Fine Arts Commons^™

The Other America: A Photographic Journal, Bill Blanchard, Lesley Cecchi, Dennis Connors, Kadie Dempsey, Ellen Denuto, Thomas Francisco, Greg Leshé, Dan Longo, Alexander Noble, Joseph Pobereskin, Gerald Slota, Allan Hunter Shoemake, Maria Taglienti-Molinari, Thomas Ufer

Exhibition Catalogs

Catalog for the exhibition The Other America: A Photographic Journal held at the Seton Hall University Walsh Gallery, November 1 - December 17, 2004. Curated by Ellen Denuto. Includes essay and color illustrations.

Inscape Fall 2004, Morehead State University

Inscape: Art & Literary Magazine Archive

The Fall 2004 edition of the Inscape: Literary and Art Magazine.

Fiction Fix 03, Thelma Young, Tim Gilmore, Sarah Stuart-Clarke, Jeff Geloneck, Blake Mccorkle, David Jordan, M. J. Howe, Stephanie Ouellette, Laura Havice, Christopher Sylvester, April Fisher, Gavin Lambert

Fiction Fix

No abstract provided.

43 Contemporary Printmakers: Works From The Old Print Shop, Nyc, Sigmund Abeles, Linda Adato, Patrick J. Anderson, Michael W. Arike, William J. Behnken, Grace Bentley-Scheck, Michael Di Cerbo, Lisa Dinhofer, Joseph Essig, Rebecca Findahl, Peter Gourfain, Makie Hino, Su-Li Hung, Tenjin Ikeda, Stanley Kaplan, Stephen Lawlor, Martin Levine, Evan Lindquist, Paul Marcus, Judy Mensch, Bill Murphy, Richard Pantell, Michael Pellettieri, Alan Petrulis, Deann L. Prosia, Susan Pyzow, Kimiko Saeki, Gerald Scheck, Laurent Schkolnyk, Ilse Schreiber-Noll, Peri Schwartz, Sarah Sears, Thomas Seawell, Richard J. Sloat, Nicholas Sperakis, Mary Teichman, Emily Trueblood, Nicholas Vagenas, Hank Virgona, Steven Walker, Art Werger, Karen Whitman, Idaherma Williams

Exhibition Catalogs

Catalog for the exhibition 43 Contemporary Printmakers: Works from The Old Print Shop, NYC held at Seton hall University Walsh Gallery, September 2 - October 20, 2004.

Elements, Nsu University School

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Fan Letter, Summer 2004, Illinois State University, College Of Fine Arts

FAN Letter

Newsletter of the College of Fine Arts

Henry Gasser: Beyond City Limits, Henry Gasser

Exhibition Catalogs

Catalog for the exhibition Henry Gasser: Beyond City Limits held at the Seton Hall University Walsh Gallery, April 1 - June 28, 2004. Curated by Gary T. Erbe. Includes essay and color illustrations

Horizons, Volume 21, 2004, Sacred Heart University

Vistas (Horizons)

Sacred Heart University student literary magazine, Horizons.

Inscape Spring 2004, Morehead State University

Inscape: Art & Literary Magazine Archive

The Spring 2004 edition of the Inscape: Literary and Art Magazine.

Taking In: Aib Photography 2004, Aib Students

Taking In

This book is the second edition in the Taking In: series. As was the case in Taking In: I, the work, dedication, detail, and graphic design is extraordinary and impressive. The work submitted by our students, and selected by our distinguished judges, reflects the eclectic vision, visual intelligence, perception, and promise of a talented student body. Taking In: is truly a collaboration of the images, ideas, and talents from all departments at AIB. The concept has always been a simple one...to showcase the artistic diversity and vision of students who incorporate photography in heir personal artistic expression.

Barbara Grossman: A Survey, Wright State University Art Galleries

Exhibition and Program Catalogs

An exhibit held at the Wright State Art gallery featuring the artworks of Barbara Grossman. Wanting to depict the nature of everyday life, her subjects deal with people interacting with their environments. Grossman is acclaimed for her use of space, color, patterns, and expression that invoke "emotional resonance" with the viewer. The exhibit was held at Wright State University Art Gallery September 12th through October 17th. It was also shown at: Lafayette College, Washington and Lee University, and New York Studio School of Drawing and Painting.

Profile Of A Woman, Mike Adejumo

Morehead State University Art Collection

A 2004 color print of a woman in profile by Mike Adejumo.

Black Indians, Zulus And Congos; Transformation And Transference Of Community Traditions In New Orleans And Panama, Elizabeth Rhodes

Textual Resources

This paper is a comparative study of three traditions that reflect the African diaspora: the Zulus of New Orleans, the black Indians of New Orleans and the Congo ritual of Panama. In all practices, the participant is transformed from citizen/worker/family member into an empowered being whose role is intricately connected to the reinforcement of cultural and community ties. In addition to presenting an overview of each tradition, I will discuss shared themes, parallel characterization, approaches to masking and comment on the interest of established practitioners to transfer their talents and histories to younger members of the community.

Green Lotus Mountain, Li Shou Ting

Morehead State University Art Collection

A 2004 painting titled "Green Lotus Mountain" by Li Shou Ting.

Ronald G. Eaglin, Yang Neng Chiang

Morehead State University Art Collection

An oil painting of Ronald G. Eaglin created in 2004 by artist Yang Neng Chiang.

Ivy Leaves, 2003-2004, Ivy Leaves Editorial Staff

Ivy Leaves

The 2004 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Amanda Burgess, Shannon Griffin, Tennille Owens, Jennifer Roman, Marissa Sullivan, Joshua Fleming, Brandon Fricks, Katy Gray, Shelli Hanshew, Brian Irving, Misty Kelley, Kristen Lambert, Matthew Mantooth, Theresa O'Rourke, Jessica Parks, Shelly Sawyer, Emerald Shumer, Jonathan Tribble, Wayne Cox and Jane Dorn. Cover art by Matthew Mantooth, and illustrations by Matthew Tolbert.

Untitled, Haven Herrin

The Messenger

No abstract provided.

Lights And Shadows - 2004, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Review Of The Bronze Horseman: Falconet’S Monument To Peter The Great, By Alexander M. Schenker, Wendy Salmond

Art Faculty Articles and Research

Wendy Salmond reviews Alexander M. Shenker's The Bronze Horseman: Falconet's Monument to Peter the Great.

Untitled, Blake Bazel

Digressions: Literary & Art Journal

No abstract provided.

Untitled, Haven Herrin

The Messenger

No abstract provided.

The Messenger, 2004

The Messenger

No abstract provided.

Conversations With The Self: An Artist's Visual & Written Wanderings, Elizabeth W. Perkins

Theses and Dissertations

The thesis is made up of episodes in which I am in dialogue with myself, sometimes in dialogue with the work, and yet other times I am speaking directly to the reader/viewer. The tense also sways from past to present as frequently as the visual language does. The following episodes are a selection of writings from my final year at graduate school. The episodes express my influences, inspirations, theories, and philosophies as a person and a maker. I think of these things as what allows me to wander and then wander somewhere else completely different within the same landscape. I …

Untitled, Haven Herrin

The Messenger

No abstract provided.

Waiting For Words, Alisha Van Hoose

Digressions: Literary & Art Journal

No abstract provided.

Untitled, Blake Bazel

Digressions: Literary & Art Journal

No abstract provided.

Untitled, Blake Bazel

Digressions: Literary & Art Journal

No abstract provided.

180 Degrees: An Extension Of Self In Photography, Bradly Dever Treadaway

LSU Master's Theses

180 Degrees is a conceptual body of digital photography and video that deals with self-portraiture, identity and change. Intended to serve as a form of therapy, the work analyzes who I have become over the last couple of years by illustrating issues of compulsion, obsession and insecurity. The investigation confronts unexpected and unsettling attributes of my character. Some of it is a little uncomfortable for me to reveal but if nothing else it is the truth.

Elemental: Promise Of Plenty, Bill Wolff

LSU Master's Theses

This body of work is about human nature, and centers on issues of aggression, consumption and collapse. Five materials make up the exhibition, and each carries a specific metaphor: wood is flesh, brick represents collective history, rope is a metaphor for human activity, metal is control and salt is a quintessential commodity. Craft is used as a means to explore the boundary between natural and synthetic phenomena, as well as elevating the status of the base materials. The work is arranged to provide an environment and context for the viewer to respond.

Pulse, Janet L.U. Rudawsky

LSU Master's Theses

This video is an abstract audiovisual narrative. It relies heavily on its lush compositions to seduce the viewer. “Pulse” depicts humanity not as the strong rational rulers of the earth but instead as a tormented figure that struggles to find security in an uncertain world. The three characters, Blood, Lava, and Electricity, represent the human animal, the natural world, and civilization respectively. Blood struggles against both Lava and Electricity in their rivalry for control. The plot shows humanity developing a relationship with civilization, all the while being harassed by unpredictable nature. Civilization at first is a path to security. As …