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Zine Open Assignment Guidelines For Mmp460, Anna Pinkas

Open Educational Resources

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Tracings, Masie Sophia Love

Theses and Dissertations

In this paper, the artist wonders what it means to remember a time and place that she has not experienced- what would this look like visualized in a painting? Love studies the histories and similarities between cartography and quilting using the two as a kind of channel to understand, record, and remember land. She explores inherited memory and the clues left behind in the form of quilts made by ancestors to create abstracted landscapes and maps of Tennessee where they lived for generations.

Memory Organs, Coco Ma

Theses and Dissertations

Working across architectural sculpture, sonic works, and monoprints, this thesis explores the body as a site where memory, materiality, and cultural history converge. Drawing from muscle memory, Chinese architectural thresholds, and female narratives, it traces a body that is simultaneously physical and psychological, personal and collective, constant yet always shifting.

The Earth Holds What I Cannot, Satabdi Tripathy

Theses and Dissertations

This thesis explores memory, landscape, identity, and gendered silence through painting, video and film. Inspired by glaciers, volcanoes, and Arctic landscapes, my work transforms personal memory into environmental memory and investigates silence, trauma, and renewal.

Notes On Rhythm, Maya Lee-Parritz

Theses and Dissertations

Line meets impulse, association meets sign. I weave the eye towards the smudge and sublime—a fractal lineage flowing through the brush, my body, space itself. I walk toward reality in serial successions, allowing what is fragmentary to move me, to cohere in shards, murky and strange inside of me. My body is a repository of images, of broken rhythms and dissonant ideologies. All of these flow and stutter onto the surface, dripping and blurring over each other. Through all of this, I always try to make something whole, perfect, and true.

Bugs, Birds, Blue: Queer Ecologies Of Embodiment, Kinship, And Survival, Celeste B. Newcomb

Theses and Dissertations

bugs, birds, blue is a multi-channel audiovisual installation that examines queer ecology as a framework for understanding transgender embodiment, kinship, and survival amid environmental crisis and ongoing political attacks on trans life (Mortimer-Sandilands and Erickson). Through sculpture, projection, sound, reflective surfaces, and biological imagery, the installation places human bodily matter alongside microbial and aquatic life forms to challenge narratives that frame trans existence as unnatural, recent, or isolated. Instead, the work proposes transness as relational, adaptive, and deeply entangled with broader ecological systems. The installation is composed of two interconnected environments. On one side of the space, three aquariums rest …

Lovepilled, Zhiliang Zhao

Theses and Dissertations

"Lovepilled" is a collection of essays and stories about love, the longing for it, and where it takes place.

Humanist Abstractions: Zilia Sánchez’S Forms Of Symbolism And The Reframing Of The Picture Plane, Sydney Srnka

Theses and Dissertations

This thesis examines the culturally specific visual language within the work of Zilia Sánchez through an analysis of her biography and semiotic strategies, arguing that meaning in her work emerges through the materiality of form, rather than through conventional stylistic categorization. It reconsiders how art-historical movements are used to organize artists, proposing a framework better suited to Sánchez’s practice. The issues of reception and legibility have shaped Sánchez’s career as an exile whose experience of displacement informed her shaped canvases. These works articulated a simultaneously unique and universal sense of experience. In researching Sánchez’s history, an alternative story for the …

Cannibalizing The American Dream: Memory, Materials, And Manifesting, Juan Hinojosa

Theses and Dissertations

Juan Hinojosa’s thesis explores collage and assemblage through discarded materials, pop culture, and personal history. He transforms found objects into layered works that reflect consumption, memory, and American identity. Moving between sculpture, painting, and installation, his practice examines excess, nostalgia, and the tension between what is consumed and what consumes him.

Transient Landscapes, Selena Lozano

Theses and Dissertations

This thesis explores a technical shift from studio to plein air observation and contextualizing urban landscapes through art history and memory. By investigating the tension between permanence and erasure amidst rapid gentrification, the work utilizes painting and photography to mirror the physicality of El Barrio in East Harlem.

5010, Clare Hu

Theses and Dissertations

Working with the structure of a table top, Clare Hu churns through digital image and woven cloth, asking how much each medium can bear.

Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert

Theses and Dissertations

This thesis examines how contemporary artists Rubén Ortiz Torres, Chico MacMurtrie, rafa esparza, and Cassils transformed military technologies into powerful artworks that interrogate the Mexico-U.S. border as a battlefield. Together, their works illuminate militarization and surveillance technologies at the border and the violent enforcement of U.S. immigration policy.

Containment, Quin Mittelstead

Theses and Dissertations

This thesis explores “containment" (the act of keeping something within limits) as both oppressive control and a mode of self-regulation, grounded in the author’s experience with epilepsy. Paintings deploy grayscale grounds, restrained palettes, and contrasting rapid/slow gestures; emergent color, texture, and altered substrates map psychological states, bodily impulses, and reactive processes. Research into witchcraft, remedial items, and eugenics (notably Buck v. Bell) informs works that link historical censorship and institutional violence to contemporary stigma. Sculptural installations (nets, jute, flawed Faraday-like enclosures) and cannibalized studio materials probe systems that restrain thought, media, and bodies. By introducing unpredictable variables with found supports, …

I Know You Are Watching, Camilo Salas Kusulas

Theses and Dissertations

I Know You Are Watching is a short documentary film that examines the evolving history and scope of mass surveillance, and how to resist it. The film introduces two local New York City artists, Bill Brown from the Surveillance Camera Players, and Sam Lavigne, who misuse technologies designed to watch us, exposing these systems and fighting back through digital art and performance.

Blending interviews, observational footage, personal narration, archival images, and news clips from different eras, the film interrogates the mechanisms of control, and positions art as a method of both understanding and talking back to surveillance.

Arts-Based Sustainability: From New York To Malawi, Martha B. Lerski

Publications and Research

Recognizing that libraries serve multiple constituencies and subject areas, this chapter documents and advocates for development of transdisciplinary arts-based research (ABR) and culture-related projects linked to environmental challenges. Libraries contribute collections and spaces, as well as the research of library and information scientists. Libraries are currently among invisible contributors to sustainability planning and services. The chapter will link this invisibility to the value of what visual arts refer to as negative space elements in subjects ranging from traditional ecological knowledge to environmental science. Library collections, projects, and research contribute to education for sustainable development (ESD) as required to achieve the …

Realistik Heaven, Alexa H. Senan

Theses and Dissertations

“Realistik Heaven” processes the traumas, forced transformations and the cannibalization of womanhood and culture as a result of colonization. Inspired by Oswald de Andrade’s Cannibalist Manifesto, Senan writes to evoke the literal meaning of Andrade’s description of the cannibalization of culture and having to become someone new cannibalizing themselves while still longing for the remains of the past.

Records In Space, Anthony Torrano

Theses and Dissertations

I am interested in how the process of layering has the capacity to mimic layers of history. History is a fraught concept, subject to changes with the passage of time, hierarchies in dissemination, and differing memories. Its precarity leaves some stories immortalized and some forgotten. The acts of recording, erasing, and rerecording in my work are a mediation on this liminality.

Cuentos De Barro, Daniel Anthony Vasquez

Theses and Dissertations

Cuentos de Barros addresses the complexities of creating art and processing indigenous heritage and personal history as a Salvadoran immigrant within a neo-colonial society. Centering ritual, care, and healing, the artist imbues sculptures with tenderness using abstract forms and the tactile manipulation of unfired clay and graphite.

Woe Be Gone, Yuhan Hu

Theses and Dissertations

In Woe be gone, Yuhan Hu explores the porous boundaries between image, memory, perception, and material through a deeply personal and reflective multimedia practice. Drawing on influences from film, literature, and game environments, Yuhan investigates how moments—fleeting or fixed—transform when mediated through photography, digital frames, and sculptural assemblage. Anchored by a series of installations and image-based works, the thesis unpacks the poetics of poor images, the failures and promises of translation, and the emotional residue of digital and physical touch. With a tactile sensitivity to materials like wood, wax, solder, and horsehair, Yuhan contemplates impermanence, miscommunication, and care, embracing …

How Much Touch Can The Paper Withstand?, Aldrin Regina Valdez

Theses and Dissertations

Between embodiment and disembodiment, Aldrin Regina Valdez’s works on paper map histories of care, violence, and mourning, both personal and collective. They ask: how much touch can the paper withstand?

Indeed, In A Way, It's Worse., Jani C. Zubkovs

Theses and Dissertations

This thesis investigates walking as both method and metaphor within an artistic practice grounded in photography. Through walking, I engage in a sustained act of seeing — one that resists the speed and consumption-driven logic of late capitalism and opens space for reflection, slowness, and heightened perception. My photographic work focuses on fragments of the built environment, particularly advertisements, signage, and residual human marks, reframing them through strategies of cropping, isolation, and recontextualization. These images question the distinction between original and reproduction, presence and absence, surface and depth. Drawing on thinkers such as Jonathan Crary, Luigi Ghirri, Siegfried Kracauer, and …

Studies About The World, And The Magical Principles Of Our Destructive Dynamics, Vanessa Georjana Sandoval Cuadrado

Theses and Dissertations

This thesis paper arises from an interest in how realities are fictional constructions. In it, I am exploring and questioning the separation between nature and culture, and how bodies are expressions of ecological relations. In this sense, I conceived the end of this world (the main subject of this paper) as an opening to the possibility of other worlds emerging.

Card Tables Are A Dime A Dozen, Art Is Rare, Shannon Pritchard

Theses and Dissertations

In this text, through the categories of truth and mimicry, discomfort, repetition, and bureaucracy, Shannon Pritchard dissects her studio practice. With a dedication to high craft, she investigates the world through the lens of the Freudian Uncanny, linking eerie subject matter to conspiracy mindset, mid-century politics, and personal relationships.

Displaced Nostalgia, Nava Derakhshani

Theses and Dissertations

Exploring themes of identity, displacement, gender, and belonging, this paper examines the artist's work and her approach to her art. She covers the many influences that she has access to while unable to visit her ancestral homelands. Acknowledging the translation that comes from this removal, her art is in conversation with other diasporic, exiled, marginalised groups. She makes art with various materials such as clay, shadow, light, and paint, to work on the themes that she is pursuing.

Paintings And Paintings, Anna T. Gregor

Theses and Dissertations

This thesis argues for a renewed distinction between mere paintings and capital-P Paintings, contending that meaning arises through sustained, reciprocal engagement between viewer and artwork. Amid "postmodern" disorientation, it proposes a reorientation toward individual works as sites of immanent logic and shared perception, rather than relying on external narratives or historical clichés.

The Function Of Art, Magdalen O. M. Pickering

Theses and Dissertations

With the help of machines and the powers of perception, Magdalen Pickering introduces logic to strange and fantastical subjects. The Function of Art explores a hybrid of techniques in painting, screenprinting, and computer generated imagery as Magdalen attempts to use generative printing to obscure art historical consciousness. The installation crosses into virtual reality; reframing textiles, landscapes, and the gallery space through a metaphysical lens.

E Is For Ephemera, E Rady

Theses and Dissertations

E is for Ephemera contends with an artist's role as a performer - traversing questions of identity, documentation, temporality, authority, power relations and implication of the self in response to systemic forces. Here, performances are treated as zones in which simulated scenarios sometimes offer various potential opportunities to resolve.

Folds, Bayan Abukiwan

Theses and Dissertations

This thesis uses the fold as an orienting metaphor and material gesture to linger on the minor details of intimacy that are severed by occupation and political violence. Through painting, drawing and ceramics, the work traces the more implicit modes of dehumanization—particularly in relation to Palestine—while engaging the domestic as a site of quiet and complexity. Influenced by artists like Jennifer Packer and Beatriz González, the practice embraces slowness, touch, and opacity to fold the viewer into a haptic encounter with the work.

The Logic Of Car Accidents And Other Digestive Processes, Rosalie G.L. Smith

Theses and Dissertations

In this essay the author explores the artistic process via an analogy with digestion. The author goes on to explain their work via components of their practice, described as organs.

The Spirit Of Things Sometimes Or Shrew Gazing, Mariel Rolwing Montes

Theses and Dissertations

Mariel Rolwing Montes’ paintings are viewed as though through a portal. Photography and collected objects are negotiated on the canvas through a collage logic, allowing for distortion through memory. In The Spirit of Things Sometimes or Shrew Gazing, Rolwing Montes contextualizes her work around references related to history, imagination, and mysticism.