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Articles 1 - 30 of 118
Full-Text Articles in French and Francophone Language and Literature
Acknowledgements/Image Credits, Molly Lynde-Recchia
Acknowledgements/Image Credits, Molly Lynde-Recchia
Transference
No abstract provided.
First Mill (Excerpts) By René Char, Nancy Naomi N. Carlson
First Mill (Excerpts) By René Char, Nancy Naomi N. Carlson
Transference
Translated from the French with commentary by Nancy Naomi Carlson.
The Fisherman By Anonymous, Luke J. Chambers
The Fisherman By Anonymous, Luke J. Chambers
Transference
Translated from the Old French with commentary by Luke Chambers.
Just Above Silence By Anna Greki, Lynda Chouiten
Just Above Silence By Anna Greki, Lynda Chouiten
Transference
Translated from the French with commentary by Lynda Chouiten.
Foreword, David Kutzko, Molly Lynde-Recchia
Foreword, David Kutzko, Molly Lynde-Recchia
Transference
Thoughts on the second volume by editors-in-chief David Kutzko and Molly Lynde-Recchia.
Transference Vol. 2, Fall 2014, Molly Lynde-Recchia
Transference Vol. 2, Fall 2014, Molly Lynde-Recchia
Transference
Transference is published by the Department of World Languages and Literatures at Western Michigan University. Dedicated to the celebration of poetry in translation, the journal publishes translations from Arabic, Chinese, French and Old French, German, classical Greek, Latin, and Japanese, into English verse. Transference contains translations as well as commentaries on the art and process of translating.
Into The Red: A Look Into The Reasons Why Refugees Decide To Flee, Settle Or Migrate To And From Morocco, Fadeelah E. Holivay
Into The Red: A Look Into The Reasons Why Refugees Decide To Flee, Settle Or Migrate To And From Morocco, Fadeelah E. Holivay
Master's Theses
This research paper explores some of the main reasons why refugees and asylum seekers, particularly from sub-Saharan African countries, embark on a journey and decide to settle, flee or migrate to and from Morocco. Because of this phenomenon, Morocco has seen a 96% increase of refugees migrating to the borders of Morocco each year for the past three years. Many say that this astonishing increase of migrants choosing Morocco is due to such factors as: wars breaking out regionally across central African and Middle Eastern countries causing them to flee; Morocco being a culturaly diverse francophone country whose laws and …
Law 101 And Minority Languages In Quebec, Rebecca Dubord
Law 101 And Minority Languages In Quebec, Rebecca Dubord
Honors Theses
Quebec‟s historic Law 101, or the Charter of French Language, has been the subject of controversy in Quebec and the entirety of Canada since its inception in 1977. Whether this law has had its intended effect on the province of Quebec, or had any effect at all, is what the people of Canada should be truly debating. Has the Charter of French Language had its intended effect of asserting the French language as the primary language in Quebec, or has English continued to dominate throughout the province? While the Charter of French Language is applicable only in the province of …
The Multidimensional Quality Metric (Mqm) Framework: A New Framework For Translation Quality Assessment, Valerie Ruth Mariana
The Multidimensional Quality Metric (Mqm) Framework: A New Framework For Translation Quality Assessment, Valerie Ruth Mariana
Theses and Dissertations
This document is a supplement to the article entitled “The Multidimensional Quality Metric (MQM) Framework: A New Framework for Translation Quality Assessment”, which has been acepted for publication in the upcoming January volume of JoSTrans, the Journal of Specialized Translation. The article is a coauthored project between Dr. Alan K. Melby, Dr. Troy Cox and myself. In this document you will find a preface describing the process of writing the article, an annotated bibliography of sources consulted in my research, a summary of what I learned, and a conclusion that considers the future avenues opened up by this research. Our …
Front Matter And Table Of Contents (V.83)
Front Matter And Table Of Contents (V.83)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Présentation, Jean-Pierre Karegeye.
Présentation, Jean-Pierre Karegeye.
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Présence Francophone, Numéro 83 (2014)
Présence Francophone, Numéro 83 (2014)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Chercheurs D’Afrique Et Archive Coloniale, Jean-Pierre Karegeye
Chercheurs D’Afrique Et Archive Coloniale, Jean-Pierre Karegeye
Présence Francophone: Revue internationale de langue et de littérature
The main goal of this article is to demonstrate that discourse on the Rwandan genocide has an origin. In other words, the hamitic myth transcends the question of race and is present in its most radical form in the events of 1994 in Rwanda. However, the myth itself is not intrinsically genocidal, but it did clear the path. The danger arose when the myth was demythified, that is to say, perceived as historic reality and scientific knowledge, and entered a new environment of genocide discourse. To proceed based on the notion of archive is to approach the genocide in relation …
Le Génocide Comme Défi À L’Éthique, Théoneste Nkeramihigo
Le Génocide Comme Défi À L’Éthique, Théoneste Nkeramihigo
Présence Francophone: Revue internationale de langue et de littérature
This article proposes the genocide constitutes moral defiance for at least three evident reasons: by the suffering of the innocent, it shows the failure of the moral vision that establishes a causal link between pain suffered and evil committed, of ethics and redistribution. And finally, the genocide challenges ethics by spreading the mortal conflict of opposite moral systems meaning the genocide was perpetrated according to a particular moral code. The article examines an essential aspect of politics, the hostility towards finding the structure of reception of the genocidal drift. Then, how to imagine a moral code that effectively fights the …
Esquisse D’Un Projet Épistémologique Pour La Science Politique Dans Une Afrique Post-Génocide, Mame-Penda Ba
Esquisse D’Un Projet Épistémologique Pour La Science Politique Dans Une Afrique Post-Génocide, Mame-Penda Ba
Présence Francophone: Revue internationale de langue et de littérature
This article attempts to answer two main questions: “What does it mean to teach political science in an African university when oneself is African?” and “what social realities are we documenting (or should we document)?” As a political scientist, I came to ask myself these questions based on my encounter with the genocide of the Tutsi in Rwanda, and based on the questions that this major event had kindled in me. My encounter with the subject of “genocide” was in all respects an upheaval because I understood suddenly a large weakness in the way political science was taught at Université …
Discours, Paroles Et Liens À L’Autre Dans Les Groupes Thérapeutiques. Ce N’Est Pas La Fin D’Un Génocide Qui Clôt Un Génocide., Marie-Odile Godard
Discours, Paroles Et Liens À L’Autre Dans Les Groupes Thérapeutiques. Ce N’Est Pas La Fin D’Un Génocide Qui Clôt Un Génocide., Marie-Odile Godard
Présence Francophone: Revue internationale de langue et de littérature
Psychologists and psychoanalysts distinguish between testimony, or personal accounts, and discourse, a fixed societal account. Because genocide, for the survivor, is not a subject of study, we must not only look at the various discourses concerning the genocide, but at their effect on the survivors. We describe how the post-G-Gacaca therapy groups, established to help survivors who had participated in Gacaca assemblies, demonstrated how expression is only effective when it is directed at someone and this person agrees to hear it and be affected by it.
La Fiction Du Génocide Ou Le Partage Des Émotions, Josias Semujanga
La Fiction Du Génocide Ou Le Partage Des Émotions, Josias Semujanga
Présence Francophone: Revue internationale de langue et de littérature
The goal of this study is to show that the fiction of genocide aims to share emotions between the narrator and the reader. It is possible to consider the narrator as representing the real reader and not only as the simple recipient written into the text. This is to say that the narrator is a part of the story but is also the reader’s counterpart as the real recipient, because both-- narrator and real reader-- are integrated in the imaginary world of the story. The role of the author is to construct intermediate mechanisms between the reader and the author. …
L’Usage De La Rhétorique Émotionnelle Dans Les Récits De Jean Hatzfeld, Michael Rinn
L’Usage De La Rhétorique Émotionnelle Dans Les Récits De Jean Hatzfeld, Michael Rinn
Présence Francophone: Revue internationale de langue et de littérature
In France, the books of Jean Hatzfeld -- journalist and writer -- have played a key role for the public opinion to become aware of the tragedy of the genocide of the Rwandan Tutsi in 1994. Our paper aims to show how the discourse strategy of Jean Hatzfeld aims to influence the reader by using emotions. We would like to know how this rhetoric of emotions relies on specific cultural codes which are largely western centered. Our thesis is that since Auschwitz, those codes have constructed an argumentative framework for contemporary understanding of passion and pain in discourse.
Matière Grise De Kivu Ruhorahoza : Un Nouveau Discours Filmique Pour Le Rwanda?, Charles J. Sugnet
Matière Grise De Kivu Ruhorahoza : Un Nouveau Discours Filmique Pour Le Rwanda?, Charles J. Sugnet
Présence Francophone: Revue internationale de langue et de littérature
Films like Hotel Rwanda, Sometimes in April, and Shooting Dogs have codified certain ways of representing the 1994 Rwandan genocide, with realist aesthetics, epic sweep, and aspirations to historical authenticity. A young Rwandan director, Kivu Ruhorahoza, has won two major prizes at the Tribeca Festival for his 2011 feature Grey Matter, a breakthrough film that is different from its predecessors in almost every respect. Ruhorahoza’s film is intimate, cosmopolitan, metaphorical, and avant-garde; it requires some effort to understand, yet it is extremely moving. On the 20th Anniversary of the genocide in Rwanda, it offers new ways of understanding the consequences …
Bernard Binlin Dadié, Le Père De La Littérature En Côte D’Ivoire, Claire L. Dehon
Bernard Binlin Dadié, Le Père De La Littérature En Côte D’Ivoire, Claire L. Dehon
Présence Francophone: Revue internationale de langue et de littérature
To fully understand today’s literature in the Ivory Coast, it is important to remember its first steps. A general overview of the main ideas and characteristics of Bernard B. Dadié’s literary works demonstrates the audacity and originality of the first Ivorian who wrote in French, and who helped impose French as the national language in the Ivory Coast.
Livres Reçus
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Index
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Abstracts
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Parties Annexes
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Natural Disaster: Representation, Spectatorship, And Loss In The Flood Stories L’Inondation, Trouble The Water, And Low And Behold, Juliana Starr
Natural Disaster: Representation, Spectatorship, And Loss In The Flood Stories L’Inondation, Trouble The Water, And Low And Behold, Juliana Starr
Foreign Languages Faculty Publications
Publié cinq ans avant le célèbre roman Germinal, la nouvelle moins connue L’Inondation (1880), dans laquelle le je-narrateur observe du haut d’un toit l’inondation de la Garonne qui eut lieu en 1875, résonne de manière particulièrement significative aujourd’hui chez les habitants des côtes de la Louisiane et du Mississipi, en raison de sa ressemblance frappante avec quelques-uns des récits filmographiques de l’inondation castastrophique provoquée par l’ouragan Katrina en 2005. L’un de ces films est le documentaire Trouble the Water (2008), dans lequel la rappeuse en herbe Kimberly Roberts dirige son caméscope de vingt dollars sur elle-même et ses voisins bloqués …
Flaubert En Toutes Lettres: L’Écriture Épistolaire Dans La Correspondance Et Dans L’Oeuvre (Book Review), Juliana Starr
Flaubert En Toutes Lettres: L’Écriture Épistolaire Dans La Correspondance Et Dans L’Oeuvre (Book Review), Juliana Starr
Foreign Languages Faculty Publications
No abstract provided.
Voyager En France, Valerie J. Spaeth
Voyager En France, Valerie J. Spaeth
French Model Lesson Plans
In this lesson, students view a video that describes the most often used modes of transportation in France. Students then discuss the similarities and differences between travel in the US and travel in France.
Pour Un Théâtre Nègre: La Réécriture De L’Histoire Et La Représentation Théâtrale Dans Une Tempête Et Une Saison Au Congo D’Aimé Césaire, Ariel Parker , '15
Pour Un Théâtre Nègre: La Réécriture De L’Histoire Et La Représentation Théâtrale Dans Une Tempête Et Une Saison Au Congo D’Aimé Césaire, Ariel Parker , '15
Senior Theses, Projects, and Awards
No abstract provided.
Material Figures: Political Economy, Commercial Culture, And The Aesthetic Sensibility Of Charles Baudelaire (Book Review), Juliana Starr
Material Figures: Political Economy, Commercial Culture, And The Aesthetic Sensibility Of Charles Baudelaire (Book Review), Juliana Starr
Foreign Languages Faculty Publications
No abstract provided.
The Observer In The Picture: Surface And Depth In A Passage From Proust, Noam Scheindlin
The Observer In The Picture: Surface And Depth In A Passage From Proust, Noam Scheindlin
Publications and Research
In the orthodox version of externally-narrated fiction, the questions, “who speaks,” “who writes,” and “who sees,” when directed toward the narrator or narrating agency, are non-productive ones from the perspective of the world that is narrated. To ask these questions would require moving from the world of the story and into the world of the author; or, at the very least, one would be required to make use of a critical construct such as that of the “implied author,” in order to transgress—albeit in fiction—the fictional frame.1 The purely external narrator speaks or writes from a perspective that is …