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Visual Studies Commons

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Articles 1 - 3 of 3

Full-Text Articles in Visual Studies

Hand-Eye, Michael S. Pszczonak Aug 2015

Hand-Eye, Michael S. Pszczonak

Electronic Thesis and Dissertation Repository

This integrated article thesis has two distinct chapters: The first chapter is a case study on a selection of works by German artist Sigmar Polke using Hal Fosters writing on the historical and neo-avant-gardes. The study traces the way Polke revisits the first avant-garde project and comprehends its attempted traumatic rift from dominant ideologies for the first time. The second chapter is a comprehensive artist statement which simultaneously outlines the theoretical underpinnings of my work as well as the process leading to the body of work on display at McIntosh Gallery. The research sets out to answer the following question: …


Standing For Something Not Present: Contested Representations In Contemporary Art, Trista E. Mallory May 2015

Standing For Something Not Present: Contested Representations In Contemporary Art, Trista E. Mallory

Electronic Thesis and Dissertation Repository

This dissertation looks at the limits and possibilities for the representation of political conflicts in the Middle East through the work of three contemporary artists: Emily Jacir, Eric Baudelaire, and Jafar Panahi. Situated within a moment of increasing uncertainty and global unrest evidenced by the continuing involvement of the United States in various wars in the Middle East, the rise of new terrorist formations like ISIS, and the ongoing geopolitical struggle between Israel and Palestine, to name but a few examples, three interrelated questions are taken up in this study: Given the increasing pressure placed upon truth claims and the …


Greek At Chartres, William S. A. Dale Jan 2015

Greek At Chartres, William S. A. Dale

Visual Arts Publications

This study of the so-called Headmaster of the West Portals of Chartres Cathedral attempts to demonstrate that this sculptor was probably a Greek, as suggested by Revoil.


First, it describes the present setting of the West Portals, and reviews the evidence for their change in location. Next, it distinguishes between the hand of the Head Master and those of his associates in the carving of the column figures of all three doorways, and describes his illusionistic use of low relief and a form of linear projection in the Maiestas Domini of the central tympanum.


A brief demonstration of the difference …