Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- Adora (1)
- Animation (1)
- Character Design (1)
- Children's Animation (1)
- Contact zones (1)
-
- Curatorship (1)
- Disability Studies (1)
- Displacement (1)
- Documentary (1)
- European Union (1)
- Exhibition (1)
- Feminism (1)
- Feminist (1)
- Feminist Analysis (1)
- LGBT (1)
- LGBTQ (1)
- LGBTQIA+ (1)
- Migration (1)
- Migration crisis (1)
- Photography (1)
- Pittsburgh (1)
- Post-Colonial Theory (1)
- Queer Theory (1)
- She-Ra (1)
- She-Ra and the Princesses of Power (1)
- She-Ra: Princess of Power (1)
- United States (1)
Articles 1 - 2 of 2
Full-Text Articles in Visual Studies
She-Ra And The Princesses Of Power: An Intersectional Analysis Of A Modern Reboot, Laine Marshall
She-Ra And The Princesses Of Power: An Intersectional Analysis Of A Modern Reboot, Laine Marshall
Student Scholar Symposium Abstracts and Posters
Children’s animation offers the viewer a unique window into the nuances of current societal norms. Because children’s animation is made for the young, sensitive, and impressionable, it is carefully controlled and often heavily censored. Any statements made regarding the protagonist’s heroism or the villain’s malignity are meant to be accepted as universal truths for the growing minds of our youth. The recent 2018 Netflix and DreamWorks Animation animated reboot of the classic 1980's series "She-Ra: Princess of Power," now titled "She-Ra and the Princesses of Power," shook the animation industry with its groundbreaking representation and astounding visuals. Following its predecessor’s …
What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia
What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia
Languages and Cultures Publications
Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …