Visual Studies Commons^™

New Mapping, Dowon Yoo

Masters Theses

Tools determine the shape of most of the worlds that are manufactured or measured. Taking the Earth as an example, territory is shaped and transformed by the tools of the earth's plate movement, the sea, and humans. A map, a recognized territory, is represented through numerical instruments, mathematical formulas, and visual devices such as lenses.

The instrumental perspective is one of the powerful lenses that will work effectively into the past, present, and future. So I started to apply an instrumental perspective to digital space. Digital space which is Non-physical has become one of the most important worlds for contemporary …

Step 10, Jinhong Cai

Masters Theses

Step 10 is an experiment on provoking empathy through

abstracted elements within my studio practice. I am

proposing to craft an emotional piece without leaning

on my identity. This written thesis consists of two parts:

narrative prose and an explanation of my studio practice.

While the installation is entirely devoid of cultural or

personal references, this text-based thesis is full of them

because it is intended to inform whoever is interested in

learning more about the motive behind this creation.

The questions I bought into the thought and creation

process are: Can a piece of art still successfully bring

out …

The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow

Electronic Theses and Dissertations

These thesis and exhibition, invite the viewers to travel through different places in Central and Eastern Kentucky. The region’s landscape, like many other American landscapes, is often known to the public through the settler colonial lens—a lens that ignores Indigenous peoples’ history in the region. The work in the exhibition is a response to landscape art's history and its complicity with American settler colonialism- art that was recruited to create a new identity for the settlers and for the country from the beginning of the American Colonial Project. Landscape art was a crucial part of this effort, presenting the land …

The Migrant Communities Of South Sioux City, Graciela Deanda

Honors Thesis

The Migrant Communities of South Sioux City is a photographic series that showcases the individual stories, intimate spaces, older generation insights and hopes for their future lives. Stories are a great way to connect with, inspire, and influence humans. Personal storytelling—the kind that reveals who we are and what we care about— are the most potent and effective ways to connect with the world around us. This project seeks out the stories of migrant workers living in the same region but from different countries. In this series, I ask questions to hear everyone’s stories and allows others to hear and …

Developing Mexico: History, Architecture, Photography, And Esther Born’S The New Architecture In Mexico, Tyler Considine

Theses and Dissertations

Esther Born’s The New Architecture in Mexico (1937) presents the first survey of Mexican modern architecture and documents early works by Luis Barragán, Juan O’Gorman, among other Mexican modernists. This thesis examines Born’s architectural photography alongside that of Lola Álvarez Bravo, Guillermo Kahlo, and other photographers and within discourses of modernity, history, and representation.

The Familiarity Of Hapticity Overrides The Rationality Of Sight: 'Hair Aesthetics' And Photographic Seeing, Diana Ferrell Mccready

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.

Middle Savannah River: An A/R/Tographic Ecopedagogical Ethnography Experimenting With Rhizomatic Perspectives, Lisa Augustine-Chizmar

Electronic Theses and Dissertations

This research is an experiment in perspective. Using the four commonplaces (Schwab, 1978), I practiced letting the Savannah River teach me what there is to know about the water, the land, the people, and the other entities that depend on ki through artistic, ethnographic, and ecopedagogical lenses. The ethnographic findings describe the social actors that depend on ki and give a voice to the River. The a/r/tographic findings display the River on a canvas map through two hundred years using paint, clay, photography, video, abstract acrylics, and fabric. Together, these methods contribute to a unique ecopedagogical journey. This word cloud …

Representing The Ali'i And Monarchy: Dress, Diplomacy, And Featherwork In Hawai'i, Tess Anderson

Scripps Senior Theses

When Native Hawaiians and haole (foreigners) first met, both participants belonged to fashion systems unknown to the other, composed of different materials, styles, tastes, standards, and construction techniques. As the outside world was introduced to the cultural heritage of Hawaiian hulu manu (featherwork), kūkaulani (chiefly fashion), and European skewed conceptions of Hawaiian indigeneity; the ali‘i (chiefs) and kama‘āina (commoners) received and adapted to incoming materials, technologies, and information. When these encounters transitioned into “prolonged contact” and settlement, dress and adornment proliferated in new ways. Analyzing the case studies of historic pā‘ū, holokū, ‘ahu'ula, and military uniforms shows the significance of …

Using Photovoice To Navigate Social-Ecological Change In Coastal Maine: A Case Study On Visibility, Visuality, And Visual Literacy, Kevin P. Duffy

Electronic Theses and Dissertations

Media representations of the environment support specific cultures of viewing that can create expectations about how to observe social-ecological interactions in everyday life. While public perceptions may appear, in some cases, to reflect these normative representations, more critical and participatory approaches to environmental research and management have begun to complicate these representations as they are negotiated through intrapersonal, interpersonal, and group communication. Working from a visual cultural approach that interrogates issues of visibility, visuality, and visual literacy, this dissertation theorizes how coastal residents represent their own observations and experiences of environmental change through photography and what impact their views have …

Edge Of A Dream, Lauren Schild

Honors Thesis

“Edge of a Dream” is a photographic series using both film and digital mediums to explore the moments right as a dream is ending and before you wake up. I chose this theme for my series after waking up one morning in the middle of a dream. I was awake and aware, but I could not remove myself from the dream. I decided to use this project as an opportunity to explore that state and attempt to understand how our minds create dreams in the first place. Each image uses a different set of surreal methods to recreate photographic representations …

Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks

Dissertations, Theses, and Capstone Projects

This research on the intersection of Literary Criticism, Latino Studies, Persona Studies, and Performance Studies has led me to question the accepted definitions of autoficción (Doubrovsky, Gasparini, Alberca, Casas, Schlikers) and expand that definition into a more multifaceted and operational term. Hence, I created auto®ficción, a new term describing the hybrid creations of a group of underrepresented contemporary Latinx authors living/producing/circulating their work in New York City, during the first two decades of the 21^st Century. For these authors, their life experiences and quotidian uses of this city’s spaces are the subjects of their work. Auto®ficción draws attention …

Picturing Rights, Judging Wrongs: Photography And The Emergence Of Human Rights, Austin Dilley

Senior Projects Spring 2021

Senior Project submitted to The Division of Social Studies of Bard College.

Reimagining The Black Body Through Portraiture: Interpreting The Functional And Societal Roles Of Photography And The Reconstructive Power Of Camera Technology And Photographic Images For African American Self Image, Robert Cain

CMC Senior Theses

This thesis addresses the multiple ways in which the medium of photography, and specifically the portrait photograph, enabled African Americans to visually contest degrading portrayals of blackness and reclaim stolen agency in producing depictions of self throughout the media and popular culture. The societal reverberations of camera technology on the emergence of black photographers like Richard Samuel Roberts, James VanDerZee, and Gordon Parks are analyzed, and the images taken by these artists are read against a history of racist stereotypes, reconsidered for their aesthetic contributions to the art world, and interpreted within the tradition of African American photography. A brief …

In/Visible, Raymond Thompson Jr

Graduate Theses, Dissertations, and Problem Reports

My MFA thesis and supporting exhibition focus on challenging the United States’ photographic archive that often left out African-American people. The work, through the use of appropriation and alternative photographic processes, disrupts America’s historical visual archive and notions that surround the white gaze. Through the unsettling of this visual space, new speculative narratives can be created to help imagine new futures. This work is the beginning of a process of mourning histories I have never known and reclaiming a place for myself and my family in the American landscape that is free of racial trauma.

Still, Unfolding, Ramolen Mencero Laruan

Electronic Thesis and Dissertation Repository

Together with my Master of Fine Art thesis exhibition, still, unfolding, at Zalucky Contemporary (Toronto, Ontario), this dossier constitutes the following accompanying components: a comprehensive artist statement, documented artwork, an interview with artist Erika DeFreitas, and a curriculum vitae. These components contextualize my subject-position, and outline theoretical research, motivations, and reflections that drive my work. I expand on the diasporic experience, politics of knowledge, and the autobiographical genre as they are linked methodologies in the retrieval of immigrant histories. The fusion of autobiography and fiction becomes a hopeful approach in challenging forgotten or omitted history and confronts the expectations …

Remixing The Archives: Indigenous Interpretations Of History And The Future, Marcella Ernest

American Studies ETDs

This dissertation examines how Native art makes critical interventions that are aesthetically and intellectually arranged with the intention of displacing the master narratives. The project tracks how film and photography—historically used by non-Native people as a tool of colonialism—are being reclaimed by the visual and sonic scholarship of contemporary Native artists. The project shows how multidisciplinary artists use technology to remix audiovisual archives from a specific time in American history: portrait photography and ethnographic filmmaking at the turn of the twentieth century, Hollywood’s frontier representations of Indianness in twentieth-century motion pictures, social guidance classroom films from the 1950s, and digital …

Imaginaire De La Fin, Icônes, Esthétique. (Ir)Représenter La Post-Apocalypse Dans La Bande Dessinée Et Le Cinéma Du Génocide Tutsi., Alain Agnessan

Electronic Thesis and Dissertation Repository

Cette étude sur la bande dessinée et le cinéma du génocide tutsi s’écarte de l’analyse désormais canonique des politiques mémorielles et pratiques testimoniales pour en investir le parti pris post-apocalyptique . Elle s’agence en deux volets, ou, plutôt, en deux lieux de regard. Envisageant l’imaginaire de la fin qui s’est constitué autour du génocide tutsi, le premier volet de l’étude s’attelle à décrire une scène « cross-traumatic » ou transtraumatique, appelée génoscape, sur laquelle la pensée, les images et les discours critiques lient le destin éthique, esthétique et épistémique du génocide tutsi à celui de la Shoah. Cette démarche …

Imaging Exploitation, Complexity, And Paradox In Subaltern Labor Photography, Mahnure Janis

Theses and Dissertations

Imaging Exploitation, Complexity, and Paradox in Subaltern Labor Photography is an expanded cinema performance examining 'cheap' labor in the fast fashion industry through a self-reflexive diasporic lens. The images and narration explores the garment factories in Bangladesh and contains ‘a photographer’s cognitive meta-data’, including ethical dilemmas while taking the images.

Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern

Bachelor of Fine Arts Senior Papers

I present this statement under three loose categories: People, Objects and their Environment. I consider People as human, Objects as art objects, domestic objects, and food, and Environment as the shared space of the former groups. Food directs this statement as I present each concept and creative process as a metaphorical dish. Material exploration carried me from a direct practice of reorienting acrylic paint and questioning object functionality through personified sculptures into theoretical thesis work in which I use interpersonal relations and the idea of consumption to translate tactile, gustatory and olfactory sensations into digital film. In this meal I …

Its Skin Is My Skin, Bryan Page

Graduate School of Art Theses

This text examines the complexity of attempting to empathize with bodies that are vastly othered from my own. This broad yet nuanced subject crosses epistemological boundaries and complicates the dualities between both the mind and body, and between the corporeal and the virtual. My desire to better understand the conditions of another’s experience originates from a painful traumatic loss which caused me to feel isolated and incomplete. In response to this suffering, I long to emotionally connect with other beings and create artwork that attempts to bridge the qualia of individual experience.

I am interested in the capacity (or lack …

Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo

Dissertations, Theses, and Capstone Projects

This thesis explores the life-work chronology of the dancers and choreographers Clotilde von Derp (whose surname then was Sakharoff) and Alexander Sakharoff, who were exiled in Montevideo, Uruguay, and Buenos Aires, Argentina, between 1941 and 1948. During their stay in the Rio de la Plata region, the Sakharoffs stirred up the art scene by performing extremely detailed dances with great attention to costume design. This thesis begins with a review of the reception of the dancers’ performances by the artistic and cultural circles in Montevideo, arguing that the Sakharoffs’ “queer” trajectory resonated with the Uruguayan artistic community, influencing the creation …

Recipe For Disaster, Zac Travis

MFA Thesis Exhibit Catalogs

Today’s rapid advances in algorithmic processes are creating and generating predictions through common applications, including speech recognition, natural language (text) generation, search engine prediction, social media personalization, and product recommendations. These algorithmic processes rapidly sort through streams of computational calculations and personal digital footprints to predict, make decisions, translate, and attempt to mimic human cognitive function as closely as possible. This is known as machine learning.

The project Recipe for Disaster was developed by exploring automation in technology, specifically through the use of machine learning and recurrent neural networks. These algorithmic models feed on large amounts of data as a …

In Black And White: Richmond’S Monument Avenue Recontextualized Through The Photographic Archive, Charlsa Anne Hensley

Theses and Dissertations--Art and Visual Studies

The release of the Monument Avenue Commission Report in July, 2018 was the culmination of over one year of research and collaboration with community members of Richmond, Virginia on how the city should approach the contentious history of Monument Avenue’s five Confederate centerpieces. What the monuments have symbolized within the predominately rich, white neighborhood and outside of its confines has been a matter of debate ever since they were unveiled, but the recent publicity accorded to Confederate monuments has led to considerations by historians, city leaders, and the public regarding recontextualization of Confederate monuments.

Recontextualization of the monuments should not …

The Zone, Jordon W. Soper

Senior Projects Spring 2019

There are places, soft spots, in our world where the membrane between realities and possibilities is thinner. Here the familiar constant fundamentals described by natural science to order our understanding of the world are inconsistent. Natural laws are stretched, warped, and refracted in chimeric distortions. To enter is to encounter the unreal and the unknowable, to comprehend the incomprehensible. The familiar and the unfamiliar intertwine and overlap. In the zone we see in circles, sensory experience expands, and minute details become revelations. At the fringes of consciousness and perception we meet with the shimmer of simultaneous wonder and terror.

Within …

“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales

Theses and Dissertations

After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.

Representation Of Settler Colonial Violence In Palestine, A Thesis In Support Of The Multi-Media Exhibition Choreographies Of Resistance, Rehab Nazzal

Electronic Thesis and Dissertation Repository

This project-based dissertation emerges from my engagement with theories of representation, settler colonialism, and genocide, as well as involvement with direct engagement through embodied experience of the Palestinian reality in the colonized West Bank during 2015–2017. The artworks and written components of this project seek to represent shards of the multilayered Western-Zionist settler colonial project in Palestine through a focus on the struggle and resilience of the Palestinian people and the endurance of their land. Land seizing as the aim of settler colonialism and the colonised bodies as sites of oppression and sites of resistance are central to the various …

A Womb With A View, Briauna Marie Falk

Senior Projects Spring 2018

I found my mother’s pregnancy diary when I was 12. The diary presents not only the story of my origin, but also the story of how my biological father left my mother. The diary gave me insight into what unfolded while I was growing inside her, and yet, many questions still remain unanswered. I have heard that trauma experienced by the mother is felt in utero alongside her – I worry one of the first feelings I felt was true sadness. Ideally the diary could answer my unresolved questions, but instead I am left to my imagination. The diary cannot …

Good Game, Greyory Blake

Theses and Dissertations

This thesis and its corresponding art installation, Lessons from Ziggy, attempts to deconstruct the variables prevalent within several complex systems, analyze their transformations, and propose a methodology for reasserting the soap box within the display pedestal. In this text, there are several key and specific examples of the transformation of various signifiers (i.e. media-bred fear’s transformation into a political tactic of surveillance, contemporary freneticism’s transformation into complacency, and community’s transformation into nationalism as a state weapon). In this essay, all of these concepts are contextualized within the exponential growth of new technologies. That is to say, all of these semiotic …

Regarding Aid: The Photographic Situation Of Humanitarianism, Sonya De Laat

Electronic Thesis and Dissertation Repository

Since the invention of photography, the medium has played an increasingly central role in shaping spectators’ imagination of distant suffering and calamitous experiences. The discourse of humanitarianism has evolved alongside photography and has relied on the medium to give it shape. Indeed, humanitarianism is and always has been a photographic situation, which is to say, photography has played and continues to play a significant role in constituting the very terms of humanitarianism, including how it is referenced, conceived, understood, and practiced. This dissertation is concerned with the historical role of photography in shaping the humanitarian imagination, as well as the …

Creative Advertising Portfolio, Hayley E. Sunderman

Senior Honors Projects, 2010-2019

Since I was a young child, all I wanted was to draw and write. I would compose entire binders of my artwork, as well as Microsoft Word documents of the beginnings of mystery novels. As I grew older, I let my self-doubt take over and I convinced myself that I was not talented enough to pursue any type of creative career path. I came into college as a Marketing major knowing that my future career options would be fairly vast. During my junior year, I realized my strong desire to work in creative advertising. Graphic design, copywriting, photography, videography, and …