Visual Studies Commons^™

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

Lifelong Movie Goers, Hardworking Filmmakers, And Oscars Discourse, Haley Kamola

Student Scholar Symposium Abstracts and Posters

This paper focuses on the discourse surrounding the Academy Awards, often referred to as the Oscars. The differences in discourse between people working in the film industry and those who watch movies are analyzed, as they represent the supplier and recipient of films and filmmaking. These two groups offer varied perspectives on the topic. The discourse of another group, a group in-between–student filmmakers–is also analyzed. To many people, what makes a film “good” is quite subjective, so the Academy Awards are often a subject of discourse. One particular focus of discourse will be the 2024 Academy Awards. There were a …

Sensorial Memories: A Cinema Speculum In Aftersun(2022) And Petite Maman(2021), Tingyi Zhu

Student Scholar Symposium Abstracts and Posters

In her 1975 article "Visual Pleasure and Narrative Cinema," Laura Mulvey used psychoanalysis as a political weapon to critique the issue of the male gaze in traditional Hollywood narrative cinema. Mulvey's work is pioneering for feminist film studies but was criticized and reexamined among film and feminist scholars. Building on the precedent of Mulvey and the feminist research of Luce Irigaray, contemporary scholar Lucy Bolton has proposed the camera as an "Irigarayan speculum," explaining how certain contemporary films delve into female characters' inner worlds, creating them with subjectivity and diversity. Drawing on contemporary feminist film theories and phenomenology theories, I …

Comic Legacies Of The Japanese Silver Screen, Aaron Gerow, Xavi Sawada, David Baasch, Eugene Kwon, Adam Silverman, Anna Tropnikova, Chloe Yan

Film Series Commentaries

Pamphlet created for the film series “Comic Legacies of the Japanese Silver Screen” presented at Yale University from February to April, 2024. Starting with an introduction outlining the history of Japanese film comedy, the pamphlet contains plot summaries and commentaries on the following films:

Buddhist Mass for Goemon Ishikawa (1930, Saitō Torajirō) Fighting Friends (1929, Ozu Yasujirō) Romantic and Crazy (1934, Yamamoto Kajirō) Singing Lovebirds (1939, Makino Masahiro) Akanishi Kakita (1936, Itami Mansaku) Tange Sazen and the Pot Worth a Million Ryō (1935, Yamanaka Sadao) Room for Rent (1959, Kawashima Yūzō) Doctor’s Day Off (1952, Shibuya Minoru) Oh, My Bomb! …