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Articles 1 - 3 of 3
Full-Text Articles in Visual Studies
“Mortality’S Wilting Flower:” Terror Management Theory And Music In Animated Films, Lauren Bertsch
“Mortality’S Wilting Flower:” Terror Management Theory And Music In Animated Films, Lauren Bertsch
Senior Honors Projects
There’s something about animated films - so full of light and wonder - that invokes this “warm and fuzzy” feeling when you sit down to watch it. Yet an entire spectrum of human emotion is demanded from us as an audience. Buried in the heart of animated films are these dark themes, problems that lie in the bedrock of humanity. And it leaves us pondering: why? The answer may actually stretch back to when our species developed thought and reason. In 1973, American anthropologist Ernest Becker uncovered the mental foundation that allows us to live, function, and thrive in a …
Barrier-Breaking Women In Indian Cinema, Paulina Sobczak
Barrier-Breaking Women In Indian Cinema, Paulina Sobczak
Communication Student Works
During the last 100 years, Indian Cinema has played a major role in the influence of certain attitudes toward women in Indian society. Early on, women were portrayed as evil temptresses, sex symbols, and/or damsels in distress. These roles went against equality and were far more challenging for the women in Indian films. In 1954, a group of about 13,000 women petitioned the prime minister that these character types were unacceptable. They believed these films were having a negative effect on society, especially for the generations to come. This short documentary showcases the journey of the women who began this …
"Torture The Women": A Gaze At The Misogynistic Machinery Of Scary Cinema, Sarah Hankins
"Torture The Women": A Gaze At The Misogynistic Machinery Of Scary Cinema, Sarah Hankins
Copley Library Undergraduate Research Awards
A frightening truth remains that within horror-thriller films the experience of women is at the heart of the horrifying. This project analyses the effects of film media on the construction, fetishization, and destruction of female figures and engages with feminist critical concepts, such as Laura Mulvey’s “male gaze” and Linda Williams’ “body horror,” to evaluate Alfred Hitchcock’s film Vertigo (1958) and Satoshi Kon’s anime Perfect Blue (1997). Importantly, this essay critiques the misogynistic inner-workings of the horror-thriller genre typified in Vertigo—that evokes visual pleasure from objectification, victimization, and physical, often sexual, violence—and contrasts it with Kon’s anime. This paper finds …