Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Art Practice (5)
- History of Art, Architecture, and Archaeology (4)
- Art and Design (3)
- Photography (3)
- Fine Arts (2)
-
- Aesthetics (1)
- American Popular Culture (1)
- American Studies (1)
- Ancient, Medieval, Renaissance and Baroque Art and Architecture (1)
- Anthropology (1)
- Communication (1)
- Community-Based Learning (1)
- Comparative Literature (1)
- Contemporary Art (1)
- Critical and Cultural Studies (1)
- Demography, Population, and Ecology (1)
- Ethics and Political Philosophy (1)
- Feminist, Gender, and Sexuality Studies (1)
- Inequality and Stratification (1)
- International and Intercultural Communication (1)
- Modern Art and Architecture (1)
- Museum Studies (1)
- Other American Studies (1)
- Other Arts and Humanities (1)
- Other Film and Media Studies (1)
- Other Languages, Societies, and Cultures (1)
- Philosophy (1)
- Publication
- Publication Type
Articles 1 - 6 of 6
Full-Text Articles in Visual Studies
Photography And 21st-Century Migration, Sarah Bassnet, Blessy Augustine
Photography And 21st-Century Migration, Sarah Bassnet, Blessy Augustine
Visual Arts Publications
No abstract provided.
Family, Diaspora, And The Politics Of Care In Griselda San Martin’S The Wall , 2015-16, Sarah Bassnet
Family, Diaspora, And The Politics Of Care In Griselda San Martin’S The Wall , 2015-16, Sarah Bassnet
Visual Arts Publications
This article examines a series of photographs by Griselda San Martin, a Spanish journalist and documentary photographer based in New York City and Mexico City. The series focuses on the experiences of people at Friendship Park, a bi-national park located in the border region of San Diego, United States, and Tijuana, Mexico. Working in Tijuana, San Martin engaged with families as they attempted to connect with loved ones across the border in San Diego. Many of the people she met at Friendship Park had become separated from family members after living as undocumented migrants in the US and then being …
What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia
What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia
Languages and Cultures Publications
Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …
Undocumented Migration And Political Community In Susan Meiselas's Crossings Photographs, Sarah Bassnet
Undocumented Migration And Political Community In Susan Meiselas's Crossings Photographs, Sarah Bassnet
Visual Arts Publications
In 1989, Magnum photographer Susan Meiselas (b. 1948) photographed irregular border crossings in southern California. At the time, it was relatively easy for undocumented migrants from Central America and Mexico to cross between ports of entry, even as there was growing pressure on American officials to address border security.1 One photograph in Meiselas’s Crossings series depicts a border patrol officer apprehending a migrant off the interstate near Oceanside (fig. 1). Two torsos fill the center of the image. The officer grasps the man’s clothing, propelling him toward the nearby vehicle. With heads cut off by the frame and backs turned, …
Hand-Eye, Michael S. Pszczonak
Hand-Eye, Michael S. Pszczonak
Electronic Thesis and Dissertation Repository
This integrated article thesis has two distinct chapters: The first chapter is a case study on a selection of works by German artist Sigmar Polke using Hal Fosters writing on the historical and neo-avant-gardes. The study traces the way Polke revisits the first avant-garde project and comprehends its attempted traumatic rift from dominant ideologies for the first time. The second chapter is a comprehensive artist statement which simultaneously outlines the theoretical underpinnings of my work as well as the process leading to the body of work on display at McIntosh Gallery. The research sets out to answer the following question: …
Turning To See Otherwise, Jennifer L. Martin
Turning To See Otherwise, Jennifer L. Martin
Electronic Thesis and Dissertation Repository
This thesis dossier, in combination with an exhibition at the McIntosh Gallery, considers whether an archival collection can generate an alternative narrative other than that which may already exist in the original film and photographic documents. Rather than represent a singular truth, I seek to articulate the transformative realities of collective memory by re-orienting the material for broader viewer identification. I have mined photographic and filmic materials from a personal family archive to focus fragments that specifically record the gesture of the turning face—the turning towards the observer. This “turn” then includes both the turn towards the initial film-maker embedded …