Fine Arts Commons^™

Alison Place, Ed., Feminist Designer: On The Personal And The Political In Design, Anmol Shrivastava

Art Inquiries

No abstract provided.

The Divine Feminine Reframed: Dogma And Doctrine, Icon And Flesh, And The Sacred Embodiment Of Reclamation, Natasha Keckley

Dance (MFA) Theses

This thesis interrogates Marian iconography and its role in constructing a moral binary that marks female bodies as either sanctified or sinful. Drawing on feminist and postcolonial theory, iconographic analysis, and historical case studies, the research analyzes how Christian symbology established the Marian Mold: a theological aesthetic apparatus that exalts feminine sanctity through ideals of virginity, obedience, and maternal receptivity while constraining feminine expression. This paradigm, propagated through the British Empire’s colonial regimes, shaped the regulation and reinterpretation of embodied traditions. The thesis investigates these dynamics through two case studies: the Devadasi tradition and Bharatanatyam’s reformulation in South India, and …

About Witch Hunt: Feminist And Political Agency In Contemporary Art, Rana Sumerler

MA Theses

The Witch Hunt exhibition conjures a powerful dialogue between history, identity, and empowerment, bringing together sixteen international artists to channel the spirit of the witch. This show traces a vast genealogy of women—from the 15th century witch hunts to Californian artistic legacies of the 1970s, to the exhibitions opening in 2021, and into present day. The participating artists emerge as symbols of resistance through their creations which transform domesticity, sexuality, and labor into sites of inquiry all while grappling with the intersectional concerns of womanhood.  In a moment marked by political upheaval, the exhibition is particularly resonant in its exploration …

Evaluating The Impact Of Policy In Theatre: The Influence Of Public & Political Policy On The Theatrical World, John Q. Rhodes

Undergraduate Honors Theses

In the second half of the twentieth century, there is distinct evidence to exhibit a direct correlation between daily occurrences and matters of public policy. This paper serves to analyze the impact of U.S. public policy on theatrical practices. To provide a detailed and targeted analysis of the exponential impact public policy had upon the theatrical industry, this examination will look at theatre beginning in 1961 and will extend towards the current administration of President Donald Trump and is organized in ten-year segments. Each decade will be generalized for its direct or indirect changes that occurred within the period and …

Red Thread, Unknotted: A Visual Self-Inquiry Into Becoming Artist /Educator, Jennifer Jervis

International Journal of Lifelong Learning in Art Education

This arts-based self-inquiry presents a counternarrative of one woman artist/educator navigating identity formation, agency, and resistance within the gendered structures of the contemporary art world. Informed by posthuman feminist theory and guided by a/r/tography, the study uses artmaking as both inquiry and data to challenge the persistent divide between artist and art educator—particularly as experienced by women. Through reflexive writing and textile-based creation, the author offers a material and embodied critique of the systemic expectations that diminish women’s artistic authority and invisibilize their creative labor. The resulting work becomes a site of resistance, reclaiming artist identity through the layered intersections …

Tom Wingfield Is The Villain: A Re-Examination Of The Glass Menagerie, Genevive K. Bevell

SPARK Symposium Presentations

This essay is an exploration of the play The Glass Menagerie, by Tennessee Williams, through a feminist lens that offers a new interpretation of the famous play, supported by evidence from Williams’s own personal history, feminist interpretations of Williams’s work, and the discussion of what a protagonist really is. I argue that Tom, who is traditionally considered the protagonist, operates as an unreliable narrator and, therefore, the antagonist to Amanda and his sister Laura, impeding their happiness and sense of well-being. I propose that The Glass Menagerie is not about a man defying societal expectations or choosing happiness in …

Displaced Nostalgia, Nava Derakhshani

Theses and Dissertations

Exploring themes of identity, displacement, gender, and belonging, this paper examines the artist's work and her approach to her art. She covers the many influences that she has access to while unable to visit her ancestral homelands. Acknowledging the translation that comes from this removal, her art is in conversation with other diasporic, exiled, marginalised groups. She makes art with various materials such as clay, shadow, light, and paint, to work on the themes that she is pursuing.

Mandatory Bliss, Jocelyn Reid

Graduate Theses and Dissertations

Mandatory Bliss is an exhibition of sculptural objects that discuss value, feminism, material hierarchy, and societal expectation. Using mundane structures and objects, this installation aims to frustrate and dissect the significance of the tangible items that we interact with every day.

Painting The Other: Mary Cassatt's Spanish Portraits And The Feminine Gaze, Delaney Batter

Undergraduate Theses in Art History

The historical viewing of women artists, in conjunction with Mary Cassatt’s biography and later depictions of women and children, suggests that Cassatt's gender is identified within the art historical canon as an essential component to the interpretation of her work. The language attached to Cassatt's work is most often taken from discourses surrounding female-produced artwork of the nineteenth century, attaching passive and stereotypically feminine attributes like 'delicate,' 'light,' and 'tender' to the style, composition, and subjects of her works. These characteristics were among the accepted nineteenth-century descriptions of artworks, with inherent femininity translating to inherent domesticity.

Rather than further reducing …

Deconstructing Ancient Allegories: Eleanor Antin’S 'Historical Takes' On Subverting Classical Motifs And Typologies, Lainey Tomasoski

Undergraduate Theses in Art History

The New York-born artist Eleanor Antin erupted into the male-dominated American conceptual photography art scene in the 1960s and 70s with feminist works that reimagined the female body in terms of representation and history. In congruence with the feminist and civil rights movements, conceptual photography represented a shift in how art was utilized to criticize the social and political institutions in which it is rooted. Antin and other feminist artists engaging in conceptual photography and video played with the embodiment of characters, performance of the body, and an intrinsic “self-reflexivity” of subject, viewer, and artist. However, Antin pivoted her work …

Uncovering Artemisia: Turning Rage Into Fame, Sophie Longo

Undergraduate Theses in Art History

During the fifteenth through seventeenth centuries in Italy - more commonly known as the Italian Renaissance and early Baroque periods - masters like Titian, Leonardo da Vinci, Michelangelo, and Caravaggio made a name for themselves and secured legacies through the widespread popularity and study of their masterpieces. As time progressed, however, more artworks have been found, and more histories, especially by women Baroque artists, have been explored. With the rise of women’s rights movements and social justice campaigns from the mid-20th century on, stories of female artists and figures have further emerged from the woodwork and hold greater precedence in …

Trespassers Of Space: Rewriting Female Narratives In Mexican Cinema, Andrea Ruvalcaba

Undergraduate Theses in Art History

How have Mexican cultural figures such as Maria Novaro and Adela Sequeyo made space for themselves in the male-dominated film realm? How and why have these women dared to become “contrabandistas,” or trespassers, in a social fabric defined and governed by men? The same questions apply to the world of Mexican cinema — more specifically Mexican Feminist cinema. Throughout these pages, I will explore how the film Los Pasos de Ana (1991), by the Mexican filmmaker Marysa Sistach, integrates women’s perspectives into Mexican film culture to counteract the neutralization of powerful female representations played out across various facets of Mexican …

Shapes That Hide Their Shadows, Jennifer Blaine

Theses and Dissertations

shapes that hide their shadows concerns itself with the mutability of memory. The complexities of girlhood to womanhood, and the way we are shaped by place and space, are explored through the artist recounting childhood memories connected to her grandparents' hometowns. Divided into three different sections, the artist discusses drawing as medium, creating a lexicon through using visual symbols, and the logistics of building your own archive.

The Medea Effect: The Binary Terror Of Women Existing In The Liminal Space, M. Nance

Theses and Dissertations

The purpose of this study is to analyze the Medea character as a liminal figure. Taking a metaphorical approach to Victor Turner’s ideas on liminality, this study will deconstruct different binary oppositions—villain/victim, agent/object, Dionysian/Apollonian. The Medea character does not fall neatly to one side of these binary oppositions; therefore, this thesis argues that Medea instead inhabits the space between the binary oppositions in the realm of the liminal. The thesis then analyzes the same binary oppositions within a survey of theatrical and non-theatrical texts that feature characters that embody archetypes that originated within the Medea character—the she-devil, the murderous mother, …

Swine & Symphonies, Dilara Miller

Graduate Artistry Projects and Performances

Dilara Miller’s work critique’s and reflects on the social/cultural effects of being a Turkish-American Muslim woman in today’s society. Through referencing antiquities and how they are presented today, she identifies patterns of hierarchies that exist in human history through an eco-feminist lens. Miller’s work reflects on the role of the artist and the historical testimony we leave behind; like her Girl Birds, she seeks to record her experiences within our Anthropocene as colored by mythic and Islamic teachings. Miller pulls from historic epochs to generate a foundation from which to examine our contemporary treatment of women as related to our …

“Liberté, Égalité, Sororité”: The Revolutionary All-Female Studio Of Adélaïde Labille-Guiard, Julia Oxman

Theses and Dissertations

This thesis offers the first in-depth exploration of French portraitist Adélaïde Labille-Guiard’s all-female studio. It argues that her efforts toward expanding access to women’s arts education played a key role in the foundation of a larger movement for gender equality in the wake of the French Revolution.

Colectivo Moriviví: Reconfiguring The Puerto Rican Nation Through Feminist Art Activism, Tania Carrasquillo Hernandez

Faculty Publications

This article analyzes national identity construction in Puerto Rico in terms of gender dynamics and how contemporary artistic production has questioned patriarchal constructions within the nation. I argue that by voicing the narratives of Puerto Rican communities in the public sphere, Colectivo Moriviví validates the active participation and contribution of women, Afro-descendant minorities, and LGTBQ+ groups within the national body, forcing the national discourse to re-envision its purpose, values, and mission

Body. Freedom. Choice: Creating Artwork In Post-Roe America, Erin Sedra

Graduate Theses/Dissertations

I knew from a young age that I never wanted children. Whenever I expressed my disinterest in motherhood, I was often met with bewilderment, disapproval, and hostility. The church I was raised in taught me that my value and worth as a woman directly correlated with the power of my birthing hips. This fundamentalist upbringing has significantly shaped my relationship with my femininity, my body, and my artwork. When I feel powerless, turning to my art gives me a sense of control and self-expression. This body of work began as a reaction to the overturning of Roe v. Wade and …

"Where Did Your Christ Come From?", Kamara V. Townes

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written document is the accompanying thesis for my Master of Fine Arts Exhibition, “WHERE DID YOUR CHRIST COME FROM?”, shown at Gallery 937 in downtown Pittsburgh, Pennsylvania (displayed April 5th-June 9th, 2024). Through painting, sculpture, and installation, I rely on an intuitive artmaking practice to create work that makes commentary on race, gender and identity. This thesis documents my research on contemporary influences, experimentation with materials and my point of view in conversation with intersectional feminism while navigating institutional racism.

Conceptually the work of my thesis is deeply influenced by womanism and Black culture, which informs my exploration …

Faux Feminism In A Capitalistic Fever Dream: A Review Of Greta Gerwig's Barbie (2023), Amy La Porte, Lena Cavusoglu

Markets, Globalization & Development Review

Somewhere between meaningful discourse about female agency and the commercial interests of a problematic doll franchise lies Mattel's box office hit film Barbie, directed by Greta Gerwig. In a script-flipping interpretation of the real-world patriarchy, it catapults itself into overdue discussions about gender norms, objectification, and the pursuit of Westernized beauty ideals. While it may have introduced liberationist theories to a new generation of women, ultimately it is a film bound by cognitive dissonance. This paper will delve into the profit-making protagonist at the center of its story and argue the film's underlying incompatibility with diversity, feminism, and social …

Women's Work: The Sublime Is Now, Michelle Blackstone

MFA in Visual Arts Theses

What influences the lens through which we view art and the value we ascribe to it? This paper investigates the ways in which the historically gendered philosophy of “The Sublime,” a lack of institutional access, and traditionally gendered materials have acted as impediments for women in the arts. Discussion is given to the ways that masculine rhetoric in terms of “The Sublime” prevented women from attaining what was once considered the highest level of artistic achievement. Further attention is given to obstructions female artists face(d) in terms of gaining intuitional access within the art world. Finally, I examine the ways …

Other Oceans, Other Skies, Sharlene Lee

MFA in Visual Art

I create immersive installations, performances, and time-based media artworks that delve into stories of belonging, feminism, and language as power. These stories offer a potential for transformation from viewer to participant and a shift in how our world is seen and experienced. Through an exploration of perception and affect, I challenge dominant narratives, prompting a contemplation of contemporary power struggles for control.

In this text, I examine the impact of historical borders and migration on my life while also investigating questions of home, shared values, and rituals that contribute to one’s sense of belonging. I also highlight my commitment to …

Skin Echoes, Andreia Santana

Theses and Dissertations

Santana’s explores the intersection of biology and identity, incorporating living matter and performative gestures into installations to reflect on social constructs of history and gender. By observing water and its qualities of defying Western dichotomies, Skin Echoes focuses on the material interchanges across bodies and the wider material world.

Gloria Rehearsal (Excerpt) A Feminist Mechanism For Metabolization, Eleanor Smith

Theses and Dissertations

Weaving embodied trauma studies with feminist theory, non-hierarchical creative structures, and research in dance improvisation, this thesis paper written by Eleanor Smith contextualizes the dance performance gloria rehearsal (excerpt). The performance piece was choreographed and performed by Molly Lieber and Eleanor Smith, who have been co-choreographing feminist dances since 2006.

Magic Mirrors, Jamie Ho

School of Art, Art History, and Design: Theses and Student Creative Work

When a beam of bright light hits the convex and polished surface, an image is reflected back onto the wall. This is a description of a magic mirror, an object from the Han Dynasty (206 BC -24 AD), that embodies how Euro-America views China: both technically advanced and shrouded in mystery. The magic mirror also points to the history of photography, as this term was often used in the Victorian era to describe a camera. The image created by a camera is a mimic of reality, both all too familiar and unfamiliar.^[1] Like magic mirrors, the GIFs I create …

Manifesting Magic: Occultism And Feminism In The Art Of Leonora Carrington And Remedios Varo, Margaret Dirschl

MA Theses

The artworks of Leonora Carrington and Remedios Varo are replete with
/="/">symbolism and evocations of the occult, formulating bodies of work that are charged with magic and mysticism. When studied within the context of their male contemporaries of the Surrealist group, it becomes apparent that this use of the occult operates as a compelling and historically based feminist strategy. Immediately stemming from the occult revival of the previous century and the issues for females presented by Surrealism, the foundations of this idea originate much earlier in the pagan traditions of antiquity and the witch hunts of the 15th through …

Understanding Castration Anxiety Through Contemporary Art And Feminism, Ember J. Nevins

Honors Theses and Capstones

No abstract provided.

Equity, Inclusion And Feminist Pedagogies: Supplement No. 14, Barbara Knežević, Michelle Malone

Articles

This paper describes and expands on the contributions the research team at Technological University Dublin have made to the DICO Digital Career Stories Erasmus+ project from March 2021 through February 2023. This paper examines the TU Dublin presentation of specific Fine Art research methods and technical and practical tools, as a unique way to open these discussions around ethical teaching with regards to access, technology, gender, class, ethnic and racial diversity. This paper looks at some of the specific tools and methods common to fine art education and practice in the points of sharing sessions to ask how lecturing staff …

Return, Leilani Bascom

Theses and Dissertations

Return is a video-based installation which includes sound, performance, and textile elements. Leilani Bascom is the lone actor navigating the water and where the water meets the land in this personal project exploring concepts of the life cycle from birth to death and rebirth. Life's paradox of struggle and release unfolds with imagery of battling through waves to swim deep underwater, fighting a river current and then surrendering to the flow, and carving a hole in the sand to climb into and be held. Viewers are immersed in the movement and sounds of water to witness the power and meaning …

Carrying The Longings, Shuoran Zhou

Theses - ALL

The objective of this paper is to reveal the origin and evolution of the work I have made, thereby establishing the foundation for my future practice. The core purpose of my work is to provoke introspection and to question, if not reverse, entrenched and stereotypical assumptions toward women. I derive inspiration from my confrontational relationship with my mother, who is a prominent female figure in my life. Our confrontations arise from our differing perspectives and beliefs regarding the roles and aspirations of women. These unpleasant confrontations are the origin of my practice, which is based on questioning assumptions and norms …