." Kabbani claims that in Elias Canetti's Die Stimmen von Marrakesch the narrator's identification with the colonizer's position enters into his representation of self as much as does his gender. My essay demonstrates how the Austrian writer Barbara Frischmuth and the German writer …

Between Female Dialogics And Traces Of Essentialism: Gender And Warfare In Christa Wolf's Major Writings, Sabine Wilke

Studies in 20th & 21st Century Literature

The relationship between memory, writing, and the question of how we define ourselves as gendered subjects is at the center of Christa Wolf's work. Her literary production, starting in the late fifties with a rather naive and un-selfconscious love story, has undergone a dramatic shift. In her more recent texts, Wolf sets out to rewrite classical mythology to make us aware of those intersections in the history of Western civilization at which women were made economically and psychologically into objects. The present essay seeks to locate Christa Wolf's evolving conception of gender and warfare within the contemporary theoretical discussion on …

The Gender Of Authorship: Heiner Müller And Christa Wolf, Helen Fehervary

Studies in 20th & 21st Century Literature

The relationship between sexuality and politics has always been an underlying assumption of the avant-garde. In recent East German avant-garde literature, the notion of authorship as production has become associated with technological rationality and the patriarchal socialist state. The ensuing crisis of the traditional male author has thus led necessarily to a radicalization of subjectivity and to the politics of gender. A comparison of two contemporary texts, one by a female author, one by a male, shows that the crisis of authorship assumes two distinctly different forms when differences in gender are taken into account. The East German authors Heiner …