French and Francophone Language and Literature Commons^™

Beyond The Veil Of Modernity: René Guénon, Prophet Of The Metapolitical Imaginary, Frederic Colier

Dissertations, Theses, and Capstone Projects

Heralded by some as one of the greatest intellectuals of the 20th century, French metaphysician René Guénon (1886-1951) is also the controversial father of Primordial Tradition, a metaphysics designed to remedy the decline of Western civilization. Guénon viewed the West in the grip of a prolonged cycle of degeneration. He sought to implement a pseudo-authoritarian spiritual reset that required a total rejection of its Western intellectual heritage and an embrace of Eastern doctrines.

Focusing on his landmark book The Crisis of the Modern World (1927), the dissertation examines how Guénon implemented his controversial reset. After outlining the religious, cultural, and …

The Desire Of Strict Souls: The Poetry, Criticism, And Letters Of Paul Valéry And Wallace Stevens, Michael Healy

Dissertations, Theses, and Capstone Projects

This dissertation compares the poetic, critical, and epistolary oeuvres of Paul Valéry and Wallace Stevens and the influence of the former on the latter. Valéry famously advocated for the pursuit of “poésie pure” (“pure poetry”) and influenced Stevens especially in this way, though both of them concluded it was not achievable. I establish an approximation of a critical framework based on the work of the following critics and scholars: Wendy Lesser, Wendy Steiner, Anthony Cuda, Michael Clune, Paul Bové, and Liesl Olson. Harold Bloom’s passionate advocacy and deep, sustained engagement with Stevens and his work strongly influenced my choice to …

An Absolute Manner Of Seeing: Flaubert, 1848, And The Development Of Modernist Style, Nicholas Olson

Dissertations, Theses, and Capstone Projects

This dissertation examines Gustave Flaubert’s Sentimental Education as a key work in the emergence of literary Modernism from the tradition of Realism. I begin by exploring the intellectual background of Realism in the works of Honoré de Balzac and the ties between this aesthetic theory and the theory of representative government: here I discuss the work of François Guizot, Friedrich Schiller, Friedrich Schlegel, J.W. Goethe, and Walter Scott as well as later thinkers like György Lukács, Pierre Bourdieu, Jürgen Habermas, and Jacques Rancière. From this, I demonstrate a commonly held theory of the social as a discreet totality, which makes …

Le Féminin-Fantastique: Entre Construction Symbolique Et Figuration De L’Altérité. Étude Des Figures Féminines Surnaturelles Dans La Littérature Fantastique Française Du Xixe Siècle, Ivana Prelevic

Dissertations, Theses, and Capstone Projects

This dissertation examines the féminin-fantastique in nineteenth-century French literature, arguing that supernatural female figures—vampires, animated objects, and revenantes—form a symbolic system through which the century negotiates anxieties surrounding sexuality, materiality, subjectivity, capitalism, mortality, and historical memory. Drawing on theoretical frameworks including Julia Kristeva’s concept of abjection, Barbara Creed’s monstrous-feminine, Marxist analyses of commodity fetishism, Freudian mourning, Derridean hauntology, and Georges Bataille’s theory of eroticism, the study analyzes works by Gautier, Féval, Mérimée, Maupassant, Villiers de l’Isle-Adam, and Nodier. Through three thematic axes—the female vampire, the animation of feminine objects, and the female revenant—the dissertation demonstrates how the supernatural feminine destabilizes …

Unrepresentable Objects: Neoliberalism In The Contemporary Novel In French, Alicen Marie

Dissertations, Theses, and Capstone Projects

This dissertation operates at the intersections of textual analysis, political theory, psychoanalytic theory, and aesthetics to investigate the prevalence of uncanny imagery in ten examples of contemporary fiction, while also interrogating the notion of the uncanny as a category of analysis. Entitled “Unrepresentable Objects: Neoliberalism in the Contemporary Novel in French,” it examines a group of novels by Marie Darrieussecq, Virginie Despentes, Marie NDiaye, and Linda Lê, published in France between 1993 and 2017. These novels share an aesthetic of hauntedness and breakdown, incongruous affect, and a continual presence of the uncanny; they depict a world split from history and …

Interspecies Responsivity In Early Modern Drama And Animal Performances, Taylor C. Culbert

Dissertations, Theses, and Capstone Projects

This dissertation proposes an expansive, interspecies definition of performance that uses behavior rather than cognition as the decisive feature and illustrates how such a definition can reshape our approach to theatre and performance history. Using the concept of responsivity, which refers to the embodied and affective ways that humans and non-human animals acknowledge and react to one another, I trace human–animal interactions across a variety of sixteenth- and seventeenth-century performance genres, from the aristocratic stag hunt and entertainments involving trained animals to the plays of Molière and Shakespeare. Drawing on my experience training animals, I offer a new perspective on …

Nature Et Relations Dans La Littérature Caribéenne Francophone De Fin Du Xxe Siècle Et Contemporaine, Louise Bonastre-Fajardo

Dissertations, Theses, and Capstone Projects

My research project argues that literature novels from the french-speaking Caribbeans contribute to testifying to relationships with the environment, with others, and with oneself. By recognizing nature as a subject of rights under Latin America's new constitutionalism to prevent environmental harm caused by humans, politics can acknowledge that nature is actually a part of a domination system. This study addresses a range of issues within existing power structures, by articulating the notion of "nature" with the notions of "natural" and "supernatural" in a selection of francophone late XX’s century and contemporary Caribbean novels.

An important literature on Latin American and …

À La Poursuite De Céline À New York, Gabriel Maginier

Dissertations, Theses, and Capstone Projects

Louis-Ferdinand Céline n’a cessé de multiplier les allers-retours entre Paris et New York, jusqu’à la veille de la Seconde Guerre mondiale. Le voyage commence dès 1925. Sa première expérience avec la Société des Nations (ancêtre de l’ONU), en tant que “responsable des échanges de médecins spécialistes”, prouve également son bon niveau en anglais. C'est sous l'égide de l’organisation internationale que le Docteur Louis Destouches se voit confier la direction d'une délégation de médecins sud-américains, qui l'amène à traverser toute l'Amérique de Nord. Ce périple de quatre mois le conduit de Cuba à la Louisiane, de New York à Montréal, esquissant …

Antisocial Femininity: Writing The Relational In Isolation, Chelsea K. Largent

Dissertations, Theses, and Capstone Projects

This dissertation investigates a trope and positionality I call antisocial femininity as a way to see how it may be a useful positionality and not antisocial at all. The point of departure for my project is located in 19^th century French decadence and responds to two complementary aspects of decadent subjectivity against which antisocial femininity is defined: the need to withdrawal from the natural world and a retreat into intellectual abstraction. These definitions demand an explicit withdrawal from society and extol a self-imposed isolation that allows the subject to recreate oneself uniquely outside of the structures of modernity. This …

When Critics Are Artists: Ekphrasis In Erotic Art Criticism, Joanna A. Ligon

Dissertations, Theses, and Capstone Projects

In “Against Interpretation,” Susan Sontag argues for an erotics of art in art criticism in place of hermeneutics. In this thesis, I examine erotics of art, a focus on form and experiencing art instead of exclusively on content, in practice. Drawing on other essays by Sontag, specifically the essay “Godard” in comparison with the filmmaker Jean-Luc Godard’s own filmic criticism in Breathless, criticism according to an erotics of art becomes a new artwork itself. Subsequently, I present a definition of erotic through Anne Carson and Roland Barthes and juxtapose the term with Hans-Georg Gadamer’s hermeneutics. The comparison ultimately undoes …

Unnatural Issue: Gendered Adaptations Of “Peau D’Âne” In Contemporary French And English Texts, Amy M. Martin

Dissertations, Theses, and Capstone Projects

Unnatural Issue: Gendered Adaptations of “Peau d’Âne” in Contemporary French and English Texts explores trans-genre and transmedia adaptations of Charles Perrault’s seventeenth-century fairy tale using feminist and narratological theories to examine gendered aspects of storytelling and the treatment of father-daughter incest and blame in the work of selected French, British, and American creators. Texts are read comparatively, with analyses of the adaptations’ plots, motifs, characterizations, and modifications, both in relation to Perrault and to the other adaptations. This dissertation features prose and poetry texts by female authors—including Christine Angot, Catherine Cusset, and Emma Donoghue—in the first two chapters. Reading these …

Body Check: Transgressive Body Politics Of Gina Pane, Orlan, And Deborah De Robertis, Avant-Garde Performance Artists In France, 1960s–Present, Patricia Anne Winter

Dissertations, Theses, and Capstone Projects

In the 1960s, when Gina Pane and Orlan were trying to gain a foothold in the art world, it was very much a man’s world. This created obstacles for them, yet, at the same time, being relegated to the margins, they were free to experiment and were less visible as objects of the gaze.

The point of departure of my study is the realization that a woman’s body is what most defines her identity (Alcoff, Bordo, Butler, Gonzenbach, Mulvey, Spelman, Suleiman). The female body is the material site from which I discuss how, and to what ends, women avant-garde performance …

Marriage Stories: Legal Reform And The Novel In France And Britain, 1780–1860, Tatiana Nunez-Bright

Dissertations, Theses, and Capstone Projects

“Marriage Stories” analyzes connections between novelistic form, marriage law reform, and portrayals of virtue in texts by, among others, Stéphanie de Genlis, Mary Wollstonecraft, Sophie Cottin, Claire de Duras, Jane Austen, Honoré de Balzac, Sophie Doin, George Sand, Anne Brontë, and Gustave Flaubert. I argue that the novel was less concerned with abolishing or even critiquing marriage than it was with delineating “good” from “bad” unions, which in turn reflects contemporary discussions about marriage’s role in response to burgeoning social movements. My first chapter considers the epistolary novel in relation to the idea of spouses existing as “one body” culturally …

Memory, Violence, And Detours: Strategies Of Resistance To Epidermal Invisibility Within The French Republic, Claudine E. David

Dissertations, Theses, and Capstone Projects

The subjection of black citizens in France and their invisibility in the (post)colonial space has been marked by segregation in peripheral urban zones, with a hardening of policing methods and controls based on racial appearanc. I argue that monumental representation in public space is not neutral but participates in the promotion of a specific ideology. I show thé ellipses in French patrimonial monumental glorification, including the appropriation of the memory of revolutionary heroes such as Louis Delgrès and Toussaint Louverture, concomitant with the occultation of many other black figures. I argue that representation matters, that France must repair this asymmetrical …

The Devil Is In The Details: Witchcraft Materiality And Systems Of Belief In Early Modern France, Ryan Evelyn

Dissertations, Theses, and Capstone Projects

My approach to the early modern French witch figure, as defined by their materiality, considers the representation of things, objects, and substances in texts. It was inspired by the surge in material culture studies, whose genesis in the 1980s and 1990s spurred theoretical approaches to (re)considering human interactions with objects, the way in which materials can be manipulated to serve various ends, and which objects were deemed culturally significant. I employ this approach to a (re)assessment of the witch figure as illustrated in demonologies, medical texts, and imaginative literature as early as the 14^th century spanning into the early …

Political Economy In Lettres D'Une Péruvienne: Françoise De Graffigny As Philosophe And Reformer, Marguerite J. Van Cook

Dissertations, Theses, and Capstone Projects

This dissertation identifies the significant presence of political economics in Lettres d’une Péruvienne by Françoise de Graffigny, née Françoise d'Issembourg du Buisson d'Happencourt (1695 –1758), to affirm its author as a pioneer in the field. It explores Graffigny’s use of the sentimental novel as a vehicle to carry those ideas to the reading community. It reviews Graffigny’s preparation to propose novel ideas in the area of political economics and to fully participate in the then-emergent discourse with her male contemporaries. Her wide reading in the subject of Political Economy, from Voltaire to Mandeville and Montesquieu and her interactions with contemporaries …

Humoring The Third Republic: Le Rire In French Politics And Popular Culture, 1894–1918, Andrew C. Kotick

Dissertations, Theses, and Capstone Projects

This dissertation studies the illustrated satirical periodical Le Rire in its historical context between its debut during the Dreyfus Affair and the conclusion of World War I. Adopting a multivalent approach to the historical study of graphic humor, it argues that Le Rire constitutes a significant corpus of evidence for understanding the political, commercial, social, and cultural novelties of its time, and maintained an ambivalent relationship with the young institutions and functionaries of the French Third Republic. As France’s leading satirical periodical, Le Rire served as a powerful medium for broadcasting nascent and extreme ideas to a mass reading public …

Heritage Repair: Revisiting Familial And Collective Histories In Filiation Narratives By Dalila Kerchouche, Colombe Schneck And Martine Storti, Rebecca R. Raitses

Dissertations, Theses, and Capstone Projects

This thesis offers a critical reading of three French narratives: Dalila Kerchouche’s Mon père, ce harki (2003), Colombe Schneck’s Les guerres de mon père (2018), and Martine Storti’s L’arrivée de mon père en France (2008). These works combine representations of familial history with the explorations of personal and collective traumas or repression. The study addresses the following dimensions of the texts: 1) The catalyst of intergenerational silence behind these and many other similar works; 2) The textual interplay between storytelling and material evidence; 3) The ways in which the authors combine narratives of familial hardships on one hand, and of …

Homotextualité Réaliste: Cryptosexualité Et Subculture Homosexuelle Masculine Chez Balzac, Stendhal, Flaubert, Vincent Sallé

Dissertations, Theses, and Capstone Projects

Cette thèse étudie les romans du canon réaliste français, en particulier Le Rouge et le noir et L’Éducation sentimentale, sous l’angle d’une textualité parallèle ancrée dans la langue érotique et les pratiques et les lieux de la subculture pédéraste. Principalement étudiée jusqu’ici dans des corpus identifiés comme érotiques ou dans des passages représentant l’homosexualité, cette homotextualité est ici inscrite dans la diégèse hétérosexuelle qu’elle permet de relire de manière située et historicisée.

La période de 1830 à 1870 est perçue par l’histoire et la littérature comme un hiatus sur le thème de l’homosexualité, pris entre son histoire moderne à …

Neither Invisible, Nor Silenced: The India-Maghreb Connections In Female-Authored Cinema, Chandra Balkaran

Dissertations, Theses, and Capstone Projects

“Third-World” women have long been excluded from center screen space, and positioned as stereotypical characters in liminal, coded spaces—such as harems, brothels, convents, ashrams, zawiyas or in domestic space. Yet, spatial organization is integral to the production of the social, not merely its result, and is fully implicated in both history and politics. Space is thus a crucial category of analysis in any cinema. My thesis examines how spaces, from the domestic to the virtual, socio-religio-cultural are reclaimed, redefined, and reformulated by women in politically engaged films made by Third-World women directors focused on women. Their struggles for space are …

Warrior Women And The Shaping Of Narrative In Medieval French Literature, Sara Rychtarik

Dissertations, Theses, and Capstone Projects

Warrior Women and the Shaping of Narrative in Medieval French Literature focuses on the representation of women warriors in medieval French literature, but it is also concerned with contemporaneous historical accounts and texts. Additionally, it examines representations of the woman as warrior in a different medium, which is still narrative-based, showing the impact of illuminated manuscripts on visual culture. The study looks at a specific character in medieval French literature – the woman warrior – in order to see how her existence in a text contributes to its narrative shape and to the production of the text itself. Through close …

Armored Feelings: Romantic Love, Sexual Consent, And Gender-Based Violence In French First World War Narratives (1914–1956), Angélique Ibáñez Aristondo

Dissertations, Theses, and Capstone Projects

Armored Feelings examines how the First World War reconfigured how the French thought and wrote about romantic love, sexual consent, and gender-based violence. It posits this devastating event as a critical juncture during which the misogynistic and racist notion of amour à la Française took its modern shape as a rhetoric buttressing the nation’s brittle sense of cultural superiority while obscuring diverse forms of gendered aggression – especially those perpetrated by its citizens against women. This dissertation also establishes that the notion of women’s sexual consent coalesced during the period under examination as a troubled and troubling response to the …

Maurice Scève Avant La Délie (1535–1544). Une Étude Des Genres Mineurs À L’Origine D’Une Nouvelle Esthétique Poétique, Elizaveta Lyulekina

Dissertations, Theses, and Capstone Projects

Cette thèse propose d’étudier l’influence du poète lyonnais Maurice Scève, actif entre 1535 et 1562, sur la formation de genres littéraires et le développement de la poésie française de la Renaissance. Elle explore également la contribution considérable du poète à la création de l’identité linguistique et culturelle française.

This dissertation studies the influence of the Lyonnais poet Maurice Scève, active between 1535 and 1562, on the formation of literary genres and the development of French Renaissance poetry. It also explores the poet’s considerable contribution to the creation of French linguistic and cultural identity.

Poems Of Debate And Praise: Women As Published Authors In Sixteenth-Century France, Anna Soo-Hoo

Dissertations, Theses, and Capstone Projects

Non-fictional, published poetic exchanges between men and women in sixteenth-century France provide new perspectives into how women writers operated in a literary culture whose main producers and dominant voice were male. Contrary to the notion repeated by many critics that women of that period were supposed to stay out of the public sphere, my study finds that publishing a woman’s poems did not destroy her reputation, and there appears to have been no major backlash when a man decided to include poems by a female contemporary in his book. My study takes as its point of departure the notion that …

The Surreal Voice In Milan's Itinerant Poetics: Delio Tessa To Franco Loi, Jason Collins

Dissertations, Theses, and Capstone Projects

Over the course of Italy’s linguistic history, dialect literature has evolved a s a genre unto itself. The scope of research presented in this study examines the question of dialect literature as a valid genre which bears lines of demarcation that would assign it the distinction of genre. Research reveals that in fact the simple election of a language, or dialect, does not itself constitute a genre; moreover, most dialect literature bears characteristics that would neatly place it in another genre.

To examine this verity, this research compares two dialect poets who employ Milanese as a means of transmission …

Serial Killer: Gustave Flaubert's Pro-Woman, Woman-Killing Madame Bovary, Francesca Montalti

Dissertations, Theses, and Capstone Projects

This thesis will argue that Gustave Flaubert kills the women in Madame Bovary, all of whom are married and/ or mothers in the novel, in order to overtly represent the impossible conditions of womanhood and domestic life in nineteenth century France. Further, I will expose the ways in which Flaubert, through these killings, aims to release his woman characters from their lives of oppression and imprisonment, detailing their increasingly limited options in life and their lack of agency. Although Flaubert does attempt to give his women, in particular Emma Bovary, limited agency in the work, this agency is always …

The Art Of Opacity: Guy De Cointet In L.A., Media Farzin

Dissertations, Theses, and Capstone Projects

This dissertation provides the first detailed study of the work of French artist Guy de Cointet (1934–1983), specifically the books, objects, and performances he produced in Los Angeles between 1971 and 1983. Much of this work mined pop-cultural sources—genre fiction, magazine advertising, and television serials—for texts, which he reused in deliberately obfuscated ways: in pseudonymous publications written in code or invented languages, as well as in sigil-like paintings that doubled as props for performances in which actors delivered contradictory interpretations of the encoded objects. I argue that Cointet’s appropriations of the visual and narrative logics of postwar culture provide a …

Martial Caillebotte’S Mélodies And Scènes Lyriques: Analytical Essays And Performance Guide, Dominique Mccormick

Dissertations, Theses, and Capstone Projects

Composer, pianist and photographer, Martial Caillebotte (1853–1910) was the unknown younger brother of famous Impressionist painter, Gustave Caillebotte. Martial studied piano and harmony at the Paris Conservatory from 1870–1874. Martial created a substantial number of musical compositions including mélodies, scènes lyriques, operas, symphonic poems, as well as sacred choral and symphonic works. Born into a wealthy Parisian family, he did not need to work for a living and did not self-promote, therefore his pieces were rarely performed and after his death, most of his compositions were left in family archives. In the late 1990’s a rebirth of interest in the …

Rewriting The Oeuvre: Raymond Queneau And The Art Of Translation, Christopher Clarke

Dissertations, Theses, and Capstone Projects

While the literary oeuvre of French author Raymond Queneau (1903-1976) has been extensively studied, his work as a literary translator has been largely overlooked. Queneau was a prominent member of the French literary avant-garde, but also a literary translator for two decades (1934-1953), and his writing was greatly influenced and impacted by his readings and translations of Anglophone writers. This dissertation provides insight into the role of translation in his conception of writing and language, and the inseparability of the different facets of his career as a writer, literary translator, and publisher. I examine his personal linguistic and literary history …

Queer Displacements: Minorities, Mobilities, And Mobilizations In French And Francophone Literature, Thomas Muzart

Dissertations, Theses, and Capstone Projects

Focusing on the work of Virginie Despentes, Jean Genet, Guy Hocquenghem, and Abdellah Taïa, this dissertation challenges the antisocial turn taken in queer theory, by means of a parallel study of the authors’ geographical and intellectual itineraries. While critics like Leo Bersani and Lee Edelman have suggested that the revolutionary potential in queer identity lies in its opposition to romanticized forms of community, I argue, along with José Esteban Muñoz, that their praising of singularity and negativity is similarly extreme. Alternatively, my study shows how the geographical displacements both experienced and imagined by my primary authors can illuminate the passage …