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Full-Text Articles in German Language and Literature

Die Figur Der Rebellen Im Frühwerk Schillers: Die Räuber, Kabale Und Liebe, Don Carlos, Edward E. Heyen Nov 1972

Die Figur Der Rebellen Im Frühwerk Schillers: Die Räuber, Kabale Und Liebe, Don Carlos, Edward E. Heyen

Dissertations and Theses

Schiller's career as a dramatist spans more than two decades. Without too much difficulty, one observes that his plays are intimately related with one another. Particularly in the Storm and Stress period, his motives appear to be much the same: Schiller is an advocate of freedom, and the rights of men.

I maintain that the youthful rebel is a recurrent theme in Schiller's dramatic works and this can be shown by an analysis of four characters from three plays, followed by a summary of their similarities.

The rebellious youths of Schiller are Karl Moor (Die Räuber), …


Die Intrigantin In Ausgewählten Frühen Werken Gerhart Hauptmanns, Sidney Thomas Stuller May 1972

Die Intrigantin In Ausgewählten Frühen Werken Gerhart Hauptmanns, Sidney Thomas Stuller

Dissertations and Theses

Gerhart Hauptmann, whose naturalistic period embraced the years 1885-1906, gave the world a negative picture of the woman who by her demeanor or actions destroys a man. In this thesis a distinction is drawn between lower class, unsophisticated women like Lene Thiel or Hanne Sehäl and more highly educated and somewhat emancipated women such as Anna Mahr and Hanna Elias. The former type destroyed the man through more coarse or brutal methods while the latter naturally employed a higher degree of sophistication exercising their destructive influence. Moreover, the former type married the men they subsequently ruined whereas the latter did …


Illusion Und Verfremdung: Begriff, Form Und Wirkung; Bezogen Auf Bertolt Brecht: "Der Gute Mensch Von Sezuan,", Robert E. Folk May 1972

Illusion Und Verfremdung: Begriff, Form Und Wirkung; Bezogen Auf Bertolt Brecht: "Der Gute Mensch Von Sezuan,", Robert E. Folk

Dissertations and Theses

Perhaps Bertolt Brecht's most obvious intention in connection with the theater was to help change the economic conditions, under which the people in a capitalistic society live. But, according to him, this could only be possible if the people were to develop a critical attitude and awareness of the contradictions that exist in such a society, in which "exploiters exploit the exploited", to put it in Brecht's straightforward terminology. It was his goal in the theater to help the spectator achieve this critical attitude. However, it was his opinion that this could only be done by rejecting the traditional theater …


Leben Heisst Töten; Die Kriegsdeutung Ernst Jüngers Dargestellt An In Stahlgewittern Und Der Kampf Als Inneres Erlebnis, Sabine Schroeder-Sherwin May 1972

Leben Heisst Töten; Die Kriegsdeutung Ernst Jüngers Dargestellt An In Stahlgewittern Und Der Kampf Als Inneres Erlebnis, Sabine Schroeder-Sherwin

Dissertations and Theses

In this thesis an attempt is made to show the impression World War I made on the mind of a young German author. I have tried to interpret his outlook on war and to show how he could arrive at such a seemingly sordid statement as "living is killing". In 1920 a relatively unknown member of the Reichswehr published an account of World War I that soon became a bestseller. The book was In Stahlgewittern, its author Ernst Jünger. It was followed two years later by Der Kampf als inneres Erlebnis. Their common subject was war. The success of the …