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Full-Text Articles in Visual Studies
L’Italia, L’Altrove Luoghi, Spazi E Attraversamenti Nel Cinema E Nella Letteratura Sulla Migrazione, Simone Brioni Dr.
L’Italia, L’Altrove Luoghi, Spazi E Attraversamenti Nel Cinema E Nella Letteratura Sulla Migrazione, Simone Brioni Dr.
Department of English Faculty Publications
This monograph is a meditation on how transnational migrations have influenced how the sense of place and the politics of space are represented in literature and film about migration to, from and within Italy. It examines work produced in Italian and English, and it emphasizes how culture and national identity can be reconsidered in a more inclusive way within a world marked by increased mobility. The text is divided into three main sections – “Places”, “Spaces” and “Crossings” – each of which contains two chapters. Chapter 1 argues that bridges, as they are represented in literature, movies and paintings about …
Sensing Brownness: On Racialization, Perception, And Method, Amber Jamilla Musser
Sensing Brownness: On Racialization, Perception, And Method, Amber Jamilla Musser
Publications and Research
Maureen Catbagan’s Dark Matter (2020) photography series invites us into sensing brownness. In these images of museum passages and stairwells, silhouettes of museum guards, and evocative shadows, Catbagan presents the landscape of the museum. However, this may not be immediately recognizable because the photographs draw focus to the parts of museums to which we rarely pay attention. In particular, Catbagan’s attention to the presence of guards allows us to perceive dynamics of racialized and gendered labor and laborers who, in an echo of their architectural focus on minor, peripheral spaces and shadows, hover between the underrecognized and oft-neglected, thereby allowing …
Afroam: A Virtual Film Production Group, Bill Taylor Jr.
Afroam: A Virtual Film Production Group, Bill Taylor Jr.
Antioch University Dissertations & Theses
Because of the gatekeeping practices of the Hollywood film industry, and the high cost of both filmmaking and distribution in general, Afro-American filmmakers have struggled to produce films with “global reach.” This study visits the possibility of Afro-American filmmakers using alternative technologies and infrastructures to produce high-quality films, thereby bypassing the high cost and exclusionary practices of Hollywood studios. Using new 21st-century digital technology, this study involved the creation of a small geographically dispersed virtual film production team. The study’s foundational framework was a constructivist qualitative research paradigm, using Action Research, and supported by 24 months of triangulated data from …